TIPITAKA BUDDHA AND HIS DHAMMA
Suttas word by word
In this famous sutta, the Buddha reminds us to ultimately trust
only our own direct experience of the reality, not what is declared by
others, even if they happen to be our ‘revered teacher’.
in 01) Classical Magahi Magadhi/02) Classical Chandaso language/03)Magadhi Prakrit/04) Classical Hela Basa (Hela Language)/05) Classical Pali,
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29) Classical English,Roman
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Evaį¹ me sutaį¹: |
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Ekaį¹ samayaį¹ bhagavÄ kosalesu cÄrikaį¹ caramÄno mahatÄ bhikkhuĀ·saį¹ ghena saddhiį¹ yena kesamuttaį¹ nÄma kÄlÄmÄnaį¹ nigamo tadĀ·avasari. Assosuį¹ kho kesamuttiyÄ kÄlÄmÄ: āsamaį¹o khalu, bho, gotamo sakyaĀ·putto sakyaĀ·kulÄ pabbajito kosalesu cÄrikaį¹ caramÄno mahatÄ bhikkhuĀ·saį¹ ghena saddhiį¹ kesamuttaį¹ anuppatto. Taį¹ kho pana bhavantaį¹ gotamaį¹ evaį¹ kalyÄį¹o kittisaddo abbhuggato: āitipi so BhagavÄ arahaį¹ sammÄĀ·sambuddho, vijjÄĀ·caraį¹aĀ·sampanno, sugato, lokaĀ·vidÅ«, anuttaro purisaĀ·dammaĀ·sÄrathi, satthÄ devaĀ·manussÄnaį¹, Buddho BhagavÄĀ·ti. So imaį¹ lokaį¹ saĀ·devaĀ·kaį¹ saĀ·mÄraĀ·kaį¹ saĀ·brahmaĀ·kaį¹ saĀ·sĀ·samaį¹aĀ·brÄhmaį¹iį¹ pajaį¹ saĀ·devaĀ·manussaį¹ sayaį¹ abhiĆ±Ć±Ä sacchikatvÄ pavedeti. So dhammaį¹ deseti ÄdiĀ·kalyÄį¹aį¹ majjheĀ·kalyÄį¹aį¹ pariyosÄnaĀ·kalyÄį¹aį¹ sÄtthaį¹ saĀ·byaƱjanaį¹; kevalaĀ·paripuį¹į¹aį¹ parisuddhaį¹ brahmacariyaį¹ pakÄsetiā. SÄdhu kho pana tathÄrÅ«pÄnaį¹ arahataį¹ dassanaį¹ hotÄ«āti. |
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Atha kho kesamuttiyÄ kÄlÄmÄ yena bhagavÄ tenĀ·upasaį¹ kamiį¹su; upasaį¹ kamitvÄ appĀ·ekacce bhagavantaį¹ abhivÄdetvÄ ekamĀ·antaį¹ nisÄ«diį¹su; appĀ·ekacce bhagavatÄ saddhiį¹ sammodiį¹su, sammodanÄ«yaį¹ kathaį¹ sÄraį¹Ä«yaį¹ vÄ«tisÄretvÄ ekamĀ·antaį¹ nisÄ«diį¹su; appĀ·ekacce yena bhagavÄ tenĀ·aƱjaliį¹ paį¹ÄmetvÄ ekamĀ·antaį¹ nisÄ«diį¹su; appĀ·ekacce nÄmaĀ·gottaį¹ sÄvetvÄ ekamĀ·antaį¹ nisÄ«diį¹su; appĀ·ekacce tuį¹hÄ«bhÅ«tÄ ekamĀ·antaį¹ nisÄ«diį¹su. EkamĀ·antaį¹ nisinnÄ kho te kesamuttiyÄ kÄlÄmÄ bhagavantaį¹ etadĀ·avocuį¹: |
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ā This, KÄlÄmas, is what I said: “Do not go, you KÄlÄmas, by what you have |
Etha tumhe, kÄlÄmÄ, mÄ anussavena, mÄ paramĀ·parÄya, mÄ itiĀ·kirÄya, mÄ piį¹akaĀ·sampadÄnena, mÄ takkaĀ·hetu, mÄ nayaĀ·hetu, mÄ ÄkÄraĀ·parivitakkena, mÄ diį¹į¹hiĀ·nijjhÄnaĀ·kkhantiyÄ, mÄ bhabbaĀ·rÅ«patÄya, mÄ āsamaį¹o no garÅ«āti. YadÄ tumhe, kÄlÄmÄ, attanÄĀ·va jÄneyyÄtha: āime dhammÄ kusalÄ, ime dhammÄ anavajjÄ, ime dhammÄ viƱƱuĀ·ppasatthÄ, ime dhammÄ samattÄ samÄdinnÄ hitÄya sukhÄya saį¹vattantÄ«āti, atha tumhe, kÄlÄmÄ, upasampajja vihareyyÄtha. |
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ā This, KÄlÄmas, is what I said: “Do not go, you KÄlÄmas, by what you have |
Sa kho so kÄlÄmÄ ariyaĀ·sÄvako evaį¹ vigatĀ·Äbhijjho vigatÄĀ·byÄpÄdo aĀ·sammÅ«įø·ho sampajÄno patissato mettÄĀ·sahagatena cetasÄ ekaį¹ disaį¹ pharitvÄ viharati, tathÄ dutiyaį¹ tathÄ tatiyaį¹ tathÄ catutthaį¹; iti uddhamĀ·adho tiriyaį¹ sabbadhi sabbattatÄya sabbÄvantaį¹ lokaį¹ mettÄĀ·sahagatena cetasÄ vipulena mahaggatena appamÄį¹ena averena abyÄpajjhena pharitvÄ viharati. |
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Karuį¹ÄĀ·sahagatena cetasÄ ekaį¹ disaį¹ pharitvÄ viharati, tathÄ dutiyaį¹ tathÄ tatiyaį¹ tathÄ catutthaį¹; iti uddhamĀ·adho tiriyaį¹ sabbadhi sabbattatÄya sabbÄvantaį¹ lokaį¹ karuį¹ÄĀ·sahagatena cetasÄ vipulena mahaggatena appamÄį¹ena averena abyÄpajjhena pharitvÄ viharati. |
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MuditÄĀ·sahagatena cetasÄ ekaį¹ disaį¹ pharitvÄ viharati, tathÄ dutiyaį¹ tathÄ tatiyaį¹ tathÄ catutthaį¹; iti uddhamĀ·adho tiriyaį¹ sabbadhi sabbattatÄya sabbÄvantaį¹ lokaį¹ muditÄĀ·sahagatena cetasÄ vipulena mahaggatena appamÄį¹ena averena abyÄpajjhena pharitvÄ viharati. |
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UpekkhÄĀ·sahagatena cetasÄ ekaį¹ disaį¹ pharitvÄ viharati, tathÄ dutiyaį¹ tathÄ tatiyaį¹ tathÄ catutthaį¹; iti uddhamĀ·adho tiriyaį¹ sabbadhi sabbattatÄya sabbÄvantaį¹ lokaį¹ upekkhÄĀ·sahagatena cetasÄ vipulena mahaggatena appamÄį¹ena averena abyÄpajjhena pharitvÄ viharati. |
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Sa kho so, kÄlÄmÄ, ariyaĀ·sÄvako evaį¹ averaĀ·citto evaį¹ aĀ·byÄpajjhaĀ·citto evaį¹ aĀ·saį¹kiliį¹į¹haĀ·citto evaį¹ visuddhaĀ·citto, tassa diį¹į¹heva dhamme cattÄro assÄsÄ adhigatÄ honti: |
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Sa kho so, kÄlÄmÄ, ariyaĀ·sÄvako evaį¹ averaĀ·citto evaį¹ aĀ·byÄpajjhaĀ·citto evaį¹ aĀ·saį¹kiliį¹į¹haĀ·citto evaį¹ visuddhaĀ·citto, tassa diį¹į¹heva dhamme ime cattÄro assÄsÄ adhigatÄ hontÄ«Ā·ti. |
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Sa kho so, bhante, ariyaĀ·sÄvako evaį¹ averaĀ·citto evaį¹ aĀ·byÄpajjhaĀ·citto evaį¹ aĀ·saį¹kiliį¹į¹haĀ·citto evaį¹ visuddhaĀ·citto, tassa diį¹į¹heva dhamme ime cattÄro assÄsÄ adhigatÄ honti. |
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Abhikkantaį¹, bhante, abhikkantaį¹, bhante! SeyyathÄpi bhante nikkujjitaį¹ vÄ ukkujjeyya, paį¹icchannaį¹ vÄ vivareyya, mÅ«įø·hassa vÄ maggaį¹ Äcikkheyya, andhakÄre vÄ telaĀ·pajjotaį¹ dhÄreyya: ācakkhumanto rÅ«pÄni dakkhantÄ«āti; evamĀ·evaį¹ bhagavatÄ anekaĀ·pariyÄyena dhammo pakÄsito. Ete mayaį¹, bhante, bhagavantaį¹ saraį¹aį¹ gacchÄma dhammaƱca bhikkhuĀ·saį¹ ghaƱca. UpÄsake no, bhante, bhagavÄ dhÄretu ajjatagge pÄį¹upete saraį¹aį¹ gate ti. |
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Notes1. anussava: [anu+sava] The term is clearly used with the meaning of ‘report’ at MN 68: |
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So it seems that the word anussava is rather used in this case in the sense of ‘lore/tradition’: |
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2. paramparÄ: [para+para] It is obviously an idiomatic expression, which is not precisely
In the ParivÄra of the Vinaya, the word ÄcariyaĀ·paramparÄ means obviously ‘lineage of teachers’, but this may belong to relatively late literature. At MN 83 ‘paramparÄ caturÄsÄ«tirÄjasahassÄni’ means ‘84000 successive kings’ (even though this sutta seems to be of relatively late origin too). And at MN 95 and 99, regarding the vedic hymns, it is said: |
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We find as well (as at MN 76) the compound itihitihaĀ·parampara, which is also usually associated with anussava and piį¹akaĀ·sampada (’what has been transmitted dofmatically’, ‘what has been handed down in a collection of texts’), and it seems that the simple parampara we have here is a shortening of this term. The reduplication itihĀ·itiha (’thus-thus’) seems to refer to So according to the early exegesis, and keeping in mind the examples found at MN 95 and 99, itihĀ·itihaĀ·paramĀ·para could mean ‘what has been transmitted dogmatically’. And since the reduplication paramĀ·para 3. itiĀ·kira: [iti+kira] 4. piį¹akasampadÄna: [piį¹aka+sampadÄna] 5. takkaĀ·hetu: |
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6. nayaĀ·hetu: 7. ÄkÄraĀ·parivitakka: reflection on reasons, reasoned reflection (B. Bodhi) - analogies (Than. B.) - specious reasoning (Soma Th.). ÄkÄra 8. diį¹į¹hiĀ·nijjhÄnaĀ·kkhanti: |
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So it is clear that nijjhÄnaĀ·kkhanti refers to an intellectual acceptation that involves some moderate application of paƱƱÄ, but which is not enough yet to come to a definite conclusion. See the example of the elephant footprints given at MN 27. Therefore, ‘agreement after pondering views’ seems to be an appropriate rendering for diį¹į¹hiĀ·nijjhÄnaĀ·kkhanti.
9. bhabbaĀ·rÅ«patÄ:
the seeming competence of a speaker (B. Bodhi) - probability (Than. B.)
- another’s seeming ability (Soma Th.). B. Bodhi and Soma Th. simply
follow the Aį¹į¹hakathÄ (older commentary). The Aį¹į¹hakathÄ, mentions a
speaker as being a bhikkhu, but that doesn’t fit the context of the
KÄlÄmas (who have been seeing ascetics of different origin), and there
is no mention of any speaker in this expression. The term appears only
once at Ud 70, in a very obscure verse (’mohasambandhano loko, bhabbarÅ«pova dissati’)
out of which it is difficult to draw any clear conclusion, all the more
that the Aį¹į¹hakathÄ seems to take it rather as ‘bhavarÅ«pova’.
Bhabba means ‘able, capable, fit for, possible’, and is mostly used in the latter sense. RÅ«patÄ
means ‘appearance, accordance, conformity’. Two renderings seem to fit
the context: ‘what seems possible’, ‘what seems probable’. That might
refer for example to choosing the most adequate rendering for a
translation.
https://www.youtube.com/watch?v=ucmaYY3_QAw
The Way of the Buddha - El Camino de el Buda
revivirconciencia
Published on Jul 22, 2019
āKÄlÄmÄs, fue por esto que dijimos: āVenid vosotros KÄlÄmÄs. No
aceptĆ©is por tradiciĆ³n oral, no por linaje de la enseƱanza, no por
rumores, no por colecciĆ³n de escrituras, no a causa de la lĆ³gica, no a
causa de la inferencia, no por consideraciĆ³n de causas, no por
aceptaciĆ³n reflexiva de una idea, no por la competencia [del maestro],
no porque el asceta es nuestro maestro.
Pero, KÄlÄmÄs, cuando vosotros comprendĆ”is en vosotros mismos: āEstas
cosas son insanas, estas cosas son reprochables, estas cosas son
censuradas por los sabios, estas cosas, cuando aceptadas y practicadas,
conducen al sufrimiento y perjuicio, entonces, KÄlÄmÄs, vosotros
deberĆais abandonarlas’. Por esta razĆ³n esto fue dicho.ā
āVenid vosotros KÄlÄmÄs. No aceptĆ©is por tradiciĆ³n oral, no por linaje
de la enseƱanza, no por rumores, no por colecciĆ³n de escrituras, no a
causa de la lĆ³gica, no a causa de la inferencia, no por consideraciĆ³n de
causas, no por aceptaciĆ³n reflexiva de una idea, no por la competencia
[del maestro], no porque el asceta es nuestro maestro. Pero, KÄlÄmÄs,
cuando vosotros comprendĆ”is en vosotros mismos: āEstas cosas son sanas,
estas cosas son irreprochables, estas cosas son elogiadas por los
sabios, estas cosas, cuando aceptadas y practicadas, conducen a la
felicidad y beneficio, entonces, KÄlÄmÄs, vosotros, habiendo
comprendido, deberĆais morar [en ellas].
AN 3,65 Kesamutti Sutta (Kalama Sutta) - Discurso a los Kalamas de Kesamutti
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Ā§ 3. Buddha’s Birth
1. To Suddhodana was born Siddharth Gautama, and
this was the manner of Gautama’s birth.
2. It was a custom among the Sakyas to observe an
annual midsummer festival which fell in the month of Ashad. It was celebrated
by all the Sakyas throughout the State, and also by the members of the
ruling family.
3. It was the usual practice to celebrate the festival
for seven days.
4. On one occasion Mahamaya decided to observe the
festival with gaiety, with splendour, with flowers, with perfume, but without
drinking intoxicants.
5. On the seventh day she rose early, bathed in
scented water, bestowed a gift of 4,00,000 pieces of money as alms, adorned
herself with all precious ornaments, ate [the] choicest food, took upon
herself the fast-day vows, and entered the splendidly adorned royal bedchamber
to sleep.
6. That night Suddhodana and Mahamaya came together,
and Mahamaya conceived. Lying on the royal bed, she fell asleep. While
asleep she had a dream.
7. In her dreams she saw that the four world-guardians
raised her as she was sleeping on her bed and carried her to the
tableland of the Himalayas, placed her under a great sal tree, and stood
on one side.
8. The wives of the four world-guardians then approached,
and took her to the lake Mansarovar.
9. They bathed her, robed her in a dress, anointed
her with perfumes, and decked her with flowers in a manner fit to meet
some divinity.
10. Then a Bodhisatta, by name Sumedha, appeared
before her saying, “I have decided to take my last and final birth on this
earth, will you consent to be my mother?” She said, “Yes, with great pleasure.”
At this moment Mahamaya awoke.
11. Next morning Mahamaya told her dream to Suddhodana.
Not knowing how to interpret the dream, Suddhodana summoned eight Brahmins
who were most famous in divination.
12. They were Rama, Dhaga, Lakkana, Manti, Yanna,
Suyama, Subhoga, and Sudatta and prepared for them a befitting reception.
13. He caused the ground to be strewn with festive
flowers, and prepared high seats for them.
14. He filled the bowls of the Brahmins with gold
and silver, and fed them on cooked ghee, honey, sugar, and excellent rice
and milk. He also gave them other gifts, such as new clothes and tawny
cows.
15. When the Brahmins were propitiated, Suddhodana
related to them the dream Mahamaya had [had], and said, ” Tell me what
it means.”
16. The Brahmins said, “Be not anxious. You will
have a son, and if he leads a householder’s life he will become a universal
monarch, and if he leaves his home and goes forth into a homeless state,
and becomes a sanyasi, he will become a Buddha, a dispeller of illusions
in the world.”
17. Bearing the Bodhisatta in her womb like oil
in a vessel for ten lunar months, Mahamaya, as her time of delivery was
coming nearer, desired to go to her parents’ home for delivery. Addressing
her husband, she said, ” I wish to go to Devadaha, the city of my father.”
18. “Thou knowest that thy wishes will be done,”
replied Suddhodana. Having seated her in a golden palanquin borne by couriers,
he sent her forth with a great retinue to her father’s house.
19. Mahamaya, on her way to Devadaha, had to pass
through a pleasure-grove of sal trees and other trees, flowering and non-flowering.
It was known as the Lumbini Grove.
20. As the palanquin was passing through it, the
whole Lumbini Grove seemed like the heavenly Cittalata grove or like a
banqueting pavilion adorned for a mighty king.
21. From the roots to the tips of the branches the
trees were loaded with fruits, flowers and numberless bees of the fine
colours, uttering curious sounds, and flocks of various kinds of birds,
singing sweet melodies.
22. Witnessing the scene, there arose a desire in
the heart of Mahamaya for halting and sporting therein for a while. Accordingly
she told the couriers to take her in[to] the sal-grove and wait there.
23. Mahamaya alighted from her palanquin and walked
up to the foot of a royal sal tree. A pleasant wind, not too strong, was
blowing, and the boughs of the trees were heaving up and down, and Mahamaya
felt like catching one of them.
24. Luckily one of the boughs heaved down sufficiently
low to enable her to catch it. So she rose on her toes and caught the bough.
Immediately she was lifted up by its upward movement, and being shaken,
she felt the pangs of childbirth. While holding the branch of the sal tree
she was delivered of a son in a standing position.
25. The child was born in the year 563 B.C. on the
Vaishakha Paurnima day.
26. Suddhodana and Mahamaya were [=had been] married
for a long time. But they had no issue. Ultimately [=finally] when a son
was born to them, his birth was celebrated with great rejoicing, with great
pomp and ceremony, by Suddhodana and his family and also by the Sakyas.
27. At the time of the birth of the child it was
the turn of Suddhodana to be the ruler of Kapilavatsu, and as such [he]
was in the enjoyment of the title of Raja. Naturally the boy was called
Prince.
https://www.youtube.com/watchā¦
Relaxing Music with Amazing Nature Scenery HD Video 1080p - 6 Hours
LoungeV Films - Relaxing Music and Nature Sounds
Published on Nov 30, 2016
6 hours of super relaxing music with amazing nature scenery HD Video
(1080p), 300 most beautiful landscapes. This video is a mix of footage
recorded by LoungeV studio with some of the most relaxing music tracks
from various composers listed below.
Relax Music rights belong to the following artists:
“Music for Manatees”, Relaxing Piano Music”, “Peace of mind”, “Fluidscape” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/b…
We also purchased the rights for the following tracks: “Dreamscape” by Silencio music and “Amazon Evening” by Bjirn Lynne
Copyright Ā© 2011-2018
Contact us for licensing questions: http://www.loungev.com/contact/
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http://wisdomquotes.com/buddha-quotes/
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įįįį»įįįįį¼į:
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į į¼įįįį¶įįįįį¶įįįįį į¼įįįį¢įįį
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į¢įįįįįŗįį¶į¢įįįįįįįįįįį įįøįįį¶įįį¹įįį¶įįį¼įįįįįįįį·įįį¾įįįįįį¢įįįįį¶įįįįįįįįøįį·įįįįį·įįįįįį¢įįįį
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įįįįįįį¢įį:
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įį·įįįį¶įįįįį
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https://www.youtube.com/watch?v=0pivV3DVIhI
24 buddha quotes that will make you wiser - Part 1
KNOW EVERYTHING
Published on Dec 7, 2018
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People & Blogs
https://www.youtube.com/watchā¦
Music for Zen Meditation, Tai Chi, Relaxation, Sleep & Beyond - Shastro & Raphael
Inspiring Music - Malimba Records
Published on Jan 12, 2015
The intent of Shastro and Raphael in creating this album was to provide
one hour of music to help listeners access a deeper space within
themselves. For this reason a particular emphasis was put not only on
the notes that are being played but also on the silences in between
them. The result of this dialectical process is a profound space where
one can let go into the music and relax deeply into the present moment.
The main format of the album is that of improvisation between two
beautiful acoustic instruments - harp and clarinet - creating a dialogue
that feels always spontaneous, fresh and alive with loving presence.
This music will be the ideal companion for any activity - or
non-activity! - where this delicate balance between sound and silence is
required, where a meditative space is desired.
Category
Music
in 01) Classical Magahi Magadhi,
02) Classical Chandaso language,
03)Magadhi Prakrit,
04) Classical Hela Basa (Hela Language),
05) Classical Pali,
06) Classical Devanagari,Classical Hindi-Devanagari- ą¤¶ą¤¾ą¤øą„ą¤¤ą„ą¤°ą„ą¤Æ ą¤¹ą¤æą¤ą¤¦ą„,
07) Classical Cyrillic
08) Classical Afrikaansā Klassieke Afrikaans
09) Classical Albanian-Shqiptare klasike,
10) Classical Amharic-į įįįį į įįį,
11) Classical Arabic-Ų§ŁŁŲŗŲ© Ų§ŁŲ¹Ų±ŲØŁŲ© Ų§ŁŁŲµŲŁ
12) Classical Armenian-Õ¤Õ”Õ½Õ”ÕÆÕ”Õ¶ Õ°Õ”ÕµÕ„ÖÕ„Õ¶,
13) Classical Azerbaijani- Klassik AzÉrbaycan,
14) Classical Basque- Euskal klasikoa,
15) Classical Belarusian-ŠŠ»Š°ŃŃŃŠ½Š°Ń Š±ŠµŠ»Š°ŃŃŃŠŗŠ°Ń,
16) Classical Bengali-ą¦ą§ą¦²ą¦¾ą¦øą¦æą¦ą§ą¦Æą¦¾ą¦² ą¦¬ą¦¾ą¦ą¦²ą¦¾,
17) Classical Bosnian-KlasiÄni bosanski,
18) Classical Bulgaria- ŠŠ»Š°ŃŠøŃŠµŃŠŗŠø Š±ŃŠ»Š³Š°ŃŃŠŗ,
19) Classical Catalan-CatalĆ clĆ ssic
20) Classical Cebuano-Klase sa Sugbo,
21) Classical Chichewa-Chikale cha Chichewa,
22) Classical Chinese (Simplified)-å¤å øäøęļ¼ē®ä½ļ¼,
23) Classical Chinese (Traditional)-å¤å øäøęļ¼ē¹é«ļ¼,
24) Classical Corsican-Corsa Corsicana,
25) Classical Croatian-KlasiÄna hrvatska,
26) Classical Czech-KlasickĆ” ÄeÅ”tina,
27) Classical Danish-Klassisk dansk,Klassisk dansk,
28) Classical Dutch- Klassiek Nederlands,
29) Classical English,Roman
30) Classical Esperanto-Klasika Esperanto,
31) Classical Estonian- klassikaline eesti keel,
32) Classical Filipino klassikaline filipiinlane,
33) Classical Finnish- Klassinen suomalainen,
34) Classical French- FranƧais classique,
35) Classical Frisian- Klassike Frysk,
36) Classical Galician-ClƔsico galego,
37) Classical Georgian-įįįį”įįį£į į į„įį įį£įį,
38) Classical German- Klassisches Deutsch,
39) Classical Greek-ĪĪ»Ī±ĻĻĪ¹ĪŗĪ¬ ĪĪ»Ī»Ī·Ī½Ī¹ĪŗĪ¬,
40) Classical Gujarati-ąŖą«ąŖ²ąŖ¾ąŖøąŖæąŖąŖ² ąŖą«ąŖąŖ°ąŖ¾ąŖ¤ą«,
41) Classical Haitian Creole-Klasik kreyĆ²l,
42) Classical Hausa-Hausa Hausa,
43) Classical Hawaiian-Hawaiian Hawaiian,
44) Classical Hebrew- ×¢××Ø××Ŗ ק×××”××Ŗ
45) Classical Hmong- Lus Hmoob,
46) Classical Hungarian-Klasszikus magyar,
47) Classical Icelandic-KlassĆsk Ćslensku,
48) Classical Igbo,KlassĆskt Igbo,
49) Classical Indonesian-Bahasa Indonesia Klasik,
50) Classical Irish-IndinƩisis Clasaiceach,
51) Classical Italian-Italiano classico,
52) Classical Japanese-å¤å øēćŖć¤ćæćŖć¢čŖ,
53) Classical Javanese-Klasik Jawa,
54) Classical Kannada- ą²¶ą²¾ą²øą³ą²¤ą³ą²°ą³ą²Æ ą²ą²Øą³ą²Øą²”,
55) Classical Kazakh-ŠŠ»Š°ŃŃŠøŠŗŠ°Š»ŃŅ ŅŠ°Š·Š°Ņ,
56) Classical Khmer- įįįįįįį»įį¶į,
57) Classical Korean-ź³ ģ ķźµģ“,
58) Classical Kurdish (Kurmanji)-KurdĆ® (KurmancĆ®),
59) Classical Kyrgyz-ŠŠ»Š°ŃŃŠøŠŗŠ°Š»ŃŠŗ ŠŃŃŠ³ŃŠ·,
60) Classical Lao-ąŗąŗ„ąŗ²ąŗŖąŗŖąŗ“ąŗąŗ„ąŗ²ąŗ§,
61) Classical Latin-LXII) Classical Latin,
62) Classical Latvian-KlasiskÄ latvieÅ”u valoda,
63) Classical Lithuanian-KlasikinÄ lietuvių kalba,
64) Classical Luxembourgish-Klassesch LĆ«tzebuergesch,
65) Classical Macedonian-ŠŠ»Š°ŃŠøŃŠµŠ½ Š¼Š°ŠŗŠµŠ“Š¾Š½ŃŠŗŠø,
66) Classical Malagasy,ŠŗŠ»Š°ŃŠøŃŠµŠ½ Š¼Š°Š»Š³Š°ŃŠŗŠø,
67) Classical Malay-Melayu Klasik,
68) Classical Malayalam-ą“ąµą“²ą“¾ą“øą“æą“ąµą“ąµ½ ą“®ą“²ą“Æą“¾ą“³ą“,
69) Classical Maltese-Klassiku Malti,
70) Classical Maori-Maori Maori,
71) Classical Marathi-ą¤ą„ą¤²ą¤¾ą¤øą¤æą¤ą¤² ą¤®ą¤¾ą¤ą¤°ą„,
72) Classical Mongolian-Š”Š¾Š½Š³Š¾Š“Š¾Š³ ŠŠ¾Š½Š³Š¾Š»,
73) Classical Myanmar (Burmese)-Classical įį¼įįŗįį¬ (įįį¬),
74) Classical Nepali-ą¤¶ą¤¾ą¤øą„ą¤¤ą„ą¤°ą„ą¤Æ ą¤®ą„ą¤Æą¤¾ą¤ą¤®ą¤¾ą¤° (ą¤¬ą¤°ą„ą¤®ą¤¾),
75) Classical Norwegian-Klassisk norsk,
76) Classical Pashto- Ł¼ŁŁŚ«Ū Ł¾ŚŲŖŁ
77) Classical Persian-Ś©ŁŲ§Ų³ŪŚ© ŁŲ§Ų±Ų³Ū
78) Classical Polish-JÄzyk klasyczny polski,
79) Classical Portuguese-PortuguĆŖs ClĆ”ssico,
80) Classical Punjabi-ąØąØ²ąØ¾ąØøą©ąØąØ² ąØŖą©°ąØąØ¾ąØ¬ą©,
81) Classical Romanian-Clasic romĆ¢nesc,
82) Classical Russian-ŠŠ»Š°ŃŃŠøŃŠµŃŠŗŠøŠ¹ ŃŃŃŃŠŗŠøŠ¹,
83) Classical Samoan-Samoan Samoa,84) Classical Sanskrit ą¤ą„ą¤²ą¤øą„ą¤øą¤æą¤ą¤²ą„ ą¤·ą¤Øą„ą¤øą„ą¤ą„ą¤°ą¤æą¤¤ą„85) Classical Scots Gaelic-GĆ idhlig Albannach Clasaigeach,
86) Classical Serbian-ŠŠ»Š°ŃŠøŃŠ½Šø ŃŃŠæŃŠŗŠø,
87) Classical Sesotho-Seserbia ea boholo-holo,
88) Classical Shona-Shona Shona,
89) Classical Sindhi,
90) Classical Sinhala-ą·ą¶øą·ą¶·ą·ą·ą·ą¶ŗ ą·ą·ą¶ą·ą¶½,
91) Classical Slovak-KlasickĆ½ slovenskĆ½,
92) Classical Slovenian-KlasiÄna slovenska,
93) Classical Somali-Soomaali qowmiyadeed,
94) Classical Spanish-EspaƱol clƔsico,
95) Classical Sundanese-Sunda Klasik,
96) Classical Swahili,Kiswahili cha Classical,
97) Classical Swedish-Klassisk svensk,
98) Classical Tajik-ŃŠ¾Ņ·ŠøŠŗÓ£ ŠŗŠ»Š°ŃŃŠøŠŗÓ£,
99) Classical Tamil-ą®Ŗą®¾ą®°ą®®ąÆą®Ŗą®°ą®æą®Æ ą®ą®ąÆą®¤ąÆą®¤ą®®ą®æą®“ąÆ ą®ąÆą®®ąÆą®®ąÆą®“ą®æ,
100) Classical Telugu- ą°ą±ą°²ą°¾ą°øą°æą°ą°²ą± ą°¤ą±ą°²ą±ą°ą±,
10`) Classical Thai-ąø ąø²ąø©ąø²ą¹ąøąø¢ąøąø„ąø²ąøŖąøŖąø“ąø,
102) Classical Turkish-Klasik TĆ¼rk,
103) Classical Ukrainian-ŠŠ»Š°ŃŠøŃŠ½ŠøŠ¹ ŃŠŗŃŠ°ŃŠ½ŃŃŠŗŠøŠ¹,
104) Classical Urdu- Ś©ŁŲ§Ų³ŪŚ©Ū Ų§Ų±ŲÆŁ
105) Classical Uzbek-Klassik oāzbek,
106) Classical Vietnamese-Tiįŗæng Viį»t cį» Äiį»n,
107) Classical Welsh-Cymraeg Clasurol,
108) Classical Xhosa-IsiXhosa zesiXhosa,
109) Classical Yiddish- ק×××”×שע ××Ö“××ש
110) Classical Yoruba-Yoruba Yoruba,
111) Classical Zulu-I-Classical Zulu
http://www.orgsites.com/oh/
Awakeness Practices
All 84,000 Khandas As Found in the Pali Suttas
Traditionally the are 84,000 Dharma Doors - 84,000 ways to get
Awakeness. Maybe so; certainly the Buddha taught a large number of
practices that lead to Awakeness. This web page attempts to catalogue
those found in the Pali Suttas (DN, MN, SN, AN, Ud & Sn 1). There
are 3 sections:
The discourses of Buddha are divided into 84,000, as to separate
addresses. The division includes all that was spoken by Buddha.āI
received from Buddha,ā said Ananda, ā82,000 Khandas, and from the
priests 2000; these are 84,000 Khandas maintained by me.ā They are
divided into 275,250, as to the stanzas of the original text, and into
361,550, as to the stanzas of the commentary. All the discourses
including both those of
Buddha and those of the commentator, are divided into 2,547 banawaras,
containing 737,000 stanzas, and 29,368,000 separate letters.
from
Analytic Insight Net - FREE Online Tipiį¹aka Law Research & Practice
UniversityāØināØ112 CLASSICAL LANGUAGES Please Visit: http://sarvajan.ambedkar.org
https://www.youtube.com/watch?
for
Maha-parinibbana Sutta ā Last Days of the Buddha
The Great Discourse on the Total Unbinding
This
wide-ranging sutta, the longest one in the Pali canon, describes the
events leading up to, during, and immediately following the death and
final release (parinibbana) of the Buddha. This colorful narrative
contains a wealth of Dhamma teachings, including the Buddhaās final
instructions that defined how Buddhism would be lived and practiced long
after the Buddhaās death ā even to this day. But this sutta also
depicts, in simple language, the poignant human drama that unfolds among
the Buddhaās many devoted followers around the time of the death of
their beloved teacher.
https://www.youtube.com/watch?
for
MahÄsatipaį¹į¹hÄnasuttaį¹ (Pali) - 2 KÄyÄnupassanÄ ÄnÄpÄnapabbaį¹
http://www.buddha-vacana.org/
Use
http://www.translate.google.
Rector
JC
an expert who identifies experts influenced by Expert and Infulencer Sashikanth Chandrasekharan
of
Awaken One With Awareness Mind
(A1wAM)+ ioT (insight-net of Things) - the art of Giving, taking and Living to attain Eternal Bliss
as Final Goal through Electronic Visual Communication Course on
Political Science -Techno-Politico-Socio Transformation and Economic
Emancipation Movement (TPSTEEM).
Struggle hard to see that all fraud EVMs are replaced by paper ballots by
Start
using Internet of things by creating Websites, blogs. Make the best use
of facebook, twitter etc., to propagate TPSTEEM thru FOA1TRPUVF.
Practice
Insight Meditation in all postures of the body - Sitting, standing,
lying, walking, jogging, cycling, swimming, martial arts etc., for
health mind in a healthy body.
buddhasaid2us@gmail.com,
jchandra1942@icloud.com
sarvajanow@yahoo.co.in