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07/06/17
2280 Fri 07 Jul 2017 LESSON INSIGHT-NET - FREE Online Tipiṭaka Research & Practice University and related NEWS through 
http://sarvajan.ambedkar.org 
in
 105 CLASSICAL LANGUAGES Pl use https://translate.google.com and render correct translation in your mother tongue for this google translation to attain Eternal Bliss as Final Goal Maha Bodhi Society Bengaluru DHAMMACAKKA DAY (Ashalha Punnima) July 9th 2017, Sunday COMMEMORATNG BHAGAVAN BUDDHA”S FIRST DHAMMA DISCOURSE “DHAMMACAKKA PAVATTANA SUTTA” (SETTING IN MOTION THE WHEEL OF TRUTH) & BEGINNING OF VASSAVASA C. Section on sampajañña To interact with a permanent decisive sensation in 1) Classical Pali, 23) Classical English, 93) Classical Tamil- செம்மொழி தமிழ்,43) Classical Igbo,44) Classical Indonesian-Bahasa Indonesia Klasik,45) Classical Irish- Classical Gaeilge,46) Classical Italian-Classica italiana, 47) Classical Japanese-古典的な日本語, 48) Cassical Javanese- Klasik Jawa,49) Classical Kannada- ಶಾಸ್ತ್ರೀಯ ಕನ್ನಡ
Filed under: General
Posted by: site admin @ 5:35 pm
2280 Fri  07 Jul 2017 LESSON

INSIGHT-NET - FREE Online Tipiṭaka Research & Practice University
and related NEWS through 
http://sarvajan.ambedkar.org 
in
 105
CLASSICAL LANGUAGES

Pl use https://translate.google.com
and render correct translation in your mother tongue for this google translation to attain Eternal Bliss as Final Goal

 C. Section on sampajañña
To interact with a permanent decisive sensation

in 1) Classical Pali, 23) Classical English, 93) Classical Tamil- செம்மொழி தமிழ்,43) Classical Igbo,44) Classical Indonesian-Bahasa Indonesia Klasik,45) Classical Irish- Classical Gaeilge,46) Classical Italian-Classica italiana,



47) Classical Japanese-古典的な日本語,
48) Cassical Javanese- Klasik Jawa,49) Classical Kannada- ಶಾಸ್ತ್ರೀಯ ಕನ್ನಡ


B. Iriyāpatha Pabba

Puna
ca·paraṃ, bhikkhave, bhikkhu gacchanto vā ‘gacchāmī’ ti pajānāti, ṭhito
vā ‘ṭhitomhī’ ti pajānāti, nisinno vā ‘nisinnomhī’ ti pajānāti, sayāno
vā ‘sayānomhī’ ti pajānāti. Yathā yathā vā pan·assa kāyo paṇihito hoti,
tathā tathā naṃ pajānāti. 


Furthermore,
bhikkhus, a bhikkhu, while approaching and while departing, acts with
sampajañña, while looking ahead and while looking around, he acts with
sampajañña, while bending and while stretching, he acts with sampajañña,
while wearing the robes and the upper robe and while carrying the bowl,
he acts with sampajañña, while eating, while drinking, while chewing,
while tasting, he acts with sampajañña, while attending to the business
of defecating and urinating, he acts with sampajañña, while walking,
while standing, while sitting, while sleeping, while being awake, while
talking and while being silent, he acts with sampajañña. 


Thus he dwells observing kāya in kāya internally, or he
dwells observing kāya in kāya externally, or he dwells observing kāya
in kāya internally and externally; he dwells observing the samudaya of
phenomena in kāya, or he dwells observing the passing away of phenomena
in kāya, or he dwells observing the samudaya and passing away of
phenomena in kāya; or else, [realizing:] “this is kāya!” sati is present
in him, just to the extent of mere ñāṇa and mere paṭissati, he dwells
detached, and does not cling to anything in the world. Thus, bhikkhus, a
bhikkhu dwells observing kāya in kāya. 


https://www.youtube.com/watch?v=Mz62DfKYcq0
Buddha tamil story

93) Classical Tamil,
93) செம்மொழி தமிழ்

C. Section on sampajañña

நிரந்தரமான தீர்க்கமான உணருந்திறனுடன் நுணுகிக்கண்டு செயல் படுகிரார்

மேலும்,பிக்குக்களுக்களே,ஒரு

பிக்கு, அணுகும் பொழுது மற்றும் விட்டு நீங்கும் பொழுது, sampajañña

நிரந்தரமான தீர்க்கமான உணருந்திறனுடன் நுணுகிக்கண்டு செயல் படுகிரார்,

முன் நோக்கி கவனித்துப் பார்க்கும் பொழுது மற்றும் எல்லாப் பக்கங்களிலும்

கவனித்துப் பார்க்கும் பொழுது,sampajañña நிரந்தரமான தீர்க்கமான

உணருந்திறனுடன் நுணுகிக்கண்டு செயல் படுகிரார், வளைக்கிற பொழுது மற்றும்

நெட்டிமுறியும் பொழுது,sampajañña நிரந்தரமான தீர்க்கமான உணருந்திறனுடன்

நுணுகிக்கண்டு செயல் படுகிரார், பதவிக்குரிய நீண்ட மேலங்கி அணிந்து கொள்

பொழுது மற்றும் தளர்த்தியான மேலங்கி மற்றும் ஐயக்கடிஞை எடுத்துச் செல்லும்

பொழுது,sampajañña நிரந்தரமான தீர்க்கமான உணருந்திறனுடன் நுணுகிக்கண்டு

செயல் படுகிரார், உண்ணும் பொழுது, குடிக்கும் பொழுது, மெல்லும் பொழுது,

சுவைக்கும் பொழுது,sampajañña நிரந்தரமான தீர்க்கமான உணருந்திறனுடன்

நுணுகிக்கண்டு செயல் படுகிரார், வண்டலகற்றும் மற்றும் சிறுநீர் கழிக்கும்

பணி கவனிக்கும் பொழுது,sampajañña நிரந்தரமான தீர்க்கமான உணருந்திறனுடன்

நுணுகிக்கண்டு செயல் படுகிரார், நடந்து செல்கிறே பொழுது நின்று

கொண்டிருக்கிற பொழுது,
உட்கார்ந்திருக்கிற பொழுது, படுத்திருத்திருக்கிற

பொழுது, விழிதிருக்கிற பொழுது, உரையாடுகிற பொழுது, பேசாமலிருக்கிற பொழுது,

sampajañña நிரந்தரமான தீர்க்கமான உணருந்திறனுடன் நுணுகிக்கண்டு செயல்

படுகிரார்.

இவ்வாறு அவர் kāya in kāya உடல்/காயத்தை காயதுக்குள்

கண்காணி வாசம் செய்கிரார், அல்லது காயத்தை காயதுக்கு வெளியே கண்காணி வாசம்

செய்கிரார், அல்லது காயத்தை காயதுக்கு உள்ளே மற்றும் வெளியே கண்காணி வாசம்

செய்கிரார்;புலன்களால் உணரத்தக்க எழுச்சி கண்காணி வாசம் செய்கிரார்,

மற்றும் புலன்களால் உணரத்தக்கதை கடந்துசெல்லுவதை கண்காணித்து வாசம்

செய்கிரார்; இல்லாவிடில் எச்சரிக்கையாயிருக்கிற உணர் உடனிருக்கிறதை,சும்மா

வெறும் ஓர்அளவு ஞானம் மற்றும் ஓர்அளவு paṭissati என எண்ணி பற்றறு வாசம்

செய்கிரார்.





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அனுபவமே உயர்ந்தது : புத்தர்


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இறை சக்தியாக மாறுவது


இறைசக்தி
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ஞானம் அடைதல் - Gautam Buddha stories in Tamil - Gautam Buddha Is Enlightened


ஞானம் அடைதல் - Gautam Buddha stories in Tamil - Gautam Buddha Is Enlightened https://youtu.be/98wja…
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GREAT VIDEO ! it can change you. -GAUTAMA BUDDHA BIOGRAPHY IN TAMIL


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Biography of Gautama Buddha - கெளதம புத்தர் வாழ்க்கை வரலாறு


Biography
of Gautama Buddha - கெளதம புத்தர் வாழ்க்கை வரலாறு இந்த உலகம் உய்வு பெற
வேண்டுமானால் அதில் அன்பு செழிக்க வேண்டும். அப்படிப்பட்ட அன்பை உலகிற்க்கு
போத…
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2013 DSMC Mn10 Satipatthana Sutta Part 1 May 27, 2013 Bhante Vimalaramsi

43) Classical Igbo

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C. Nkebi na sampajañña

Na-emekọ ihe a na-adịgide adịgide bụrụkwa sensashion

Ọzọkwa,
bhikkhus, a bhikkhu, mgbe na-eru nso na mgbe na-apụ apụ, na-eme na
sampajañña, mgbe na-achọ ụzọ na mgbe na-achọ gburugburu, ọ na-eme na
sampajañña, mgbe ekwe na mgbe ndinyanade mbịne, ọ na-eme na sampajañña,
mgbe yi uwe mwụda na elu uwe mwụda ma mgbe ebu nnukwu efere,
ọ na-eme na sampajañña, na-eri nri, mgbe na-aṅụ, mgbe ịta,
mgbe akatabi okop, ọ na-eme na sampajañña, mgbe ịga azụmahịa
nke defecating na nwoke, ọ na-eme na sampajañña, mgbe na-eje ije,
mgbe guzo, mgbe ọdụ, mgbe na-ehi ụra, mgbe ha na-amụ anya, mgbe
na-ekwu okwu na mgbe ha na-nkịtị, ọ na-eme na sampajañña.

N’ihi ya o bi edebe kāya na kāya internally, ma ọ bụ ọ
bi edebe kāya na kāya externally, ma ọ bụ o bi edebe kāya
na kāya internally na externally; o bi edebe samudaya of
phenomena na kāya, ma ọ bụ o bi edebe agabiga nke phenomena
na kāya, ma ọ bụ o bi edebe samudaya na-agabiga of
phenomena na kāya; ma ọ bụ ọzọ, [ifiọkde:] “nke a bụ kāya!” sati bụ ugbu
na ya, dị nnọọ ruo n’ókè nke mere Nana na mere paṭissati, o bi
detached, na anaghị jidesienụ ihe ọ bụla na ụwa. N’ihi ya, bhikkhus, a
bhikkhu bi edebe kāya na kāya.


MN 10 The Foundations of Mindfulness - Satipaṭṭhāna Sutta Part 1of2) Part 2 is on May 28, 2013 This is the…

https://www.youtube.com/watch?v=JIgjBlE28Sg
Dr.zakir naik- Dalits are Buddhists not Hindus !!! (Hindi language).

44) Classical Indonesian
44) Bahasa Indonesia Klasik

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Dan membuat terjemahan yang benar dalam bahasa ibu Anda untuk
terjemahan google ini untuk mencapai kebahagiaan abadi sebagai tujuan
akhir

C. Seksi sampajañña

Untuk berinteraksi dengan sensasi penentu permanen

Selanjutnya,
Bhikkhu, seorang bhikkhu, saat mendekati dan saat berangkat, bertindak bersama
Sampajañña, sambil melihat ke depan dan sambil melihat sekeliling, dia berunding dengan
Sampajañña, sementara membungkuk dan saat peregangan, dia bertindak dengan sampajañña,
Saat mengenakan jubah dan jubah bagian atas sambil membawa mangkuk,
Dia bertindak dengan sampajañña, sambil makan, sambil minum, sambil mengunyah,
Sambil mencicipi, ia bertindak dengan sampajañña, saat menghadiri bisnis
Buang air besar dan buang air kecil, dia bertindak dengan sampajañña, sambil berjalan,
Sambil berdiri, sambil duduk, saat tidur, saat sedang bangun, sementara
Berbicara dan sambil diam, dia bertindak dengan sampajañña.

Jadi dia tinggal mengamati kāya di kāya secara internal, atau dia
Tinggal mengamati kāya di kāya secara eksternal, atau dia berdiam mengamati kāya
Di kāya secara internal dan eksternal; Dia tinggal mengamati samudaya dari
Fenomena di kāya, atau dia tinggal mengamati fenomena yang berlalu
Di kāya, atau dia berdiam mengamati samudaya dan meninggal dunia
Fenomena di kāya; Atau lagi, [sadari:] “ini kāya!” Sati hadir
Di dalam dia, hanya sebatas belaka ñāṇa dan hanya paṭissati, dia berdiam
Terlepas, dan tidak melekat pada apapun di dunia ini. Jadi, para bhikkhu, a
Bhikkhu tinggal mengamati kāya di kāya.


Dr.Zakir Naik speech from India.
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Relaxing Music - Tradisional Music West Java


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Degung Sundanese Music of West Java


Artists:
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Java, Vol. 2. Sounds of the World (1999). Track list below. Enjoy the
music! …
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Tap vs Irish Dance

45) Classical Irish
45) Classical Gaeilge

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agus a sholáthar aistriúchán ceart i do theanga mháthair ar an
aistriúchán google a bhaint amach Eternal Bliss mar Sprioc Deiridh

C. Rannóg ar sampajañña

Chun cabhrú le ceint cinntitheach buan

Ina theannta sin,
bhikkhus, tá bhikkhu, agus druidim agus cé imeacht gníomhaíonn, le
sampajañña, agus ag breathnú amach romhainn agus cé ag féachaint timpeall, gníomhaíonn sé le
sampajañña, agus lúbadh agus cé síneadh, gníomhaíonn sé le sampajañña,
agus ag caitheamh na róbaí agus an gúna uachtair agus iad i mbun an babhla,
Feidhmíonn sé le sampajañña, ag ithe, ag ól, agus guma,
agus blaiseadh, gníomhaíonn sé le sampajañña, agus iad ag freastal ar an ngnó
de defecating agus urinating, gníomhaíonn sé le sampajañña, agus ag siúl,
agus é ina sheasamh, agus ina suí, agus codlata, agus a bheith awake, agus
ag caint agus agus a bheith adh, gníomhartha sé le sampajañña.

Dá bhrí sin dwells sé ag breathnú Kaya i Kaya go hinmheánach, nó sé
dwells ag breathnú Kaya i Kaya go seachtrach, nó dwells sé Kaya breathnú
i Kaya hinmheánach agus go seachtrach; dwells sé ag breathnú ar an samudaya na
feiniméin i Kaya, nó dwells sé ag breathnú ar an a rith ar shiúl na feiniméin
i Kaya, nó dwells sé ag breathnú ar an samudaya agus rith ar shiúl na
feiniméin i Kaya; nó eile, [a bhaint amach:] “Is é seo Kaya!” Tá Sati i láthair
i dó, ach go feadh Nana ach ní bhíonn ach agus paṭissati ach ní bhíonn ach, dwells sé
scoite, agus ní cling go rud ar bith ar fud an domhain. Dá bhrí sin, bhikkhus, tá
dwells bhikkhu breathnú Kaya i Kaya.


River dancer, Tap contra Irish Dance


https://www.youtube.com/watch?v=-MTkYRHqaQs
Instrumental traditional Irish music compilation


Irish
music traditional instrumental compilation with fiddle, violin, guitar,
flute. Folk, conuntry acoustic compilation of celtic gaelic ballads. ●
Follow F…
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O! Carolan!… Rambling in Ireland


The beautiful music of Turlough O’Carolan as never heard before.
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Culture of Ireland - history, people, clothing, traditions, women, beliefs, food, customs, family Ge-It
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Comparing an Italian and a Buddhist Communication Style

46) Classical Italian

46) Classica italiana

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finale

C. Sezione sulla sampajañña

Interagire con una sensazione decisiva decisiva

Inoltre,
Bhikkhus, un bhikkhu, mentre si avvicina e mentre parte, agisce con
Sampajañña, mentre guarda avanti e mentre guarda intorno, agisce con
Sampajañña, mentre si piega e si allunga, agisce con sampajañña,
Mentre indossava le vesti e l’abito superiore e mentre portava la ciotola,
Agisce con sampajañña, mentre mangia, mentre beve, mentre masticava,
Mentre degusta, agisce con sampajañña, mentre partecipa al business
Di defecazione e di urinare, agisce con sampajañña, mentre si cammina,
Mentre stava, mentre stava seduto, mentre dormiva, mentre stava sveglio, mentre
Parlando e mentre rimane in silenzio, agisce con la sampajañña.

Così abita a osservare kāya in kāya internamente, o lui
Dimora osservando kāya in kāya esternamente, o abita ad osservare kāya
In kāya internamente ed esternamente; Egli dimora osservando il samudaya di
Fenomeni in kāya, o abita ad osservare il passaggio di fenomeni
In kāya, o si dimora osservando il samudaya e scomparendo
Fenomeni in kāya; Altrimenti, [realizzando:] “questo è kāya!” Sati è presente
In lui, solo nella misura di pura ñāṇa e semplici paṭissati, dimora
Staccata, e non si aggrappa a nulla nel mondo. Così, bhikkhus, a
Bhikkhu abita osservando kāya in kāya.


youtube.com

https://www.youtube.com/watch?v=KF6Jtq5DzyU
ALL GOLDEN BUZZERS on Italy’s Got Talent 2017! | Got Talent Global


Watch
all the GOLDEN BUZZERS from Italia’s Got Talent 2017! Including Manuel,
Francesco, Stefano, Nicoletta and Elena e Francesco! Who’s your
favourite? Let …
youtube.com

https://www.youtube.com/watch?v=_OaMsI4KGvE
TVF’s Permanent Roommates | S02E04 - ‘The Dinner’ | E06-E07 now streaming on TVFPlay (App/Website)


Watch TVF’s Permanent Roommates | S02E05 ‘The Memories’ right now at http://tvfplay.com/b963ed Or…
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digital.gucci.com

https://www.youtube.com/watch?v=gDMOc_WCTW0

How mindfulness can help you to live in the present | Rev. Takafumi Kawakami | TEDxKyoto

47) Classical Japanese
47)古典的な日本語


2280 Fri 07 Jul 2017 LESSON

INSIGHT-NET - 無料OnlineTipiṭakaリサーチ&プラクティスユニバーシティと関連するニュースはhttp://sarvajan.ambedkar.orgを通して105 CLASSICAL LANGUAGES
https://translate.google.comを使用

この最終的な目標として永遠の至福を達成するために、このGoogle翻訳のためのあなたの母国語の正しい翻訳をレンダリングする

C.セクションsampajañña

恒久的な決定的な感覚と対話する

さらに、
ビックフ、ビックフ、近づいている間、出発している間に行動する
sampajaññaは、前方を見ながら周りを見回しながら、彼は
sampajaññaは、屈曲しながら伸ばしながら、彼はsampajañaa、
衣服を持っている間にローブと上着を着て、
彼はsampajañaaと一緒に行動し、食べながら、飲みながら、咀嚼しながら、
試飲しながら、彼はsampajañaaと一緒に仕事をしている
排便と排尿の彼は、歩いている間、sampajañaaで動作し、
立っている間、座っている間、寝ている間、目を覚ます間、
話をしている間、彼は沈黙している間、彼はsampajañaaで行動する。

こうして、彼はkāyaをkāyaで内部的に観察したり、
外部からkāyaを観察しているか、kāyaを観察している
内部と外部のkāyaで;彼は、
kāyaの現象、または彼は現象の通過を観察している
kāyaで、または彼はsamudayaを観察し、
kāyaの現象;そうでなければ、[実現:]「これはkāyaです!」satiが存在する
彼の中で、単なるñāṇaと単なるpaṭissatiの程度まで、彼は住む
孤立していて、世界の何かに執着していません。したがって、bhikkhus、a
ビックフはkāyaでkāyaを観察しています。


Rev. Takafumi Kawakami, Deputy Head Priest at Kyoto’s Shunkoin Temple, embraces the skill of mindfulness…



https://www.youtube.com/watch?v=uxUtYgPiqLE
Introduction to Classical Japanese Literature (Nov.11th)


Introduction
to Classical Japanese Literature Work of literature: (1) The Tale of
the Bamboo Cutter, continued (2) The Tales of Ise Period: Heian Period
Genr…
youtube.com

https://www.youtube.com/watch?v=bCqXaGRT18k
Introduction to Classical Japanese Literature (Dec.2nd)


Introduction
to Classical Japanese Literature Work of literature: (1) The Tale of
Genji, continued (2) The Pillow Book Period: Heian Period Genre: (1)
monoga…
youtube.com


American
indie game Undertale is finally getting an official Japanese release.
Good for all the hardcore Japanese fans the game has! Its localization
is already causing…
kotaku.com


https://www.youtube.com/watch…
Sunda Javanese Gamelan

48) Classical Javanese
48) Klasik Jawa

2280 Wed 07 Jul 2017 LESSON

INSIGHT-NET - Universitas Riset & Praktik Tipiṭaka Online lan terkait PAWARTA liwat http://sarvajan.ambedkar.org ing 105 klasik LANGUAGES
Gunakake https://translate.google.com


Lan nerjemahake terjemahan sing bener ing basa ibune kanggo terjemahan
google iki kanggo entuk Eternal Bliss minangka Tujuan Final

C. Bagian ing sampajañña

Kanggo sesambungan karo sensasi nemtokake permanen

Sabanjure,
Bhikkhu, bhikkhu, nalika nyedhak lan nalika budhal, tumindak
Sampajañña, nalika nggoleki ing ngarep lan nalika ningali, dheweke nindakake
Sampajañña, nalika mlengkung lan nalika ngegung, dheweke tumindak kanthi sampajañña,
Nalika nganggo jubah lan jubah ndhuwur lan nalika nggawa mangkok,
Panjenengane tumindak kanthi sampajañña, nalika mangan, nalika ngombé, nalika ngunyah,
Nalika ngicipi, dheweke bisa nindakake sampajañña, nalika nekani bisnis
Saka defecating lan urinating, dheweke tumindak kanthi sampajañña, nalika mlaku-mlaku,
Nalika ngadeg, nalika lungguh, nalika turu, nalika lagi tangi, nalika
Ngomong lan nalika ngenteni, dheweke tumindak kanthi sampajañña.

Mangkono dheweke manggoni observasi kāya ing kāya sacara internal, utawa dheweke
Manggon ngamatake kāya ing kāya ing njaba, utawa manggoni observasi kāya
Ing kāya njero lan njaba; Piyambakipun dumunung ngubengi samudaya
Fénoména ing kāya, utawa dhèwèké manggoni ngalami fénoména
Ing kāya, utawa dumunung ing ngubengi samudaya lan lumaku
Fénoména ing kāya; Utawa liya, [sadhar:] “iki kāya!” Sati saiki
Ing ngarsanipun, namung dumugi āṇa lan namung paṭati, piyambakipun manggèn
Nyewa, lan ora nempel apa wae ing donya. Mangkono, bhikkhu, a
Bhikkhu manggon ing kāya.



https://www.youtube.com/watch?v=_ITzqFnkk70
Traditional Javanese Wedding in Singapore - Shasha & Wandi


Attending
a traditional Javanese wedding in modern-day Singapore is like going
back in time. Such traditions if not continued, will become history.
Hope this…
youtube.com

https://www.youtube.com/watch?v=p6uKWxFcl84
Relaxing Music - Tradisional Music West Java


music is my life
youtube.com



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Practice

Insight Meditation in all postures of the body - Sitting, standing,


lying, walking, jogging, cycling, swimming, martial arts etc., for


health mind in a healthy body.


Buddha

https://i.makeagif.com/media/3-10-2015/_sMn69.gif





Hi,
I am not a native Kannada speaker. I am just interested in many
languages, Kannada being one of them. One thing I have noticed about
this page is that it lacks a phonological table listing the vowels and
the consonants in Kannada. I would like to suggest that two phonological
tables be added, on…
https://media1.giphy.com/media/3oEjHFXd3MCHZidNGU/giphy.gif



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Moving J Alphabets Letter Green Animation ClipartMoving C Alphabets Letter Green Animation Clipart

Open Letter J Alphabets Blue Animation ClipartOpen Letter C Alphabets Blue Animation Clipart

CHoops Ring Rotate J Alphabets Letter Golden AnimatHoops Ring Rotate C Alphabets Letter Golden Animat

Puzzle J Alphabets Letter Black Animation ClipartPuzzle C Alphabets Letter Black Animation Clipart







Flaming Fire Letter J Alphabets Yellow Animation CFlaming Fire Letter C Alphabets Yellow Animation C

Balloon Alphabet J Fly Letter Red Animation CliparBalloon Alphabet C Fly Letter Red Animation Clipar


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