LESSON 3173 Wed 6 Nov 2019
KUSHINARA NIBBANA BHUMI PAGODA -
Do good. Purify mind -‘The gift of Dhamma excels all other gifts – sabba
danam dhamma danam jinati’to attain Eternal Spiritual Bliss as Final
Goal said Buddhas
at 668, 5A main Road, 8th Cross, HAL 3rd Stage, Bangalore- Karnataka State -India
through
http://sarvajan.ambedkar.org
runs
Analytic Insight Net - FREE Online Tipiṭaka Law Research & Practice University in
111 CLASSICAL LANGUAGES
https://www.youtube.com/watch?
The Conquests Of All Suffering
‘The gift of Dhamma excels all other gifts – sabba danam dhamma danam jinati’
Xinyue videos: Heart finishing: Vietnamese Buddhist song Amitabha
Lời phật của Đức Phật để làm tốt tâm thanh tịnh trong tiếng Việt cổ điển
Việt-đông Việt - - D Món quà của Dhamma vượt trội tất cả những món quà
khác - sabba danam dhamma
https://www.youtube.com/watch?
Xinyue videos: Heart finishing: Vietnamese Buddhist song Amitabha
106) Cổ điển
KAGINARA NIBBANA BHUMI PAGODA -
Lời phật của Đức Phật để làm tốt tâm thanh tịnh trong tiếng Việt cổ
điển Việt-đông Việt - - D Món quà của Dhamma vượt trội tất cả những món
quà khác - sabba danam dhamma danam jinati
tại 668, Đường chính 5A, Ngã 8, Giai đoạn 3 của HAL, Bangalore - Bang Karnataka -Ấn Độ
xuyên qua
http://sarvajan.ambedkar.org
chạy
Phân tích Insight Net - Đại học Nghiên cứu & Thực hành Luật Tipiṭaka trực tuyến MIỄN PHÍ trong 111 NGÔN NGỮ LỚP
https://www.youtube.com/watch?
Cuộc chinh phục của tất cả đau khổ
Món quà của Dhamma vượt trội tất cả những món quà khác - sabba danam dhamma danam jinati xông
Câu chuyện về những câu hỏi được Sakka nêu ra (Câu 354) Khi cư trú tại
Tu viện Jetavana, Đức Phật đã nói câu này, với sự tham khảo bốn câu hỏi
của Sakka, vua của các vị tà thần.
Vào một dịp nọ, trong một cuộc
họp của các vị tà thần ở cõi Tàvatiüsa, bốn câu hỏi đã được đặt ra,
nhưng các vị tà đã không có được câu trả lời chính xác.
Cuối
cùng, Sakka đưa những vị thần này đến Đức Phật tại Tu viện Jetavana. Sau
khi giải thích khó khăn của họ, Sakka đã trình bày bốn câu hỏi sau:
(1) Trong số những món quà, cái nào là tốt nhất?
(2) Trong số các thị hiếu, cái nào là tốt nhất?
(3) Trong số những thú vui, cái nào là tốt nhất?
(4) Tại sao sự diệt trừ tham ái được cho là xuất sắc nhất? Đối với
những câu hỏi này, Đức Phật đã trả lời, Từ O Sak Sakka, Giáo pháp là cao
quý nhất trong tất cả các ân tứ, tốt nhất trong tất cả các thị hiếu và
tốt nhất trong tất cả các thú vui.
Diệt trừ tham ái dẫn đến việc
đạt được arahatship và do đó, là lớn nhất trong tất cả các cuộc chinh
phạt. Vào cuối bài giảng, Sakka đã nói với Đức Phật, Hòa thượng, nếu món
quà của Giáo pháp vượt trội tất cả các món quà tại sao chúng ta không
được mời chia sẻ công đức mỗi khi quà tặng của Pháp được thực hiện? Tôi
cầu nguyện rằng, kể từ bây giờ, chúng ta có thể được chia sẻ công đức
của việc tốt.
Sau đó, Đức Phật yêu cầu tất cả các nhà sư tập hợp
và khuyên nhủ họ chia sẻ công đức của tất cả những việc tốt của họ với
tất cả chúng sinh. Vì vậy, nó đã trở thành một phong tục mời tất cả
chúng sinh từ ba mươi mốt (bhumis) đến và chia sẻ công đức bất cứ khi
nào một hành động tốt được thực hiện. Bản dịch giải thích (Câu 354)
Do đó, đây là thời điểm cao để mời tất cả các Tu sĩ, Ni sư, Upasakas,
Upasikas từ tất cả các cõi đến và chia sẻ bất cứ khi nào một hành động
tốt như tuyên truyền của Chương trình Dhamma Dheekhsha để tạo ra Bohudha
Bharat hoặc thậm chí cả Bohuddha Prapanch vì cần phải có phúc lợi. ,
hạnh phúc và hòa bình cho tất cả các xã hội đã thức tỉnh trên toàn thế
giới như đã quyết định vào ngày 27.10.2019, nhiều Upasakas và Upasikas
của Phật và Baba Saheb tại chùa Kushinara Nibbana Bhumi hợp tác cùng với
tất cả các Hội Phật giáo khác.
Tất cả các xã hội thức tỉnh vì
phúc lợi, hạnh phúc và hòa bình của họ đều nhận thức được rằng Quà tặng
của Pháp đã vượt trội tất cả những món quà khác cho Cuộc chinh phạt tất
cả đau khổ và do đó tuân theo lời dạy của Người đã thức tỉnh với Nhận
thức.
https://www.youtube.com/watch?
107) Classical Welsh-Cymraeg Clasurol,
buddhasaid2us@gmail.comhttps:/
Tai Chi and Buddhism with Larry WelshMae geiriau Bwdha i Wneud Da
Purify meddwl yn Clasurol Cymraeg-Cymraeg Clasurol - ‘Mae rhodd Dhamma
yn rhagori ar bob anrheg arall - sabba danam dhamma danam jinati’to i
gyrraedd Bliss Ysbrydol Tragwyddol Connecting Tai Chi and Buddhism with
Larry WelshLarry Welsh will be leading Flowing Like Water, Strong as a
Mountain: Tai Chi Retreat at Shambhala Mountain Center, April 25-27. To
learn more, please
visit:…youtube.comhttps://ww
Tai Chi and Buddhism with Larry Welsh SMC Communications 89 subscribers
Larry Welsh will be leading Flowing Like Water, Strong as a Mountain:
Tai Chi Retreat at Shambhala Mountain Center, April 25-27. To learn
more, please visit: http://bit.ly/MaWnnPThe
ancient practice of Tai Chi Chuan has often been called the “supreme
ultimate exercise.” When joined with mindfulness sitting meditation,
these two forms bring forth a potent way to awaken health and restore
well-being in body, mind, and spirit.Larry Welsh, MAc, MA, has trained
in the Yang-style short form, listening hands and sword form of Tai Chi
Ch’uan since 1977. Larry is Senior Adjunct Professor and
Mindfulness-Meditation teacher in the Traditional Eastern Arts program
at Naropa University. He practices Japanese Classical Acupuncture,
herbal medicine and whole-food nutrition in Boulder, Colorado. Category
Entertainment107) Clasurol Cymraeg-Cymraeg Clasurol,
KUSHINARA NIBBANA BHUMI PAGODA -
Mae geiriau Bwdha i Wneud Da Purify meddwl yn Clasurol Cymraeg-Cymraeg
Clasurol - ‘Mae rhodd Dhamma yn rhagori ar bob anrheg arall - sabba
danam dhamma danam jinati’to i gyrraedd Bliss Ysbrydol Tragwyddol fel y
dywedodd y Nod Terfynol Buddhas
yn 668, 5A main Road, 8th Cross, HAL 3rd Stage, Bangalore- Karnataka State -India
trwodd
http://sarvajan.ambedkar.org
yn rhedeg
Rhwyd Mewnwelediad Dadansoddol - Prifysgol Ymchwil ac Ymarfer Tipiṭaka Ar-lein AM DDIM mewn 111 IAITH DOSBARTHOL
https://www.youtube.com/watch?
Gorchfygiadau Pob Dioddefaint
‘Mae rhodd Dhamma yn rhagori ar bob anrheg arall - sabba danam dhamma danam jinati’
Stori’r Cwestiynau a Godwyd gan Sakka (Adnod 354) Wrth breswylio ym
Mynachlog Jetavana, siaradodd y Bwdha yr adnod hon, gan gyfeirio at
bedwar cwestiwn a godwyd gan Sakka, brenin y devas.
Ar un achlysur, mewn cyfarfod o’r devas ym myd Tàvatiüsa, codwyd pedwar cwestiwn, ond methodd y devas â chael yr atebion cywir.
Yn y pen draw, aeth Sakka â’r devas hyn i’r Bwdha ym Mynachlog
Jetavana. Ar ôl egluro eu hanawster, cyflwynodd Sakka y pedwar cwestiwn
canlynol:
(1) Ymhlith anrhegion, pa un yw’r gorau?
(2) Ymhlith chwaeth, pa un yw’r gorau?
(3) Ymhlith hyfrydwch, pa un yw’r gorau?
(4) Pam y dywedir mai dileu chwant yw’r mwyaf rhagorol? I’r cwestiynau
hyn, atebodd y Bwdha, “O’ Sakka, y Dhamma yw’r enwocaf o bob rhodd, y
gorau o bob chwaeth a’r gorau o bob hyfrydwch.
Mae dileu chwant
yn arwain at gyrhaeddiad arahatship ac, felly, yw’r mwyaf o’r holl
orchfygiadau. ”Ar ddiwedd y ddisgwrs, dywedodd Sakka wrth y Bwdha,“
Hybarch, os yw rhodd y Dhamma yn rhagori ar yr holl roddion pam na chawn
ein gwahodd i rannu’r teilyngdod pryd bynnag y rhoddir rhoddion o’r
Dhamma? Rwy’n gweddïo, o hyn ymlaen, y cawn ni gyfran yn rhinwedd
gweithredoedd da. ”
Yna gofynnodd y Bwdha i’r holl fynachod
ymgynnull a’u cymell i rannu teilyngdod eu holl weithredoedd da â phob
bod. Felly, mae wedi dod yn arferiad i wahodd pob bod o’r tri deg un o
deyrnasoedd (bhumis) i ddod i rannu teilyngdod pryd bynnag y cyflawnir
gweithred dda. Cyfieithiad Esboniadol (Adnod 354)
Felly mae’n hen
bryd gwahodd yr holl Fynachod, Lleianod, Upasakas, Upasikas o bob maes i
ddod i rannu pryd bynnag y bydd gweithred dda fel lluosogi Rhaglen
Dhamma Dheekhsha er mwyn creu Prabudha Bharat neu hyd yn oed Prabuddha
Prapanch gan fod angen lles , hapusrwydd a heddwch i bob cymdeithas
ddeffroad ledled y byd fel y penderfynwyd ar 27.10.2019 llawer o
Upasakas ac Upasikas o Bwdha a Baba Saheb yn Kushinara Nibbana Bhumi
Pagoda i gydweithredu ynghyd â’r holl Gymdeithasau Bwdhaidd eraill.
Mae’r holl Gymdeithasau Deffroad am eu lles, eu hapusrwydd a’u heddwch
yn ymwybodol bod Rhodd Dhamma yn rhagori ar yr holl roddion eraill ar
gyfer The Conquests Of All Suffering ac felly’n dilyn dysgeidiaeth yr Un
Deffroad gydag Ymwybyddiaeth.
a just born baby is kept isolated without anyone communicating with the
baby, after a few days it will speak and human natural (Prakrit)
language known as Classical Magahi Magadhi/Classical Chandaso language/Magadhi Prakrit/Classical Hela Basa (Hela Language)/Classical Pali which are the same. Buddha spoke in Magadhi. All the 7111 languages and dialects are off shoot of Classical
Magahi Magadhi. Hence all of them are Classical in nature (Prakrit) of
Human Beings, just like all other living spieces have their own natural
languages for communication. 111 languages are translated by https://translate.google.com
https://www.youtube.com/watch?
“The real miracle is to transform the mind.” | Buddhist monk speaks with Morgan Freeman.
Remindful
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Buddhist Monk explains to Morgan Freeman the power of miracles. The true miracle is transforming the mind.
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Category
People & Blogs108) Classical Xhosa-IsiXhosa zesiXhosa,
buddhasaid2us@gmail.comhttps:/
miracle is to transform the mind.” | Buddhist monk speaks with Morgan
Freeman.Amagama kaBuddha ukwenza okuhle Hlambulula ingqondo kwiKlasi
yesiXhosa-IsiXhosa.IsiSwati sikaDhamma sidlula zonke ezinye izipho-
uSaba danam dhamma danam jinati’ukufuma “The real miracle is to
transform the mind.” | Buddhist monk speaks…Buddhist Monk explains to
Morgan Freeman the power of miracles. The true miracle is transforming
the mind. Subscribe to Remindful for more videos on
meditati…youtube.comhttps://
real miracle is to transform the mind.” | Buddhist monk speaks with
Morgan Freeman.I-108) I-Classical isiXhosa-IsiXhosa StudioXhosa,
IKUSHINARA NIBBANA BHUMI BHUMI PAGODA -
Amagama kaBuddha ukwenza okuhle Hlambulula ingqondo kwiKlasi
yesiXhosa-IsiXhosa.IsiSwati sikaDhamma sidlula zonke ezinye izipho-
uSaba danam dhamma danam jinati’ukufumana uBumnandi bokomoya
obuNaphakade njengoko uFal Goal wathi
kwi-668, 5A indlela enkulu, i-8th Cross, i-HAL 3 Stage, I-Bangalore-Karnataka State -India
ngokusebenzisa
http://sarvajan.ambedkar.org
isiqe
Uhlalutyo lwe-Insight Net-MAHHALA kwi-Tipiṭaka yoMthetho oPhanda
nge-Intanethi kunye neDyunivesithi yokuziQeqesha kwiilwimi ezili-111
zeLwimi
https://www.youtube.com/watch?
Uloyiso lwako konke ukubandezeleka
‘Isipho seDhammaigqitha zonke ezinye izipho-sabba danam dhamma danam jinati’
Ibali leMibuzo ephakanyiswe nguSakka (iVesi 354) Ngelixa ehlala
e-Jetavana Monastery, u-Buddha wayithetha le ndinyana, ebhekisa
kwimibuzo emine ephakanyiswe nguSakka, inkosi yeedasas.
Ngesinye
isihlandlo, kwintlanganiso yeedasasi kwibala laseTàvatiüsa,
kwaphakanyiswa imibuzo emine, kodwa iidemon zasilela ukufumana
iimpendulo ezichanekileyo.
Ekugqibeleni, uSakka wazithabathela
kuye ezi Buddha kwiBuddha kwiJetavana Monastery. Emva kokuchaza ubunzima
babo, uSakka wazisa le mibuzo mine ilandelayo:
(1) Phakathi kwezipho, yeyiphi eyona yona?
(2) Phakathi kokuthandwayo, yeyiphi eyona ilungileyo?
(3) Phakathi kokuzonwabisa, leliphi eyona ilungileyo?
(4) Kutheni le nto kusithiwa kushenxiswa umnqweno? Kule mibuzo, uBuddha
uphendule wathi, “O ‘Sakka, i-Dhamma lelona lungelo lazo zonke izipho,
lolona lonwabo luthandwayo lolona lonwabo lubalaseleyo.
Ukupheliswa komnqweno kukhokelela ekufumaneni ubugqwirha kwaye ke, olona
lolo loyiso lubalaseleyo. “Ukuphela kwentetho, uSakka wathi kuBuddha,”
Kuyabonakala, ukuba isipho se-Dhamma sigqogqa zonke izipho kutheni
singamenywanga ukuba sizokwabelana nabanye ngeli thuba lezipho zeDhamma?
Ndiyathandaza ukuba, ukusukela ngoku, sinikwe isabelo kwimisebenzi
elungileyo. ”
Emva koko u-Buddha wacela zonke iimonki ukuba
zihlangane kwaye wababongoza ukuba babelane ngokufaneleyo ngazo zonke
izinto ezilungileyo abazenzayo kunye nabantu bonke.Ngoko ke, kusisiko
ukumema bonke abantu abavela kwiindawo ezingamashumi amathathu ananye
(bhumis) ukuba beze babelane kufanelekile xa kusenziwa into elungileyo.
Ingcaciso eguqulwayo (iVesi 354)
Kungoko lixesha elifanelekileyo
ukumema zonke iiMonki, iiNuns, i-Upasakas, i-Upasikas ezivela kuzo zonke
iindawo ezizayo kwaye zizokwabelana ngalo lonke ixesha ngesenzo esihle
njengokusasazwa kweNkqubo ye-Dhamma Dheekhsha ukwenzela ukudala
iPrabudha Bharat okanye iPrududdha Prapanch njengoko kukho isidingo
sentlalontle. , ulonwabo kunye noxolo kubo bonke abantu abavuswe
kwihlabathi liphela njengoko isigqibo ngomhla we-27.10.2019 uninzi
lwe-Upasakas kunye ne-Upasikas ka-Buddha kunye no-Baba Saheb eKushinara
Nibbana Bhumi Pagoda ukusebenzisana kunye nazo zonke ezinye iiNtlalontle
zeBuddhist.
Bonke abaLuntu abaVukileyo kwintlalo-ntle yabo,
ulonwabo kunye noxolo bayazi ukuba Isipho sikaDhamma sigqwesa zonke
ezinye izipho zoKuphumelela Kubo Bonke Ukubandezeleka kwaye ke ke
ulandele loo mfundiso yaLowo uvusiweyo ngokuLunga.
אין עוד מלבדו | שלומי שבת | דודי קנפלר | מקהלת שירה - Shira
Choir, Dudi Knopfler - Ain Od Milvado
די ווערטער פון בודאַ צו טאָן גוט רייניקן מיינונג אין קלאסישע יידיש- קלאסישע ייִדיש– ‘די טאַלאַנט פון דהאַממאַ יקסעלז אַלע אנדערע גיפס - סאַבאַ דאַנמאַ דהאַמ
100K subscribers
To bring this moving composition to simchos and kumzitzes throughout the United States, Shira selected to collaborate with New York’s very own Zamar HaNeshama, Dudi Knopfler, renowned as a most uplifting, engaging and soulful singer.
Along with brand new Yiddish lyrics that capture the essence of Shlomy Shabbat’s original inspiration, this magical pairing is sure to turn the song into a new kumzitz favorite and elevate every simcha where it is sung—by choir or by crowd.
ניגון עוצמתי ומלא רגש זה, הוא עיבוד של יצירה שהוקלטה במקור על ידי הזמר
הישראלי שלומי שבת, המוכר ואהוב בעולם כולו ואף מכונה בישראל “זמר הנשמה
כדי להביא יצירה מרגשת זו אל הקהל שלה בשמחות ואירועים עממיים ברחבי ארצות הברית, מקהלת “שירה” בחרה לשתף פעולה עם “זמר הנשמה” של ניו יורק עצמה, דודי קנפלר, הידוע כזמר היוצר חיבור מרומם ומרטיט בין היצירות שהוא מגיש ובין לבבות הקהל המאזין לו.
בלבוש של מלים חדשות באידיש, הנוגעות במהות ההשראה שלהיוצר המקורי, שלומי שבת, אין ספק ששילוב זה יהפוך את השיר לחביב הקהל וירגש בכל אירוע ושמחה בהם יושר – בין אם בהופעת מקהלה, או כשירה בציבור.
Song composed by: תמר הדדי
Originally sung by: שלומי שבת
Yiddish lyrics by: שלומה נחמי רוזנברג
Music arranged by: נחמן דרייער
Choir arranged by: אלי שפריי
Bass by: שלומי שפילמן
Vocals recorded by: Yidu W studio
Mixed by: חיים גוטסמן
Location: Bear Mountain State Park
Song lyrics:
געזעהן האב איך די שטערן וואס באלייכטן אונזער וועלט, און מיט די צייט פארשוואונדען ווערט
געקלעטערט האב איך אויף די הויעכע בערג מיין פוס געשטעלט, און אויך פון קלוגע האב איך געהערט
מיט אן אמת טיף ארייבליקט אדורך יעדע זאך
און געקומען צו אן אויספיר, ניין, צו עם איז קיינער גלייך
זינג איך יעצט צו מיר א לידל, א לידעלע פון הארץ
אין עוד מלבדו
מלא כל הארץ כבודו
הקב”ה הוא מלך
ואני עבדו
אין די מלחמות קעגן יצר, ווי א מדבר דורשט צו וואסער-א מענטש אינטערברעכט
שרייט א אידל מן המיצר, אויגן ווערט פון טרערן נאסער-און די גולת נעכט
ווען איך זעה די וועלט עס רעש’ט און רודער’ט מער ווי אלעמאל
און וועמען צילט מען דען מיט דעם, ווידער כלל ישראל
זינג איך זיך צי מיר דאס לידל , דאס ליד פון הארץ
אין עוד מלבדו
מלא כל הארץ כבודו
הקב”ה הוא מלך
ואני עבדו
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Category
KUSHINARA NIBBANA BHUMI PAGODA -
די ווערטער פון בודאַ צו טאָן גוט רייניקן מיינונג אין קלאסישע יידיש- קלאסישע ייִדיש– ‘די טאַלאַנט פון דהאַממאַ יקסעלז אַלע אנדערע גיפס - סאַבאַ דאַנמאַ דהאַמאַ דאַנאַם דזשינאַטי’ט דערגרייכן אייביק רוחניות בליסס ווי לעצט ציל געזאגט בודאַס
אין 668, 5A הויפּט וועג, 8 קראָס, האַל 3 סטאַגע, באַנגאַלאָרע- קאַרנאַטאַקאַ שטאַט - ינדיאַ
דורך
http://sarvajan.ambedkar.org
לויפן
אַנאַליטיקאַל ינסיגהט נעט - פריי אָנליין טיפּיאַקאַ לאַוו פאָרשונג & פּראַקטיס אוניווערסיטעט אין 111 קלאסישע שפּראַכן
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די קאָנקוועסץ פון אַלע צאָרעס
‘די טאַלאַנט פון דהאַמאַ יקסעלז אַלע אנדערע גיפס - סאַבאַ דאַנמאַ דהאַמאַ דזשינאַטי’
די דערציילונג פון די פֿראגן וואָס סאַקקאַ איז אויפגעשטאנען (ווערס 354). בעת די וווינונג אין די דזשעטאַוואַנאַ מאָנאַסטערי, דער בודאַ גערעדט דעם פסוק, מיט דערמאָנען צו פיר פֿראגן אויפשטיין דורך סאַקקאַ, דער מלך פון די דעוואַס.
אויף איין געלעגנהייט, ביי אַ זיצונג פון די דעוואַס אין די טאַוואַטיוסאַ מעלוכע, עס זענען געווען פיר פֿראגן, אָבער די דעוואַס האָבן ניט געקענט צו באַקומען די ריכטיק ענטפֿערס.
יווענטשאַוואַלי, סאַקקאַ גענומען די דעוואַס צו די בודאַ אין די דזשעטאַוואַנאַ מאָנאַסטערי. נאָך זיין יקספּליינינג זייער שוועריקייט, Sakka דערלאנגט די פאלגענדע פיר פֿראגן:
(1) צווישן גיפס, וואָס איז דער בעסטער?
(2) צווישן טייסץ, וואָס איז דער בעסטער?
(3) צווישן דילייץ, וואָס איז דער בעסטער?
(4) פארוואס איז די יראַדאַקיישאַן פון קרייווינג געזאגט צו זיין די מערסט ויסגעצייכנט? אויף די פֿראגן, האָט דער בודאַ געענטפערט, “אָ ‘סאַקקאַ, די דהאַממאַ איז די נאָבלעסט פון אַלע גיפס, דער בעסטער פון אַלע טייסץ און דער בעסטער פון אַלע דילייץ.
יראַדאַקשאַן פון קרייווינג פירט צו די אַטראַקשאַן פון אַראַהאַשיפּ און איז דעריבער די גרעסטע פון אַלע קאָנקוועסץ. אין די סוף פון די דיסקאָרס, סאַקקאַ האט געזאגט צו דער בודאַ, “ערלעך, אויב די טאַלאַנט פון די דהמאַ איז יקסעלז אַלע גיפס, וואָס זענען מיר נישט פארבעטן צו טיילן דעם זכות ווען גיפס פון די דהמאַ זענען געמאכט? איך בעט אז מיר זאלן פון איצט אן געבן א חלק אין זכות פון מעשים טובים.
דערנאָך דער בודאַ האָט געבעטן אַלע די מאָנקס צונויפקום און זיי געטרייסט צו טיילן די זכות פון אַלע זייער גוטע מעשים מיט אַלע ביינגז. זינט עס איז געווארן אַ מנהג צו פאַרבעטן אַלע ביינגז פון די 33 לענדער (בהומיס) צו קומען און טיילן זכות ווען אַ גוטן טאן איז געטאן. יקספּלאַנאַטאָרי איבערזעצונג (ווערס 354)
דעריבער עס איז העכסט צייט צו פאַרבעטן אַלע מאָנקס, נאַנז, ופּאַסאַקאַס, ופּאַסיקאַס פון אַלע מעלוכע צו קומען און טיילן ווען אַ גוטע מעשים ווי די פּראַפּאַגיישאַן פון דהאַמאַ דעכשאַשאַ פּראָגראַם אַזוי ווי צו שאַפֿן פּראַבודהאַ בהאַראַט אָדער אפילו פּראַבהודאַ פּראַפּאַנטש ווי עס איז אַ נויט פֿאַר וווילשטאנד , גליק און שלום פֿאַר אַלע אַווייקאַנד סאַסייאַטיז איבער דער וועלט ווי באַשלאָסן אויף 27.10.2019 פילע ופּאַסאַקאַס און ופּאַסיקאַס פון בודאַ און באַבאַ סאַהעב אין קושינאַראַ ניבאַנאַ בהומי פּאַגאָדאַ צו קאָואַפּערייט צוזאמען מיט אַלע אנדערע בודדהיסץ.
אַלע אַווייקאַנד סאַסייאַטיז פֿאַר זייער וווילשטאנד, גליק און שלום זענען אַווער אַז די טאַלאַנט פון דהאַממאַ יקסעלז אַלע אנדערע גיפס פֿאַר די קאָנקוועסץ פון אַלע צאָרעס און דעריבער נאָכפאָלגן די לערנען פון די אַווייקאַנד איינער מיט וויסיקייַט.
https://www.youtube.com/watch?
THE GIRL THAT READS PEOPLE MIND|JUMOKE ODETOLA| - 2018 yoruba movies|latest 2018 yoruba movies
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Adventurous lifestyle during Aofiyebi’s youth service leads her to uncover some dirty secrets about her.
STARRING: Segun Arinze, Allwell Ademola, Olajumoke Otetola…
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110) Classical Yoruba-Yoruba Yoruba,
buddhasaid2us@gmail.comhttps:/
THAT READS PEOPLE MIND|JUMOKE ODETOLA| - 2018 yoruba movies|latest 2018
yoruba moviesAwọn ọrọ Buddha lati Ṣe Iwa mimọ Mimọ ni Classical
Yoruba-Yoruba Yoruba —- ‘Ẹbun ti Dhamma ju gbogbo awọn ẹbun miiran lọ -
sabba danam pari danam THE GIRL THAT READS PEOPLE MIND|JUMOKE ODETOLA| -
2018 yoruba…WHAT TO WATCH NEXT IWO IFE-https://www.youtube.com/
lifestyle during Aofiyebi’s youth service leads her to uncover some
dirty secrets about her.STARRING: Segun Arinze, Allwell Ademola,
Olajumoke Otetola…AFRICA YORUBA MOVIES channel is built to showcase to
the world the best of NOLLYWOOD Movies from epic, drama, action, and
traditional for Free…….. Our channel will give you quality Yoruba
movies for your viewing pleasure just stay tuned and comment on our
movies. You can also subscribe to this channel. You don’t want to miss
any Nollywood movie on AFRICA YORUBA MOVIES channel.To watch Free Latest
Nigerian Nollywood 2018 Yoruba movies;Please freely Subscribe to Africa
Yoruba Movies here: https://www.youtube.com/
drop your comments in the box below, you can also Like/Share this
movie. It’s our pleasure entertaining you. Thank you for
watching.Powered by AFOREVO. Brought to you by .Africa Yoruba Movies
Category Entertainment Source videos View attributions110) Alailẹgbẹ
Alailẹgbẹ-Ilu Yoruba
KUSHINARA NIBBANA BHUMI PAGODA -
Awọn
ọrọ Buddha lati Ṣe Iwa mimọ Mimọ ni Classical Yoruba-Yoruba Yoruba —-
‘Ẹbun ti Dhamma ju gbogbo awọn ẹbun miiran lọ - sabba danam pari danam
jinati’to lati ni aṣeyọri Ẹmi ayeraye bi Gẹẹsi Gẹẹsi ṣe sọ Buddhas
ni 668, 5A opopona akọkọ, Agbekọ 8th, HAL 3rd Ipele, Bangalore- Karnataka State -India
nipasẹ
http://sarvajan.ambedkar.org
gbalaye
Apapọ Iyẹwo Onínọmbà - Ọfẹ Iwadi Ayelujara Ti Tika Onlineaka Iṣeduro & Ile-iṣe Didaṣe ni 111 Awọn ede LANLỌRỌ
https://www.youtube.com/watch?
Ṣẹgun Gbogbo Ijiya
‘Ẹbun ti Dhamma ju gbogbo awọn ẹbun miiran lọ - sabba danam pari danam jinati’
Itan ti awọn ibeere ti a gbe dide nipasẹ Sakka (Ẹsẹ 354) Lakoko ti o
ngbe ni Monastery Jasivana, Buddha sọ ẹsẹ yii, pẹlu itọkasi si awọn
ibeere mẹrin ti Sakka, ọba awọn devas dide.
Ni iṣẹlẹ kan, ni
ipade kan ti awọn devas ni ijọba Tàvatiüsa, awọn ibeere mẹrin ni a gbe
dide, ṣugbọn awọn ete naa kuna lati gba awọn idahun to tọ.
Ni
ipari, Sakka mu awọn ete wọnyi wa si Buddha ni ibi-mimọ Monastery. Lẹhin
ṣiṣe alaye iṣoro wọn, Sakka gbekalẹ awọn ibeere mẹrin wọnyi:
(1) Laarin awọn ẹbun, ewo ni o dara julọ?
(2) Laarin awọn ohun itọwo, ewo ni o dara julọ?
(3) Larin idunnu, ewo ni o dara julọ?
(4) Kini idi ti a fi sọ pe imukuro iparun ni o dara julọ? Si awọn
ibeere wọnyi, Buddha dahun pe, “O ‘Sakka, awọn Dhamma ni ọlọla julọ ninu
gbogbo awọn ẹbun, o dara julọ ninu awọn itọwo ati awọn ti o dara julọ
ninu gbogbo awọn idunnu.
Iparun ti ifẹkufẹ n yori si nini ti
arahatship ati pe, nitorinaa, o tobi julọ ti gbogbo awọn iṣẹgun. ”Ni
ipari ọrọ naa, Sakka sọ fun Buddha,“ Iparun, ti o ba jẹ pe ẹbun ti Oke
ju gbogbo awọn ẹbun lọ, kilode ti a ko fi pe wa lati pin ipin-rere naa
nigbakugba ti awọn ẹbun ti Ida ṣe? Mo gbadura pe, lati isisiyi lọ, a le
fun wa ni ipin ninu itusilẹ awọn iṣẹ rere. ”
Lẹhinna Buddha beere
lọwọ gbogbo awọn monks pejọ lati gba wọn ni iyanju lati pin iṣere
gbogbo iṣẹ rere wọn pẹlu gbogbo eniyan. Lati igba naa, o ti di aṣa lati
pe gbogbo awọn eeyan lati awọn ile-ọgbọn-ọkan (bhumis) lati wa ki o pin
anfani nigbati eyikeyi iṣẹ ti o dara ba ṣe. Alaye Itumọ (Ẹsẹ 354)
Nitorinaa o to akoko lati pe gbogbo awọn Monks, Awọn arabinrin,
Upasakas, Upasikas lati gbogbo ohun-ini lati wa ati pin nigbakugba ti
iṣe ti o dara bi itankale ti Eto Dheekhsha lati le ṣẹda Prabudha Bharat
tabi paapaa Prabuddha Prapanch bi o ṣe nilo fun iranlọwọ , idunnu ati
alaafia fun gbogbo awọn awujọ ti o ji ni gbogbo agbaye bi o ti pinnu ni
ọjọ 27.10.2019 ọpọlọpọ Upasakas ati Upasikas ti Buddha ati Baba Saheb ni
Kushinara Nibbana Bhumi Pagoda lati ṣe ifowosowopo pẹlu gbogbo awọn
awujọ Buddhist miiran.
Gbogbo Awọn Awujọ Awakened fun iranlọwọ
wọn, idunnu ati alaafia mọ pe ẹbun ti Dhamma ju gbogbo awọn ẹbun miiran
lọ fun Awọn iṣẹgun Gbogbo Ijiya ati nitorinaa tẹle ẹkọ naa ti Ẹran ti o
ji dide pẹlu Akiyesi.
in 01) Classical Magahi Magadhi,
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African Zulu Drum Music
111) Classical Zulu-I-Classical Zulu
buddhasaid2us@gmail.comhttps:/
Zulu Drum MusicAmagama kaBuddha okuthi Yenza okuhle Hlanza ingqondo
ku-Classical Zulu-I-Classical Zulu —- ‘Isipho sikaDhamma sidlula zonke
ezinye izipho - uSabba danam dhamma danam jinati’ukuthola Bliss
Engokomoya Engapheli njengoba uFinal Goal African Zulu Drum MusicThe
traditional music of Africa, given the vastness of the continent, is
historically ancient, rich and diverse, with different regions and
nations of
Africa…youtube.comhttps://ww
Zulu Drum Music•Mar 7, 2014 2.9K 143 Share Save Traditional Music
Channel 421K subscribers The traditional music of Africa, given the
vastness of the continent, is historically ancient, rich and diverse,
with different regions and nations of Africa having many distinct
musical traditions. Music in Africa is very important when it comes to
religion. Songs and music are used in rituals and religious ceremonies,
to pass down stories from generation to generation, as well as to sing
and dance to. Traditional music in most of the continent is passed down
orally (or aurally) and is not written. In sub-Saharan African music
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variety, including xylophones, djembes, drums, and tone-producing
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All Rights Reserved Category Music
111) Classical Zulu-I-Classical Zulu
UKUSHINARA NIBBANA BHUMI PAGODA -
Amagama kaBuddha okuthi Yenza okuhle Hlanza ingqondo ku-Classical
Zulu-I-Classical Zulu —- ‘Isipho sikaDhamma sidlula zonke ezinye
izipho - uSabba danam dhamma danam jinati’ukuthola Bliss Engokomoya
Engapheli njengoba uFinal Goal asho uBuddha
ku-668, 5A main Road, 8th Cross, HAL 3st Stage, Bangalore- Karnataka State -India
ngokusebenzisa
http://sarvajan.ambedkar.org
gijima
Ukuhlaziywa kwe-Insight Net - I-Free Tipiṭaka Law Research & University Yokunikeza I-Intanethi eNyolweni Yezilimi eziyi-111
https://www.youtube.com/watch?
Ukunqoba Konke Ukuhlupheka
‘Isipho se-Dhamma sidlula zonke ezinye izipho - sabba danam dhamma danam jinati’
Indaba Yemibuzo Ephakanyiswe NguSakka (Ivesi 354) Ngenkathi ehlala
e-Monitory yaseJetavana, uBuddha wakhuluma leli vesi, ekhuluma ngemibuzo
emine ephakanyiswe nguSakka, inkosi yamademoni.
Kwesinye
isehlakalo, emhlanganweni wama-devas endaweni yaseTàvatiüsa,
kwaphakanyiswa imibuzo emine, kodwa ama-devas ahluleka ukuthola
izimpendulo ezifanele.
Ekugcineni, uSakka wahamba nalawa
ma-Buddha ku-Buddha e-Jetavana Monastery. Ngemuva kokuchaza ubunzima
babo, uSakka wethule imibuzo emine elandelayo:
(1) Phakathi kwezipho, yikuphi okuhle?
(2) Phakathi kokunambitheka, yini ehamba phambili?
(3) Phakathi kokujabulisa, yikuphi okuhle?
(4) Kungani ukuqedwa kokufisa kuthiwa kungcono kakhulu? Kule mibuzo,
uBuddha uphendule wathi, “O ‘Sakka, i-Dhamma ihamba phambili kunazo
zonke izipho,
Ukuqedwa kokufisa kuholela ekutholeni ukutholwa
kobubi futhi, ngenxa yalokho, kuyinto enkulu kunazo zonke ukunqoba.
“Ekupheleni kwenkulumo, uSakka wathi kuBuddha,” Kuyabonakala, uma isipho
seDhamma sidlula zonke izipho kungani singamenywanga ukuthi
sihlanganyele izipho noma nini lapho kwenziwa izipho zeDhamma?
Ngithandazela ukuthi, kusukela manje kuqhubeke, singanikezwa iqhaza
ekuvumeleni okuhle. ”
Ngemuva kwalokho uBuddha wacela zonke
izindela ukuba zihlangane futhi wazinxusa ukuthi zihlanganyele ubuhle
bazo zonke izenzo zazo ezinhle nazo zonke izidalwa. Ngakho-ke,
sekuyisiko ukumema bonke abantu abavela ezindaweni ezingamashumi
amathathu nanye (ama-bhumis) ukuthi bazohlanganyela kufanelekile lapho
kwenziwa isenzo esihle. Ukuhumusha okuchazayo (ivesi 354)
Ngakho-ke yisikhathi esihle sokumema wonke ama-Monks, amaNuns,
ama-Upasakas, ama-Upasikas avela kuyo yonke indawo ukuba eze futhi
ahlanganyele noma nini lapho enza isenzo esihle njengokusakazwa kohlelo
lwe-Dhamma Dheekhsha ukuze kwakhiwe i-Prabudha Bharat noma ne Prabuddha
Prapanch njengoba kunesidingo senhlala-kahle. , injabulo kanye nokuthula
kuyo yonke imiphakathi ephaphame emhlabeni wonke njengoba kunqunywe
ngomhla ka-27.10.2019 ama-Upasakas amaningi kanye nama-Upasikas kaBuddha
kanye no baba Saheb eKushinara Nibbana Bhumi Pagoda ukusebenzisana
kanye nayo yonke eminye imiphakathi yamaBuddha.
Yonke Imiphakathi
Ephaphamile ngenhlala-kahle yabo, injabulo nokuthula bayazi ukuthi
Isipho seDhamma sidlula zonke ezinye izipho ze-The Conquict Of All
Suffering ngakho-ke silandela leyo mfundiso yoMuntu ophaphama
ngokuQaphela.
https://www.youtube.com/watch…
Indian drum vs african drum 2017 official video (samory seck)
TARUN CHANNEL
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Category
People & Blogs
https://www.youtube.com/watch…
A. R. Rahman, “Jiya Jale” (Dil Se): Berklee Indian Ensemble (Cover)
Berklee College of Music
975K subscribers
#berklee
“Jiya Jale” (Dil Se) is a tribute to A. R. Rahman by the Berklee Indian
Ensemble in gratitude for his immense contribution to our lives through
his inspiring music and journey.
A. R. Rahman is an Indian
composer, singer-songwriter, producer, multi-instrumentalist and
philanthropist. In 2009, Time Magazine placed Rahman in its list of
World’s Most Influential People. In a notable career spanning two
decades, he has garnered particular acclaim for redefining contemporary
Indian film music, and putting Indian music on the global map, in a way
that no other Indian composer/performer has achieved.
On October
24, 2014, Berklee College of Music will confer A. R. Rahman with an
honorary doctor of music degree. Berklee Faculty and students from the
Berklee Indian Ensemble will pay tribute to the living legend, who will
join them on select pieces in a concert celebrating his music and life
at Boston’s Symphony Hall.
Mr. Rahman’s visit is a signature
event under Berklee India Exchange, a new initiative co-founded by two
Indian Berklee alums, Annette Philip (artistic director), and Clint
Valladares (artist relations and strategy), as a platform for cultural
conversation, through the composition, collaboration, and performance of
original Indian music. Proceeds from the concert will go towards a
scholarship fund in Mr. Rahman’s name for students from India to attend
Berklee.
This is a huge milestone for the Berklee Indian
Ensemble, one of largest and most diverse ensembles at the college, with
members representing 37 countries, and counting. Founded in 2011 by
faculty member, Annette Philip, the ensemble performs an expansive
repertoire of Indian classical, semi-classical, folk, Sufi, and
contemporary Indo-jazz music, with the ultimate goal of presenting
concerts entirely consisting of original student compositions. Every
year, there is at least one composition by A. R. Rahman featured in
their repertoire.
Berklee Indian Ensemble
“Jiya Jale” (A. R. Rahman)
From the film Dil Se
Arrangement: Inna Dudukina
Vocal arrangement, Producer: Annette Philip
Instrumental interlude: Berklee Indian Ensemble
Soloists
Ishita Sinha: voice, Patna, India
Harshitha Krishnan, voice, Chennai, India
Nalini Krishnan, voice, Seattle, Washington
Rohith Santosh Jayaraman, voice, morsing (jaw harp), San Jose, CA
Instrumental Soloists
Yazhi Guo: dizi, Hong Kong, China
Sashank Navaladi: sarod, New Delhi, India
Harini Srinivasa Raghavan: violin, Chennai, India
Layth Al Rubaye: violin, Amman, Jordan
Patrick Simard: drums, Ottowa, Canada
Indian Ensemble Choir
Sanjeeta Bhattacharya, New Delhi, India
Dhruv Goel, Lucknow, India
Vasundhara Gupta, Kolkata, India
Rohith Santosh Jayaraman, San Jose, CA
Harshitha Krishnan, Chennai, India
Nalini Krishnan, Seattle, Washington
Armeen Musa, Dhaka, Bangladesh
Kanika Patawari, Antwerp, Belgium
Annette Philip, Kerala, India
Purvaa Sampath, Bangalore, India
Ishita Sinha: Patna, India
Harini Srinivasa Raghavan, Chennai, India
Aseem Suri, New Delhi, India
Adriel Tjokrosaputro, Surakarta, Indonesia
Sanchitha Wickremesooriya, Colombo, Sri Lanka
Strings
Layth Al Rubaye: violin, Amman, Jordan
Harini Srinivasa Raghavan: violin, Chennai, India
Daniel Urbanowicz: viola, Pittsburgh, Pennsylvania
Naseem Al Atrash: cello, Beit Sahour, Palestine
Victor Manuel Gonzalez Quezada: double bass, Rancagua, Chile
Rhythm Section
Annette Philip: piano, Kerala, India
Aleif Hamdan: electric guitar, Jakarta, Indonesia
Shubh Saran: electric and acoustic guitar, New Delhi, India
Achal Murthy: bass, Strassen, Luxembourg
Ullas Rao: mridangam, Westwood, MA
Kaushlesh Purohit: tabla, percussion, Jodhpur, India
Ranajoy Das: cajon, New Delhi, India
Joe A Galeota Jr.: percussion, Arlington, MA
Patrick Simard: drums, Ottowa, Canada
Recorded live at The Record Company
Simon Katz: recording engineer, mixing engineer
Chris Geller: assistant engineer
Pietro Milanesi: second engineer
Teo Karakolev: videographer, editor
Kevin Greene: videographer
Sam Harchik: videographer
Mastered by M Works Studios
Jonathan Wyner: engineer #berklee #berkleecollegeofmusic
Category
Music
Suggested by Believe Music
Jiya Jale (Dil Se)
This concert was produced by Annette Philip, Artistic Director of Berklee India Exchange.
Epic Medley
A. R. Rahman
string arr. Eva Gertz
Soloists: Yazhi Guo, Sanchitha Wickremesooriya, Dhruv Goel, Harshitha Krishnan, Purvaa Sampath, Armeen Musa, Christopher Kazarian, Annette Philip
Performers:
Berklee Indian Ensemble
Annette Philip: director
Shilpa Ananth: vocals
Sanjeeta Bhattacharya: vocals
Dhruv Goel: vocals
Vasundhara Gupta: vocals
Rohith Jayaraman: vocals
Harshitha Krishnan: vocals
Nalini Krishnan: vocals
Joakim Molander: vocals
Armeen Musa: vocals
Kanika Patawari: vocals
Purvaa Sampath: vocals
Ishita Sinha: vocals
Harini Srinivasa Raghavan: vocals
Aseem Suri: vocals
Adriel Tjokrosaputro: vocals
Sanchitha Wickremesooriya: vocals
Trinayan Baruah: vocals
Salil Bhayani: vocals
Malavika Das: vocals
Ava Dudani: vocals
Nicolas Emden: vocals
Christopher Kazarian: vocals
Annalisa Lombardo: vocals
Malwina Masternak: vocals
Wambura Mitaru: vocals
Zoya Mohan: vocals
Paola Munda: vocals
Lydia Renold: vocals
Gretchen Schadebrodt: vocals
Ashwin Shenoy: vocals
Sahana Simha: vocals
Pankhuri Singhal: vocals
Chantal Tribble: vocals
McKain Webb-Lakey: vocals
Yazhi Guo: flute, suona, dizi
Layth Al Rubaye: violin
Harini Srinivasa Raghavan: violin
Sashank Navaladi: sarod
Fares Btoush: oud
Jacy Anderson: guitar
Aleif Hamdan: guitar
Shubh Saran: guitar
David Milazzo: alto saxophone
Edmar Colon: tenor saxophone
Samuel Morrison: baritone saxophone
Josh Shpak: trumpet
Michael Wang: trombone
Annette Philip: piano
Cheng Lu: keyboard
Achal Murthy: bass
Daniel Gonzalez: electronic drum sound
Kaushlesh Purohit: tabla, percussion
Ranajoy Das: drums
Joe Galeota Jr.: percussion
Patrick Simard: drums, percussion
M.T. Aditya Srinivasan: tabla, kanjira
Vignesh Venkataraman: mridangam
Berklee World Strings Ensemble
Eugene Friesen: conductor
Na Young Baik: first violin
Sarah Hubbard: first violin
Sumaia Martins: first violin
Stefano Melillo Melendez: first violin
Kathleen Parks: first violin
Tim Reynolds: first violin
Carlos Silva: first violin
Yeji Yoon: first violin
Ludovica Burtone: second violin
Elise Boeur: second violin
Adrianna Ciccone: second violin
Sadie E. Currey: second violin
Carolyn Kendrick: second violin
Rosy Timms: second violin
Tsung-Yuan Lee: second violin
Choeun Kim: viola
Brendan Klippel: viola
Gerson Eguiguren Martinez: viola
Dan Lay: viola
John Smith: viola
Max Wolpert: viola
Steph Dye: cello
Marta Roma: cello
Keizo Yoshioka: cello
Adrian Zemor: cello
Nathaniel Sabat: bass
Matthew Witler: mandolin
Mairi Chaimbeul: harp
Allegra Cramer: harp
Ganavya Doraiswamy: dancer
Special appearance by Boston University student dancers of BU Bhangra
Arrangements
Matthew Nicholl, string arrangements, and orchestral parts preparation
Recorded live at Boston’s Symphony Hall
Rob Rose: executive producer
Tom Riley: executive producer
Annette Philip: artistic director/producer
Clint Valladares: artist relations/co producer
Mirek Vana: co producer
Dave Wentling: production manager
Steve Colby: sound engineer
Kaushlesh Purohit: audio mixing
Jonathan Wyner: audio mastering
Reggie Lofton: video producer
Thistle Communications: video production
Nicole Egidio: editor
For more information on Berklee India Exchange, please visit berklee.edu/india #berklee #berkleecollegeofmusic #berklee #berkleecollegeofmusic
Category
https://www.youtube.com/watch…
Berklee College of Music
975K subscribers
Grammy and Academy award winning composer, A. R. Rahman performed with,
and was paid tribute to, by Berklee College of Music at Symphony Hall,
Boston, on October 24, 2014. The repertoire for the concert spanned Mr.
Rahman’s illustrious discography of over 25 years. We are delighted to
release all 16 pieces presented at the concert featuring 109 performers
from 32 countries representing The Berklee Indian Ensemble, The Berklee
World String Ensemble, and Boston University’s Indian dance troupe, BU
Bhangra.
This concert was produced by Annette Philip, Artistic Director of Berklee India Exchange.
Epic Medley
A. R. Rahman
string arr. Eva Gertz
Soloists: Yazhi Guo, Sanchitha Wickremesooriya, Dhruv Goel, Harshitha
Krishnan, Purvaa Sampath, Armeen Musa, Christopher Kazarian, Annette
Philip
Performers:
Berklee Indian Ensemble
Annette Philip: director
Shilpa Ananth: vocals
Sanjeeta Bhattacharya: vocals
Dhruv Goel: vocals
Vasundhara Gupta: vocals
Rohith Jayaraman: vocals
Harshitha Krishnan: vocals
Nalini Krishnan: vocals
Joakim Molander: vocals
Armeen Musa: vocals
Kanika Patawari: vocals
Purvaa Sampath: vocals
Ishita Sinha: vocals
Harini Srinivasa Raghavan: vocals
Aseem Suri: vocals
Adriel Tjokrosaputro: vocals
Sanchitha Wickremesooriya: vocals
Trinayan Baruah: vocals
Salil Bhayani: vocals
Malavika Das: vocals
Ava Dudani: vocals
Nicolas Emden: vocals
Christopher Kazarian: vocals
Annalisa Lombardo: vocals
Malwina Masternak: vocals
Wambura Mitaru: vocals
Zoya Mohan: vocals
Paola Munda: vocals
Lydia Renold: vocals
Gretchen Schadebrodt: vocals
Ashwin Shenoy: vocals
Sahana Simha: vocals
Pankhuri Singhal: vocals
Chantal Tribble: vocals
McKain Webb-Lakey: vocals
Yazhi Guo: flute, suona, dizi
Layth Al Rubaye: violin
Harini Srinivasa Raghavan: violin
Sashank Navaladi: sarod
Fares Btoush: oud
Jacy Anderson: guitar
Aleif Hamdan: guitar
Shubh Saran: guitar
David Milazzo: alto saxophone
Edmar Colon: tenor saxophone
Samuel Morrison: baritone saxophone
Josh Shpak: trumpet
Michael Wang: trombone
Annette Philip: piano
Cheng Lu: keyboard
Achal Murthy: bass
Daniel Gonzalez: electronic drum sound
Kaushlesh Purohit: tabla, percussion
Ranajoy Das: drums
Joe Galeota Jr.: percussion
Patrick Simard: drums, percussion
M.T. Aditya Srinivasan: tabla, kanjira
Vignesh Venkataraman: mridangam
Berklee World Strings Ensemble
Eugene Friesen: conductor
Na Young Baik: first violin
Sarah Hubbard: first violin
Sumaia Martins: first violin
Stefano Melillo Melendez: first violin
Kathleen Parks: first violin
Tim Reynolds: first violin
Carlos Silva: first violin
Yeji Yoon: first violin
Ludovica Burtone: second violin
Elise Boeur: second violin
Adrianna Ciccone: second violin
Sadie E. Currey: second violin
Carolyn Kendrick: second violin
Rosy Timms: second violin
Tsung-Yuan Lee: second violin
Choeun Kim: viola
Brendan Klippel: viola
Gerson Eguiguren Martinez: viola
Dan Lay: viola
John Smith: viola
Max Wolpert: viola
Steph Dye: cello
Marta Roma: cello
Keizo Yoshioka: cello
Adrian Zemor: cello
Nathaniel Sabat: bass
Matthew Witler: mandolin
Mairi Chaimbeul: harp
Allegra Cramer: harp
Ganavya Doraiswamy: dancer
Special appearance by Boston University student dancers of BU Bhangra
Arrangements
Matthew Nicholl, string arrangements, and orchestral parts preparation
Recorded live at Boston’s Symphony Hall
Rob Rose: executive producer
Tom Riley: executive producer
Annette Philip: artistic director/producer
Clint Valladares: artist relations/co producer
Mirek Vana: co producer
Dave Wentling: production manager
Steve Colby: sound engineer
Kaushlesh Purohit: audio mixing
Jonathan Wyner: audio mastering
Reggie Lofton: video producer
Thistle Communications: video production
Nicole Egidio: editor
For more information on Berklee India Exchange, please visit berklee.edu/india #berklee
Category
Music
https://www.youtube.com/watch…
https://www.youtube.com/watch…
Sivamani - Solo Performance at Berklee College of Music
Berklee College of Music
975K subscribers
#berklee #berkleecollegeofmusic Sivamani performs on his suitcase and drum set at the Berklee Performance Center for the 2015 Berklee Percussion Weekend.
https://www.berklee.edu/
Recorded live in the Berklee Performance Center
Rob Rose: executive producer
Ed Liberatore: house sound
Alex rios: lighting
Rodrigo Gramitto: spot
Chris Higgins: spot
Santiago Banuelos: stage crew
Chenao Wang: stage crew
Filmed by Berklee Video Services
Reggie Lofton: video producer
Ken Shifman: video production manager
Katerina Tolkishevskaya: director/switcher
Ulises Estrada: video engineer
Ye Julie Almer: camera
Simon Benegas: camera
Nicole Dillman: camera
Nicole Egidio: editor #berklee #berkleecollegeofmusic
Category
Music
https://www.youtube.com/watch…
דרבוקה
SuperSivil
10.1K subscribers
Category
Music
https://www.youtube.com/watch…
Zakir Hussain: Horse Running
DRUMMERWORLD by Bernhard Castiglioni
229K subscribers
Sound of the Tabla - Live in Kolkata (Calcutta)
…more Zakir Hussain Videos here: https://www.youtube.com/watch?
Category
Music
https://www.youtube.com/watch…
Así nació AAINJALA con 15O Tambores - AAINJAA
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AAINJAA PRODUCCIONES
258K subscribers
SÍGUENOS EN YOUTUBE Y EN:
https://www.facebook.com/
https://twitter.com/AAINJAA
https://www.instagram.com/
Haz parte de este movimiento socio-cultural
Si tienes entre 5 y 13 años deben inscribirse enviando un correo a
cursos@aainjaa.com y las personas mayores de 14 años deben presentarse a
las audiciones a finales de los meses de enero, abril, julio y octubre.
¡TE ESPERAMOS!
Category
Music
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Con 15O Tambores (En Vivo)
Artist
Bandas de Música
Album
Bandas de Música, Vol. 2
Licensed to YouTube by
SonoSuite (on behalf of Inspirin Music), and 1 Music Rights Societies
258K subscribers
https://www.facebook.com/
https://twitter.com/AAINJAA
https://www.instagram.com/
Haz parte de este movimiento socio-cultural
Si tienes entre 5 y 13 años deben inscribirse enviando un correo a cursos@aainjaa.com y las personas mayores de 14 años deben presentarse a las audiciones a finales de los meses de enero, abril, julio y octubre.
¡TE ESPERAMOS!
Category
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Con 15O Tambores (En Vivo)
Artist
Bandas de Música
Album
Bandas de Música, Vol. 2
Licensed to YouTube by
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Indian, Middle Eastern, and West African Percussion at Berklee
Berklee College of Music
975K subscribers
Indian, Middle Eastern, and West African Percussion at Berklee featuring faculty and students from the Percussion Department.
http://www.berklee.edu
http://www.berklee.edu/
Tabla duet: “Kaida in 16-beat Tintal, Faukhabad Gharana” (Ustad Keramatullah Khan)
Frame drum trio: “A Quality of Six” (Jerry Leake)
West African Ensemble: “Fume Fume” (Maustafa Tete Addy)
North Indian tabla duet
Jerry Leake: tabla
Kaushlesh Purohit: tabla
Anne Caroline Silva
Berklee Percussion: Middle Eastern/South Indian frame drum trio
Jerry Leake: frame drum
Daniel Feldman: frame drum
Ryan Meyer: frame drum
Berklee Percussion: West African Ensemble
Joe Galeota: lead kpanlogo drum
Andrew Roberts: gankogui bell
Josh Weinberg: axatse rattle
Takafumi Nikaldo: high kpanlogo drum
Ali Etienne Pierre: dancer
Kelly Eberle: dancer
Marta Roma: dancer
Sasha Duby: dancer #berklee
Category
Music
SonoSuite (on behalf of Inspirin Music), and 1 Music Rights Societies
http://www.berklee.edu
http://www.berklee.edu/
Tabla duet: “Kaida in 16-beat Tintal, Faukhabad Gharana” (Ustad Keramatullah Khan)
Frame drum trio: “A Quality of Six” (Jerry Leake)
West African Ensemble: “Fume Fume” (Maustafa Tete Addy)
North Indian tabla duet
Jerry Leake: tabla
Kaushlesh Purohit: tabla
Anne Caroline Silva
Berklee Percussion: Middle Eastern/South Indian frame drum trio
Jerry Leake: frame drum
Daniel Feldman: frame drum
Ryan Meyer: frame drum
Berklee Percussion: West African Ensemble
Joe Galeota: lead kpanlogo drum
Andrew Roberts: gankogui bell
Josh Weinberg: axatse rattle
Takafumi Nikaldo: high kpanlogo drum
Ali Etienne Pierre: dancer
Kelly Eberle: dancer
Marta Roma: dancer
Sasha Duby: dancer #berklee #berkleecollegeofmusic
Category
Taal Se Taal (Western) - Djembe & Ghungroo (Cover)
Original Music - A.R Rahman
Singer - Sukhwinder Singh
Additional Instruments Played and Performed By - Parth Saini
Category
Suggested by [Simca] New Music
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Thallathil(Western)
Artist
S.P. Bala, Chorus
Album
TAALAM
Licensed to YouTube by
[Simca] New Music, One Stop Music Bhd Malaysia (on behalf of Alai Osai); [Simca Pub] New Music, and 7 Music Rights Societies
https://www.youtube.com/watch…
Taal Se Taal (Western) - Djembe & Ghungroo (Cover)
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Parth Saini
156K subscribers
Taal Se Taal (Western)
Original Music - A.R Rahman
Singer - Sukhwinder Singh
Additional Instruments Played and Performed By - Parth Saini
Category
Music
Suggested by [Simca] New Music
Taj Mahal | Tamil Movie Audio Jukebox | A.R.Rahman Hits
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Thallathil(Western)
Artist
S.P. Bala, Chorus
Album
TAALAM
Licensed to YouTube by
[Simca] New Music, One Stop Music Bhd Malaysia (on behalf of Alai Osai); [Simca Pub] New Music, and 7 Music Rights Societies
https://www.youtube.com/watch…
Sivamani Percussion Improvisation - Live at Berklee College of Music
Berklee College of Music
975K subscribers
Sivamani met and improvised with student percussionists Nêgah Santos
from Brazil, Alexis Soto and Sergio Maestre from Venezuela, Kaushlesh
Purohit from India, and Takafumi Nikaido during Percussion Weekend 2015.
Sivamani:
Facebook: https://www.facebook.com/
Site: https://amgindia.in/artiste-
Twitter: https://twitter.com/
Berklee:
Subscribe: http://bit.ly/1MjVyEN
Facebook: https://www.facebook.com/
Twitter: https://www.twitter.com/
Instagram: https://www.instagram.com/
Site: https://www.berklee.edu
Sivamani Percussion Improvisation
Drum Set: Sivamani
Pandeiro: Nêgah Santos
Shaker: Alexis Soto
Timbales: Sergio Maestre
Tabla: Kaushlesh Purohit
Congas: Takafumi Nikaido
Recording Engineer & Mixing Engineer: Simon Katz
Assistant Recording Engineer: Avery Ballotta & Calum Brockie
Video by 4Reel Productions
Videographer & Editor: Teo Karakolev
Assistant Camera: Rachel Rodgers
Category
Music
Sivamani:
Facebook: https://www.facebook.com/
Site: https://amgindia.in/artiste-
Twitter: https://twitter.com/
Berklee:
Subscribe: http://bit.ly/1MjVyEN
Facebook: https://www.facebook.com/
Twitter: https://www.twitter.com/
Instagram: https://www.instagram.com/
Site: https://www.berklee.edu
Sivamani Percussion Improvisation
Drum Set: Sivamani
Pandeiro: Nêgah Santos
Shaker: Alexis Soto
Timbales: Sergio Maestre
Tabla: Kaushlesh Purohit
Congas: Takafumi Nikaido
Recording Engineer & Mixing Engineer: Simon Katz
Assistant Recording Engineer: Avery Ballotta & Calum Brockie
Video by 4Reel Productions
Videographer & Editor: Teo Karakolev
Assistant Camera: Rachel Rodgers
Category
https://www.youtube.com/watch…
Zariya - AR Rahman, Ani Choying, Farah Siraj - Coke Studio @ MTV Season 3
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Coke Studio India
3.18M subscribers
Giving a whole new spin to the term ‘world music’ — A.R.Rahman spins
his magic on an absolute scorcher, featuring Jordanian singer –Farah
Siraj along with Nepalese Buddhist Nun Ani Choying. With the traditional
Nepalese Buddhist hymn forming the base of the song, layered with a
traditional Jordanian melody, and bridged seamlessly with composition
written by A.R.Rahman, this song truly brings together diverse cultures
and musical genres. Everything from the background vocals to Sivamani’s
percussion takes a big leap across musical styles and creates a storm of
inspired rhythms, to give this track that extra flavour. Completely
based around the theme of motherhood, compassion & ultimately
happiness, this is the very first track of what promises to be an
unforgettable Season 3 of CS@MTV!
If you cannot view the video here, go to:
http://mtv.in.com/videos/all-
Credits:
Traditional Buddhist & Jordanian Composition.
Composed & Produced by A.R.Rahman
Singers: Ani Choying Drolma, Farah Siraj
Lyrics: Traditional Jordanian Lyrics & Hindi Lyrics by Prasoon Joshi
Keys & Continuum Keyboard: A R Rahman
Percussion: Sivamani
Guitar: Prasanna
Guitar: Keba Jeremiah
Bass: Mohini Dey
Percussions: KKMC : Kahaan Shah, Yash Pathak, Pradvay Sivashankar, Suyash Medh
Backing Vocals: Abhilasha Chellum, Deblina Bose, Kanika Joshi, Prajakta
Shukre, Sasha Trupati , Varsha Tripathy, Aditi Pual, Suchi, Rayhanah,
Issrath Quadhri
String Section: Carol George, Herald E A, Francis Xavier P D, Vian Pereira
Creative Producer: Aditya Modi
Asst Music Director: Kevin Doucette
Music Programmer: Jerry Vincent
Post Production: Hari, Nitish Kumar
Recorded by: Steve Fitzmaurice, Ashish Manchanda, assisted by Darren Heelis & Raaj Jagtap
Sound Engineers:
Panchathan Record-Inn, Chennai:
Suresh Permal, Hentry Kuruvilla, R.Nitish Kumar, Srinidhi Venkatesh,
Kevin Doucette, Jerry Vincent, Santhosh Dayanidhi, Marc.
Premier Digital Mastering Studios, Mumbai:
Aditya Modi, Hari.
Mixed by: Jerry Vincent, R.Nitish Kumar and Kevin Doucette at Panchathan Record-Inn, Chennai.
Mastered by: Ashish Manchanda at Flying Carpet Productions, Mumbai.
Download this song NOW!
http://www.itunes.com/
For Full Tracks, Caller Tunes & Mobile Downloads:
sms “SMCS” to 56060
Download Videos Free and Exclusively
only on the Coke Studio@MTV App on BlackBerry World
Lyrics:
Tu Zariya, hun mein zariya (You’re a path, so am I)
Aur uski kirpa, dariya dariya (And His compassion, like an ocean..an ocean)
Hain jo ankhiya nirmal, duniya nirmal (The world is pure, if pure is your vision)
Chalka..chalka, chhal chhal chhal chhal (Brimming o’er, brimming o’er, on and on)
Ho zuba koyeebhi (Whichever language, doesn’t matter)
Bol dil se tu bol (When from the heart, words you utter)
Ya misri si ho (Like sugar maybe)
Ya shahad si ho (Or even like honey)
Anti al umm (You are the mother)
Anti il hayaa (You are the life)
Anti alhob (You are love)
Anti lee aldunya (You are the world to me)
Anti lee aldunya (You are the world to me)
Tu Zariya, hun mein zariya (You’re a path, so am I)
Aur uski kirpa, dariya dariya (And His compassion, like an ocean..an ocean)
Hain jo ankhiya nirmal, duniya nirmal (The world is pure, if pure is your vision)
Chalka..chalka, chhal chhal chhal chhal (Brimming o’er, brimming o’er, on and on)
Reedaha, reedaha (I love her, I love her)
Kefima, reedaha (However it may be, I love her)
Teflatan ya halee (She is a young beauty)
Wil asaal reegaha (In her voice there is honey)
Category
Music
3.18M subscribers
If you cannot view the video here, go to:
http://mtv.in.com/videos/all-
Credits:
Traditional Buddhist & Jordanian Composition.
Composed & Produced by A.R.Rahman
Singers: Ani Choying Drolma, Farah Siraj
Lyrics: Traditional Jordanian Lyrics & Hindi Lyrics by Prasoon Joshi
Keys & Continuum Keyboard: A R Rahman
Percussion: Sivamani
Guitar: Prasanna
Guitar: Keba Jeremiah
Bass: Mohini Dey
Percussions: KKMC : Kahaan Shah, Yash Pathak, Pradvay Sivashankar, Suyash Medh
Backing Vocals: Abhilasha Chellum, Deblina Bose, Kanika Joshi, Prajakta Shukre, Sasha Trupati , Varsha Tripathy, Aditi Pual, Suchi, Rayhanah, Issrath Quadhri
String Section: Carol George, Herald E A, Francis Xavier P D, Vian Pereira
Creative Producer: Aditya Modi
Asst Music Director: Kevin Doucette
Music Programmer: Jerry Vincent
Post Production: Hari, Nitish Kumar
Recorded by: Steve Fitzmaurice, Ashish Manchanda, assisted by Darren Heelis & Raaj Jagtap
Sound Engineers:
Panchathan Record-Inn, Chennai:
Suresh Permal, Hentry Kuruvilla, R.Nitish Kumar, Srinidhi Venkatesh,
Kevin Doucette, Jerry Vincent, Santhosh Dayanidhi, Marc.
Premier Digital Mastering Studios, Mumbai:
Aditya Modi, Hari.
Mixed by: Jerry Vincent, R.Nitish Kumar and Kevin Doucette at Panchathan Record-Inn, Chennai.
Mastered by: Ashish Manchanda at Flying Carpet Productions, Mumbai.
Download this song NOW!
http://www.itunes.com/
For Full Tracks, Caller Tunes & Mobile Downloads:
sms “SMCS” to 56060
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Lyrics:
Tu Zariya, hun mein zariya (You’re a path, so am I)
Aur uski kirpa, dariya dariya (And His compassion, like an ocean..an ocean)
Hain jo ankhiya nirmal, duniya nirmal (The world is pure, if pure is your vision)
Chalka..chalka, chhal chhal chhal chhal (Brimming o’er, brimming o’er, on and on)
Ho zuba koyeebhi (Whichever language, doesn’t matter)
Bol dil se tu bol (When from the heart, words you utter)
Ya misri si ho (Like sugar maybe)
Ya shahad si ho (Or even like honey)
Anti al umm (You are the mother)
Anti il hayaa (You are the life)
Anti alhob (You are love)
Anti lee aldunya (You are the world to me)
Anti lee aldunya (You are the world to me)
Tu Zariya, hun mein zariya (You’re a path, so am I)
Aur uski kirpa, dariya dariya (And His compassion, like an ocean..an ocean)
Hain jo ankhiya nirmal, duniya nirmal (The world is pure, if pure is your vision)
Chalka..chalka, chhal chhal chhal chhal (Brimming o’er, brimming o’er, on and on)
Reedaha, reedaha (I love her, I love her)
Kefima, reedaha (However it may be, I love her)
Teflatan ya halee (She is a young beauty)
Wil asaal reegaha (In her voice there is honey)
Category
https://www.youtube.com/watch…
Asheville Percussion Festival 2017 - BOLOKADA CONDE
Asheville Rhythm
4.59K subscribers
Asheville Percussion Festival 2017 - Composition by BOLOKADA CONDE
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Jessie Lehmann- http://jessielehmann.com
RIver Guerguerian: http://www.guerguerian.com
Naghmeh Farahmand: http://www.naghmehfarahmand.
Marcus Santos: https://www.marcussantos.com/
Category
Entertainment
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Facebook: https://www.facebook.com/
Jessie Lehmann- http://jessielehmann.com
RIver Guerguerian: http://www.guerguerian.com
Naghmeh Farahmand: http://www.naghmehfarahmand.
Marcus Santos: https://www.marcussantos.com/
Category
https://www.youtube.com/watch…
A. R. Rahman Meets Berklee - Thee Thee & Malargale ft. Prasanna & Mohini Dey (7 of 16)
Berklee College of Music
975K subscribers
Grammy and Academy award winning composer, A. R. Rahman performed with,
and was paid tribute to, by Berklee College of Music at Symphony Hall,
Boston, on October 24, 2014. The repertoire for the concert spanned Mr.
Rahman’s illustrious discography of over 25 years. We are delighted to
release all 16 pieces presented at the concert featuring 109 performers
from 32 countries representing The Berklee Indian Ensemble, The Berklee
World String Ensemble, and Boston University’s Indian dance troupe, BU
Bhangra.
This concert was produced by Annette Philip, Artistic Director of Berklee India Exchange.
Thee Thee & Malargale ft. Mohini Dey
A. R. Rahman
string arr. Shachar Ziv
Electric Bass: Mohini Dey
Electric Guitar: Prasanna
Performers:
Berklee Indian Ensemble
Annette Philip: director
Shilpa Ananth: vocals
Sanjeeta Bhattacharya: vocals
Dhruv Goel: vocals
Vasundhara Gupta: vocals
Rohith Jayaraman: vocals
Harshitha Krishnan: vocals
Nalini Krishnan: vocals
Joakim Molander: vocals
Armeen Musa: vocals
Kanika Patawari: vocals
Purvaa Sampath: vocals
Ishita Sinha: vocals
Harini Srinivasa Raghavan: vocals
Aseem Suri: vocals
Adriel Tjokrosaputro: vocals
Sanchitha Wickremesooriya: vocals
Trinayan Baruah: vocals
Salil Bhayani: vocals
Malavika Das: vocals
Ava Dudani: vocals
Nicolas Emden: vocals
Christopher Kazarian: vocals
Annalisa Lombardo: vocals
Malwina Masternak: vocals
Wambura Mitaru: vocals
Zoya Mohan: vocals
Paola Munda: vocals
Lydia Renold: vocals
Gretchen Schadebrodt: vocals
Ashwin Shenoy: vocals
Sahana Simha: vocals
Pankhuri Singhal: vocals
Chantal Tribble: vocals
McKain Webb-Lakey: vocals
Yazhi Guo: flute, suona, dizi
Layth Al Rubaye: violin
Harini Srinivasa Raghavan: violin
Sashank Navaladi: sarod
Fares Btoush: oud
Jacy Anderson: guitar
Aleif Hamdan: guitar
Shubh Saran: guitar
David Milazzo: alto saxophone
Edmar Colon: tenor saxophone
Samuel Morrison: baritone saxophone
Josh Shpak: trumpet
Michael Wang: trombone
Annette Philip: piano
Cheng Lu: keyboard
Achal Murthy: bass
Daniel Gonzalez: electronic drum sound
Kaushlesh Purohit: tabla, percussion
Ranajoy Das: drums
Joe Galeota Jr.: percussion
Patrick Simard: drums, percussion
M.T. Aditya Srinivasan: tabla, kanjira
Vignesh Venkataraman: mridangam
Berklee World Strings Ensemble
Eugene Friesen: conductor
Na Young Baik: first violin
Sarah Hubbard: first violin
Sumaia Martins: first violin
Stefano Melillo Melendez: first violin
Kathleen Parks: first violin
Tim Reynolds: first violin
Carlos Silva: first violin
Yeji Yoon: first violin
Ludovica Burtone: second violin
Elise Boeur: second violin
Adrianna Ciccone: second violin
Sadie E. Currey: second violin
Carolyn Kendrick: second violin
Rosy Timms: second violin
Tsung-Yuan Lee: second violin
Choeun Kim: viola
Brendan Klippel: viola
Gerson Eguiguren Martinez: viola
Dan Lay: viola
John Smith: viola
Max Wolpert: viola
Steph Dye: cello
Marta Roma: cello
Keizo Yoshioka: cello
Adrian Zemor: cello
Nathaniel Sabat: bass
Matthew Witler: mandolin
Mairi Chaimbeul: harp
Allegra Cramer: harp
Ganavya Doraiswamy: dancer
Special appearance by Boston University student dancers of BU Bhangra
Arrangements
Matthew Nicholl, string arrangements, and orchestral parts preparation
Recorded live at Boston’s Symphony Hall
Rob Rose: executive producer
Tom Riley: executive producer
Annette Philip: artistic director/producer
Clint Valladares: artist relations/co producer
Mirek Vana: co producer
Dave Wentling: production manager
Steve Colby: sound engineer
Kaushlesh Purohit: audio mixing
Jonathan Wyner: audio mastering
Reggie Lofton: video producer
Thistle Communications: video production
Nicole Egidio: editor
For more information on Berklee India Exchange, please visit berklee.edu/india #berklee #berkleecollegeofmusic #berklee #berkleecollegeofmusic
Category
Music
02) Classical Chandaso language,
04) Classical Hela Basa (Hela Language),
06) Classical Devanagari,Classical Hindi-Devanagari- शास्त्रीय हिंदी,
07) Classical Cyrillic
08) Classical Afrikaans– Klassieke Afrikaans
09) Classical Albanian-Shqiptare klasike,
10) Classical Amharic-አንጋፋዊ አማርኛ,
11) Classical Arabic-اللغة العربية الفصحى
12) Classical Armenian-դասական հայերեն,
13) Classical Azerbaijani- Klassik Azərbaycan,
14) Classical Basque- Euskal klasikoa,
15) Classical Belarusian-Класічная беларуская,
16) Classical Bengali-ক্লাসিক্যাল বাংলা,
17) Classical Bosnian-Klasični bosanski,
18) Classical Bulgaria- Класически българск,
19) Classical Catalan-Català clàssic
20) Classical Cebuano-Klase sa Sugbo,
21) Classical Chichewa-Chikale cha Chichewa,
22) Classical Chinese (Simplified)-古典中文（简体）,
23) Classical Chinese (Traditional)-古典中文（繁體）,
24) Classical Corsican-Corsa Corsicana,
25) Classical Croatian-Klasična hrvatska,
26) Classical Czech-Klasická čeština,
27) Classical Danish-Klassisk dansk,Klassisk dansk,
28) Classical Dutch- Klassiek Nederlands,
29) Classical English,Roman
30) Classical Esperanto-Klasika Esperanto,
31) Classical Estonian- klassikaline eesti keel,
32) Classical Filipino klassikaline filipiinlane,
33) Classical Finnish- Klassinen suomalainen,
34) Classical French- Français classique,
35) Classical Frisian- Klassike Frysk,
36) Classical Galician-Clásico galego,
37) Classical Georgian-კლასიკური ქართული,
38) Classical German- Klassisches Deutsch,
39) Classical Greek-Κλασσικά Ελληνικά,
40) Classical Gujarati-ક્લાસિકલ ગુજરાતી,
41) Classical Haitian Creole-Klasik kreyòl,
42) Classical Hausa-Hausa Hausa,
43) Classical Hawaiian-Hawaiian Hawaiian,
44) Classical Hebrew- עברית קלאסית
45) Classical Hmong- Lus Hmoob,
46) Classical Hungarian-Klasszikus magyar,
47) Classical Icelandic-Klassísk íslensku,
48) Classical Igbo,Klassískt Igbo,
49) Classical Indonesian-Bahasa Indonesia Klasik,
50) Classical Irish-Indinéisis Clasaiceach,
51) Classical Italian-Italiano classico,
52) Classical Japanese-古典的なイタリア語,
53) Classical Javanese-Klasik Jawa,
54) Classical Kannada- ಶಾಸ್ತ್ರೀಯ ಕನ್ನಡ,
55) Classical Kazakh-Классикалық қазақ,
56) Classical Khmer- ខ្មែរបុរាណ,
57) Classical Korean-고전 한국어,
58) Classical Kurdish (Kurmanji)-Kurdî (Kurmancî),
59) Classical Kyrgyz-Классикалык Кыргыз,
60) Classical Lao-ຄລາສສິກລາວ,
61) Classical Latin-LXII) Classical Latin,
62) Classical Latvian-Klasiskā latviešu valoda,
63) Classical Lithuanian-Klasikinė lietuvių kalba,
64) Classical Luxembourgish-Klassesch Lëtzebuergesch,
65) Classical Macedonian-Класичен македонски,
66) Classical Malagasy,класичен малгашки,
67) Classical Malay-Melayu Klasik,
68) Classical Malayalam-ക്ലാസിക്കൽ മലയാളം,
69) Classical Maltese-Klassiku Malti,
70) Classical Maori-Maori Maori,
71) Classical Marathi-क्लासिकल माओरी,
72) Classical Mongolian-Сонгодог Монгол,
73) Classical Myanmar (Burmese)-Classical မြန်မာ (ဗမာ),
74) Classical Nepali-शास्त्रीय म्यांमार (बर्मा),
75) Classical Norwegian-Klassisk norsk,
76) Classical Pashto- ټولګی پښتو
77) Classical Persian-کلاسیک فارسی
78) Classical Polish-Język klasyczny polski,
79) Classical Portuguese-Português Clássico,
80) Classical Punjabi-ਕਲਾਸੀਕਲ ਪੰਜਾਬੀ,
81) Classical Romanian-Clasic românesc,
82) Classical Russian-Классический русский,
83) Classical Samoan-Samoan Samoa,
86) Classical Serbian-Класични српски,
87) Classical Sesotho-Seserbia ea boholo-holo,
88) Classical Shona-Shona Shona,
89) Classical Sindhi,
90) Classical Sinhala-සම්භාව්ය සිංහල,
91) Classical Slovak-Klasický slovenský,
92) Classical Slovenian-Klasična slovenska,
93) Classical Somali-Soomaali qowmiyadeed,
94) Classical Spanish-Español clásico,
95) Classical Sundanese-Sunda Klasik,
96) Classical Swahili,Kiswahili cha Classical,
97) Classical Swedish-Klassisk svensk,
98) Classical Tajik-тоҷикӣ классикӣ,
99) Classical Tamil-பாரம்பரிய இசைத்தமிழ் செம்மொழி,
100) Classical Telugu- క్లాసికల్ తెలుగు,
101) Classical Thai-ภาษาไทยคลาสสิก,
102) Classical Turkish-Klasik Türk,
103) Classical Ukrainian-Класичний український,
104) Classical Urdu- کلاسیکی اردو
105) Classical Uzbek-Klassik o’zbek,
106) Classical Vietnamese-Tiếng Việt cổ điển,
107) Classical Welsh-Cymraeg Clasurol,
108) Classical Xhosa-IsiXhosa zesiXhosa,
109) Classical Yiddish- קלאסישע ייִדיש
111) Classical Zulu-I-Classical Zulu
http://www.orgsites.com/oh/
Awakeness Practices
All 84,000 Khandas As Found in the Pali Suttas Traditionally the are
84,000 Dharma Doors - 84,000 ways to get Awakeness. Maybe so; certainly
the Buddha taught a large number of practices that lead to Awakeness.
This web page attempts to catalogue those found in the Pali Suttas (DN,
MN, SN, AN, Ud & Sn 1). There are 3 sections:
The discourses of Buddha are
divided into 84,000, as to separate addresses. The division includes all
that was spoken by Buddha.”I received from Buddha,” said Ananda,
“82,000 Khandas, and from the priests 2000; these are 84,000 Khandas
maintained by me.” They are divided into 275,250, as to the stanzas of
the original text, and into 361,550, as to the stanzas of the
commentary. All the discourses including both those of Buddha and those
of the commentator, are divided into 2,547 banawaras, containing
737,000 stanzas, and 29,368,000 separate letters.
Positive Buddha Vacana — The
words of the Buddha — Interested in All Suttas of Tipitaka as Episodes
in visual format including 7D laser Hologram 360 degree Circarama
presentation
from
Analytic Insight Net - FREE Online Tipiṭaka Law Research & Practice University in 112 CLASSICAL LANGUAGES Please Visit: http://sarvajan.ambedkar.org
https://www.youtube.com/watch?
for
Maha-parinibbana Sutta — Last Days of the Buddha
The Great Discourse on the Total Unbinding
This wide-ranging sutta, the
longest one in the Pali canon, describes the events leading up to,
during, and immediately following the death and final release
(parinibbana) of the Buddha. This colorful narrative
contains a wealth of Dhamma teachings, including the Buddha’s final
instructions that defined how Buddhism would be lived and practiced long
after the Buddha’s death — even to this day. But this sutta also
depicts, in simple language, the poignant human drama that unfolds among
the Buddha’s many devoted followers around the time of the death of
their beloved teacher.
https://www.youtube.com/watch?
for
Mahāsatipaṭṭhānasuttaṃ (Pali) - 2 Kāyānupassanā ānāpānapabbaṃ
http://www.buddha-vacana.org/
Use
http://www.translate.google.
Rector
JC
an expert who identifies experts influenced by Expert and Infulencer Sashikanth Chandrasekharan
of
Free Online Awaken One With Awareness Mind (A1wAM)+ ioT (insight-net of Things) - the art of Giving, taking and Living to attain Eternal Bliss as Final Goal through Electronic Visual Communication Course on
Political
Science-Techno-Politico-Socio Transformation and Economic Emancipation
Movement (TPSTEEM). Struggle hard to see that all fraud EVMs are
replaced bypaper ballots by Start using Internet of things by creating
Websites,blogs. Make the best use of facebook, twitter etc., to
propagate TPSTEEM
thru FOA1TRPUVF.
Practice Insight Meditation in all postures of the body - Sitting, standing, lying, walking, jogging, cycling, swimming, martial arts etc., for health mind in a healthy body.
buddhasaid2us@gmail.com,
Transformation and Economic Emancipation Movement followed by millions
of people all over the world in 112 Classical languages.
Rendering exact translation as a lesson of this
University in one’s mother tongue to this Google Translation and
propagation entitles to become a Stream Enterer (Sottapanna) and to attain Eternal Bliss as a Final Goal
