Free Online FOOD for MIND & HUNGER - DO GOOD 😊 PURIFY MIND.To live like free birds đŸĻ đŸĻĸ đŸĻ… grow fruits 🍍 🍊 đŸĨ‘ đŸĨ­ 🍇 🍌 🍎 🍉 🍒 🍑 đŸĨ vegetables đŸĨĻ đŸĨ• đŸĨ— đŸĨŦ đŸĨ” 🍆 đŸĨœ 🎃 đŸĢ‘ 🍅🍜 🧅 🍄 🍝 đŸĨ— đŸĨ’ đŸŒŊ 🍏 đŸĢ‘ đŸŒŗ 🍓 🍊 đŸĨĨ đŸŒĩ 🍈 🌰 🇧🇧 đŸĢ 🍅 🍐 đŸĢ’Plants 🌱in pots đŸĒ´ along with Meditative Mindful Swimming đŸŠâ€â™‚ī¸ to Attain NIBBĀNA the Eternal Bliss.
Kushinara NIBBĀNA Bhumi Pagoda White Home, Puniya Bhumi Bengaluru, Prabuddha Bharat International.
Categories:

Archives:
Meta:
June 2025
M T W T F S S
« Jan    
 1
2345678
9101112131415
16171819202122
23242526272829
30  
09/20/21
𝓛𝓔đ“ĸđ“ĸ𝓞𝓝 4100 Wed 22 Sep 2021 https://www.buddha-vacana.org/ Tree Buddha Vacana — The words of the Buddha — http://www.buddhanet.net/dhammapada/d_twin.htm Positive Words of the Awakened One Buddha in 29) Classical English,Roman,13) Classical Assamese-āĻ§ā§ā§°ā§āĻĒāĻĻā§€ āĻ…āϏāĻŽā§€āϝāĻŧāĻž,17) Classical Bengali-āĻ•ā§āϞāĻžāϏāĻŋāĻ•ā§āϝāĻžāϞ āĻŦāĻžāĻ‚āϞāĻž,41) Classical Gujarati-āĒ•āĢāǞāĒžāǏāĒŋāĒ•āǞ āĒ—ā́āǜāǰāĒžāǤāĢ€,55) Classical Kannada- ā˛ļā˛žā˛¸āŗā˛¤āŗā˛°āŗ€ā˛¯ ā˛•ā˛¨āŗā˛¨ā˛Ą,,70) Classical Malayalam-ā´•āĩā´˛ā´žā´¸ā´ŋā´•āĩā´•āĩŊ ā´Žā´˛ā´¯ā´žā´ŗā´‚,73) Classical Marathi-⤕āĨā¤˛ā¤žā¤¸ā¤ŋ⤕⤞ ā¤Žā¤žā¤“ā¤°āĨ€,76) Classical Nepali-ā¤ļā¤žā¤¸āĨā¤¤āĨā¤°āĨ€ā¤¯ ā¤ŽāĨā¤¯ā¤žā¤‚ā¤Žā¤žā¤° (ā¤Ŧ⤰āĨā¤Žā¤ž),78) Classical Odia (Oriya),83) Classical Punjabi-ā¨•ā¨˛ā¨žā¨¸āŠ€ā¨•ā¨˛ ā¨ĒāŠ°ā¨œā¨žā¨ŦāŠ€,87) Classical Sanskrit ⤛āĨā¤˛ā¤¸āĨā¤¸ā¤ŋ⤚⤞āĨ ⤎⤍āĨā¤¸āĨā¤•āĨā¤°ā¤ŋ⤤āĨ,92) Classical Sindhi,102) Classical Tamil-āŽĒāŽžāŽ°āŽŽā¯āŽĒāŽ°āŽŋāŽ¯ āŽ‡āŽšā¯ˆāŽ¤ā¯āŽ¤āŽŽāŽŋāŽ´ā¯ āŽšā¯†āŽŽā¯āŽŽā¯ŠāŽ´āŽŋ,104) Classical Telugu- ā°•āąā°˛ā°žā°¸ā°ŋā°•ā°˛āą ā°¤āą†ā°˛āąā°—āą, 109) Classical Urdu- ÚŠŲ„Ø§ØŗÛŒÚŠÛŒ Ø§ØąØ¯Ųˆ http://www.buddhanet.net/dhammapada/d_oldage.htm Treasury of Truth (Dhammapada) Chapter 11, Old Age ÚŠŲ„Ø§ØŗÛŒÚŠÛŒ Ø§ØąØ¯Ųˆ Positive Words of the Awakened One Buddha in, Hunger is the worst kind of illness said Awakened One Let us encourage all people to Do Good. Grow Broccoli đŸĨĻ Pepper đŸĢ‘ Cucumber đŸĨ’ Carrots đŸĨ• Beans in Pots. Fruit 🍎 Bearing Trees đŸŒŗ all over the world 🌎 and in Space. Purify Mind. Lead Hilarious 😆 Happy 😃 Life to Attain Eternal Bliss as Final Goal.-Hi Tech Radio Free Animation ClipartOnline Positive Universal Prabuddha Intellectuals Convention.29) Classical English,Roman, 13) Classical Assamese-āĻ§ā§ā§°ā§āĻĒāĻĻā§€ āĻ…āϏāĻŽā§€āϝāĻŧāĻž 17) Classical Bengali-āĻ•ā§āϞāĻžāϏāĻŋāĻ•ā§āϝāĻžāϞ āĻŦāĻžāĻ‚āϞāĻž, 41) Classical Gujarati-āĒ•āĢāǞāĒžāǏāĒŋāĒ•āǞ āĒ—ā́āǜāǰāĒžāǤāĢ€, 55) Classical Kannada- ā˛ļā˛žā˛¸āŗā˛¤āŗā˛°āŗ€ā˛¯ ā˛•ā˛¨āŗā˛¨ā˛Ą, 70) Classical Malayalam-ā´•āĩā´˛ā´žā´¸ā´ŋā´•āĩā´•āĩŊ ā´Žā´˛ā´¯ā´žā´ŗā´‚, 73) Classical Marathi-⤕āĨā¤˛ā¤žā¤¸ā¤ŋ⤕⤞ ā¤Žā¤žā¤“ā¤°āĨ€, 76) Classical Nepali-ā¤ļā¤žā¤¸āĨā¤¤āĨā¤°āĨ€ā¤¯ ā¤ŽāĨā¤¯ā¤žā¤‚ā¤Žā¤žā¤° (ā¤Ŧ⤰āĨā¤Žā¤ž),78) Classical Odia (Oriya) 83) Classical Punjabi-ā¨•ā¨˛ā¨žā¨¸āŠ€ā¨•ā¨˛ ā¨ĒāŠ°ā¨œā¨žā¨ŦāŠ€, 87) Classical Sanskrit ⤛āĨā¤˛ā¤¸āĨā¤¸ā¤ŋ⤚⤞āĨ ⤎⤍āĨā¤¸āĨā¤•āĨā¤°ā¤ŋ⤤āĨClassical Sindhi, 102) Classical Tamil-āŽĒāŽžāŽ°āŽŽā¯āŽĒāŽ°āŽŋāŽ¯ āŽ‡āŽšā¯ˆāŽ¤ā¯āŽ¤āŽŽāŽŋāŽ´ā¯ āŽšā¯†āŽŽā¯āŽŽā¯ŠāŽ´āŽŋ, 104) Classical Telugu- ā°•āąā°˛ā°žā°¸ā°ŋā°•ā°˛āą ā°¤āą†ā°˛āąā°—āą,109) Classical Urdu- ÚŠŲ„Ø§ØŗÛŒÚŠÛŒ Ø§ØąØ¯Ųˆ http://www.buddhanet.net/dhammapada/d_oldage.htm Verse 146. One Pacifying Word Is Noble
Filed under: General, Theravada Tipitaka , Plant raw Vegan Broccoli, peppers, cucumbers, carrots
Posted by: site admin @ 11:14 pm


https://www.buddha-vacana.org/sutta/samyutta/salayatana/sn35-020.html

 Tree >> Sutta Piáš­aka >> Saᚃyutta Nikāya >> Saḡāyatana Saᚃyutta

SN 35.20 (S iv 13)

Abhinanda Sutta in  ClassicalDevanagari,Classical Hindi-Devanagari- ā¤ļā¤žā¤¸āĨā¤¤āĨā¤°āĨ€ā¤¯ ā¤šā¤ŋ⤂ā¤ĻāĨ€

— Delight —
[abhinanda]

There is no escape for whoever delights in sense objects.

English

One,
bhikkhus, who delights in (visible) forms, delights in
unsatisfactoriness. Of one who delights in unsatisfactoriness, I say:
‘he is not liberated from unsatisfactoriness’.

One, bhikkhus, who
delights in sounds, delights in unsatisfactoriness. Of one who delights
in unsatisfactoriness, I say: ‘he is not liberated from
unsatisfactoriness’.

One, bhikkhus, who delights in odors,
delights in unsatisfactoriness. Of one who delights in
unsatisfactoriness, I say: ‘he is not liberated from
unsatisfactoriness’.

One, bhikkhus, who delights in tastes,
delights in unsatisfactoriness. Of one who delights in
unsatisfactoriness, I say: ‘he is not liberated from
unsatisfactoriness’.

One, bhikkhus, who delights in bodily
phenomena, delights in unsatisfactoriness. Of one who delights in
unsatisfactoriness, I say: ‘he is not liberated from
unsatisfactoriness’.

One, bhikkhus, who delights in mental
phenomena, delights in unsatisfactoriness. Of one who delights in
unsatisfactoriness, I say: ‘he is not liberated from
unsatisfactoriness’.

One, bhikkhus, who does not delight
in (visible) forms, does not delight in unsatisfactoriness. Of one who
does not delight in unsatisfactoriness, I say: ‘he is liberated from
unsatisfactoriness’.

One, bhikkhus, who does not delight in
sounds, does not delight in unsatisfactoriness. Of one who does not
delight in unsatisfactoriness, I say: ‘he is liberated from
unsatisfactoriness’.

One, bhikkhus, who does not delight in
odors, does not delight in unsatisfactoriness. Of one who does not
delight in unsatisfactoriness, I say: ‘he is liberated from
unsatisfactoriness’.

One, bhikkhus, who does not delight in
tastes, does not delight in unsatisfactoriness. Of one who does not
delight in unsatisfactoriness, I say: ‘he is liberated from
unsatisfactoriness’.

One, bhikkhus, who does not delight in
bodily phenomena, does not delight in unsatisfactoriness. Of one who
does not delight in unsatisfactoriness, I say: ‘he is liberated from
unsatisfactoriness’.

One, bhikkhus, who does not delight in
mental phenomena, does not delight in unsatisfactoriness. Of one who
does not delight in unsatisfactoriness, I say: ‘he is liberated from
unsatisfactoriness’.



13) Classical Assamese-āĻ§ā§ā§°ā§āĻĒāĻĻā§€ āĻ…āϏāĻŽā§€āϝāĻŧāĻž

āϏ⧁āĻŸā§āϟāĻžā§° Piáš­aka >> Saᚃyutta Nikāya >> Saḡāyatana Saᚃyutta >> āĻ—āĻ›
āĻāĻ›āĻāύ 35.20 (āĻāĻ› āφāχāĻ­āĻŋ 13)
āĻ§ā§ā§°ā§āĻĒāĻĻā§€ āĻĻā§‡ā§ąāύāĻ—ā§°ā§€āϤ āĻ…āĻ­āĻŋāύāĻ¨ā§āĻĻ āϏ⧁āĻŸā§āϟāĻž, āĻļāĻžāĻ¸ā§āĻ¤ā§ā§°ā§€āϝāĻŧ āĻšāĻŋāĻ¨ā§āĻĻā§€-āĻĻā§‡ā§ąāύāĻžāĻ—ā§°ā§€- ā¤ļā¤žā¤¸āĨā¤¤āĨā¤°āĨ€ā¤¯ ā¤šā¤ŋ⤂ā¤ĻāĨ€
— āφāύāĻ¨ā§āĻĻ -
[āĻ…āĻ­āĻŋāύāĻ¨ā§āĻĻ]
āϝāĻŋāϝāĻŧ⧇ āĻ…ā§°ā§āĻĨāϤ āĻŦāĻ¸ā§āϤ⧁āĻŦā§‹ā§°āϤ āφāύāĻ¨ā§āĻĻ āϕ⧰⧇ āϤ⧇āĻ“āρāϞ⧋āϕ⧰ āĻŦāĻžāĻŦ⧇ āϕ⧋āύ⧋ āĻĒāϞāĻžāϝāĻŧāύ āύāĻžāχāĨ¤
āχāς⧰āĻžāĻœā§€
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ (āĻĻ⧃āĻļā§āϝāĻŽāĻžāύ) ā§°ā§‚āĻĒāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšā§‹ā§ąāĻž āĻāϜāύāĻŦā§āϝāĻ•ā§āϤāĻŋā§° āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻāχāĻĻ⧰⧇ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āύāĻšāϝāĻŧ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻļāĻŦā§āĻĻāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ
āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšā§‹ā§ąāĻž āĻāϜāύāĻŦā§āϝāĻ•ā§āϤāĻŋā§° āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻāχāĻĻ⧰⧇ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž
āĻŽā§āĻ•ā§āϤ āύāĻšāϝāĻŧ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻ—ā§‹āĻ¨ā§āϧāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ
āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšā§‹ā§ąāĻž āĻāϜāύāĻŦā§āϝāĻ•ā§āϤāĻŋā§° āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻāχāĻĻ⧰⧇ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž
āĻŽā§āĻ•ā§āϤ āύāĻšāϝāĻŧ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻ¸ā§‹ā§ąāĻžāĻĻāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ
āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšā§‹ā§ąāĻž āĻāϜāύāĻŦā§āϝāĻ•ā§āϤāĻŋā§° āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻāχāĻĻ⧰⧇ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž
āĻŽā§āĻ•ā§āϤ āύāĻšāϝāĻŧ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻļāĻžā§°ā§€ā§°āĻŋāĻ• āĻĒā§°āĻŋāϘāϟāύāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšā§‹ā§ąāĻž āĻāϜāύāĻŦā§āϝāĻ•ā§āϤāĻŋā§° āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻāχāĻĻ⧰⧇ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āύāĻšāϝāĻŧ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻŽāĻžāύāϏāĻŋāĻ• āĻĒā§°āĻŋāϘāϟāύāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšā§‹ā§ąāĻž āĻāϜāύāĻŦā§āϝāĻ•ā§āϤāĻŋā§° āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻāχāĻĻ⧰⧇ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āύāĻšāϝāĻŧ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ (āĻĻ⧃āĻļā§āϝāĻŽāĻžāύ) ā§°ā§‚āĻĒāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧāĨ¤
āϝāĻŋāϜāύ⧇ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āϤ⧇āĻ“āρāϞ⧋āϕ⧰ āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āĻšā§ˆāϛ⧇’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻļāĻŦā§āĻĻāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧāĨ¤ āϝāĻŋāϜāύ⧇
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āϤ⧇āĻ“āρāϞ⧋āϕ⧰ āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§°
āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āĻšā§ˆāϛ⧇’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻ—ā§‹āĻ¨ā§āϧāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧāĨ¤ āϝāĻŋāϜāύ⧇
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āϤ⧇āĻ“āρāϞ⧋āϕ⧰ āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§°
āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āĻšā§ˆāϛ⧇’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻ¸ā§‹ā§ąāĻžāĻĻāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧāĨ¤ āϝāĻŋāϜāύ⧇
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āϤ⧇āĻ“āρāϞ⧋āϕ⧰ āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§°
āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āĻšā§ˆāϛ⧇’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻļāĻžā§°ā§€ā§°āĻŋāĻ• āĻĒā§°āĻŋāϘāϟāύāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧāĨ¤
āϝāĻŋāϜāύ⧇ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āϤ⧇āĻ“āρāϞ⧋āϕ⧰ āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āĻšā§ˆāϛ⧇’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ–āϖ⧁āϚ, āϝāĻŋ āĻŽāĻžāύāϏāĻŋāĻ• āĻĒā§°āĻŋāϘāϟāύāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧāĨ¤
āϝāĻŋāϜāύ⧇ āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžāϤ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻšāϝāĻŧ, āϤ⧇āĻ“āρāϞ⧋āϕ⧰ āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāχ āĻ•āĻ“āρ: ‘āϤ⧇āĻ“āρ
āĻ…āϏāĻ¨ā§āϤ⧋āώāϜāύāĻ•āϤāĻžā§° āĻĒā§°āĻž āĻŽā§āĻ•ā§āϤ āĻšā§ˆāϛ⧇’āĨ¤
āĻāĻ•āϟāĻŋ āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤ āϏāĻ‚āĻ—ā§€āϤ
Shar



17) Classical Bengali-āĻ•ā§āϞāĻžāϏāĻŋāĻ•ā§āϝāĻžāϞ āĻŦāĻžāĻ‚āϞāĻž,


āĻ—āĻžāĻ› >> āϏ⧂āϤ⧋āϟ āĻĒāĻŋāϝāĻŧāĻžāϏāĻžāĻ•āĻž >> Saᚃyutta Nikya >> Saḡyyatana Saᚃyutta
SN 35.20 (āĻāϏ IV 13)
āĻļāĻžāĻ¸ā§āĻ¤ā§āϰ⧀āϝāĻŧ āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻžāϝāĻŧ āĻ…āĻ­āĻŋāώāĻ¨ā§āĻĻ āϏ⧂āϤ-āĻ•āĻžāϏāĻŋāĻ•āĻžāϞ āĻŦāĻžāĻ‚āϞāĻž
- āφāύāĻ¨ā§āĻĻ -
[abhinanda]
āϝ⧇ āϕ⧇āω āĻ…āĻ°ā§āĻĨ⧇ āĻŦāĻ¸ā§āϤ⧁ delights āϜāĻ¨ā§āϝ āϕ⧋āύ āĻĒāĻžāϞāĻž āύ⧇āχāĨ¤
āχāĻ‚āϰ⧇āϜāĻŋ
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻžāϰāĻž (āĻĻ⧃āĻļā§āϝāĻŽāĻžāύ) āĻĢāĻ°ā§āĻŽāϗ⧁āϞāĻŋāϤ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āĻ…āĻ°ā§āϜāύ āĻ•āϰ⧇āĨ¤
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž
āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āύāύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻžāϰāĻž āĻļāĻŦā§āĻĻ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤāĨ¤ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ
āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ
āύāύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻžāϰāĻž odors āĻŽāĻ§ā§āϝ⧇ delights, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āĻŽāĻ§ā§āϝ⧇ delightsāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž
āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āύāύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻžāϰāĻž āĻ¸ā§āĻŦāĻžāĻĻ āĻŽāĻ§ā§āϝ⧇ delights, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āĻŽāĻ§ā§āϝ⧇ delightsāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž
āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āύāύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻŋāύāĻŋ āĻļāĻžāϰ⧀āϰāĻŋāĻ• āϘāϟāύāĻžāϗ⧁āϞāĻŋāϤ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāύ, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ
āĻšāύāĨ¤ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āύāύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻžāϰāĻž āĻŽāĻžāύāϏāĻŋāĻ• āϘāϟāύāĻžāϗ⧁āϞāĻŋāϤ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž
āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āύāύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻŋāύāĻŋ (āĻĻ⧃āĻļā§āϝāĻŽāĻžāύ) āĻĢāĻ°ā§āĻŽāϗ⧁āϞāĻŋāϤ⧇ āφāύāĻ¨ā§āĻĻ āĻ•āϰ⧇āύ āύāĻž, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āĻ…āĻ°ā§āϜāύ
āĻ•āϰ⧇āύ āύāĻžāĨ¤ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻž āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āĻšāϝāĻŧ⧇āϛ⧇āύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻžāϰāĻž āĻļāĻŦā§āĻĻ⧇ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻž, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ āύāĻžāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻž āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž
āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āĻšāϝāĻŧ⧇āϛ⧇āύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻžāϰāĻž odors āĻŽāĻ§ā§āϝ⧇ āφāύāĻ¨ā§āĻĻ āύāĻž, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āφāύāĻ¨ā§āĻĻ āύāĻžāĨ¤ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ
āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻž āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ
āĻšāϝāĻŧ⧇āϛ⧇āύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻžāϰāĻž āĻ¸ā§āĻŦāĻžāĻĻ⧇ āφāύāĻ¨ā§āĻĻ āĻ•āϰ⧇ āύāĻž, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ āύāĻžāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻž āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž
āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āĻšāϝāĻŧ⧇āϛ⧇āύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻŋāύāĻŋ āĻļāĻžāϰ⧀āϰāĻŋāĻ• āϘāϟāύāĻžāϤ⧇ āφāύāĻ¨ā§āĻĻ āĻ•āϰ⧇āύ āύāĻž, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻšāϝāĻŧ
āύāĻžāĨ¤ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻž āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž
āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āĻšāϝāĻŧ⧇āϛ⧇āύ’āĨ¤
āĻāĻ•,
āĻ­āĻŋāĻ•āϖ⧁āϏ, āϝāĻŋāύāĻŋ āĻŽāĻžāύāϏāĻŋāĻ• āϘāϟāύāĻžāϗ⧁āϞāĻŋāϤ⧇ āφāύāĻ¨ā§āĻĻ āĻ•āϰ⧇āύ āύāĻž, āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻžāĨ¤
āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻžāϝāĻŧ āφāύāĻ¨ā§āĻĻāĻŋāϤ āύāĻž āĻāĻŽāύ āĻāĻ•āϜāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āφāĻŽāĻŋ āĻŦāϞāĻŋ: ‘āϤāĻŋāύāĻŋ āĻ…āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāϤāĻž
āĻĨ⧇āϕ⧇ āĻŽā§āĻ•ā§āϤ āĻšāϝāĻŧ⧇āϛ⧇āύ’āĨ¤
||Sankare sise namor kothia|| Assamese Dance cover||Bhupen hazarika||Jigyasha Gohain||
Jigyasha Gohain
867 subscribers
song:Tumi Asomiya
Artist: Dr. Bhupen Hazarika
Album:Chinaki Geet
Licensed
to RDC media Pvt.Ltd(on behalf YouTube by of NK production) and 1
music Right societies
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Tumi Assomiya
Artist
Dr.Bhupen Hazarika
Album
Chinaki Geet
Licensed to YouTube by
RDC Media Pvt. Ltd (on behalf of N.K. Production), and 1 Music Rights Societies
||Sankare sise namor kothia|| Assamese Dance cover||Bhupen hazarika||Jigyasha Gohain||


41) Classical Gujarati-āĒ•āĢāǞāĒžāǏāĒŋāĒ•āǞ āĒ—ā́āǜāǰāĒžāǤāĢ€,

āĒĩā̃āĒ•āĢāǎ >> āǏāĢ‚āǤāĢāǰ piáš­aks >> Sᚃyutta nikayāĒļāĒžāǏāĢāǤāĢāǰ >> Sałyatana Sałyutta
āĒāǏāĒāǍ 35.20 (āĒāǏ āǚāĢ‹āĒĨāĢ‹ 13)
āĒ…āĒ­āĒŋāǍāĢāĒĻāĒž āǏā́āǤāĒž āĒļāĒžāǏāĢāǤāĢāǰāĢ€āǝ āĒ—ā́āǜāǰāĒžāǤāĢ€āĒŽāĒžāĒ‚ - āĒ•āĢāǞāĒžāǏāĒŋāǚāĒ• āĒ—ā́āǜāǰāĒžāǤāĢ€
- ādžāǍāĒ‚āĒĻ -
[āĒ…āĒ­āĒŋāǍā̇āǍāĢāĒĄāĒž]
āĒ…āǰāĢāĒĨāĒŽāĒžāĒ‚ āĒĩāǏāĢāǤā́āĒ“āĒŽāĒžāĒ‚ āĒ•āĢ‹āLj āĒĒāĒŖ ādžāǍāĒ‚āĒĻ āĒĨāĒžāǝ āĒ›ā̇ āǤā̇āǍāĒž āĒŽāĒžāǟā̇ āĒ•āĢ‹āLj āĒŦāǚāĒžāĒĩ āǍāĒĨāĢ€.
āĒ…āĒ‚āĒ—āĢāǰā̇āǜāĢ€
āĒāĒ•,
āĒ­āĢ€āĒ–āǏ, āǜā̇ (āĒĻā̃āĒļāĢāǝāĒŽāĒžāǍ) āǏāĢāĒĩāǰāĢ‚āĒĒāĢ‹āĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇, āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇
āĒ›ā̇. āǜā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€ āĒŽā́āĒ•āĢāǤ āǍāĒĨāĢ€’.
āĒāĒ•,
āĒ­āĢ€āĒ–āǏ, āǜā̇ āĒ…āĒĩāĒžāǜāĢ‹āĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇, āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇. āǜā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€
āĒŽā́āĒ•āĢāǤ āǍāĒĨāĢ€’.
āĒāĒ•,
āĒ­āĢ€āĒ–āǏ, āǜā̇ āĒ—āĒ‚āǧāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇, āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇. āǜā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€
āĒŽā́āĒ•āĢāǤ āǍāĒĨāĢ€’.
āĒāĒ•,
āĒ­āĢ€āĒ–āǏ, āǜā̇ āǏāĢāĒĩāĒžāĒĻāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇, āĒ…āǏāĒ‚āǤāĢ‹āǎāǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇. āǜā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€
āĒŽā́āĒ•āĢāǤ āǍāĒĨāĢ€’.
āĒāĒ•,
āĒ­āĢ€āĒ–ā́āǏ, āǜā̇ āĒļāǰāĢ€āǰāǍāĢ€ āǘāǟāǍāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇, āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇. āǜā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€
āĒŽā́āĒ•āĢāǤ āǍāĒĨāĢ€’.
āĒāĒ•,
āĒ­āĢ€āĒ–āǏ, āǜā̇ āĒŽāĒžāǍāǏāĒŋāĒ• āǘāǟāǍāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇, āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇. āǜā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āĒ•āǰā̇ āĒ›ā̇ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€
āĒŽā́āĒ•āĢāǤ āǍāĒĨāĢ€’.
āĒāĒ•,
āĒ­āĢ€āĒ–ā́āǏ, āǜā̇ (āĒĻā̃āĒļāĢāǝāĒŽāĒžāǍ) āǏāĢāĒĩāǰāĢ‚āĒĒāĢ‹āĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĒž, āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ
āǍāĒĨāĢ€ āĒ•āǰāǤā́āĒ‚. āǜā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĢ‹ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€ āĒŽā́āĒ•āĢāǤ āĒĨāĒžāǝ āĒ›ā̇’.
āĒāĒ•,
āĒ­āĢ€āĒ–ā́āǏ, āǜā̇ āĒ…āĒĩāĒžāǜāĢ‹āĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĒž, āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤā́āĒ‚. āǜā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĢ‹ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€
āĒŽā́āĒ•āĢāǤ āĒĨāĒžāǝ āĒ›ā̇’.
āĒāĒ•,
āĒ­āĢ€āĒ–ā́āǏ, āǜā̇ āĒ—āĒ‚āǧāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĒž, āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤā́āĒ‚. āǜā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĢ‹ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€
āĒŽā́āĒ•āĢāǤ āĒĨāĒžāǝ āĒ›ā̇’.
āĒāĒ•,
āĒ­āĢ€āĒ–āǏ, āǜā̇ āǏāĢāĒĩāĒžāĒĻāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĒž, āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤā́āĒ‚. āǜā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĢ‹ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€
āĒŽā́āĒ•āĢāǤ āĒĨāĒžāǝ āĒ›ā̇’.
āĒāĒ•,
āĒ­āĒŋāĒ•āĢāĒ–ā́āǏ, āǜā̇āĒ“ āĒļāǰāĢ€āǰāǍāĢ€ āǘāǟāǍāĒžāĒ“āĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĒž, āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€
āĒ•āǰāǤāĒž. āǜā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĢ‹ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€ āĒŽā́āĒ•āĢāǤ āĒĨāĒžāǝ āĒ›ā̇’.
āĒāĒ•,
āĒ­āĢ€āĒ–āǏ, āǜā̇ āĒŽāĒžāǍāǏāĒŋāĒ• āǘāǟāǍāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĒž, āǤā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€
āĒ•āǰāǤāĢ‹. āǜā̇ āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒŽāĒžāĒ‚ ādžāǍāĒ‚āĒĻ āǍāĒĨāĢ€ āĒ•āǰāǤāĢ‹ āǤā̇āĒŽāĒžāĒ‚āĒĨāĢ€, āĒšā́āĒ‚ āĒ•āĒšā́āĒ‚ āĒ›ā́āĒ‚: ‘āǤā̇
āĒ…āǏāĒ‚āǤāĢ‹āǎāĒ•āĒžāǰāĒ•āǤāĒžāĒĨāĢ€ āĒŽā́āĒ•āĢāǤ āĒĨāĒžāǝ āĒ›ā̇’.
20 Popular Gujarati Lok Geeto || āĒ—ā́āǜāǰāĒžāǤāĢ€ āǞāĢ‹āĒ•āĒ—āĢ€āǤāĢ‹ || Traditional Folk Famous Gujarati Songs
Studio Sangeeta
4.11M subscribers
Studio
Sangeeta Presents - 20 Popular Gujarati Lok Geeto || āĒ—ā́āǜāǰāĒžāǤāĢ€ āǞāĢ‹āĒ•āĒ—āĢ€āǤāĢ‹ ||
Traditional Folk Famous Gujarati Songs || āĒ•āĒžāĒ āĒŋāǝāĒžāĒĩāĒžāĒĄāĢ€ āǞāĢ‹āĒ•āĒ—āĢ€āǤ || āĒ—ā́āǜāǰāĒžāǤāĢ€
āǏāĢāĒĒā̇āĒļāǞ āĒ—āĢ€āǤāĢ‹ ||
Album - Gujarati Lokgeeto
Music Label - Studio Sangeeta
Singers -
Padma Shree Bhikhudan Gadhvi, Padma Shree Diwaliben Bhil,
Suresh Rawal, Meena Patel, Damyanti Bardaayi, Saroj Vaishnav, Jayesh Barot, Rekha Rathod
Songs List -
01. Mehndi Te Vavi Malve Ne Rang Gayo Gujarat Re
02. Chando Ugyo Chokma Ghayal
03. Maragdo Maro Meli Dyone
04. Saag Seesam No Dholiyo
05. Ame Maiyara Re
06. Sona Vatakdi Re Kesar
07. Limbuda Jule Taara Baag Ma
08. Zalavadi Dhol Taru Zanzar Waage
09. Ramo Ramo Govaliya
10. Hambo Hambo Vichudo
11. Ram Lakhan Be Bandhaav
12. Sonala Hindhori Ne Rupla
13. Aawi Rudi Anjawaali Raat
14. Unchi Re Chadu Ne
15. Maadi Hu To Baar Varse
16. Vahu Ae Vagovya Khorda
17. Aaj Maari Mena Re Bole
18. Rukhad Bawa
19. Kunjal Na Maar Roya
20. Kasumbi No Rang
To Purchase Any Song -
WhatsApp on 9769900276
For Any Query - studiosangeeta_5465@yahoo.co.in
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
20 Popular Gujarati Lok Geeto || āĒ—ā́āǜāǰāĒžāǤāĢ€ āǞāĢ‹āĒ•āĒ—āĢ€āǤāĢ‹ || Traditional Folk Famous Gujarati Songs
Artist
Studio Sangeeta

youtube.com
20 Popular Gujarati Lok Geeto || āĒ—ā́āǜāǰāĒžāǤāĢ€ āǞāĢ‹āĒ•āĒ—āĢ€āǤāĢ‹ || Traditional Folk Famous Gujarati Songs


55) Classical Kannada- ā˛ļā˛žā˛¸āŗā˛¤āŗā˛°āŗ€ā˛¯ ā˛•ā˛¨āŗā˛¨ā˛Ą,

ā˛Žā˛° >> Sutta Piáš­aka >> Saᚃyutta Nikāya >> Saḡāyatana saᚃyutta
SN 35.20 (➰⺁ IV 13)
ā˛ļā˛žā˛¸āŗā˛¤āŗā˛°āŗ€ā˛¯ ā˛•ā˛¨āŗā˛¨ā˛Ąā˛Ļā˛˛āŗā˛˛ā˛ŋ ➅➭ā˛ŋ➍➂ā˛Ļ ā˛¸ā˛Ÿāŗā˛Ÿā˛ž- ā˛ļā˛žā˛¸āŗā˛¤āŗā˛°ā˛ŋ➝ ā˛•ā˛žā˛¨āŗā˛¨ā˛žā˛Ąāŗ
- ā˛Ąā˛ŋā˛˛āŗˆā˛Ÿāŗ -
[➅➭ā˛ŋ➍➂ā˛Ļ]
ā˛…ā˛°āŗā˛Ĩā˛Ļā˛˛āŗā˛˛ā˛ŋ ā˛ĩā˛¸āŗā˛¤āŗā˛—ā˛ŗāŗ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰ā˛ŋā˛—ā˛žā˛—ā˛ŋ ā˛¯ā˛žā˛ĩ⺁ā˛Ļāŗ‡ ➤ā˛Ēāŗā˛Ēā˛ŋ➏ā˛ŋā˛•āŗŠā˛ŗāŗā˛ŗāŗā˛ĩ⺁ā˛Ļā˛ŋā˛˛āŗā˛˛.
ā˛†ā˛‚ā˛—āŗā˛˛
➒➂ā˛Ļ⺁,
➭ā˛ŋā˛•āŗā˛–ā˛¸āŗ, ā˛¯ā˛žā˛°āŗ (ā˛—āŗ‹ā˛šā˛°) ➰⺂ā˛Ē➗➺⺁, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļ ➏➂➤⺋➎ā˛Ļā˛ŋ➂ā˛Ļ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛¤āŗā˛¤ā˛žā˛°āŗ†.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩā˛°ā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩ➰⺁’ ➍ā˛ŋ➂ā˛Ļ ā˛Ŧā˛ŋā˛Ąāŗā˛—ā˛Ąāŗ† ā˛Žā˛žā˛Ąā˛˛ā˛ŋā˛˛āŗā˛˛ ‘.
➒➂ā˛Ļ⺁,
➭ā˛ŋā˛•āŗā˛–ā˛¸āŗ, ā˛ļā˛Ŧāŗā˛Ļā˛—ā˛ŗā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩā˛°ā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩ➰⺁’ ➍ā˛ŋ➂ā˛Ļ ā˛Ŧā˛ŋā˛Ąāŗā˛—ā˛Ąāŗ† ā˛Žā˛žā˛Ąā˛˛ā˛ŋā˛˛āŗā˛˛ ‘.
➒➂ā˛Ļ⺁,
ā˛­āŗā˛•āŗā˛•ā˛¸āŗ, ā˛ĩā˛žā˛¸ā˛¨āŗ†ā˛¯ā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩā˛°ā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩ➰⺁’ ➍ā˛ŋ➂ā˛Ļ ā˛Ŧā˛ŋā˛Ąāŗā˛—ā˛Ąāŗ† ā˛Žā˛žā˛Ąā˛˛ā˛ŋā˛˛āŗā˛˛ ‘.
➒➂ā˛Ļ⺁,
➭ā˛ŋā˛•āŗā˛–ā˛¸āŗ, ➅➭ā˛ŋ➰⺁➚ā˛ŋā˛—ā˛ŗā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩā˛°ā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩ➰⺁’ ➍ā˛ŋ➂ā˛Ļ ā˛Ŧā˛ŋā˛Ąāŗā˛—ā˛Ąāŗ† ā˛Žā˛žā˛Ąā˛˛ā˛ŋā˛˛āŗā˛˛ ‘.
➒➂ā˛Ļ⺁,
ā˛­āŗā˛•āŗā˛•ā˛žā˛¸āŗ, ā˛Ļāŗˆā˛šā˛ŋ➕ ā˛ĩā˛ŋā˛Ļāŗā˛¯ā˛Žā˛žā˛¨ā˛—ā˛ŗā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩā˛°ā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩ➰⺁’ ➍ā˛ŋ➂ā˛Ļ ā˛Ŧā˛ŋā˛Ąāŗā˛—ā˛Ąāŗ† ā˛Žā˛žā˛Ąā˛˛ā˛ŋā˛˛āŗā˛˛ ‘.
➒➂ā˛Ļ⺁,
➭ā˛ŋā˛•āŗā˛–ā˛¸āŗ, ā˛Žā˛žā˛¨ā˛¸ā˛ŋ➕ ā˛ĩā˛ŋā˛Ļāŗā˛¯ā˛Žā˛žā˛¨ā˛—ā˛ŗā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋ
➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛¤āŗā˛¤ā˛žā˛°āŗ†. ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩā˛°ā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛Ēā˛Ąāŗā˛ĩā˛ĩ➰⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†:
‘➅ā˛ĩ➰⺁ ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛˛āŗā˛˛ā˛Ļā˛ĩ➰⺁’ ➍ā˛ŋ➂ā˛Ļ ā˛Ŧā˛ŋā˛Ąāŗā˛—ā˛Ąāŗ† ā˛Žā˛žā˛Ąā˛˛ā˛ŋā˛˛āŗā˛˛ ‘.
➒➂ā˛Ļ⺁,
➭ā˛ŋā˛•āŗā˛–ā˛¸āŗ, ā˛¯ā˛žā˛°āŗ (ā˛—āŗ‹ā˛šā˛°) ➰⺂ā˛Ēā˛—ā˛ŗā˛˛āŗā˛˛ā˛ŋ ➆➍➂ā˛Ļā˛ŋ➏⺁ā˛ĩ⺁ā˛Ļā˛ŋā˛˛āŗā˛˛, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛ ➒ā˛Ŧāŗā˛Ŧ ā˛ĩāŗā˛¯ā˛•āŗā˛¤ā˛ŋ➝⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁ ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰➰ā˛ŋ➂ā˛Ļ
ā˛ĩā˛ŋā˛Žāŗ‹ā˛šā˛¨āŗ†ā˛—āŗŠā˛‚ā˛Ąā˛ŋā˛Ļāŗā˛Ļā˛žā˛°āŗ†’.
➒➂ā˛Ļ⺁,
ā˛ļā˛Ŧāŗā˛Ļā˛—ā˛ŗā˛˛āŗā˛˛ā˛ŋ ➆➍➂ā˛Ļā˛ĩā˛ŋā˛˛āŗā˛˛ā˛Ļ ➭ā˛ŋā˛•āŗā˛•āŗā˛¸āŗ, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛. ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛ ➒ā˛Ŧāŗā˛Ŧ
ā˛ĩāŗā˛¯ā˛•āŗā˛¤ā˛ŋ➝⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁ ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰➰ā˛ŋ➂ā˛Ļ ā˛ĩā˛ŋā˛Žāŗ‹ā˛šā˛¨āŗ†ā˛—āŗŠā˛‚ā˛Ąā˛ŋā˛Ļāŗā˛Ļā˛žā˛°āŗ†’.
➒➂ā˛Ļ⺁,
ā˛­āŗā˛•āŗā˛•ā˛¸āŗ, ā˛¯ā˛žā˛°āŗ ā˛ĩā˛žā˛¸ā˛¨āŗ†ā˛¯ā˛¨āŗā˛¨āŗ ➆➍➂ā˛Ļā˛ŋ➏⺁ā˛ĩ⺁ā˛Ļā˛ŋā˛˛āŗā˛˛, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛ ➒ā˛Ŧāŗā˛Ŧ ā˛ĩāŗā˛¯ā˛•āŗā˛¤ā˛ŋ➝⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁ ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰➰ā˛ŋ➂ā˛Ļ
ā˛ĩā˛ŋā˛Žāŗ‹ā˛šā˛¨āŗ†ā˛—āŗŠā˛‚ā˛Ąā˛ŋā˛Ļāŗā˛Ļā˛žā˛°āŗ†’.
➒➂ā˛Ļ⺁,
ā˛­āŗā˛•āŗā˛•ā˛¸āŗ, ➅➭ā˛ŋ➰⺁➚ā˛ŋā˛¯ā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛ĩā˛žā˛—āŗā˛ĩ⺁ā˛Ļā˛ŋā˛˛āŗā˛˛, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛ ➒ā˛Ŧāŗā˛Ŧ ā˛ĩāŗā˛¯ā˛•āŗā˛¤ā˛ŋ➝⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁ ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰➰ā˛ŋ➂ā˛Ļ
ā˛ĩā˛ŋā˛Žāŗ‹ā˛šā˛¨āŗ†ā˛—āŗŠā˛‚ā˛Ąā˛ŋā˛Ļāŗā˛Ļā˛žā˛°āŗ†’.
➒➂ā˛Ļ⺁,
ā˛­āŗā˛•āŗā˛•ā˛¸āŗ, ā˛Ļāŗˆā˛šā˛ŋ➕ ā˛ĩā˛ŋā˛Ļāŗā˛¯ā˛Žā˛žā˛¨ā˛—ā˛ŗā˛˛āŗā˛˛ā˛ŋ ➏➂➤⺋➎ā˛ĩā˛žā˛—āŗā˛ĩ⺁ā˛Ļā˛ŋā˛˛āŗā˛˛, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛.
ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛ ➒ā˛Ŧāŗā˛Ŧ ā˛ĩāŗā˛¯ā˛•āŗā˛¤ā˛ŋ➝⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁ ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰➰ā˛ŋ➂ā˛Ļ
ā˛ĩā˛ŋā˛Žāŗ‹ā˛šā˛¨āŗ†ā˛—āŗŠā˛‚ā˛Ąā˛ŋā˛Ļāŗā˛Ļā˛žā˛°āŗ†’.
ā˛Žā˛žā˛¨ā˛¸ā˛ŋ➕
ā˛ĩā˛ŋā˛Ļāŗā˛¯ā˛Žā˛žā˛¨ā˛—ā˛ŗā˛˛āŗā˛˛ā˛ŋ ➆➍➂ā˛Ļā˛ĩā˛ŋā˛˛āŗā˛˛ā˛Ļ ➭ā˛ŋā˛•āŗā˛ˇā˛žā˛¸āŗ, ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛. ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰ā˛ĩā˛žā˛—ā˛ŋā˛˛āŗā˛˛
➒ā˛Ŧāŗā˛Ŧ ā˛ĩāŗā˛¯ā˛•āŗā˛¤ā˛ŋ➝⺁, ā˛¨ā˛žā˛¨āŗ ā˛šāŗ‡ā˛ŗāŗā˛¤āŗā˛¤āŗ‡ā˛¨āŗ†: ‘➅ā˛ĩ➰⺁ ā˛…ā˛¤āŗƒā˛Ēāŗā˛¤ā˛ŋ➕➰➰ā˛ŋ➂ā˛Ļ
ā˛ĩā˛ŋā˛Žāŗ‹ā˛šā˛¨āŗ†ā˛—āŗŠā˛‚ā˛Ąā˛ŋā˛Ļāŗā˛Ļā˛žā˛°āŗ†’.
Faridabad single jodi 21 September 2021 gaziyabad gali disawar satta king bank satta king disaweer
The smart icon
Faridabad single jodi 21 September 2021 gaziyabad gali disawar satta king bank satta king disaweer

70) Classical Malayalam-ā´•āĩā´˛ā´žā´¸ā´ŋā´•āĩā´•āĩŊ ā´Žā´˛ā´¯ā´žā´ŗā´‚,

ā´Žā´°ā´‚ >> ā´¸āĩā´Ÿāĩā´Ÿ ā´Ēā´ŋⴝⴕ >> ā´¸ā´žā´¯āĩā´¯āĩā´Ÿāĩā´Ÿ ā´¨ā´ŋā´•āĩā´¤ā´ž >> ā´¸ā´žā´§ā´¨ā´¤ā´žā´¨ ā´¸ā´žā´¯āĩā´Ÿāĩā´Ÿ
SN 35.20 (ā´•āĩž IV 13)
ā´•āĩā´˛ā´žā´¸ā´ŋā´•āĩā´•āĩŊ ā´Žā´˛ā´¯ā´žā´ŗā´¤āĩā´¤ā´ŋāĩŊ ā´…ā´­ā´ŋā´¨ā´ŋā´¨āĩā´Ļ ā´¸āĩā´Ÿāĩā´Ÿāĩ- ā´’ā´°āĩ ā´¤ā´Žā´žā´ļā´¯ā´žā´¯ā´ŋ
- ⴆⴍⴍāĩā´Ļā´‚ -
[ā´…ā´­ā´ŋⴍⴍāĩā´Ļ]
ⴇⴍāĩā´Ļāĩā´°ā´ŋā´¯ ā´ĩā´¸āĩā´¤āĩā´•āĩā´•ā´ŗā´ŋāĩŊ ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•āĩā´¨āĩā´¨ā´ĩāĩŧā´•āĩā´•āĩ ā´°ā´•āĩā´ˇā´¯ā´ŋā´˛āĩā´˛.
ⴇⴂⴗāĩā´˛āĩ€ā´ˇāĩ
ā´’ā´¨āĩā´¨āĩ,
ā´­ā´ŋā´•āĩā´•āĩŊā´šā´¸āĩ, (ā´Ļāĩƒā´ļāĩā´¯ā´Žā´žā´¯) ā´°āĩ‚ā´Ēā´™āĩā´™ā´ŗā´ŋāĩŊ ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•āĩā´¨āĩā´¨, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛āĩ†ā´¨āĩā´¨āĩ
ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•āĩā´¨āĩā´¨āĩ. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ā´žā´¤āĩā´¤ā´ĩā´¨āĩā´ąāĩ†, ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´Ļāĩā´Ļāĩ‡ā´šā´¤āĩā´¤āĩ†
ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´Ēāĩā´°ā´•āĩ‹ā´Ēā´ŋā´Ēāĩā´Ēā´ŋā´•āĩā´•ā´Ēāĩā´Ēāĩ†ā´Ÿāĩā´¨āĩā´¨ā´ŋā´˛āĩā´˛’.
ā´ļā´Ŧāĩā´Ļā´¤āĩā´¤ā´ŋāĩŊ
ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•āĩā´¨āĩā´¨ ā´’ā´°āĩ ā´­āĩ€ā´–āĩā´¸āĩ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ā´žā´¤āĩā´¤ā´ĩā´¨āĩā´ąāĩ†, ā´žā´žāĩģ
ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´Ļāĩā´Ļāĩ‡ā´šā´¤āĩā´¤āĩ† ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´Ēāĩā´°ā´•āĩ‹ā´Ēā´ŋā´Ēāĩā´Ēā´ŋā´•āĩā´•ā´Ēāĩā´Ēāĩ†ā´Ÿāĩā´¨āĩā´¨ā´ŋā´˛āĩā´˛’.
ā´Ļāĩāĩŧā´—ā´¨āĩā´§ā´¤āĩā´¤ā´ŋāĩŊ
ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•āĩā´¨āĩā´¨ ā´’ā´¨āĩā´¨āĩ, ā´­āĩ€ā´–āĩā´¸āĩ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ā´žā´¤āĩā´¤ā´ĩā´¨āĩā´ąāĩ†, ā´žā´žāĩģ
ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´Ļāĩā´Ļāĩ‡ā´šā´¤āĩā´¤āĩ† ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´Ēāĩā´°ā´•āĩ‹ā´Ēā´ŋā´Ēāĩā´Ēā´ŋā´•āĩā´•ā´Ēāĩā´Ēāĩ†ā´Ÿāĩā´¨āĩā´¨ā´ŋā´˛āĩā´˛’.
ā´…ā´­ā´ŋā´°āĩā´šā´ŋā´•ā´ŗā´ŋāĩŊ
ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•āĩā´¨āĩā´¨ ā´’ā´°āĩ ā´­āĩ€ā´–āĩā´¸āĩ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ā´žā´¤āĩā´¤ā´ĩā´¨āĩā´ąāĩ†, ā´žā´žāĩģ
ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´Ļāĩā´Ļāĩ‡ā´šā´¤āĩā´¤āĩ† ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´Ēāĩā´°ā´•āĩ‹ā´Ēā´ŋā´Ēāĩā´Ēā´ŋā´•āĩā´•ā´Ēāĩā´Ēāĩ†ā´Ÿāĩā´¨āĩā´¨ā´ŋā´˛āĩā´˛’.
ā´ļā´žā´°āĩ€ā´°ā´ŋā´•
ā´Ēāĩā´°ā´¤ā´ŋā´­ā´žā´¸ā´™āĩā´™ā´ŗā´ŋāĩŊ ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•āĩā´¨āĩā´¨ ā´’ā´°āĩ ā´­āĩ€ā´–āĩā´¸āĩ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛.
ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ā´žā´¤āĩā´¤ā´ĩā´¨āĩā´ąāĩ†, ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´Ļāĩā´Ļāĩ‡ā´šā´¤āĩā´¤āĩ† ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ
ā´Ēāĩā´°ā´•āĩ‹ā´Ēā´ŋā´Ēāĩā´Ēā´ŋā´•āĩā´•ā´Ēāĩā´Ēāĩ†ā´Ÿāĩā´¨āĩā´¨ā´ŋā´˛āĩā´˛’.
ā´Žā´žā´¨ā´¸ā´ŋā´•
ā´Ēāĩā´°ā´¤ā´ŋā´­ā´žā´¸ā´™āĩā´™ā´ŗā´ŋāĩŊ ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•āĩā´¨āĩā´¨ ā´’ā´¨āĩā´¨āĩ, ā´­āĩ€ā´ĩā´¨āĩģ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛.
ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ā´žā´¤āĩā´¤ā´ĩā´¨āĩā´ąāĩ†, ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´Ļāĩā´Ļāĩ‡ā´šā´¤āĩā´¤āĩ† ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ
ā´Ēāĩā´°ā´•āĩ‹ā´Ēā´ŋā´Ēāĩā´Ēā´ŋā´•āĩā´•ā´Ēāĩā´Ēāĩ†ā´Ÿāĩā´¨āĩā´¨ā´ŋā´˛āĩā´˛’.
ā´’ā´°ā´žāĩž,
ā´­ā´ŋⴚāĩā´šā´šā´¸āĩ, (ā´Ļāĩƒā´ļāĩā´¯ā´Žā´žā´¯) ā´°āĩ‚ā´Ēā´™āĩā´™ā´ŗā´ŋāĩŊ ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•ā´žā´¤āĩā´¤ā´¤ā´ŋā´¨ā´žāĩŊ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛.
ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛āĩ†ā´¨āĩā´¨āĩ ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´ĩāĩģ ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ
ā´…ā´Ŗā´ŋā´ĩāĩ‡ā´Ļⴍⴝāĩā´Žā´žā´Ŗāĩ’.
ā´’ā´¨āĩā´¨āĩ,
ā´­ā´ŋā´•āĩā´•āĩŊā´šā´¸āĩ, ā´ļā´Ŧāĩā´Ļā´¤āĩā´¤ā´ŋāĩŊ ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•ā´žā´¤āĩā´¤ā´¤ā´ŋā´¨ā´žāĩŊ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛,
ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛āĩ†ā´¨āĩā´¨āĩ ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´ĩāĩģ ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´…ā´Ŗā´ŋā´ĩāĩ‡ā´Ļⴍⴝāĩā´Žā´žā´Ŗāĩ’.
ā´Ļāĩāĩŧā´—ā´¨āĩā´§ā´¤āĩā´¤ā´ŋāĩŊ
ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•ā´žā´¤āĩā´¤ ā´’ā´°āĩ ā´­āĩ€ā´–āĩā´¸āĩ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛āĩ†ā´¨āĩā´¨āĩ
ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´ĩāĩģ ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´…ā´Ŗā´ŋā´ĩāĩ‡ā´Ļⴍⴝāĩā´Žā´žā´Ŗāĩ’.
ā´°āĩā´šā´ŋā´¯ā´ŋāĩŊ
ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•ā´žā´¤āĩā´¤ ā´’ā´°āĩ ā´­āĩ€ā´–āĩā´¸āĩ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛āĩ†ā´¨āĩā´¨āĩ
ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´ĩāĩģ ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´…ā´Ŗā´ŋā´ĩāĩ‡ā´Ļⴍⴝāĩā´Žā´žā´Ŗāĩ’.
ā´ļā´žā´°āĩ€ā´°ā´ŋā´•
ā´Ēāĩā´°ā´¤ā´ŋā´­ā´žā´¸ā´™āĩā´™ā´ŗā´ŋāĩŊ ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•ā´žā´¤āĩā´¤ ā´’ā´°āĩ ā´­āĩ€ā´–āĩā´¸āĩ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛,
ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛āĩ†ā´¨āĩā´¨āĩ ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´ĩāĩģ ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´…ā´Ŗā´ŋā´ĩāĩ‡ā´Ļⴍⴝāĩā´Žā´žā´Ŗāĩ’.
ā´Žā´žā´¨ā´¸ā´ŋā´•
ā´Ēāĩā´°ā´¤ā´ŋā´­ā´žā´¸ā´™āĩā´™ā´ŗā´ŋāĩŊ ⴆⴍⴍāĩā´Ļā´ŋā´•āĩā´•ā´žā´¤āĩā´¤ ā´’ā´°āĩ ā´­āĩ€ā´–āĩā´¸āĩ, ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛. ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛,
ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛āĩ†ā´¨āĩā´¨āĩ ā´žā´žāĩģ ā´Ēā´ąā´¯āĩā´¨āĩā´¨āĩ: ‘ā´…ā´ĩāĩģ ā´¤āĩƒā´Ēāĩā´¤ā´ŋā´•ā´°ā´Žā´˛āĩā´˛ ā´Žā´¨āĩā´¨ā´¤āĩ ā´…ā´Ŗā´ŋā´ĩāĩ‡ā´Ļⴍⴝāĩā´Žā´žā´Ŗāĩ’.
Ayyappa Baiju Comedy Show | Guinness Comedy Show | Malayalam Comedy Stage Show
GUINNESS COMEDY
222K subscribers
Watch Ayyappa Baiju Comedy Show Guinness Comedy Show Malayalam Comedy Stage Sho
Ayyappa Baiju Comedy Show | Guinness Comedy Show | Malayalam Comedy Stage Show
Watch Ayyappa Baiju Comedy Show Guinness Comedy Show Malayalam Comedy Stage Show







73) Classical Marathi-⤕āĨā¤˛ā¤žā¤¸ā¤ŋ⤕⤞ ā¤Žā¤žā¤“ā¤°āĨ€,

ā¤ā¤žā¤Ą >> ⤏āĨā¤ŸāĨā¤Ÿā¤ž piáš­aka >> Saᚃyutta nikaya >> Saḡyatana saᚃyutta
ā¤ā¤¸ā¤ā¤¨ 35.20 (ā¤ā¤¸ ⤚āĨŒā¤Ĩā¤ž 13)
ā¤ļā¤žā¤¸āĨā¤¤āĨā¤°āĨ€ā¤¯ ā¤Žā¤°ā¤žā¤ āĨ€ ā¤Žā¤§āĨā¤¯āĨ‡ ⤅⤭ā¤ŋ⤍⤂ā¤Ļ ⤏āĨā¤ŸāĨā¤Ÿā¤ž- ⤕āĨā¤˛ā¤žā¤¸ā¤ŋ⤕⤞ ā¤Žā¤žā¤ĻāĨ‡ā¤ļ
- ⤆⤍⤂ā¤Ļ -
[⤅⤭ā¤ŋ⤍⤂ā¤Ļ]
⤜āĨ‹ ā¤•ā¤žā¤šāĨ€ ⤅⤰āĨā¤Ĩā¤žā¤¨āĨ‡ ā¤ĒāĨā¤°ā¤¸ā¤¨āĨā¤¨ ā¤†ā¤šāĨ‡ ⤤āĨā¤¯ā¤žā¤¸ā¤žā¤ āĨ€ ⤏āĨā¤Ÿā¤˛āĨ‡ā¤˛ā¤ž ā¤¨ā¤žā¤šāĨ€.
⤇⤂⤗āĨā¤°ā¤œāĨ€
ā¤ā¤•,
⤭ā¤ŋ⤕⤖⤏, ⤜āĨ‹ (ā¤ĻāĨƒā¤ļāĨā¤¯ā¤Žā¤žā¤¨) ā¤ĢāĨ‰ā¤°āĨā¤Ž ⤆⤍⤂ā¤Ļ ā¤ĻāĨ‡ā¤¤āĨ‹, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤‚ā¤Žā¤§āĨā¤¯āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹.
⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿā¤¤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤¨ā¤žā¤šāĨ€’.
ā¤ā¤•, ā¤­ā¤žā¤–āĨā¤–, ⤜āĨ‹ ⤆ā¤ĩā¤žā¤œā¤žā¤¤ ⤆⤍⤂ā¤Ļ ā¤ĻāĨ‡ā¤¤āĨ‹, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤œā¤¨ā¤•⤤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹. ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿā¤¤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤¨ā¤žā¤šāĨ€’.
ā¤ā¤•,
⤭ā¤ŋ⤕⤖⤏, ⤜āĨ‹ ā¤—ā¤‚ā¤§ā¤žā¤‚ā¤Žā¤§āĨā¤¯āĨ‡ ⤆⤍⤂ā¤Ļ ⤕⤰⤤āĨ‹, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤œā¤¨ā¤•ā¤žā¤‚ā¤Žā¤§āĨ€ā¤˛ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹. ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿā¤¤āĨ‡ā¤¤
⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤¨ā¤žā¤šāĨ€’.
ā¤ā¤•,
⤭ā¤ŋ⤕⤖⤏, ⤜āĨ‹ ⤅⤭ā¤ŋ⤰āĨā¤šāĨ€ā¤¨āĨā¤¸ā¤žā¤° ⤆⤍⤂ā¤Ļā¤ŋ⤤ ⤕⤰⤤āĨ‹, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤‚ā¤Žā¤§āĨā¤¯āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹.
⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿā¤¤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤¨ā¤žā¤šāĨ€’.
ā¤ā¤•,
⤭ā¤ŋ⤕⤖⤏, ⤜āĨ‹ ā¤ļā¤žā¤°āĨ€ā¤°ā¤ŋ⤕ ā¤˜ā¤Ÿā¤¨ā¤žā¤‚ā¤Žā¤§āĨā¤¯āĨ‡ ⤆⤍⤂ā¤Ļ ā¤ĻāĨ‡ā¤¤āĨ‹, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤œā¤¨ā¤•ā¤žā¤‚ā¤Žā¤§āĨ€ā¤˛ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹.
⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿā¤¤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤¨ā¤žā¤šāĨ€’.
ā¤ā¤•,
⤭ā¤ŋ⤕⤖⤏, ⤜āĨ‹ ā¤Žā¤žā¤¨ā¤¸ā¤ŋ⤕ ā¤˜ā¤Ÿā¤¨ā¤žā¤‚ā¤Žā¤§āĨā¤¯āĨ‡ ⤆⤍⤂ā¤Ļ ā¤ĻāĨ‡ā¤¤āĨ‹, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤œā¤¨ā¤•⤤āĨ‡ā¤Žā¤§āĨā¤¯āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹.
⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿā¤¤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤āĨ‹, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤¨ā¤žā¤šāĨ€’.
ā¤ā¤•,
⤭ā¤ŋ⤕⤖⤏, ⤜āĨ‹ (ā¤ĻāĨƒā¤ļāĨā¤¯ā¤Žā¤žā¤¨) ⤏āĨā¤ĩ⤰āĨ‚ā¤Ēā¤žā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤œā¤¨ā¤•⤤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤
ā¤¨ā¤žā¤šāĨ€. ⤜āĨā¤¯ā¤žā¤ŽāĨā¤ŗāĨ‡ ⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤¨āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ
⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤†ā¤šāĨ‡’.
ā¤ā¤•,
⤭ā¤ŋ⤕āĨā¤–⤏, ⤜āĨ‹ ⤆ā¤ĩā¤žā¤œā¤žā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤œā¤¨ā¤•⤤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€. ⤜āĨā¤¯ā¤žā¤ŽāĨā¤ŗāĨ‡
⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤¨āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤†ā¤šāĨ‡’.
ā¤ā¤•,
⤭ā¤ŋ⤕āĨā¤–⤏, ⤜āĨ‹ ā¤—ā¤‚ā¤§ā¤žā¤‚ā¤ŽāĨā¤ŗāĨ‡ ⤆⤍⤂ā¤Ļā¤ŋ⤤ ā¤¨ā¤žā¤šāĨ€, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤‚ā¤ŽāĨā¤ŗāĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€. ⤜āĨā¤¯ā¤žā¤ŽāĨā¤ŗāĨ‡
⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤¨āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤†ā¤šāĨ‡’.
ā¤ā¤•,
⤭ā¤ŋā¤ļāĨā¤–, ⤜āĨ‹ ⤅⤭ā¤ŋ⤰āĨā¤šāĨ€ā¤¨āĨā¤¸ā¤žā¤° ⤆⤍⤂ā¤Ļā¤ŋ⤤ ā¤¨ā¤žā¤šāĨ€, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤œā¤¨ā¤•⤤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€.
⤜āĨā¤¯ā¤žā¤ŽāĨā¤ŗāĨ‡ ⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤¨āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍
ā¤ŽāĨā¤•āĨā¤¤ ā¤†ā¤šāĨ‡’.
ā¤ā¤•,
⤭ā¤ŋ⤕āĨā¤–⤏, ⤜āĨā¤¯ā¤žā¤˛ā¤ž ā¤ļā¤žā¤°āĨ€ā¤°ā¤ŋ⤕ ā¤˜ā¤Ÿā¤¨ā¤žā¤‚ā¤Žā¤§āĨā¤¯āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ⤤āĨ‹ ā¤¸ā¤Žā¤žā¤§ā¤žā¤¨āĨ€ā¤Ēā¤Ŗā¤žā¤¤ ⤆⤍⤂ā¤Ļ
ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€. ⤜āĨā¤¯ā¤žā¤ŽāĨā¤ŗāĨ‡ ⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤¨āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ
⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍ ā¤ŽāĨā¤•āĨā¤¤ ā¤†ā¤šāĨ‡’.
ā¤ā¤•,
ā¤­ā¤žā¤–āĨā¤–, ⤜āĨ‹ ā¤Žā¤žā¤¨ā¤¸ā¤ŋ⤕ ā¤˜ā¤Ÿā¤¨ā¤žā¤‚ā¤Žā¤§āĨā¤¯āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ⤅⤏⤂⤤āĨ‹ā¤ˇā¤œā¤¨ā¤•⤤āĨ‡ā¤¤ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€.
⤜āĨā¤¯ā¤žā¤ŽāĨā¤ŗāĨ‡ ⤅⤏⤂⤤āĨ‹ā¤ˇā¤žā¤¨āĨ‡ ⤆⤍⤂ā¤Ļ ā¤šāĨ‹ā¤¤ ā¤¨ā¤žā¤šāĨ€, ā¤ŽāĨ€ ā¤ŽāĨā¤šā¤Ŗā¤¤āĨ‹: ‘⤤āĨ‹ ⤅⤏⤂⤤āĨā¤ˇāĨā¤Ÿ ⤗āĨ‹ā¤ˇāĨā¤ŸāĨ€ā¤Ēā¤žā¤¸āĨ‚⤍
ā¤ŽāĨā¤•āĨā¤¤ ā¤†ā¤šāĨ‡’.
MADESH LORD OF INTOXICATION | LGBTQ GAY SHORT FILM | adeetya m. jhainsi film
AV Pictures
43.3K subscribers
this
video has been released in 31st august 2016, produced,written &
directed by adeetya m. jhainsi, i it never has been released anywhere
before this channel,its original and self made content ,owner of this
short film one and only adeetya m. jhainsi,story about 4 friends they
are meeting after 10 years and the come to know about one is gay who
belong to lgbtq community who running & fighting with society for
his rights & meet with madhesh & fall in love with him but got
him as a straight..what happened next please watch full video. its about
377 indian penal act of idian constitution which is make LGBT
activities criminalized . in this video we have tried to show lgbtq
community also part of our society, theay have also rights to live with
their dignity.
Please subscribe the channel 👇đŸģ
produced by adeetya m. jhainsi & ranjeet jhaan
writer & director : adeetya m jhaainsi
cinematographer : adeetya m. jhainsi
cast
mohit sonkar
ranjeet jhaa
sharanyajeet kor
nikhil dubedi
bharat
subscribe to our channel & for upcoming short films,web series & music vediis
://www.youtube.com/channel/UCd_lgJ8SEuMSD6TZ5r10Sgw
follow us on Facebook below the link
#ipc377#lgbtq#gayshortfilm#adeetyamjhainsi#newreleas#bold#hothunk#gaylovestory#shortfilms#letest#popular#gaypride#queerpride#gayrelationship#trending#gaymovies#bollywoodhindishortfilm

MADESH LORD OF INTOXICATION | LGBTQ GAY SHORT FILM | adeetya m. jhainsi film

76) Classical Nepali-ā¤ļā¤žā¤¸āĨā¤¤āĨā¤°āĨ€ā¤¯ ā¤ŽāĨā¤¯ā¤žā¤‚ā¤Žā¤žā¤° (ā¤Ŧ⤰āĨā¤Žā¤ž),

⤰āĨ‚⤖ >> ⤏āĨā¤¤ā¤žāĨā¤Ÿā¤ž Piáš­aka >> ⤏ā¤ŋ⤝āĨ‹ā¤¸āĨā¤ŸāĨā¤Ÿā¤ž ⤍ā¤ŋā¤•ā¤—ā¤ž >> ⤏āĨ‰ā¤Žā¤žā¤¨ā¤žā¤¨ā¤ž ⤏⤘āĨā¤šāĨā¤›ā¤Ÿā¤ž
SN 35 35.20 (S IV 13)
ā¤ĒāĨā¤°ā¤ŋ⤍āĨā¤¸ā¤ŋā¤ĩā¤˛ā¤‚ā¤Ÿā¤ŋ⤕⤞ ⤍āĨ‡ā¤Ēā¤žā¤˛āĨ€ ⤍āĨ‡ā¤Ēā¤žā¤˛āĨ€-⤏⤂⤏āĨā¤•⤰⤪⤕āĨ‹ ⤉⤤āĨā¤¤ā¤°ā¤ž-⤏⤂⤏āĨā¤•⤰⤪ mailary (bels ā¤Žā¤ž)
- ⤆⤍⤍āĨā¤Ļ -
[ā¤ĒāĨā¤°āĨ‡ā¤šā¤ŋ⤍āĨ]
⤤āĨā¤¯ā¤šā¤žā¤ ⤕āĨā¤¨āĨˆ ā¤­ā¤žā¤—āĨā¤¨āĨ‡ ⤕āĨā¤¨āĨˆ ā¤Ē⤍ā¤ŋ ā¤­ā¤žā¤—āĨā¤¨ā¤•āĨ‹ ā¤˛ā¤žā¤—ā¤ŋ ⤤āĨā¤¯ā¤šā¤žā¤ ⤕āĨā¤¨āĨˆ ā¤‰ā¤ŽāĨā¤•⤍āĨ‡ ⤛āĨˆā¤¨āĨ¤
⤅⤂⤗āĨā¤°āĨ‡ā¤œāĨ€
ā¤ā¤•,
⤭āĨ‹ā¤•āĨā¤–⤏, ⤜āĨ‹ ⤖āĨā¤ļāĨ€ ā¤šāĨā¤¨āĨā¤›ā¤¨āĨ (ā¤ĻāĨ‡ā¤–ā¤ŋ⤍āĨ‡) ā¤Ģā¤žā¤°ā¤Žā¤šā¤°āĨ‚, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤Ļ⤛⤍āĨāĨ¤ ā¤ā¤•
⤜āĨ‹ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤ĒāĨā¤°ā¤¸ā¤¨āĨā¤¨ ā¤šāĨā¤¨āĨā¤›, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤°
ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨ¤
ā¤ā¤•,
⤭ā¤ŋ⤕āĨā¤•āĨ€ā¤¸, ⤜āĨ‹ ⤆ā¤ĩā¤žā¤œā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤›ā¤¨āĨ, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ēā¤¨ā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤›ā¤¨āĨāĨ¤ ā¤ā¤• ⤜āĨ‹
⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤ĒāĨā¤°ā¤¸ā¤¨āĨā¤¨ ā¤šāĨā¤¨āĨā¤›, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨ¤
ā¤ā¤•,
⤭⤕āĨā¤ĩ⤏, ⤜āĨ‹ ⤗⤍āĨā¤§ā¤šā¤°āĨ‚ā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤›ā¤¨āĨ, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ēā¤¨ā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤›ā¤¨āĨāĨ¤ ā¤ā¤• ⤜āĨ‹
⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤ĒāĨā¤°ā¤¸ā¤¨āĨā¤¨ ā¤šāĨā¤¨āĨā¤›, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨ¤
ā¤ā¤•,
⤭⤕āĨā¤–, ⤜āĨ‹ ⤏āĨā¤ĩā¤žā¤Ļā¤Žā¤ž ā¤°ā¤Žā¤žā¤‡ā¤˛āĨ‹ ⤗⤰āĨā¤Ļ⤛, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤›āĨ¤ ā¤ā¤• ⤜āĨ‹
⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤ĒāĨā¤°ā¤¸ā¤¨āĨā¤¨ ā¤šāĨā¤¨āĨā¤›, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨ¤
ā¤ā¤•,
⤭⤕āĨā¤ĩ⤏, ā¤ļā¤žā¤°āĨ€ā¤°ā¤ŋ⤕ ā¤˜ā¤Ÿā¤¨ā¤žā¤šā¤°āĨ‚ ā¤Žā¤ž ā¤°ā¤Žā¤žā¤‡ā¤˛āĨ‹, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤ŋā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤›āĨ¤ ā¤ā¤• ⤜āĨ‹
⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤ĒāĨā¤°ā¤¸ā¤¨āĨā¤¨ ā¤šāĨā¤¨āĨā¤›, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨ¤
ā¤ā¤•,
⤭⤕āĨā¤–⤏, ⤜āĨ‹ ā¤Žā¤žā¤¨ā¤¸ā¤ŋ⤕ ā¤˜ā¤Ÿā¤¨ā¤žā¤šā¤°āĨ‚ā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤Ļ⤛, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ēā¤¨ā¤šā¤°āĨ‚ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤¨āĨā¤›āĨ¤ ā¤ā¤• ⤜āĨ‹
⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤ĒāĨā¤°ā¤¸ā¤¨āĨā¤¨ ā¤šāĨā¤¨āĨā¤›, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨ¤
ā¤ā¤•,
⤭ā¤ŋ⤕āĨā¤•āĨ€ā¤¸, ⤜āĨ‹ ⤭ā¤ŋ⤤āĨā¤° (ā¤ĻāĨ‡ā¤–ā¤ŋ⤍āĨ‡) ā¤Ģā¤žā¤°ā¤Žā¤šā¤°āĨ‚ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨ā¤¨āĨ, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž
ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨ā¤¨āĨāĨ¤ ā¤šā¤žā¤ŽāĨ€ ā¤ā¤• ⤅⤏āĨā¤°ā¤•āĨā¤ˇā¤ŋā¤¤ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨŒā¤‚, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ
⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤¨āĨā¤›āĨ¤
ā¤ā¤•,
⤭⤕āĨā¤–, ⤜āĨ‹ ⤅⤍āĨā¤šā¤žā¤°ā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨ā¤¨āĨ, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ēā¤¨ā¤žā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨ā¤¨āĨāĨ¤ ā¤šā¤žā¤ŽāĨ€ ā¤ā¤•
⤅⤏āĨā¤°ā¤•āĨā¤ˇā¤ŋā¤¤ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨŒā¤‚, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤¨āĨā¤›āĨ¤
ā¤ā¤•,
⤭⤕āĨā¤–, ⤜āĨ‹ ⤗⤍āĨā¤§ā¤šā¤°āĨ‚ā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨ā¤¨āĨāĨ¤ ā¤šā¤žā¤ŽāĨ€ ā¤ā¤•
⤅⤏āĨā¤°ā¤•āĨā¤ˇā¤ŋā¤¤ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨŒā¤‚, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤¨āĨā¤›āĨ¤
ā¤ā¤•,
⤭⤕āĨā¤–⤏, ⤜āĨ‹ ⤏āĨā¤ĩā¤žā¤Ļā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨āĨ¤ ā¤šā¤žā¤ŽāĨ€ ā¤ā¤•
⤅⤏āĨā¤°ā¤•āĨā¤ˇā¤ŋā¤¤ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨŒā¤‚, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤¨āĨā¤›āĨ¤
ā¤ā¤•,
⤭⤕āĨā¤–⤏, ⤜⤏⤞āĨ‡ ā¤ļā¤žā¤°āĨ€ā¤°ā¤ŋ⤕ ā¤ĢāĨ‡ā¤¨āĨ‹ā¤ŽāĨ‡ā¤¨ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨ā¤¨āĨāĨ¤
ā¤šā¤žā¤ŽāĨ€ ā¤ā¤• ⤅⤏āĨā¤°ā¤•āĨā¤ˇā¤ŋā¤¤ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨŒā¤‚, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤°
ā¤šāĨā¤¨āĨā¤›āĨ¤
ā¤ā¤•,
⤭ā¤ŋ⤕āĨā¤•āĨ€ā¤¸, ⤜āĨ‹ ā¤Žā¤žā¤¨ā¤¸ā¤ŋ⤕ ā¤˜ā¤Ÿā¤¨ā¤žā¤šā¤°āĨ‚ā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨ā¤¨āĨ, ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤¤ā¤žā¤Žā¤ž ā¤°ā¤Žā¤žā¤‰ā¤ā¤ĻāĨˆā¤¨ā¤¨āĨāĨ¤ ā¤šā¤žā¤ŽāĨ€
ā¤ā¤• ⤅⤏āĨā¤°ā¤•āĨā¤ˇā¤ŋā¤¤ā¤Žā¤ž ⤖āĨā¤ļāĨ€ ā¤šāĨā¤ā¤ĻāĨˆā¤¨āĨŒā¤‚, ā¤Ž ⤭⤍āĨā¤›āĨ: ‘⤊ ⤅⤏⤍āĨā¤¤āĨā¤ˇāĨā¤Ÿā¤Ŧā¤žā¤Ÿ ⤏āĨā¤ĩ⤤⤍āĨā¤¤āĨā¤° ā¤šāĨā¤¨āĨā¤›āĨ¤
Sarayu with proofs | Big Boss | 7 Arts | Sarayu
7 Arts
1.04M subscribers
Following are the Timings
Proof 1 :
Captaincy task between Siri, Maanas, Hamida and Vishwa
Day 4, Episode 5, September 9th. Time 46 minutes on Disney Hotstar
Proof 2:
Sarayu said on stage to Nagarjuna garu during elemination
Day 7, Episode 8, September 12th, at 49 minutes on Disney Hotstar
Proof 3:
Shannu talking to Siri
Day 8, Episode 9, September 13th, at 5mins 30 sec on Disney hotstar
follow us on
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Emotional Aftermath
Artist
Doug Maxwell/Media Right Productions
Album
Emotional Aftermath
Licensed to YouTube by
YouTube Audio Library

78) Classical Odia (Oriya)

https://www.budhha-’acan-āŦ­āŦžāŦ•āŦž .1/sutta/samiluttaata/sn35-020.hml
TREP >> āŦŦāŦ°ā­āŦ—āŦž piáš­ak >> SAᚃYUTTA Nikāya >> SAḡḡyataana Saᚃyuta |
SNC 35.20 (S IV 13)
āŦļāŦžāŦ¸ā­āŦ¤ā­āŦ°ā­€ā­Ÿ āŦ“āŦĄāŦŋāŦ†āŦ°ā­‡ āŦ…āŦ­āŦŋāŦ¨ā­āŦ†āŦ¨ā­āŦĻāŦž āŦ§āŦŸāŦž (āŦ“āŦĄāŦŋāŦ†)
- āŦ†āŦ¨āŦ¨ā­āŦĻ -
[āŦ…āŦŦāŦŋāŦ­āŦŋāŦ¨āŦ¨ā­āŦĻ]
āŦ¯āŦŋāŦ āŦ…āŦ¨ā­āŦ­āŦŦ āŦ•āŦ°ā­‡ āŦ¸ā­‡āŦĨāŦŋāŦĒāŦžāŦ‡āŦ āŦ• is āŦŖāŦ¸āŦŋ āŦĒāŦŗāŦžā­ŸāŦ¨ āŦ¨āŦžāŦšāŦŋāŦ |
āŦ‡āŦ‚āŦ°āŦžāŦœā­€ |
āŦ—ā­‹āŦŸāŦŋāŦ,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ (āŦĻ⭃āŦļā­ā­ŸāŦŽāŦžāŦ¨) āŦĢāŦ°ā­āŦŽāŦ—⭁āŦĄāŦŋāŦ•, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ | āŦ¯āŦŋāŦ
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ
āŦĒāŦžāŦ‡āŦ¨āŦžāŦšāŦžāŦāŦ¨ā­āŦ¤āŦŋ’ |
āŦœāŦŖā­‡,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ āŦ§ā­ā­ąāŦ¨āŦŋāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ | āŦ¯āŦŋāŦ
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ
āŦĒāŦžāŦ‡āŦ¨āŦžāŦšāŦžāŦāŦ¨ā­āŦ¤āŦŋ’ |
āŦ—ā­‹āŦŸāŦŋāŦ,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ āŦĻ⭁āŦ°ā­āŦ—āŦ¨ā­āŦ§āŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ | āŦ¯āŦŋāŦ
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ
āŦĒāŦžāŦ‡āŦ¨āŦžāŦšāŦžāŦāŦ¨ā­āŦ¤āŦŋ’ |
āŦœāŦŖā­‡,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ āŦ¸ā­ā­ąāŦžāŦĻāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ | āŦ¯āŦŋāŦ
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ
āŦĒāŦžāŦ‡āŦ¨āŦžāŦšāŦžāŦāŦ¨ā­āŦ¤āŦŋ’ |
āŦ—ā­‹āŦŸāŦŋāŦ,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ āŦļāŦžāŦ°ā­€āŦ°āŦŋāŦ• āŦĢā­‡āŦ¨ā­‹āŦŽā­‡āŦ¨āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ |
āŦ¯āŦŋāŦ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ
āŦĒāŦžāŦ‡āŦ¨āŦžāŦšāŦžāŦāŦ¨ā­āŦ¤āŦŋ’ |
āŦ—ā­‹āŦŸāŦŋāŦ,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ āŦŽāŦžāŦ¨āŦ¸āŦŋāŦ• āŦ˜āŦŸāŦŖāŦž āŦ—ā­āŦ°āŦšāŦŖ āŦ•āŦ°ā­‡, āŦ¸ā­‡āŦŽāŦžāŦ¨ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤
āŦšā­āŦ…āŦ¨ā­āŦ¤āŦŋ | āŦ¯āŦŋāŦ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­
āŦŽā­āŦ•ā­āŦ¤āŦŋ āŦĒāŦžāŦ‡āŦ¨āŦžāŦšāŦžāŦāŦ¨ā­āŦ¤āŦŋ’ |
āŦœāŦŖā­‡,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ (āŦĻ⭃āŦļā­ā­ŸāŦŽāŦžāŦ¨) āŦĢāŦ°ā­āŦŽāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤
āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ | āŦ¯āŦŋāŦ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ āŦĒāŦžāŦ‡āŦ›āŦ¨ā­āŦ¤āŦŋ |
āŦœāŦŖā­‡,
āŦ­āŦŋāŦ•ā­āŦ•āŦšā­āŦ¸ā­, āŦ¯āŦŋāŦ āŦļāŦŦā­āŦĻāŦ°ā­‡ āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸ āŦ¨ā­āŦšāŦāŦ¨ā­āŦ¤āŦŋ, āŦ¸ā­‡āŦŽāŦžāŦ¨ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻ
āŦ•āŦ°āŦ¨ā­āŦ¤āŦŋ āŦ¨āŦžāŦšāŦŋāŦ | āŦ¯āŦŋāŦ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ āŦĒāŦžāŦ‡āŦ›āŦ¨ā­āŦ¤āŦŋ |
āŦ—ā­‹āŦŸāŦŋāŦ,
āŦ­āŦžāŦ‡āŦ•āŦšāŦ¸ā­, āŦ¯ā­‡āŦ‰āŦāŦŽāŦžāŦ¨ā­‡ āŦĻ⭁āŦ°ā­āŦ—āŦ¨ā­āŦ§āŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻ āŦ•āŦ°ā­āŦ¨āŦžāŦšāŦžāŦāŦ¨ā­āŦ¤āŦŋ, āŦ¸ā­‡āŦŽāŦžāŦ¨ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡
āŦ†āŦ¨āŦ¨ā­āŦĻ āŦ•āŦ°āŦ¨ā­āŦ¤āŦŋ āŦ¨āŦžāŦšāŦŋāŦ | āŦ¯āŦŋāŦ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ āŦĒāŦžāŦ‡āŦ›āŦ¨ā­āŦ¤āŦŋ |
āŦœāŦŖā­‡,
āŦ­āŦŋāŦ•ā­āŦ•āŦšā­āŦ¸ā­, āŦ¯āŦŋāŦ āŦ¸ā­ā­ąāŦžāŦĻāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻ āŦ•āŦ°ā­‡ āŦ¨āŦžāŦšāŦŋāŦ, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ |
āŦ¯āŦŋāŦ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­
āŦŽā­āŦ•ā­āŦ¤āŦŋ āŦĒāŦžāŦ‡āŦ›āŦ¨ā­āŦ¤āŦŋ |
āŦ—ā­‹āŦŸāŦŋāŦ,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ āŦļāŦžāŦ°ā­€āŦ°āŦŋāŦ• āŦ˜āŦŸāŦŖāŦžāŦ°ā­‡ āŦ¨āŦŋāŦœāŦ•⭁ āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸ āŦ•āŦ°ā­‡ āŦ¨āŦžāŦšāŦŋāŦ, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡
āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ | āŦ¯āŦŋāŦ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ āŦĒāŦžāŦ‡āŦ›āŦ¨ā­āŦ¤āŦŋ |
āŦœāŦŖā­‡,
āŦ­āŦŋāŦ•ā­āŦ•āŦ¸ā­, āŦ¯āŦŋāŦ āŦŽāŦžāŦ¨āŦ¸āŦŋāŦ• āŦ˜āŦŸāŦŖāŦžāŦ°ā­‡ āŦ¨āŦŋāŦœāŦ•⭁ āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸ āŦ•āŦ°ā­‡ āŦ¨āŦžāŦšāŦŋāŦ, āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡
āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ | āŦ¯āŦŋāŦ āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­‡ āŦ†āŦ¨āŦ¨ā­āŦĻāŦŋāŦ¤ āŦšā­āŦ āŦ¨āŦžāŦšāŦŋāŦ, āŦŽā­āŦ āŦ•āŦšā­āŦ›āŦŋ: ‘āŦ¸ā­‡
āŦ…āŦ¸āŦ¨ā­āŦ¤ā­āŦˇā­āŦŸāŦ¤āŦžāŦ°ā­ āŦŽā­āŦ•ā­āŦ¤āŦŋ āŦĒāŦžāŦ‡āŦ›āŦ¨ā­āŦ¤āŦŋ |
20 Ways to Wish ‘Good Luck’ & ‘Congratulations’ - 29 Alternative English Phrases!
English with Lucy
6.63M subscribers
Learn
20 different ways to say ‘congratulations’ and ‘good luck’ in English
to avoid repetition. This lesson includes idioms and both formal and
informal phrases. Download the FREE lesson PDF (with quiz) here: http://bit.ly/GoodLuckPDF
My British English Pronunciation Course is now LIVE: https://epiphanylanguagestudios.com/​… (use code YOUTUBE10 for a 10% discount!)
Do
you want to improve your pronunciation? I have launched my British
English (Modern RP) pronunciation course! I’ll train you to read
phonetic transcriptions, and produce each sound that comprises modern
received pronunciation. I’ll also teach you how to implement the correct
use of intonation, stress, rhythm, connected speech, and much more.
We’ll compare similar sounds, and look at tricky topics like the glottal
stop and the dark L.
Technically, I need to mark this as an AD even though it is my own company so - AD 🙂
Edited by La Ferpection: https://www.laferpection.com/
Practice speaking: Earn $10 free italki credit: https://go.italki.com/englishwithlucy… (ad affiliate)
20 Ways to Wish ‘Good Luck’ & ‘Congratulations’ - 29 Alternative English Phrases!



83) Classical Punjabi-ā¨•ā¨˛ā¨žā¨¸āŠ€ā¨•ā¨˛ ā¨ĒāŠ°ā¨œā¨žā¨ŦāŠ€,

ā¨˛āŠœāŠ€ >> ā¨¸āŠ‚ā¨Ÿā¨ž ⍤ā¨ŋā¨ĩā¨žā¨•ā¨ž >> Sa …ā¨¤ā¨¤ā¨ž ⍍ā¨ŋ⍕ā¨ŋ⍆ >> Saḡayatana Syyutta
Sn 35.20 (s iv 13)
ā¨•ā¨˛ā¨žā¨¸āŠ€ā¨•ā¨˛ ā¨ĩā¨ŋāŠąā¨š ⍅⍭ā¨ŋā¨¨āŠ°ā¨¨ā¨ž ā¨¤āŠąā¨Ÿ- ā¨•ā¨˛ā¨žā¨¸ā¨•ā¨˛ā¨Ą ā¨ĒāŠā¨°ā¨ŦāŠ°ā¨§ā¨•
- ā¨–āŠā¨¸ā¨ŧāŠ€ -
[⍅ā¨Ŧā¨ŋā¨¨āŠ°ā¨Ļ]
⍇⍏ ⍞⍈ ā¨•āŠ‹ā¨ˆ ā¨Ŧā¨šā¨Ŗā¨ž ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠˆ ⍕ā¨ŋ⍉⍂⍕ā¨ŋ ā¨•āŠ‹ā¨ˆ ā¨ĩāŠ€ ā¨Žā¨šā¨ŋā¨¸āŠ‚ā¨¸ ⍕⍰ā¨Ļā¨ž ā¨šāŠˆ ā¨ĻāŠ‡ ⍆ā¨Ŧā¨œāŠˆā¨•ā¨Ÿā¨¸.
ā¨…āŠ°ā¨—ā¨°āŠ‡ā¨œā¨ŧāŠ€
⍇⍕,
⍭ā¨ŋāŠąā¨–ā¨¸, ā¨œāŠ‹ (ā¨Ļā¨ŋā¨–ā¨žā¨ˆ ā¨ĻāŠ‡ā¨Ŗ ā¨ĩā¨žā¨˛āŠ‡) ā¨Ŧ⍪ā¨Ļā¨ž ā¨šāŠˆ, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ā¨¤ā¨ž ā¨ĩā¨ŋ⍚ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨
ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ. ⍇⍕ ā¨œāŠ‹ ⍕ā¨ŋ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨–āŠā¨¸ā¨ŧ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚: ‘ā¨‰ā¨š
ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž’ ‘.
⍇⍕
ā¨­āŠ€ā¨– ⍞ā¨ĩāŠ‹, ⍭ā¨ŋāŠąā¨–āŠā¨¸ ā¨¨āŠ‡ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨•āŠ€ā¨¤ā¨ž. ⍇⍕ ā¨œāŠ‹ ⍕ā¨ŋ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛
ā¨–āŠā¨¸ā¨ŧ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚: ‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž’ ‘.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸ā¨ž ā¨œāŠ‹ ā¨¸āŠā¨œāŠā¨¸ā¨žā¨‚ ā¨ĩā¨ŋ⍚ ā¨Žā¨¨ā¨Ļā¨žā¨¸ ⍕⍰ā¨Ļā¨ž ā¨šāŠˆ, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ.
⍇⍕ ā¨œāŠ‹ ⍕ā¨ŋ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨–āŠā¨¸ā¨ŧ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚: ‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž
ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž’ ‘.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸, ā¨œāŠ‹ ⍏ā¨ĩā¨žā¨Ļā¨žā¨‚ ā¨ĩā¨ŋ⍚ ā¨…ā¨¨āŠ°ā¨Ļ ā¨˛āŠˆā¨‚ā¨Ļā¨ž ā¨šāŠˆ, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ. ⍇⍕
ā¨œāŠ‹ ⍕ā¨ŋ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨–āŠā¨¸ā¨ŧ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚: ‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚
ā¨ŽāŠā¨•ā¨¤ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž’ ‘.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸, ā¨œāŠ‹ ā¨¸ā¨°āŠ€ā¨°ā¨• ā¨ĩā¨°ā¨¤ā¨žā¨°āŠ‡ ā¨ĩā¨ŋ⍚ ⍖ā¨ŧāŠā¨¸ā¨ŧ ā¨šāŠāŠ°ā¨ĻāŠ‡ ā¨šā¨¨, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨šāŠāŠ°ā¨Ļā¨ž
ā¨šāŠˆ. ⍇⍕ ā¨œāŠ‹ ⍕ā¨ŋ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨–āŠā¨¸ā¨ŧ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚: ‘ā¨‰ā¨š
ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž’ ‘.
⍇⍕,
⍭ā¨ŋāŠąā¨–ā¨¸, ā¨œāŠ‹ ā¨Žā¨žā¨¨ā¨¸ā¨ŋ⍕ ā¨ĩā¨°ā¨¤ā¨žā¨°ā¨ž ā¨ĩā¨ŋ⍚ ā¨–āŠā¨¸ā¨ŧāŠ€ ā¨šāŠ‹ā¨‡ā¨†, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ.
⍇⍕ ā¨œāŠ‹ ⍕ā¨ŋ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨–āŠā¨¸ā¨ŧ ā¨šāŠāŠ°ā¨Ļā¨ž ā¨šāŠˆ, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚: ‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž
ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž’ ‘.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸, ā¨œāŠ‹ (ā¨Ļā¨ŋā¨–ā¨žā¨ˆ ā¨ĻāŠ‡ā¨Ŗ ā¨ĩā¨žā¨˛āŠ‡) ā¨Ģā¨žā¨°ā¨Ž ā¨ĩā¨ŋ⍚ ā¨…ā¨¨āŠ°ā¨Ļ ā¨¨ā¨šāŠ€ā¨‚ ā¨˛āŠˆā¨‚ā¨Ļā¨ž, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨ĩā¨ŋ⍚
ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž. ⍇⍕ ā¨ĩā¨ŋā¨…ā¨•ā¨¤āŠ€ ā¨œāŠ‹ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨ŽāŠˆā¨‚
ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚: ‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨šāŠ‹ ⍗ā¨ŋ⍆ ā¨šāŠˆ’.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸ā¨ž, ā¨œāŠ‹ ⍆ā¨ĩā¨žā¨œā¨ŧā¨žā¨‚ ā¨ĩā¨ŋ⍚ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧ⍟ ā¨šāŠ‹ā¨Ŗ ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚
ā¨šāŠāŠ°ā¨Ļā¨ž. ⍇⍕ ā¨ĩā¨ŋā¨…ā¨•ā¨¤āŠ€ ā¨œāŠ‹ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚:
‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨šāŠ‹ ⍗ā¨ŋ⍆ ā¨šāŠˆ’.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸, ā¨œāŠ‹ ā¨¸āŠā¨—āŠ°ā¨§ā¨žā¨‚ ā¨ĩā¨ŋ⍚ ā¨ĻāŠā¨Ŧā¨žā¨°ā¨ž ā¨…ā¨¨āŠ°ā¨Ļ ā¨¨ā¨šāŠ€ā¨‚ ā¨˛āŠˆā¨‚ā¨Ļā¨ž, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨
ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž. ⍇⍕ ā¨ĩā¨ŋā¨…ā¨•ā¨¤āŠ€ ā¨œāŠ‹ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž
ā¨šā¨žā¨‚: ‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨šāŠ‹ ⍗ā¨ŋ⍆ ā¨šāŠˆ’.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸, ā¨œāŠ‹ ⍏ā¨ĩā¨žā¨Ļ ā¨ĩā¨ŋ⍚ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ⍕⍰ā¨Ļā¨ž, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨ĩā¨ŋ⍚ ā¨…ā¨¨āŠ°ā¨Ļ ā¨¨ā¨šāŠ€ā¨‚ ā¨˛āŠˆā¨‚ā¨Ļā¨ž.
⍇⍕ ā¨ĩā¨ŋā¨…ā¨•ā¨¤āŠ€ ā¨œāŠ‹ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚: ‘ā¨‰ā¨š
ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨šāŠ‹ ⍗ā¨ŋ⍆ ā¨šāŠˆ’.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸, ā¨œāŠ‹ ā¨¸ā¨°āŠ€ā¨°ā¨• ā¨ĩā¨°ā¨¤ā¨žā¨°āŠ‡ ā¨ĩā¨ŋ⍚ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨…ā¨¨āŠ°ā¨Ļ ā¨¨ā¨šāŠ€ā¨‚
ā¨˛āŠˆā¨‚ā¨Ļā¨ž. ⍇⍕ ā¨ĩā¨ŋā¨…ā¨•ā¨¤āŠ€ ā¨œāŠ‹ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž ā¨šā¨žā¨‚:
‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨šāŠ‹ ⍗ā¨ŋ⍆ ā¨šāŠˆ’.
⍇⍕,
⍭ā¨ŋāŠąā¨–āŠā¨¸, ā¨œāŠ‹ ā¨Žā¨žā¨¨ā¨¸ā¨ŋ⍕ ā¨ĩā¨°ā¨¤ā¨žā¨°āŠ‡ ā¨ĩā¨ŋ⍚ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨…ā¨¨āŠ°ā¨Ļ
ā¨¨ā¨šāŠ€ā¨‚ ā¨˛āŠˆā¨‚ā¨Ļā¨ž. ⍇⍕ ā¨ĩā¨ŋā¨…ā¨•ā¨¤āŠ€ ā¨œāŠ‹ ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¨ā¨žā¨˛ ā¨ĒāŠā¨°ā¨¸āŠ°ā¨¨ ā¨¨ā¨šāŠ€ā¨‚ ā¨šāŠāŠ°ā¨Ļā¨ž, ā¨ŽāŠˆā¨‚ ā¨•ā¨šā¨ŋāŠ°ā¨Ļā¨ž
ā¨šā¨žā¨‚: ‘ā¨‰ā¨š ā¨…ā¨¸āŠ°ā¨¤āŠā¨¸ā¨ŧā¨Ÿā¨¤ā¨ž ā¨¤āŠ‹ā¨‚ ā¨ŽāŠā¨•ā¨¤ ā¨šāŠ‹ ⍗ā¨ŋ⍆ ā¨šāŠˆ’.
Organisation Theories (Part1) | Classical Theory | Rationale , Pillars and Criticism
Dr Amit Lal
39.6K subscribers
This video explains the the Classical theory in details (meaning, objective, pillars and criticism)
Scientific Management by F W Taylor
Administrative Management by Henry Fayol part1
Administrative Management by Henry Fayol part2
Organisation Theories (Part1) | Classical Theory | Rationale , Pillars and Criticism
This
video explains the the Classical theory in details (meaning, objective,
pillars and criticism)Span of control
https://youtu.be/wu6n5NvewBwScientific Ma…





87) Classical Sanskrit ⤛āĨā¤˛ā¤¸āĨā¤¸ā¤ŋ⤚⤞āĨ ⤎⤍āĨā¤¸āĨā¤•āĨā¤°ā¤ŋ⤤āĨ


87) ⤛āĨā¤˛ā¤¸āĨā¤¸ā¤ŋ⤚⤞āĨ ⤎⤍āĨā¤¸āĨā¤•āĨā¤°ā¤ŋ⤤āĨ ⤛āĨā¤˛ā¤¸āĨā¤¸ā¤ŋ⤚⤞āĨ ⤎⤍āĨā¤¸āĨā¤•āĨā¤°ā¤ŋ⤤āĨ
ā¤šāĨā¤¤āĨā¤¤āĨā¤ĒāĨā¤¸ā¤ƒ//www.ā¤ŦāĨā¤ĻāĨā¤§-ā¤ĩ⤚⤍.⤓⤰āĨā¤—āĨ/⤏āĨā¤¤āĨā¤¤/ā¤¸ā¤ŽāĨā¤¯āĨā¤¤āĨā¤¤/⤏⤞⤝⤤⤍/⤏āĨā¤¨āĨ35-020.ā¤šāĨā¤¤āĨā¤ŽāĨā¤˛āĨ
⤟āĨā¤°āĨ‡ā¤ >> ⤎āĨā¤¤āĨā¤¤ Pā¤‡áš­ā¤…ā¤• >> ā¤ˇášƒā¤¯āĨā¤¤āĨā¤¤ ⤪ā¤ŋ⤕āĨÄā¤¯ >> ā¤ˇá¸ˇÄā¤¯ā¤¤ā¤¨ ā¤ˇášƒā¤¯āĨā¤¤āĨā¤¤
⤎āĨā¤ŖāĨ 35.20 (⤎āĨ ⤇ā¤ĩāĨ 13)
⤆⤭ā¤ŋ⤍⤍āĨā¤Ļ ⤎āĨā¤¤āĨā¤¤ ⤇⤍āĨ ⤛āĨā¤˛ā¤¸āĨā¤¸ā¤ŋ⤚⤞āĨ ⤎⤍āĨā¤¸āĨā¤•āĨā¤°ā¤ŋ⤤āĨ ⤛āĨā¤˛ā¤¸āĨā¤¸ā¤ŋ⤚⤞āĨ ⤎⤍āĨā¤¸āĨā¤•āĨā¤°ā¤ŋ⤤āĨ
— ā¤ĄāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ —
[⤅⤭ā¤ŋ⤍⤍āĨā¤Ļ]
⤠āĨ‡ā¤°āĨ‡ ⤇⤏āĨ ⤍āĨ‹ ā¤ā¤¸āĨā¤šā¤ĒāĨ‡ f⤓⤰āĨ wā¤šāĨ‹ā¤ā¤ĩāĨ‡ā¤°āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ ⤏āĨ‡ā¤¨āĨā¤¸āĨ‡ ⤓ā¤ŦāĨā¤œāĨ‡ā¤šāĨā¤¤āĨā¤¸āĨ.
E⤍āĨā¤—āĨā¤˛ā¤ŋ⤏āĨā¤šāĨ
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ (ā¤ĩā¤ŋ⤏ā¤ŋā¤ŦāĨā¤˛āĨ‡) f⤓⤰āĨā¤ŽāĨā¤¸āĨ, ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤍āĨ‹ā¤¤āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ ⤏āĨ‹ā¤‰ā¤¨āĨā¤ĻāĨā¤¸āĨ, ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤍āĨ‹ā¤¤āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ ⤓ā¤ĻāĨ‹ā¤°āĨā¤¸āĨ, ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤍āĨ‹ā¤¤āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ ⤤⤏āĨā¤¤āĨ‡ā¤¸āĨ, ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤍āĨ‹ā¤¤āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ ā¤ŦāĨ‹ā¤Ļā¤ŋ⤞āĨā¤¯āĨ ā¤ĢāĨ‡ā¤¨āĨ‹ā¤ŽāĨ‡ā¤¨, ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤍āĨ‹ā¤¤āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ ā¤ŽāĨ‡ā¤¨āĨā¤¤ā¤˛āĨ ā¤ĢāĨ‡ā¤¨āĨ‹ā¤ŽāĨ‡ā¤¨, ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨā¤¸āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤍āĨ‹ā¤¤āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ (ā¤ĩā¤ŋ⤏ā¤ŋā¤ŦāĨā¤˛āĨ‡) f⤓⤰āĨā¤ŽāĨā¤¸āĨ, ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ
ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ ⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ ⤏āĨ‹ā¤‰ā¤¨āĨā¤ĻāĨā¤¸āĨ, ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ
⤇⤍āĨ ⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ ⤓ā¤ĻāĨ‹ā¤°āĨā¤¸āĨ, ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ ⤤⤏āĨā¤¤āĨ‡ā¤¸āĨ, ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ ā¤ŦāĨ‹ā¤Ļā¤ŋ⤞āĨā¤¯āĨ ā¤ĢāĨ‡ā¤¨āĨ‹ā¤ŽāĨ‡ā¤¨, ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ
ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ ⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
O⤍āĨ‡,
⤭ā¤ŋ⤕āĨā¤–āĨā¤¸āĨ, wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ ā¤ŽāĨ‡ā¤¨āĨā¤¤ā¤˛āĨ ā¤ĢāĨ‡ā¤¨āĨ‹ā¤ŽāĨ‡ā¤¨, ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ
ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ ⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ. Of ⤓⤍āĨ‡ wā¤šāĨ‹ ā¤ĻāĨ‹ā¤ā¤¸āĨ ⤍āĨ‹ā¤¤āĨ ā¤ĻāĨ‡ā¤˛ā¤ŋ⤘āĨā¤¤āĨ ⤇⤍āĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ, ⤈ ⤏⤝⤃ ‘ā¤šāĨ‡ ⤇⤏āĨ ⤞ā¤ŋā¤ŦāĨ‡ā¤°ā¤¤āĨ‡ā¤ĻāĨ f⤰āĨ‹ā¤ŽāĨ
⤉⤍āĨā¤¸ā¤¤ā¤ŋ⤏āĨfā¤…ā¤šāĨā¤¤āĨ‹ā¤°ā¤ŋ⤍āĨ‡ā¤¸āĨā¤¸āĨ’.
Timeline of Rulers of INDIA (1526-2020)
Stats Info
16.7K subscribers
all rulers of india from babur to narendra modi timeline
list of rulers contains emperors empire kings governors viceroys and prime minis
Timeline of Rulers of INDIA (1526-2020)
all
rulers of india from babur to narendra modi timelinelist of rulers
contains emperors empire kings governors viceroys and prime ministers

Classical Sindhi,

؈Úģ >> ØŗØĒŲ† ŲžØ§ØĻ؁؊ÚĒØ§ >> ØŗØ§ØĻ؈؊؈ŲŊŲˆØ§ Ų†ŲŠÚĒŲˆŲŠØ§ >> ØŗØ§ØĻŲˆŲŠØ§ ØŗØ§ØĻŲŠŲ† ØŗØ§ØĻŲŠŲ†
SN 35.20 (Ø§ŲŠØŗ ØĸØĄ) 13)
ØˇØ¨Ų‚ŲŠ ØŦ؊ ØŗŲ†ÚŒŲŠ Ûž Ø§Ø¨Ø§Ø§Ų†ŲˆØ§ ØŗŲŊا
- ØŽŲˆØ´ŲŠ -
[Ø§Ø¨Ø§ÚžØ§Ų†Ø§)
ÚĒ؈ Ø¨Ų‡ ŲØˇØąØĒ؊ Ø´ŲŠŲ† Ûž ÚĒŲ†Ų‡Ų† ØŦ؊ ØŽŲˆØ´ŲŠŲ† Ų„Ø§ØĄ ŲØąØ§Øą Ų†Ø§Ų‡ŲŠ.
Ø§Ų†Ú¯ØąŲŠØ˛ŲŠ
Ų‡ÚĒØŒ
Ø¨ŲŠØŽØ¨ØąØŒ ØŦ؊ÚĒ؈ (Ø¸Ø§Ų‡Øą) Ø´ÚĒŲ„Ų† Ûž ØŽŲˆØ´ ÚĒØąŲŠ ŲŋŲˆØŒ ØēŲŠØą Ų…Ų†ØŗŲ„Øą ÚĒØąŲŠ ØŽŲˆØ´ŲŠ ÚĒØąŲŠ Ųŋ؈. Ų‡ÚĒ ØŦ؈
ØŦ؊ÚĒ؈ ØēŲŠØą Ų…ØˇŲ„ŲˆØ¨ Ų†ŲŲŠØŗ Ûž ØŽŲˆØ´ ÚĒØąŲŠ ŲŋŲˆØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯
Ų†Ų‡ ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠØŽŲ„Ø§ØŒ ØŦ؊ÚĒ؈ ØĸŲˆØ§Ø˛Ų† Ûž ØŽŲˆØ´ ÚĒØąŲŠ ŲŋŲˆØŒ Ų†Ø§ŲØ˛Ø§Ų† ÚĒŲ†Ø¯Ú™ Ûž ØŽŲˆØ´ŲŠ Ųŋ؈. Ų‡ÚĒ ØŦ؈ ØŦ؊ÚĒ؈ ØēŲŠØą
Ų…ØˇŲ„ŲˆØ¨ Ų†ŲŲŠØŗ Ûž ØŽŲˆØ´ ÚĒØąŲŠ ŲŋŲˆØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯ Ų†Ų‡ ÚĒ؊؈
؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
ڀاØĻ؊ÚĒŲŠØŒ ØŦ؊ÚĒ؈ Ú¯Ų†Ø¯Ų† Ûž ØŽŲˆØ´ ÚĒØąŲŠ ŲŋŲˆØŒ اÚģ Ų„ÚŠŲ†Ø¯Ųˆ ØĸŲ‡ŲŠ. Ų‡ÚĒ ØŦ؈ ØŦ؊ÚĒ؈ ØēŲŠØą Ų…ØˇŲ„ŲˆØ¨ Ų†ŲŲŠØŗ
Ûž ØŽŲˆØ´ ÚĒØąŲŠ ŲŋŲˆØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯ Ų†Ų‡ ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠØŽØ¨ØŗØŒ ØŦ؊ÚĒ؈ Ø°ŲˆŲ‚ Ûž ØŽŲˆØ´ ØĸŲ‡Ų†ØŒ Ų†Ø§ŲžØŗŲ†Ø¯ŲŠØ¯Ų‡ Ûž Ų…Ų†Ų† ÚŠŲŠ Ų…Ų†Ų† ÚŠŲŠ ŲžŲŠØ§ØąŲŠŲ†Ø¯Ųˆ ØĸŲ‡ŲŠ. Ų‡ÚĒ
ØŦ؈ ØŦ؊ÚĒ؈ ØēŲŠØą Ų…ØˇŲ„ŲˆØ¨ Ų†ŲŲŠØŗ Ûž ØŽŲˆØ´ ÚĒØąŲŠ ŲŋŲˆØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų†
ØĸØ˛Ø§Ø¯ Ų†Ų‡ ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠØŽŲˆØ´ŲŠØŒ ØŦ؊ÚĒ؊ Ø¨Ø¯Ų†ØĩŲŠØ¨ Ûž ØŽŲˆØ´ŲŠ ØąÚŠŲŠ Ųŋ؈. Ų‡ÚĒ ØŦ؈ ØŦ؊ÚĒ؈ ØēŲŠØą Ų…ØˇŲ„ŲˆØ¨ Ų†ŲŲŠØŗ Ûž ØŽŲˆØ´ ÚĒØąŲŠ
ŲŋŲˆØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯ Ų†Ų‡ ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠØŽØ¨ØąØŗØŒ ØŦ؊ÚĒ؈ Ø°Ų‡Ų†ŲŠ ØąØŦØ­Ø§Ų† Ûž ØŽŲˆØ´ ÚĒØąŲŠØŒ Ų†Ø§ŲØ° ÚĒØąÚģ Ûž ØŽŲˆØ´ ÚĒØąŲŠ Ųŋ؈. Ų‡ÚĒ ØŦ؈ ØŦ؊ÚĒ؈
ØēŲŠØą Ų…ØˇŲ„ŲˆØ¨ Ų†ŲŲŠØŗ Ûž ØŽŲˆØ´ ÚĒØąŲŠ ŲŋŲˆØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯ Ų†Ų‡
ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠØŽØ¨ØąØŒ ØŦ؊ÚĒ؈ (Ø¸Ø§Ų‡ØąŲŠ) ŲØ§ØąŲ… Ûž ØŽŲˆØ´ Ų†Ų‡ Ųŋ؈ Ø§Ú†ŲŠØŒ Ų†Ø§ØŽŲˆØ´Ø§Ø˛ŲŠ Ûž ØŽŲˆØ´ Ų†Ų‡ Ųŋ؊؈. Ų‡ÚĒ Ų…Ø§Ų†
ØŦ؊ÚĒ؈ Ų†Ø§ØŽŲˆØ´ØąØ§ØĻ؊ Ûž ØŽŲˆØ´ Ų†Ų‡ ÚĒŲ†Ø¯Ųˆ ØĸŲ‡ŲŠØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯
ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠØŽØ¨ØąØŒ ØŦ؊ÚĒ؈ ØĸŲˆØ§Ø˛ Ûž ØŽŲˆØ´ Ų†Ųŋ؈ ÚĒØąŲŠØŒ Ų†Ø§ŲØŗØĒÚ¯ŲŠØĄ Ûž ØŽŲˆØ´ Ų†Ųŋ؈ ÚĒØąŲŠ. Ų‡ÚĒ Ų…Ø§Ų† ØŦ؊ÚĒ؈
Ų†Ø§ØŽŲˆØ´ØąØ§ØĻ؊ Ûž ØŽŲˆØ´ Ų†Ų‡ ÚĒŲ†Ø¯Ųˆ ØĸŲ‡ŲŠØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯ ÚĒ؊؈
؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒ
Ų‡ÚĒØŒ Ø´ØĻŲŠØŗØŗØŒ ØŦ؊ÚĒ؈ Ø§Ø¯Ø§ØąØŗØĒ Ûž Ų…Ø­ØŗŲˆØŗ Ų†Ų‡ ÚĒŲ†Ø¯Ųˆ ØĸŲ‡ŲŠØŒ Ų†Ø§Ø˛Ø˛ ÚĒŲ„Øą Ûž ØŽŲˆØ´ŲŠ Ų†Ųŋ؈ ÚĒØąŲŠ. Ų‡ÚĒ
Ų…Ø§Ų† ØŦ؊ÚĒ؈ Ų†Ø§ØŽŲˆØ´ØąØ§ØĻ؊ Ûž ØŽŲˆØ´ Ų†Ų‡ ÚĒŲ†Ø¯Ųˆ ØĸŲ‡ŲŠØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų†
ØĸØ˛Ø§Ø¯ ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠØŽØ¨ØąØŒ ØŦ؊ÚĒ؈ ذاØĻŲ‚ŲŠ Ûž ØŽŲˆØ´ Ų†Ųŋ؈ ÚĒØąŲŠØŒ Ų†Ø§ŲØŗØĒØą Ûž ØŽŲˆØ´ŲŠ Ų†Ųŋ؈ ÚĒØąŲŠ. Ų‡ÚĒ Ų…Ø§Ų† ØŦ؊ÚĒ؈
Ų†Ø§ØŽŲˆØ´ØąØ§ØĻ؊ Ûž ØŽŲˆØ´ Ų†Ų‡ ÚĒŲ†Ø¯Ųˆ ØĸŲ‡ŲŠØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯ ÚĒ؊؈
؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠØŽØ¨ØąØŒ ØŦ؊ÚĒ؈ ØŦØŗŲ…Ø§Ų†ŲŠ ØˇŲˆØą ØĒ؊ Ų…Ø˛ŲŠ Ûž ØŽŲˆØ´ŲŠ Ų†Ųŋ؈ ŲŋØĻŲŠØŒ ØēŲŠØą Ų…ØˇŲ…ØĻŲ† ÚĒŲ†Ø¯Ú™ ØŽŲˆØ´ŲŠØĄ Ûž Ų†Ų‡
Ųŋ؈ Ø§Ú†ŲŠ. Ų‡ÚĒ Ų…Ø§Ų† ØŦ؊ÚĒ؈ Ų†Ø§ØŽŲˆØ´ØąØ§ØĻ؊ Ûž ØŽŲˆØ´ Ų†Ų‡ ÚĒŲ†Ø¯Ųˆ ØĸŲ‡ŲŠØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ
Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų† ØĸØ˛Ø§Ø¯ ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Ų‡ÚĒØŒ
Ø¨ŲŠÚĒØ§ØąØŒ ØŦ؊ÚĒ؈ Ø°Ų‡Ų†ŲŠ ØąØŦØ­Ø§Ų† Ûž ØŽŲˆØ´ Ų†Ųŋ؈ ÚĒØąŲŠØŒ ØēŲŠØą Ų…ØˇŲ…ØĻŲ† ÚĒØąÚģ Ûž ØŽŲˆØ´ Ų†Ų‡ ØĸŲ‡ŲŠ. Ų‡ÚĒ
Ų…Ø§Ų† ØŦ؊ÚĒ؈ Ų†Ø§ØŽŲˆØ´ØąØ§ØĻ؊ Ûž ØŽŲˆØ´ Ų†Ų‡ ÚĒŲ†Ø¯Ųˆ ØĸŲ‡ŲŠØŒ Ų…Ø§Ų† Ú†ŲˆØ§Ų† Ųŋ؈: ‘Ų‡Ų† ÚŠŲŠ Ų†Ø§ŲØ° ÚĒØąÚģ ÚŠØ§Ų†
ØĸØ˛Ø§Ø¯ ÚĒ؊؈ ؈؊؈ ØĸŲ‡ŲŠ.
Bole Chudiyan Best Lyric - K3G|Amitabh|Shah Rukh Khan|Hrithik|Kajol|Kareena|Alka Yagnik
SonyMusicIndiaVEVO
37.7M subscribers
Sing
Along with the entire cast of the film in this track - Kareena Kapoor
& Hrithik Roshan start the festivities quickly followed by SRK and
Kajol and then joined by the patriarch Amitabh Bachchan and his wife
Jaya Bachchan. Song Name - Bole Chudiyan Movie - Kabhi Khushi Kabhie
Gham Singer - Amit Kumar, Sonu Nigam, Alka Yagnik, Udit Narayan &
Kavita Krishnamurthy Composer - Jatin Lalit Lyricists - Sameer Anjaan
Director - Karan Johar Producer - Yash Johar Studio - Dharma
Productions Pvt. Ltd. Music Label - Sony Music Entertainment India Pvt.
Ltd. (C) 2001 Sony Music Entertainment India Pvt. Ltd. Subscribe:
Vevo - http://www.youtube.com/user/sonymusic… Like us: Facebook: https://www.facebook.com/SonyMusicIndia
Follow us: Twitter: https://twitter.com/sonymusicindia G+: https://plus.google.com/+SonyMusicIndia
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Bole Chudiyan
Artist
Jatin-Lalit, Amit Kumar, Sonu Nigam, Alka Yagnik, Udit Narayan, Kavita Krishnamurthy
Licensed to YouTube by
SME
(on behalf of Sony Music Entertainment India Pvt. Ltd.); SMEIndia_Pub,
UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, ASCAP, Songtrust, CMRRA,
LatinAutor - SonyATV, Sony ATV Publishing, SOLAR Music Rights
Management, LatinAutorPerf, and 9 Music Rights Societies
SonyMusicIndiaVEVO
37.7M subscribers
Sing
Along with the entire cast of the film in this track - Kareena Kapoor
& Hrithik Roshan start the festivities quickly followed by SRK and
Kajol and then joined by the patriarch Amitabh Bachchan and his wife
Jaya Bachchan. Song Name - Bole Chudiyan Movie - Kabhi Khushi Kabhie
Gham Singer - Amit Kumar, Sonu Nigam, Alka Yagnik, Udit Narayan &
Kavita Krishnamurthy Composer - Jatin Lalit Lyricists - Sameer Anjaan
Director - Karan Johar Producer - Yash Johar Studio - Dharma
Productions Pvt. Ltd. Music Label - Sony Music Entertainment India Pvt.
Ltd. (C) 2001 Sony Music Entertainment India Pvt. Ltd. Subscribe:
Vevo - http://www.youtube.com/user/sonymusic… Like us: Facebook: https://www.facebook.com/SonyMusicIndia Follow us: Twitter: https://twitter.com/sonymusicindia G+: https://plus.google.com/+SonyMusicIndia
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Bole Chudiyan
Artist
Jatin-Lalit, Amit Kumar, Sonu Nigam, Alka Yagnik, Udit Narayan, Kavita Krishnamurthy
Licensed to YouTube by
SME
(on behalf of Sony Music Entertainment India Pvt. Ltd.); SMEIndia_Pub,
UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, ASCAP, Songtrust, CMRRA,
LatinAutor - SonyATV, Sony ATV Publishing, SOLAR Music Rights
Management, LatinAutorPerf, and 9 Music Rights Societies
Bole Chudiyan Best Lyric - K3G|Amitabh|Shah Rukh Khan|Hrithik|Kajol|Kareena|Alka Yagnik

102) Classical Tamil-āŽĒāŽžāŽ°āŽŽā¯āŽĒāŽ°āŽŋāŽ¯ āŽ‡āŽšā¯ˆāŽ¤ā¯āŽ¤āŽŽāŽŋāŽ´ā¯ āŽšā¯†āŽŽā¯āŽŽā¯ŠāŽ´āŽŋ,

āŽŽāŽ°āŽŽā¯ >> Sutta Piáš­aka >> āŽ¨āŽŋāŽ•ā¯āŽ•āŽ•āŽž >> Saḡḡyatana >> Saḡḡyatana >>
āŽŽāŽ¸ā¯āŽŽāŽŠā¯ 35.20 (āŽŽāŽ¸ā¯ IV 13)
āŽ…āŽĒāŽŋāŽŠāŽ¨ā¯āŽ¤āŽž āŽšā¯āŽ¤ā¯āŽ¤ā¯āŽ¤āŽž āŽ•āŽŋāŽŗāŽžāŽšāŽŋāŽ•ā¯āŽ•āŽ˛ā¯ āŽ¤āŽŽāŽŋāŽ´ā¯-āŽĒāŽžāŽ°āŽŽā¯āŽĒāŽ°āŽŋāŽ¯ āŽ‡āŽšā¯ˆāŽ¤ā¯āŽ¤āŽŽāŽŋāŽ´ā¯ āŽšā¯†āŽŽā¯ŠāŽ°āŽŋ
- āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋ -
[āŽ…āŽĒāŽŋāŽŠāŽ¨ā¯āŽ¤āŽž]
āŽ…āŽ°ā¯āŽ¤ā¯āŽ¤āŽŽā¯āŽŗā¯āŽŗ āŽĒā¯ŠāŽ°ā¯āŽŗā¯āŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤āŽąā¯āŽ•ā¯ āŽŽāŽĩāŽ°ā¯‡āŽŠā¯āŽŽā¯ āŽ¤āŽĒā¯āŽĒāŽŋāŽ•ā¯āŽ• āŽŽā¯āŽŸāŽŋāŽ¯āŽžāŽ¤ā¯.
āŽ†āŽ™ā¯āŽ•āŽŋāŽ˛āŽŽā¯
āŽ’āŽ°ā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ¯āŽžāŽ°ā¯ (āŽ¤ā¯†āŽ°āŽŋāŽ¯ā¯āŽŽā¯) āŽĩāŽŸāŽŋāŽĩāŽ™ā¯āŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯
āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯. āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯ˆāŽĒā¯ āŽĒāŽąā¯āŽąāŽŋ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯ āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸāŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽŠā¯āŽąā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ’āŽ˛āŽŋāŽĒā¯āŽĒāŽ¤āŽŋāŽĩā¯āŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯.
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯ˆāŽĒā¯ āŽĒāŽąā¯āŽąāŽŋ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯ āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸāŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽ°ā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ¨āŽžāŽąā¯āŽąāŽ™ā¯āŽ•āŽŗā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯.
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯ˆāŽĒā¯ āŽĒāŽąā¯āŽąāŽŋ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯ āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸāŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽ°ā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽšā¯āŽĩā¯ˆāŽŽāŽŋāŽ•ā¯āŽ• āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋ, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯.
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯ˆāŽĒā¯ āŽĒāŽąā¯āŽąāŽŋ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯ āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸāŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽŠā¯āŽąā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ‰āŽŸāŽ˛ā¯ āŽ¨āŽŋāŽ•āŽ´ā¯āŽĩā¯āŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯.
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯ˆāŽĒā¯ āŽĒāŽąā¯āŽąāŽŋ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯ āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸāŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽ°ā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽŽāŽŠāŽ¨āŽ˛ āŽ¨āŽŋāŽ•āŽ´ā¯āŽĩā¯āŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯.
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽĩāŽ¤ā¯ˆāŽĒā¯ āŽĒāŽąā¯āŽąāŽŋ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯
āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯ āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸāŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽŠā¯āŽąā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ¯āŽžāŽ°ā¯ (āŽ¤ā¯†āŽ°āŽŋāŽ¯ā¯āŽŽā¯) āŽĩāŽŸāŽŋāŽĩāŽ™ā¯āŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋ āŽ‡āŽ˛ā¯āŽ˛ā¯ˆ, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą
āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋ āŽ‡āŽ˛ā¯āŽ˛ā¯ˆ. āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽžāŽ¤āŽĩāŽ°ā¯ āŽ¯āŽžāŽ°ā¯
āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯ āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯
āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸā¯āŽ•āŽŋāŽąāŽžāŽ°ā¯’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽŠā¯āŽąā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ’āŽ˛āŽŋāŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯
āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ. āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽžāŽ¤āŽĩāŽ°ā¯ āŽ¯āŽžāŽ°ā¯ āŽŽāŽŠā¯āŽąā¯
āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯ āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯
āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸā¯āŽ•āŽŋāŽąāŽžāŽ°ā¯’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽ°ā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ¨āŽžāŽąā¯āŽąāŽ™ā¯āŽ•āŽŗā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽžāŽ• āŽ‡āŽ˛ā¯āŽ˛ā¯ˆ, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋ
āŽ‡āŽ˛ā¯āŽ˛ā¯ˆ. āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽžāŽ¤āŽĩāŽ°ā¯ āŽ¯āŽžāŽ°ā¯ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯
āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯ āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯ āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸā¯āŽ•āŽŋāŽąāŽžāŽ°ā¯’
āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽ°ā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽšā¯āŽĩ❈ āŽŽā¯€āŽ¤ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽžāŽ• āŽ‡āŽ˛ā¯āŽ˛ā¯ˆ, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋ
āŽ‡āŽ˛ā¯āŽ˛ā¯ˆ. āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽžāŽ¤āŽĩāŽ°ā¯ āŽ¯āŽžāŽ°ā¯ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯
āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯ āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯ āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸā¯āŽ•āŽŋāŽąāŽžāŽ°ā¯’
āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽ’āŽŠā¯āŽąā¯,
āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ‰āŽŸāŽ˛ā¯ āŽ¨āŽŋāŽ•āŽ´ā¯āŽĩā¯āŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯
āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ. āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽžāŽ¤āŽĩāŽ°ā¯ āŽ¯āŽžāŽ°ā¯ āŽŽāŽŠā¯āŽąā¯
āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯ āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯
āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸā¯āŽ•āŽŋāŽąāŽžāŽ°ā¯’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
āŽŽāŽŠāŽ¨āŽ˛
āŽ¨āŽŋāŽ•āŽ´ā¯āŽĩā¯āŽ•āŽŗāŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽžāŽ¤ āŽ’āŽ°ā¯ āŽĒāŽŋāŽ•ā¯āŽšāŽ¸ā¯, āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯
āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽĩāŽŋāŽ˛ā¯āŽ˛ā¯ˆ. āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¨āŽŋāŽ˛ā¯ˆāŽ¯āŽŋāŽ˛ā¯ āŽŽāŽ•āŽŋāŽ´ā¯āŽšā¯āŽšāŽŋāŽ¯āŽŸā¯ˆāŽ¯āŽžāŽ¤āŽĩāŽ°ā¯ āŽ¯āŽžāŽ°ā¯ āŽŽāŽŠā¯āŽąā¯
āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯: ‘āŽ…āŽĩāŽ°ā¯ āŽ¤āŽŋāŽ°ā¯āŽĒā¯āŽ¤āŽŋāŽ¯āŽąā¯āŽą āŽ¤āŽŠā¯āŽŽā¯ˆāŽ¯āŽŋāŽ˛āŽŋāŽ°ā¯āŽ¨ā¯āŽ¤ā¯
āŽĩāŽŋāŽŸā¯āŽĩāŽŋāŽ•ā¯āŽ•āŽĒā¯āŽĒāŽŸā¯āŽ•āŽŋāŽąāŽžāŽ°ā¯’ āŽŽāŽŠā¯āŽąā¯ āŽ¨āŽžāŽŠā¯ āŽ•ā¯‚āŽąā¯āŽ•āŽŋāŽąā¯‡āŽŠā¯.
Written Books by Agathiyar Siddhar Books āŽ…āŽ•āŽ¤ā¯āŽ¤āŽŋāŽ¯āŽ°ā¯ āŽ…āŽ°ā¯āŽŗāŽŋāŽ¯ āŽ¨ā¯‚āŽ˛ā¯āŽ•āŽŗā¯
SHOORAJHANTH āŽšā¯‹āŽ°āŽžāŽœā¯āŽšāŽžāŽ¨ā¯āŽ¤ā¯
10.9K subscribers
āŽšāŽŋāŽ¤ā¯āŽ¤āŽ°ā¯āŽ•āŽŗā¯
āŽ†āŽ¯ā¯āŽĩ❁ āŽ¨ā¯‚āŽ˛ā¯āŽ•āŽŗā¯, āŽŽā¯‡āŽœāŽŋāŽ•ā¯ āŽ¤āŽ¨ā¯āŽ¤āŽŋāŽ°āŽ™ā¯āŽ•āŽŗā¯,āŽ‡āŽ¯āŽąā¯āŽ•ā¯ˆ āŽŽāŽ°ā¯āŽ¤ā¯āŽ¤ā¯āŽĩāŽŽā¯,āŽ‰āŽŗāŽĩāŽŋāŽ¯āŽ˛ā¯ āŽ†āŽ˛ā¯‹āŽšāŽŠā¯ˆ
āŽĒāŽ¯āŽŋāŽąā¯āŽšāŽŋ,āŽ‰āŽ¨ā¯āŽ¤ā¯āŽ¤āŽ˛ā¯ˆ āŽ‰āŽŖā¯āŽŸāŽžāŽ•ā¯āŽŽā¯ āŽĒā¯‡āŽšā¯āŽšā¯,āŽ•ā¯āŽŸā¯āŽŽā¯āŽĒ āŽ¨āŽ˛ āŽ•āŽ°ā¯āŽ¤ā¯āŽ¤ā¯,āŽœā¯‹āŽ¤āŽŋāŽŸāŽšāŽžāŽ¸ā¯āŽ¤āŽŋāŽ°āŽ¤ā¯āŽ¤āŽŋāŽ˛ā¯
āŽ†āŽ°āŽžāŽ¯ā¯āŽšā¯āŽšāŽŋ,āŽœā¯‹āŽ¤āŽŋāŽŸ āŽĒāŽ˛āŽŠā¯,āŽ°āŽžāŽšāŽŋāŽĒāŽ˛āŽŠā¯āŽ•āŽŗā¯,āŽ…āŽ•ā¯āŽ•ā¯āŽĒāŽžā¯āŽšāŽ°ā¯ āŽĒāŽ¯āŽŋāŽąā¯āŽšāŽŋ āŽŽāŽąā¯āŽąā¯āŽŽā¯ āŽ†āŽ°āŽžāŽ¯ā¯āŽšā¯āŽšāŽŋ,
āŽŽāŽžāŽąā¯āŽąā¯āŽŽā¯āŽąā¯ˆ āŽŽāŽ°ā¯āŽ¤ā¯āŽ¤ā¯āŽĩāŽŽā¯,āŽšā¯āŽąā¯āŽąā¯āŽ˛āŽž āŽĒāŽ¯āŽŖāŽŽā¯, āŽ¤āŽŽāŽŋāŽ´āŽ• āŽ•ā¯‹āŽĩāŽŋāŽ˛ā¯ āŽĩāŽ´āŽŋāŽĒāŽžāŽŸā¯ āŽĒā¯‹āŽŠā¯āŽą
āŽĒāŽ¤āŽŋāŽĩā¯āŽ•āŽŗā¯ āŽšā¯‹āŽ°āŽžāŽœā¯āŽšāŽžāŽ¨ā¯āŽ¤ā¯ āŽ¤āŽŋāŽ˛ā¯ āŽ‡āŽŸāŽŽā¯āŽĒā¯†āŽąā¯āŽŽā¯.āŽ‰āŽ™ā¯āŽ•āŽŗā¯āŽ•ā¯āŽ•ā¯ āŽŽā¯āŽ•ā¯āŽ•āŽŋāŽ¯āŽŽāŽžāŽŠāŽĩāŽąā¯āŽąā¯ˆ āŽŽāŽŸā¯āŽŸā¯āŽŽā¯
āŽĒāŽžāŽ°ā¯āŽ•ā¯āŽ• playlists āŽšā¯†āŽŠā¯āŽąā¯ āŽĒāŽžāŽ°ā¯āŽ•ā¯āŽ•āŽ˛āŽžāŽŽā¯
SHOORAJHANTH
will feature the Siddha Study Books, Magic Tactics, Natural Medicine,
Psychological Advice Training, Motivational Speech, Family Welfare,
Astrology Research, Astrological Benefit, Rachi balans, Acupuncture
Training and Research, Alternative Medicine, Travels guide, Tamilnadu
Temple guide. Just go to the playlist to see what’s important to
you.
Written Books by Agathiyar Siddhar Books āŽ…āŽ•āŽ¤ā¯āŽ¤āŽŋāŽ¯āŽ°ā¯ āŽ…āŽ°ā¯āŽŗāŽŋāŽ¯ āŽ¨ā¯‚āŽ˛ā¯āŽ•āŽŗā¯



104) Classical Telugu- ā°•āąā°˛ā°žā°¸ā°ŋā°•ā°˛āą ā°¤āą†ā°˛āąā°—āą,

ā°Ÿāąā°°āą€ >> SUTTA PIáš­AKA >> SAᚃYUTTA NIKAYY> SAḡāYATANA SAᚃYUTTA
SN 35.20 (S IV 13)
ā°…ā°Ŧā°ŋⰍⰂā°Ļ ā°¸āąā°¤āąā°¤ā°ž ā°•āąā°˛ā°žā°¸ā°ŋā°•ā°˛āą ā°‡ā°¨āą-ā°•āąā°˛ā°žā°¸ā°ŋā°•ā°˛āą ā°šāą†ā°˛āąā°—āą
- ⰆⰍⰂā°Ļā°‚ -
[ā°…ā°­ā°ŋā°¨ā°žā°‚ā°Ą]
ā°…ā°°āąā°§ā°‚ā°˛āą‹ ā°ĩā°¸āąā°¤āąā°ĩāąā°˛ā°¨ā°ŋ ā°…ā°§ā°ŋā°°āą‹ā°šā°ŋā°‚ā°šāą‡ā°ĩā°žā°°ā°ŋā°•ā°ŋ ā°¤ā°Ēāąā°Ēā°ŋā°‚ā°šāąā°•āą‹ā°˛āą‡ā°Ļāą.
ā°†ā°‚ā°—āąā°˛
ā°’ā°•ā°Ÿā°ŋ,
ā°­ā°ŋā°–ā°¸āą, ā°Žā°ĩā°°āą (ā°•ā°¨ā°ŋā°Ēā°ŋā°‚ā°šāą‡) ā°°āą‚ā°Ēā°žā°˛āą, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°Ēā°°āąā°¸āąā°¤āąā°‚ā°Ļā°ŋ.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°˛āą‡ā°Ļāą’.
ā°’ā°•ā°Ÿā°ŋ,
ā°­ā°ŋā°•āąā°šā°¸āą, ā°ļā°Ŧāąā°Ļā°žā°˛ā°˛āą‹ ⰆⰍⰂā°Ļā°‚ ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡ā°Ļā°ŋ, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ā°—ā°ž ⰉⰂā°Ļā°ŋ.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°˛āą‡ā°Ļāą’.
ā°’ā°•,
ā°­ā°ŋā°•āąā°šā°¸āą, ā°ĩā°žā°¸ā°¨ā°˛āą ā°˛āą‹ ⰆⰍⰂā°Ļā°‚, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°Ąā°ŋā°˛āąˆā°Ÿāąā°¸āą. ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚
ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ
ā°ĒāąŠā°‚ā°Ļā°˛āą‡ā°Ļāą’.
ā°’ā°•,
ā°­ā°ŋā°•āąā°–ā°¸āą, ā°…ā°­ā°ŋā°°āąā°šāąā°˛ā°˛āą‹ ⰆⰍⰂā°Ļā°‚ ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ā°—ā°ž ⰉⰂā°Ļā°ŋ.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°˛āą‡ā°Ļāą’.
ā°’ā°•,
ā°­ā°ŋā°•āąā°–ā°¸āą, ā°ļā°žā°°āą€ā°°ā°• ā°Ļāąƒā°—āąā°ĩā°ŋā°ˇā°¯ā°‚ā°˛āą‹ ā°Ąā°ŋā°˛āąˆā°Ÿāąā°¸āą, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°Ąā°ŋā°˛āąˆā°Ÿāąā°¸āą.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°˛āą‡ā°Ļāą’.
ā°Žā°žā°¨ā°¸ā°ŋā°•
ā°Ļāąƒā°—āąā°ĩā°ŋā°ˇā°¯ā°‚ā°˛āą‹ ⰆⰍⰂā°Ļā°‚ ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°­ā°ŋā°•āąā°šā°¸āą, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°‰ā°‚ā°Ÿā°žā°°āą.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ ā°•ā°˛ā°ŋā°—ā°ŋā°‚ā°šāą‡ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°˛āą‡ā°Ļāą’.
ā°’ā°•ā°Ÿā°ŋ,
ā°­ā°ŋā°•āąā°šā°¸āą, (ā°•ā°¨ā°ŋā°Ēā°ŋā°‚ā°šāą‡) ā°°āą‚ā°Ēā°žā°˛āąā°˛āą‹ ā°†ā°šāąā°˛ā°žā°Ļā°‚ ā°˛āą‡ā°Ļāą, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ā°—ā°ž ā°˛āą‡ā°Ļāą.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°‰ā°‚ā°Ąā°¨ā°ŋā°ĩāąā°ĩā°¨ā°ŋ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž
ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°žā°Ąāą’.
ā°’ā°•,
ā°­ā°ŋā°•āąā°–ā°¸āą, ā°ļā°Ŧāąā°Ļā°žā°˛ā°˛āą‹ ā°†ā°šāąā°˛ā°žā°Ļā°•ā°°ā°Žāąˆā°¨ā°Ļā°ŋ ā°•ā°žā°Ļāą, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ā°—ā°ž ā°˛āą‡ā°Ļāą.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°‰ā°‚ā°Ąā°¨ā°ŋā°ĩāąā°ĩā°¨ā°ŋ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž
ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°žā°Ąāą’.
ā°’ā°•ā°Ÿā°ŋ,
ā°­ā°ŋā°•āąā°–ā°¸āą, ā°ĩā°žā°¸ā°¨ā°˛āą ā°˛āą‹ ā°†ā°šāąā°˛ā°žā°Ļā°‚ ā°˛āą‡ā°Ļāą, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°¸ā°žā°Žāą ā°˛āą‹ ⰆⰍⰂā°Ļā°‚ ā°˛āą‡ā°Ļāą.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°‰ā°‚ā°Ąā°¨ā°ŋā°ĩāąā°ĩā°¨ā°ŋ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž
ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°žā°Ąāą’.
ā°’ā°•,
ā°­ā°ŋā°•āąā°šā°¸āą, ā°…ā°­ā°ŋā°°āąā°šāąā°˛ā°˛āą‹ ā°†ā°šāąā°˛ā°žā°Ļā°‚ ā°˛āą‡ā°¨ā°ŋā°Ļā°ŋ, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ā°—ā°ž ā°˛āą‡ā°Ļāą.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°‰ā°‚ā°Ąā°¨ā°ŋā°ĩāąā°ĩā°¨ā°ŋ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž
ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°žā°Ąāą’.
ā°ļā°°āą€ā°°
ā°Ļāąƒā°—āąā°ĩā°ŋā°ˇā°¯ā°‚ā°˛āą‹ ā°†ā°šāąā°˛ā°žā°Ļā°‚ ā°˛āą‡ā°¨ā°ŋ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°­ā°ŋā°•āąā°–ā°¸āą, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ā°—ā°ž ā°˛āą‡ā°Ļāą.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°‰ā°‚ā°Ąā°¨ā°ŋā°ĩāąā°ĩā°¨ā°ŋ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž
ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°žā°Ąāą’.
ā°Žā°žā°¨ā°¸ā°ŋā°•
ā°Ļāąƒā°—āąā°ĩā°ŋā°ˇā°¯ā°‚ā°˛āą‹ ā°†ā°šāąā°˛ā°žā°Ļā°‚ ā°˛āą‡ā°¨ā°ŋ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°­ā°ŋā°•āąā°–ā°¸āą, ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ⰆⰍⰂā°Ļā°‚ā°—ā°ž ā°˛āą‡ā°Ļāą.
ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž ā°‰ā°‚ā°Ąā°¨ā°ŋā°ĩāąā°ĩā°¨ā°ŋ ā°ĩāąā°¯ā°•āąā°¤ā°ŋ, ā°¨āą‡ā°¨āą ā°šāą†ā°Ēāąā°Ēā°žā°¨āą: ‘ā°…ā°¤ā°¨āą ā°…ā°¸ā°‚ā°¤āąƒā°Ēāąā°¤ā°ŋā°•ā°°ā°‚ā°—ā°ž
ā°¨āąā°‚ā°Ąā°ŋ ā°ĩā°ŋā°Žāąā°•āąā°¤ā°ŋ ā°ĒāąŠā°‚ā°Ļā°žā°Ąāą’.
Classical Music | Indian Classical Music | classical Fusion đŸ•ē Classical Dance beat | Classical Beat💃
Idyllic Tune
Classical
Music | Indian Classical Music | classical Fusion | Classical Dance
beat | Classical Beat, Best music for Indian classical dance.
In
this video there is Classical music. This music is very nice for
Classical dance or India classical music for Classical india dance💃đŸ•ē
Indian
classical music is the classical music of the Indian subcontinent. It
has two major traditions: the North Indian classical music tradition is
called Hindustani, while the South Indian expression is called Carnatic.
These traditions were not distinct until about the 15th century.
Indian
classical music is the classical music of the Indian subcontinent. It
has two major traditions: the North Indian classical music tradition is
called Hindustani, while the South Indian expression is called Carnatic.
These traditions were not distinct until about the 15th century. During
the period of Mughal rule of the Indian subcontinent, the traditions
separated and evolved into distinct forms. Hindustani music emphasizes
improvisation and exploration of all aspects of a raga, while Carnatic
performances tend to be short composition-based. However, the two
systems continue to have more common features than differences
( 👆đŸģSubscribe this Channel for more Videos, so that you can get all new Videos in time )
classical music malayalam,
classical music hindi,
classical music and dance,
classical music class 1,
12 d classical music,
classical music english,
classical music electric guitar,
classical music english songs,
classical music evening,
classical music energetic,
classical music for dance,
classical music for Indian dance
Classical Music | Indian Classical Music | classical Fusion đŸ•ē Classical Dance beat | Classical Beat💃
Classical
Music | Indian Classical Music | classical Fusion | Classical Dance
beat | Classical Beat, Best music for Indian classical dance.In this
video ther…


109) Classical Urdu- ÚŠŲ„Ø§ØŗÛŒÚŠÛŒ Ø§ØąØ¯Ųˆ

Christmas Songs and Carols - Love to Sing
1.42M subscribers
Joy
to the World with lyrics is a Popular Christmas carol. Joy to the World
is beautifully sung by our choir - great for concerts, performances,
choirs and churches
☃ Download Joy to the World Video Song:
🎄 Christmas Songs and Carols Album with a BEAUTIFUL Book Download: https://www.christmassongsandcarols.c...
❄ LIVE Christmas Countdown: https://www.christmassongsandcarols.c...
__________________________________________________
#christmassong
#christmasmusic
#christmassongsandcarols
#carol
__________________________________________________
GET IN TOUCH!
Feel the Christmas JOY with Christmas Songs and carols - Love to Sing
Joy to the World with Lyrics | Christmas Carol & Song
Christmas Songs and Carols - Love to Sing
1.42M subscribers
Joy
to the World with lyrics is a Popular Christmas carol. Joy to the World
is beautifully sung by our choir - great for concerts, performances,
choirs and churches
☃ Download Joy to the World Video Song:
🎄 Christmas Songs and Carols Album with a BEAUTIFUL Book Download: https://www.christmassongsandcarols.c...
❄ LIVE Christmas Countdown: https://www.christmassongsandcarols.c...
__________________________________________________
__________________________________________________
GET IN TOUCH!
Feel the Christmas JOY with Christmas Songs and carols - Love to Sing
Joy to the World with Lyrics | Christmas Carol & Song
Joy
to the World with lyrics is a Popular Christmas carol. Joy to the World
is beautifully sung by our choir - great for concerts, performances,
choirs and c…






Verse 146. One Pacifying Word Is Noble
Why this laughter, why this joy,
when it’s ever blazing?
Shrouded all about in gloom
won’t you look for the light?
Explanation:
When you are perpetually burning with the flames of passion, what
laughter, what pleasure? When you are enveloped in the darkness of
ignorance, why do you not seek the light of Wisdom to dispel that
darkness?
Verse 147. Behold The True Nature Of The Body
See this body beautiful
a mass of sores, a congeries,
much considered but miserable
where nothing’s stable, nothing persists.
Explanation:
This body has no permanent existence. It is in fact a body of sores. It
is diseased. It is propped up by many kinds of bones. It is considered
by many to be good. It is well thought of by many. It is glamorously
made up. Observe the true nature of the body.
Verse 148. Life Ends In Death
All decrepit is this body,
diseases’ nest and frail;
this foul mass is broken up
for life does end in death.
Explanation:
This form - this body - is fully broken down. It is truly a den of
diseases. It disintegrates easily. Out of its nine orifices, putrid
matter oozes constantly. It breaks apart. Death puts an end to it.
Verse 149. A Sight That Stops Desire
These dove-hued bones
scattered in Fall,
like long white gourds,
what joy in seeing them?
Explanation:
In the dry autumnal season, one can see bones and skulls strewn around.
These dry grey-hued skulls are like gourds thrown here and there.
Seeing this, whoever will lust?
Verse 150. The Body Is A City Of Bones
This city’s made of bones
plastered with flesh and blood,
within are stored decay and death,
besmearing and conceit.
Explanation:
This body is made of bones which form its structure. This bare
structure is plastered and filled with flesh and blood. Inside this
citadel are deposited decay, death, pride and ingratitude.
Verse 151. Buddha’s Teaching Never Decays
Even royal chariots rot,
the body too does rot, decay,
but undecaying’s Dhamma of the Good
who to the good declare.
Explanation:
Such beautiful and attractive objects as the carriages of kings also
disintegrate. The human body too decays. But, the experience of truth
never decays. The calm ones experience this truth.
Verse
Verse 152. Body Fattens - Mind Does Not
Just as the ox grows old
so this man of little learning:
his fleshiness increases,
his wisdom doesn’t grow.
Explanation:
The person who has scarcely heard the Teaching grows in physique, like a
fattened bull. Although his body grows, his self understanding does
not.
Verse 153. Seeing The Builder of The House
Trough many of samsara’s births
I hasten seeking, finding not
the builder of this house:
pain is birth again, again.
Explanation:
This tour, this cycle of existence, has run through numerous births
without encountering, the builder, the creator of the world and self.
For repeated birth is painful.
Verse 154. Thy Building Material Is Broken
O builder of this house you’re seen,
you shall not build a house again,
all your beams have given away,
rafters of the ridge decayed,
mind to the unconditioned gone,
exhaustion of craving has it reached.
Explanation:
Verses 153 and 154 were spoken by the Buddha immediately after his
enlightenment under the Bodhi tree, and at a later time was recited to
Venerable Ananda in an answer to a question).
Verse 155. Regrets In Old Age
Who have not led the holy life
nor riches won while young,
they linger on as aged cranes
around a fished-out pond.
Explanation:
In youth they did not lead the higher spiritual life. Nor did they
acquire wealth when they were young. Now they are old and incapable.
They are similar to those old emaciated, old flightless storks who are
sighing away at the bank of a lake without fish. The fish are gone
because others have caught them.
Verse 156. Nostalgia For Past Glory
Who have not led the holy life
nor riches won while young,
they languish on, worn-out bows,
sighing for the past.
Explanation:
This verse captures a situation that is universally true. Most people
tend to spend their youth squandering the precious days with no though
about the inevitable old-age that will overtake them. Youth is allow to
slip by without having garnered either material or spiritual wealth. The
Buddha’s admonition to mankind in this passage, is that they must, in
time, become mindful of the passage of time and the speedy fading of the
glamour of youth.

No photo description available.May be an illustrationMay be an illustration of 1 personMay be a cartoonNo photo description available.May be an image of 1 personMay be an image of 1 person



Leave a Reply