2305 Wed 2 Aug 2017 LESSON
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E. Dhātumanasikāra Pabba
Niti Aayog’s Appraisal of the Twelfth Five Year Plan: Low manufacturing growth holds back job creation
Higher focus on capital-intensive and high-skilled sectors in India has
led to fast growth only in segments such as automobile and telecom
which do not employ low-skilled workers; as a result of this, vast
majority of workers remain concentrated in agriculture and unorganised
sectors
93) Classical Tamil-93)பாரம்பரிய இசைத்தமிழ் செம்மொழி
https://www.youtube.com/watch…
ပရိတ္္္ႀကီး(၁၁)သုတ္ The Eleven Maha Parittas Suttas of Protection
Published on Jun 13, 2012
ပရိတ္္္ႀကီး(၁၁)သုတ္
The Eleven Maha Parittas Suttas of Protection, recited by Mogok Nayaka Sayadaw ေအာင္စၾကာအရွင္ဦးစႏၵသိရီ U Sanda Thiri of Yangon.
More Dhamma Talks by Myanmar Sayadaws can be watched at http://www.myanmarnet.net .
https://www.youtube.com/watch?v=EwOzPYpXzn4
Tipitaka Chanting Ceremony 2014 - Live Webcast
Tipitaka Chanting ceremony organized by the International Tipitaka
Chanting organization will have its 12th chanting ceremony this time at
the historic audience hall of the Sri Dalada Maligawa, Kandy. Tipitaka
chanting ceremony had been held in India on several occasions and this
chanting is held in Sri lanka for the 4th time.
This ceremony was held at Anuradhapura at the premises of the
Sacred Bo Tree in the year 2011 and this chanting is performed at this
time at the Audience hall of Sri Dalada Maligawa for the 4th time.
Local and foreign Bikkus will participate to chant 30 Nos. selected
Sutta followed by a discussion at the end of each Sutta. With advice of
and guidance of the Most Venerable Nayaka Theros of Malwatta and
Asgiriya chapters Honorable Diyawadana Nilame has extended his
assistance and cooperation for Tipitaka chanting.
The Organizing
Committee headed by Madam Wangmo Dixey of “Light of Buddhadharma
Foundation International” is heartily requesting all Buddhists to
participate at this Tipitaka chanting ceremony on 19th 20th and 21st
December 2014.
Sri Dalada Maligawa Media Bureau
https://www.youtube.com/watch?v=9YOpSQpsWRU
Satipaṭṭhāna 101 Preamble : Classification of the Buddha’s Teachings
https://www.youtube.com/watch?v=kXS-lcDJlHo
Satipaṭṭhāna 102 Introduction : Significance and Background
https://www.youtube.com/watch?v=nH6SwLp1ttA
Satipaṭṭhāna 103 Overview - Structure of the Sutta
https://www.youtube.com/watch?v=zAJAmLdh2mw
Satipaṭṭhāna 104 Abstract I
This video is about Part 1 of the Abstract to the Satipatthana Sutta (MN 10)
https://www.youtube.com/watch?v=bcomvWmzgQI
Satipaṭṭhāna 105 Discussion D1 - What is sati?
This video shows participants’ discussion about the meaning of SATI and
presentations, followed by Ayasma Aggacitta’s view. 4 R’s of Sati
https://www.youtube.com/watch?v=ZaU3DkwepyU
Satipaṭṭhāna 106 Abstract II
https://www.youtube.com/watch?v=tZsq1Jal_mU
Satipaṭṭhāna 107 1.1 Section on In-Breath and Out-Breath
Chanting of Ānāpāna·pabba
Word Analysis: Parimukha 7:26
Instructions for D3 and D4 9:49
Q&A: What is “body in the body”? 12:15
Self-Practice of Ānāpānasati (no video)
https://www.youtube.com/watch?v=dBnHHgDHVuQ
Satipaṭṭhāna 109 Discussion D3 What is “whole body”?/How to “calm the bodily formation”
https://www.youtube.com/watch?v=yUFCtkW3_Fc
Satipaṭṭhāna 110 Discussion D4 How to contemplate internally/externally
https://www.youtube.com/watch?v=BC_3UBpRMEU
Satipaṭṭhāna 112 1.3 Section on Clear Knowing
https://www.youtube.com/watch?v=cWOimWD3X8g
Satipaṭṭhāna 113 Guided Meditation on Acting while Clearly Knowing
https://www.youtube.com/watch?v=hRpfT04P3XM
Satipaṭṭhāna 114 Discussion D5 How to dwell independently, without clinging
https://www.youtube.com/watch?v=P-aVYjenBTk
Satipaṭṭhāna 116 Question & Answers
https://www.youtube.com/watch?v=f9O0SvCizwI
Satipaṭṭhāna 205 Guided Meditation on Elements while Standing
https://www.youtube.com/watch?v=ZI7doDGIOiw
Satipaṭṭhāna 216 Guided Meditation on Mind
https://www.youtube.com/watch?v=vcR1Xgplfhw
Satipaṭṭhāna 217 Questions & Answers
What is nāma-rūpa? 0:09
Comments on Abhidhamma 4:44
When to switch from ānāpāna to cittānupassanā? 7:37
Combining ānāpāna, Mahasi and Sayadaw U Tejaniya methods 15:10
Is vipassanā insight or Mahasi method? 17:43
https://www.youtube.com/watch?v=flGDMxGFisw
Satipaṭṭhāna 300 Questions & Answers
Questions & Answers 16:12
A yogi’s experience of elements 00:30
Is the self form or consciousness? 5:22 05:52
For one not good at visualisation, how to meditate on body parts? 06:50
After removing and heaping up the body parts, can we reduce them to the elements? 09:01
Are the 4 elements conceptual or real? 10:40
How can Buddhist meditation and qigong be combined? 15:02
https://www.youtube.com/watch?v=OIH-_1oQSZw
Satipaṭṭhāna 304 Discussion D12 Under what conditions can the hindrances be observed?
Presentation 1:29
Explanation on Conditions for Prevention of Hindrances 15:33
Q&A: Shouldn’t the hindrances be contemplated only as and when they arise? 40:02
https://www.youtube.com/watch?v=JIsrXzXvyVc
Satipatthana 306 Discussion D13 How to contemplate the Aggregates
https://www.youtube.com/watch?v=hMtMERuHM_c&t=4s
Satipaṭṭhāna 307 4.3 Section on Sense Bases
https://www.youtube.com/watch?v=FJKCFTslOZo
Satipaṭṭhāna 308 Discussion D14 What is the fetter for each sense base?
https://www.youtube.com/watch?v=sbdpijeST5s
Satipaṭṭhāna 411 Questions & Answers
E. Dhātumanasikāra Pabba
Puna
ca·paraṃ, bhikkhave, bhikkhu imam·eva kāyaṃ yathā·ṭhitaṃ
yathā·paṇihitaṃ dhātuso paccavekkhati: ‘Atthi imasmiṃ kāye pathavī·dhātu
āpo·dhātū tejo·dhātū vāyo·dhātū’ ti.
Seyyathāpi,
bhikkhave, dakkho goghātako vā goghātak·antevāsī vā gāviṃ vadhitvā
catu·mahā·pathe bilaso vibhajitvā nisinno assa; evameva kho, bhikkhave,
bhikkhu imam·eva kāyaṃ yathā·ṭhitaṃ yathā·paṇihitaṃ dhātuso
paccavekkhati: ‘Atthi imasmiṃ kāye pathavī·dhātu āpo·dhātū tejo·dhātū
vāyo·dhātū’ ti.
Iti ajjhattaṃ vā kāye kāyānupassī
viharati, bahiddhā vā kāye kāyānupassī viharati, ajjhatta-bahiddhā vā
kāye kāyānupassī viharati; samudaya-dhamm·ānupassī vā kāyasmiṃ viharati,
vaya-dhamm·ānupassī vā kāyasmiṃ viharati, samudaya-vaya-dhamm·ānupassī
vā kāyasmiṃ viharati; ‘atthi kāyo’ ti vā pan·assa sati paccupaṭṭhitā
hoti, yāvadeva ñāṇa·mattāya paṭissati·mattāya,{1} a·nissito ca viharati,
na ca kiñci loke upādiyati. Evam·pi kho, bhikkhave, bhikkhu kāye
kāyānupassī viharati.
E. Section on the Elements
Furthermore,
bhikkhus, a bhikkhu reflects on this very kāya, however it is placed,
however it is disposed: “In this kāya, there is the earth element, the
water element, the fire element and the air element.”
Just as, bhikkhus, a skillful butcher or a
butcher’s apprentice, having killed a cow, would sit at a crossroads
cutting it into pieces; in the same way, bhikkhus, a bhikkhu reflects on
this very kāya, however it is placed, however it is disposed: “In this
kāya, there is the earth element, the water element, the fire element
and the air element.”
Thus he dwells observing kāya in kāya
internally, or he dwells observing kāya in kāya externally, or he dwells
observing kāya in kāya internally and externally; he dwells observing
the samudaya of phenomena in kāya, or he dwells observing the passing
away of phenomena in kāya, or he dwells observing the samudaya and
passing away of phenomena in kāya; or else, [realizing:] “this is kāya!”
sati is present in him, just to the extent of mere ñāṇa and mere
paṭissati, he dwells detached, and does not cling to anything in the
world. Thus, bhikkhus, a bhikkhu dwells observing kāya in kāya.
93) Classical tamil
93)பாரம்பரிய இசைத்தமிழ் செம்மொழி
E. நாற்பெரும் பூதங்கள் மேலான பிரிவு
மேலும்,
பிக்குக்களுக்களே, ஒரு பிக்கு, எவ்வகையிலேனும் அதை வைத்திருந்த போதும்,
எவ்வகையிலேனும் அதை அப்புறப்படுத்த போதும், இந்த உடல்/காயம் பிரதிபலிக்க
இந்த :”உடல்/காயத்தில் ,நிலவுலகம் மெய்ம்மூலம், தண்ணீர் மெய்ம்மூலம்,
நெருப்பு மெய்ம்மூலம், காற்று மெய்ம்மூலம் இருக்கிறது.
சம்மதம்போலே,பிக்குக்களுக்களே, ஒரு பயிற்சி பெற்ற கசாப்புக்காரர் அல்லது ஒரு
கசாப்புக்காரரிடம் தொழில் பழகுநர்,ஒரு பசு கொல்லுஞ் செயல் உடையவராயிரருந்து,
ஒரு
குறுக்கு வீதி உட்கார்ந்து எப்படி வெட்டி எடுக்கப்பட்டதோ; அதே போன்றே,
பிக்குக்களுக்களே, ஒரு பிக்கு, எவ்வகையிலேனும் அதை வைத்திருந்த போதும்,
எவ்வகையிலேனும் அதை அப்புறப்படுத்த போதும், இந்த உடல்/காயம் பிரதிபலிக்க
இந்த :”உடல்/காயத்தில் ,நிலவுலகம் மெய்ம்மூலம், தண்ணீர் மெய்ம்மூலம்,
நெருப்பு மெய்ம்மூலம், காற்று மெய்ம்மூலம் இருக்கிறது.
இவ்வாறு அவர்
kāya in kāya உடல்/காயத்தை காயதுக்குள் கண்காணி வாசம் செய்கிரார், அல்லது
காயத்தை காயதுக்கு வெளியே கண்காணி வாசம் செய்கிரார், அல்லது காயத்தை
காயதுக்கு உள்ளே மற்றும் வெளியே கண்காணி வாசம் செய்கிரார்;புலன்களால்
உணரத்தக்க எழுச்சி கண்காணி வாசம் செய்கிரார், மற்றும் புலன்களால்
உணரத்தக்கதை கடந்துசெல்லுவதை கண்காணித்து வாசம் செய்கிரார்; இல்லாவிடில்
எச்சரிக்கையாயிருக்கிற உணர் உடனிருக்கிறதை,சும்மா வெறும் ஓர்அளவு ஞானம்
மற்றும் ஓர்அளவு paṭissati என எண்ணி பற்றறு வாசம் செய்கிரார்.