HARSHITH’s CORNER
The-yoga-sutta-a-handbook-on-buddhist-meditation
https://www.youtube.com/watch?v=5zknO5cEw8g#t=2488.0296659999995
Source for adaptation and translation http://theravadin.
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Source for adaptation and translation http://theravadin.
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http://yoga.org.nz/postures.
Main Page
Welcome to our yoga postures section. Here you will find
yoga moves that are broken down to the bare basics with colour photos
to match. We also have state of the art flash yoga animation technology that you can use to view these moves in full screen size, full colour and with full instruction.
Yogic exercises cater to the needs of each individual
according to his or her specific needs and physical condition. They
involve vertical, horizontal, and cyclical movements, which provide
energy to the system by directing the blood supply to the areas of the
body which need it most.
In yoga, each cell is observed, attended to, and
provided with a fresh supply of blood, allowing it to function smoothly.
The mind is naturally active and dynamic, while the innerself is
luminous. In this section we will give you plenty of yoga images and
instruction.
Breathing Pose
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Arm Stretch
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Kneeing Twist
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The simple act of learning to control the breath |
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Control of the breath is an essential element in |
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Yoga breathing is also call Pranayama . Many say that Pranayama (Rhythmic control of breath) is one of the bests medicines in the world . Right click the link and save as to download a beginners breathing routine . Then watch in windows media player. Click the BIG play button in the middle below. To watch a Pranayama Breathing overview . Please visit: http://www.youtube.com/watch?
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Hero Pose
The purpose of this pose is to help give the entire
body a very complete stretch from the heels to the head. It improves
strength and endurance and helps to control your breathing in
conjunction with the movements of the body.
It eases and stimulates the joints especially the
knees, ankles and shoulders. It reduces and alleviates backache and
improves the circulation of the entire body.
Instruction Table
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1
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Come in to a position on your hands and your |
knees with your knees together and your feet slightly wider than hip width apart. Your big |
toes & little toes pressing firmly into the floor | |
2
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Push back with your hands & sit between your |
buttocks on the floor, make sure you roll your calf muscles out wards so |
your not sitting on them. | |
3
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Make sure the inner calves are touching the outer thighs and your ankles are outside your buttocks, arms resting at the sides. | |
4
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Inhale as you slowly raise your arms to shoulder height, shoulders down. | |
5
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Exhale lengthen out through the fingertips & turn your palms to the roof. Inhale stretch your arms overhead. | |
6
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Interlock the fingers. Slowly exhaling turn the palms |
towards the ceiling, and with a powerful push lift up from the belly |
into your chest and shoulders. | |
7
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Exhale bring your hands down in a smooth continuance motion…. | |
8
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Now bringing your arms interlocking behind your back |
with straight arms, being careful not to roll the shoulders forward, |
squeezing the shoulder blades together and opening the chest on the |
front of the body. | |
9
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Inhale hands back to the side |
Repeat 2-3 more times |
Please Visit:
http://www.youtube.com/watch?
Kneeing Twist Pose
Regular practice of the kneeling twist pose
will aid in your ability to rotate the spine and upper torso more
effectively, while increasing the flexibility and strength in your back
and abdominal muscles. It also massages, stimulates and rejuvenates the
internal abdominal organs.
This pose is a good beginners pose and will get you ready for more advanced twists.
To view in flash - click the image below
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Instruction Table
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1
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Sit on your heals with your knees together, the tops of the feet |
pressing firmly into the ground. Your head, shoulders, and hips should |
be in one straight line. Arms relaxed by the side keep your base firm by contracting your buttocks. |
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2
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Inhale, extending the spine upwards, exhale twist around to the |
right, placing your left hand on the outside of your right thigh, |
turning the head in the direction of the twist, but keeping the head and |
shoulders relaxed. Take a few breaths here, keeping the stomach soft and the eyes soft. Repeat on the other side |
Please Visit:
http://www.youtube.com/watch?
The Triangle Pose
Triangle pose tones the leg muscles, spinal nerves and abdominal organs; it contributes towards a strong healthy lower back.
The triangle gives an excellent and complete stretch
throughout the entire body.
To view in flash - click the image below
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Instruction Table
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1
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Align yourself in mountain pose. |
Continuing with your smooth |
flowing breath | |
2
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Inhale deeply and jump your feet out landing approx |
1.2-1.5m apart. your feet need to be in line and pointing forward at |
right angles. Next raise your arms to shoulder level, be sure that they |
are in line with each other. Stretch your arms out from the middle of |
your back. Lift your chest and look straight ahead. | |
3
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Now turn your right foot out while keeping your hips to |
the front, and turn your left foot in from 90 to 70 degrees, by pivoting |
on your heel. Insure your right heel is in line with the instep of the |
left foot. |
This is important as it sets the base for this pose. | |
4
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The kneecaps and thighs are pulling up, |
simultaneously pushing downward through your feet into the floor. |
Inhale, extend the spine, exhale as you bend to the right, pushing out |
from the hips, through the right arm… | |
5
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Taking your right hand to a comfortable position on your |
leg, your left arm coming up to straight, moving down as far as |
possible without turning the hips or torso. Keep the thighs firm and |
rolling around towards the buttocks, moving the left hip back and open |
the chest. | |
6
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Inhale, extend the neck and spine, exhale, turn your head to look up at your left hand. |
Keep |
your head, your buttocks and your heels in one straight line,not |
looking down with you body, keep opening your whole body up. |
Breathe easy. |
Click here to view the Triangle pose
http://www.youtube.com/watch?
allowing you to calm the mind. It develops balance and stability, and
strengthens the legs and feet, also increasing flexibility in the hips
and knees.
The tree pose is a balance pose incorporating three lines of
energy, emitting from the centre outwards. One line proceeds down the
straight leg, one line extends up the spine and out the fingertips, and
the third moves outward through the bent knee.
To view in flash - click the image below
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Instruction Table
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1
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Align yourself in mountain pose. |
Continuing with your smooth |
flowing breath | |
2
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On your next inhale; shift the bulk of your weight onto |
your left foot. Exhale bend the right knee, and assisting with your |
hand, place the sole of your right foot as high as possible into the |
left inner thigh, with toes pointing down, steady yourself, and |
breathe easy. | |
3
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Next raise your arms to shoulder level, be sure that |
they are in line with each other. Stretch your arms out from the middle |
of your back. Lift your chest and look straight ahead. Keep completely |
focused on the pose. | |
4
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Now bring your palms together in prayer |
position. Keeping your eyes focused on a point in front of you, will |
assist your balance. | |
5
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Inhale as you raise your arms overhead keeping your palms together and stretching upwards through the fingertips. |
Keep working your right knee back and contracting your buttocks muscles in and down. |
Feel your abdomen plane and hips facing straight ahead, while lifting out of the waist. |
http://www.youtube.com/watch?
Virabhadra
The Warrior pose is
named after the mythic warrior-sage, Virabhadra. This challenging pose
strengthens the entire body while improving mental capacity and self
control.
It builds, shapes and tones the entire lower body. It tones the
abdominal section and helps to prevent, reduce and eliminate back pain.
The entire upper body -front and back- is worked and doing this pose
increases the capacity of the respiratory system.
To view in flash - click the image below
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Instruction Table
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1
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Stand in mountain pose continuing with your smooth flowing breath. |
2
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Jump your feet sides ways and sweep your arms out to the side so your |
ankles are below your wrists. Establish your foundation, by pulling |
your knees and thighs up, tucking your tailbone under, pushing your feet |
firmly into the floor. |
Visualise |
an imaginary line running vertically down the centre of your body, |
dropping your shoulders. Squeeze your arms and legs away from the |
centreline. |
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3
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Keep an awareness of this line as you turn your right |
foot out to 90 degrees and turn your left foot in to 70 degrees. Ensure |
the heel of your front foot aligns with arch of your back foot, hips |
facing forward. |
If your body wants to turn off centre, counter-act it by pushing simultaneously in opposite directions from the centre line. | |
4
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Inhale, an as you exhale bend your right |
leg, pulling up with the outside and inside of the thigh to form a right |
angle at the knee. Only go as low as you can with out turning your hips |
off centre. |
Ideally |
you want your knee directly above your ankle with you leg coming |
vertically out of the floor like pillar. Keep the power flowing through |
the back leg into the floor. | |
5
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Inhale lift the spine; exhale turn your head to look over your right arm. Take a few deep breaths through the nose. Hold the pose and breathe smooth. Reverse the procedure back to mountain pose and repeat back to the other side. |
Please Visit:
http://www.youtube.com/watch?
Mountain Yoga Pose
The Mountain Pose is one of the most important poses in yoga. It is the start and finish point of all standing poses.
When standing in mountain pose, the mind is quiet,
and the body strong and still, like a mountain. This is a pose you can
practise in your daily life, practising to stand correctly will have a
profound influence on your physical and mental well being.
To view in flash - click the image below
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Instruction Table
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1
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Stand with your feet hip width apart, so the outsides of the feet are almost parallel edged. Press and spread the toes into the floor. Feel the weight of your |
body distributed evenly through your feet, from the toes to the heels, |
keep pressing firmly into the floor. |
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2
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Lift the kneecaps up by contracting the front thigh |
muscles, but not locking the backs of the knees. Pull up with the back |
of the thighs, and activate the hip and buttocks to level the pelvis. |
3
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Your hips should be directly over your knees, and your |
knees over your ankles. This gives you a stable foundation and by |
positioning the pelvis properly, keeps the spine healthy. | |
4
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Now extend the spine, by slowly inhaling, lifting up |
through the legs as you lift the ribcage, opening the chest and dropping |
the shoulders down, extending the neck, keeping the jaw and eyes soft. |
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The Prayer Pose
This pose is simple, but very effective, and is a
key movement to more advanced poses. This pose will teach you how to
push from under the shoulders and out of the lats, the major muscle
group of the back. A key movement in a lot of yoga poses.
It strengthens and aligns the upper body while
releasing tension and increasing the circulation to the shoulder joint,
which is a ball and socket joint. It also aids in strengthening the
abdominal and lumber region as you look to form a solid base.
To view in flash - click the image below
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Instruction Table
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1
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Centre yourself in mountain pose and take a |
few deep breaths here, breathing down into the abdomen, continuing the |
breathing that you are now familiar with. | |
2
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Inhale, raise your arms to shoulder height and stretch them out in the opposite direction to each other | |
3
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Now twist your arms from the shoulder and turning your palms upwards. Keep the body in a nice strong upright position | |
4
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Bring your arms out in front of you, pushing |
your elbows firmly together and your fingers extending away from you, |
while focusing on pulling your shoulder blades together.. | |
5
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Continue squeezing the elbows together as you bring your palms together | |
6
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Now bend at the elbow and take the forearms to vertical. |
Keep pressing firmly with the palms and the elbows as you breathe the |
arms upwards. With each exhale moving slightly higher. |
The Shoulder Shrug
The shoulder rotation is another pose which can be practiced anywhere and at any time.
It strengthens and aligns the shoulder region while
releasing tension and increasing the circulation to the shoulder joint,
which is a ball and socket joint. It also aids in strengthening the
abdominal and lumber region as you look to form a solid base.
To view in flash - click the image below
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Instruction Table
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1
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Align yourself in mountain pose. |
Continuing with your smooth |
flowing breath | |
2
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As you inhale, lift your shoulders to your ear lobes, keeping the head erect and soft. | |
3
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As you exhale, rotate the shoulders around |
by pushing up out of the chest and squeezing the shoulder blades together, rotating them |
in a full circle. | |
4
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Back down into mountain pose |
Repeat 3 more times |
Please Visit:
http://www.youtube.com/watch?
The Lying Basic Twist
Doing this pose will rapidly increase strength and muscle tone in your midsection.
The lying twist is another pose which is very
simple yet extremely effective. This pose is soothing to the spine and
neck, and warms and frees the lower back and hips and it also improves
digestion and assists in toxin elimination.
To view in flash - click the image below
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Instruction Table
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1
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Come to a position lying on your back and stretch your arms out to |
the side and place your palms and shoulders firmly on the floor. Move your shoulder blades under. Spread your toes apart. Feel the |
back and shoulders moulding to the straight lines of the floor. |
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2
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Bend your knees as far as they come towards the chest.
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3
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Inhale, keeping your knees and ankles together,
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Exhale, rolling your knees to the right. Focus on keeping your arms
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pressing out wards and your shoulders pushing firmly into the ground.
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You may feel or hear your spine lengthening as it extends into the
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correct alignment.
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Knees & ankles together breathe, focus on creating length between the left lower rib and the hip,
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4
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Now turn your head to look over your left hand. Relax in to this pose, stomach soft, breathing soft and relaxed. Reverse the pose back up and repeat to the other side |
Adhomukha Svanasana
The downward yoga pose is
named as such as it resembles the shape of a Dog stretching itself out.
This pose helps to strengthen, stretch and reduce stiffness in the legs
while strengthening and shaping the upper body. Dog pose Yoga Posture .
One of the main yoga asanas. If you have time for only one posture try
this one.
Holding this pose for a minute or longer will
stimulate and restore energy levels if you are tired. Regular practice
of this pose rejuvenates the entire body and gently stimulates your
nervous system.
To view in flash - click the image below
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Instruction Table
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1 |
Come up onto your hands and knees with your knees hip |
width apart and the hands shoulder width apart, your fingers wide |
pressing firmly into the floor. | |
2 |
Inhale, arch your spine and look up as you turn your toes under. | |
3 |
As you exhale straighten your legs and pause here for a moment. | |
4 |
Now push the floor away from you hands, positioning your |
body like an inverted V, achieving a straight line from your hands to |
your shoulders to the hips. Straight arms and straight legs. |
As you inhale press downward into your hands and lift outward out of the shoulders. |
Lift your head and torso back through the line of your body. |
Please Visit:
http://www.youtube.com/watch?
Paschimottanasana
The purpose of this pose is to give the entire back
of your body a very complete stretch from the heels to the head. It is
excellent for posture improvement and stimulates the internal organs as
well.
It adds in improved mental concentration and
endurance and helps to control and calm the mind. It relieves
compression while increasing the elasticity of the spine, it also
strengthens and stretches the hamstrings.
To view in flash - click the image below
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Instruction Table
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1 |
Come to a sitting position with your legs together in front of you. |
Move |
the fleshy part of your buttocks from underneath you, so you are on the |
top of your sitting bones, which are located at the very top of your |
legs. | |
2 |
Roll the thighs inwards so that the kneecaps are facing directly upwards. |
Activate the legs by pressing down into the floor, and out through the heels. |
Spread your toes wide and pull them towards you. |
Lengthen your lower back muscles down as you extend your spine up and out of the pelvis. | |
3 |
Now take your strap around both feet. The |
strap`s purpose is to keep the spine straight. This is very important. |
Be aware the head is an extension of the spine, so keep it aligned |
accordingly. |
Use the breath to create the optimum degree of intensity in the stretch. | |
4 |
On your next exhale; come down the belt further while |
maintaining the extension on the front and back of the torso. Some of |
you will be able to grab the sides of your feet. Breathe softly and |
continuously. Don’t pull yourself forward by the strength of your upper |
body. |
Keep bending at the hips, maintaining a relaxed head and neck. | |
5 |
Go a little further, relax your abdomen, and inhale, as |
you lengthen, exhale, and come further forward, increasing the space in |
your vertebrae. |
Please Visit:
http://www.youtube.com/watch?
Salabhasana
The locus yoga posture is
named as such as it resembles the shape of the insect known as the
Locust. This pose helps to strengthen, stretch and reduce stiffness in
the lower back while bringing flexibility to the upper back region.
When you first begin to practice this pose, your
legs may not move very far off the floor. Please continue and stay
positive as you will find your range will continue to improve the more
you practice. Learning to master this pose will hold you in good stead
for more advanced back bends.
To view in flash - click the image below
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Instruction Table
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1 |
Come to a position lying face down on the floor, with |
your arms along side your body, palms and forehead down. Bring your |
knees and ankles together. Squeeze the shoulder blades together and |
down. Push your palms into the floor. Pull the abdominals inwards, |
contract the buttocks, and press the hips and pubis firmly into the |
floor. | |
2 |
On your next exhale; raise the legs to a height that is comfortable but challenging. Keep the buttocks activated, lock the knees, keep the ankles together. |
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3 |
Extend the front of your body as you pull |
the shoulder blades together, raising the head, the arms, and upper |
torso away from the floor, looking straight ahead, opening the front of |
the chest and pushing down the lines of the arms. |
Keep the legs working strongly. |
Please Visit:
http://www.youtube.com/watch?
The Bridge Pose
The Bridge Pose is
a simple yet very effective pose to practice. It helps to promote a
healthy flexible spine while strengthening the legs and buttock muscles.
It also helps to stretch and stimulate the abdominal muscles and
organs.
It aids in easing and stimulating the mind and is a great way to reenergize if feeling tired.
To view in flash - click the image below
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Instruction Table
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1
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Lie on your back with your legs bent, heels close to the buttocks, Feet pressing firmly into the floor, hip width and parallel. |
Your arms should be slightly out from your sides, the palms of your hands pressing firmly into the floor. | |
2
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Inhale, and with the exhale raise the hips up by pushing strongly |
into the floor with your feet. Keep the buttocks firm, and press the |
shoulders and arms into the floor. Only go to the height that you are |
comfortable with. |
Take a few nourishing breaths in this position, as you keep opening the chest and lengthening the torso. |
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3
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Now bring your arms over your head to the floor behind
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you. Keep lifting your buttocks away from the floor, keeping them
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contracted, which will protect the lower spine, and work softly with the
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breath, keeping the head and neck relaxed.
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This
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pose stretches the whole front of the body, and brings mobility to the
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spine. Breathing is improved from the opening of the ribcage and chest
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area.
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The Extended Child’s Pose / Garbhasana
The Childs Yoga pose when
practiced regularly is very beneficial to your entire mind and body. It
helps to release the pressure on the spine while providing an entire
stretch through the upper body to the fingertips. It also aids in
strengthening and stretching the insides of the legs while massaging the
internal organs.
Breathing will becomes more efficient and your mind
will become clear. It also aids in improved mental processes and helps
to rejuvenate and energize the entire being.
To view in flash - click the image below
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Instruction Table
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1
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Bring your big toes together and your knees wide apart, inhale as you lift your spine and extend your stomach. |
2
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Exhale bend forward from the hips as you walk you hands |
out as far in front of you as possible, extending from the hips to the |
fingertips. | |
3
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Place your forehead on the ground & buttocks
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back to the heels. Work your pubis to the floor and strech the inner
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thigh muscles. Focus on the breath.
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4
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Breathing into the abdomen as you extend it |
forward in to the breastbone, creating length through the upper body. |
Exhale from deep in the abdomen relaxing in the spine and continue the |
slow controlled breathing. |
Please Visit:
http://www.youtube.com/watch?
frees the rib cage allowing for improved breathing. It aids in mental
concentration and helps to revive mental and pysichal exhaustion. The
heartbeat is slowed and the lower back is strengthened and pressure is
removed from the lumbar region.
It increases flexibility while strengthening and
developing the hamstrings. It also helps to strengthen the feet and
ankles while realigning the entire body.
To view in flash - click the image below
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Instruction Table
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1
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Stand in mountain pose, in the centre of your mat, with your hands in prayer position. Jump your feet wide apart. Keep the outside of your feet running parallel while lifting your |
arches, pulling up with the thighs and the tail bone tucked under. |
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2
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Place your hands on your hips and feel the extension up out of the waist. | |
3
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Inhale, As you exhale bend at the hips extend forward,
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continue lifting out of the hips keeping your legs strong and your base
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nice and firm, looking forward to begin with. Keep the extension on the
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stomach, which will help keep your back flat protecting it.
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Take a few breaths here.
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4
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Now take your hands to the floor extending from the lower abdomen to |
the breastbone and through the spine. Some of you maybe on the finger |
tips. |
If |
you can’t keep your spine straight put your hands on your knees and |
keep slowly working down your legs, working with your body, not against |
it. Lift your sitting bones to the ceiling. |
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5
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Draw your shoulders down your back so you can extend the neck with ease. |
Remember to keep the arches high. |
The Boat Pose
Doing the boat pose will rapidly increase strength and muscle tone in your midsection.
Keep challenging yourself to stay in this pose
longer. If you find the stimulation of the midsection becoming intense,
just persist with it, knowing your mind has ultimate control over the
body.
To view in flash - click the image below
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Instruction Table
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1
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Find yourself on your sitting bones, lifting out of the hips. |
Extend your spine upwards, and press the soles of your feet into the floor, with the knees and ankles together. | |
2
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Using your fingertips on the floor for balance, extend your abdomen as you lean back slightly. | |
3
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Bring your lower legs up, parallel to the floor.
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Breathe softly, in and out through the nose, while opening the chest and
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squeezing the shoulder blades together.
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Focus on a point at eye level in front of you. You may find this pose challenging to begin with
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4
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Now bring your arms up beside your knees, parallel to the floor, |
opening the chest. Keep your focus on that point in front of you. This |
will help your stability. Continue with the controlled breathing. Feel the stimulation of the entire abdominal region, as you hold this pose for a few more breaths. |
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Advanced Variation of The Boat
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Now bring your legs up to straight. Continue to keep your focus on that point in front of you. Continue with the controlled breathing. |
Please Visit:
http://www.youtube.com/watch?
Translation
We consider here the Yoga Sutras of Patanjali, a classical text and revered in Hinduism, dated at approx. 200 BC and compared its semantics and vocabulary to Buddhist canonical texts. In
Moreover,
The
It
In
For a first analysis, an overview. Look
But
Then compare these two “paths to reach the samadhi.”
First what is in the Yoga Sutra of Patanjali: 1. Yama, on the field conduct, morality or virtue 2. Niyama, self-purification and study 3. Asana, proper posture 4. Pranayama, breath control 5. Pratyahara, the removal of the five senses 6. Dharana, concentration or apprehension of the object meditative 7. Samadhi, meditative absorption
And down the list of steps recommended by the Buddha when asked about the gradual development through his teachings. This list is found in many suttas of the volumes of speeches and Mean Length Long, as in other parts of the Canon: 1. Sila, moral conduct or virtue, and Santosa, contentment 2. Samvara, containment or removal of the senses 3. Kayagata-sati and Iriyapatha, or “Asana” means the cultivation of mindfulness and four correct postures. 4. Anapanasati, mindfulness of breathing 5. Overcoming Obstacles or five nivarana (sensual desire, ill will, anxiety and remorse, sleep and torpor, doubt, skeptical) 6. Sati, mindfulness, keep the object in mind, often quoted along with the comments dharana canonical. 7. Jhana, levels of meditative absorption 8. Samadhi, a result of absorption, the “realization” of various kinds or Samāpatti
Of course we’re not the first to notice similarities such as the list above. A handful of other authors have noted some more and others less obvious parallels. In fact, even Wikipedia has an entry for Yoga Sutra in which we read:
“Karel Werner writes that” the system of Patanjali is unthinkable without Buddhism. As Now
Does
If this is the case, definitely warrants a closer look at. Certainly,
Thus,
The
What
Under this view, the Yoga Sutra is actually quite revealing. Consider a few passages that copies may shed light on this idea. Passages like the following really seems a direct copy and paste the Buddha-Dhamma. Some of them even make much sense in a context of religious doctrine theological-in-
Let’s start seeing the following list of impurities that Yoga Sutra tells us must be overcome:
“Avidya [Free translation of the original quote from Wikipedia] What
Consider the terms used:
Avijja,
Then
This
And
And sometimes something awakening about the “sati” Buddhist can also be found. We
This is one area in which our contemporary knowledge of Buddhism can benefit from insights. The
In meditation we also need to maintain our meditation object firmly in focus in mind, without losing it. This
And the reason is as follows, in summary: To maintain the object of meditation in mind you need to remember it. Remember here that means you have to hold, keep in mind, your object of concentration. This
If
As
This
In
On
But
There
Thus,
You
Finish here the parenthesis. Suffice
In essence the school of Yoga can be placed below the postures eternalists. So,
Returning
The
The
Thus,
However,
Anyway,
Patañjalino yogasuttaṃ (Part I of IV)
Introduction
atha yogānusāsanaṃ | | 1 | | And now a statement about the European Union (Yoga)
[1] Read yourself to be the object of meditation, or an instruction (anusāsana) on the meditative practice (yoga).
yogo-citta-vatta nirodho | | 2 | | The Union (Yogo) is the extinction of the movement of the mind
[2] in this passage denotes vatta turbulence, swirl, activity - literally wandering, circling, confused. In
Tada ditthi (muni) svarūpe’avaṭṭhānaṃ | | 3 | | (Only) then he who sees is allowed (to be) in (his) true nature.
[3]
Sarup-vatta itaritaraṃ | | 4 | | (Otherwise) at other times we become (equal) to this activity (of mind).
♦ ♦ Challenges
vatta Panza kilesa akilesā ca ca | | 5 | | Activities (Mental) are five, some non-contaminating other contaminants:
pamanes-vipariyesa-vikappa- i)
i) pamanes, experience or clear-measurement
Paccakkh’ānumān’āgamā honte pamāṇāni | | 7 | | What one sees and looks directly (paccakha), taking as a reference - it’s called experience.
[7] Literally: “What comes through direct visualization and measurement is called the experience”
ii) Vipariyesa, misperception or illusion
Micca vipariyeso-Nanam atad-rūpa-patiṭṭhitaṃ | | 8 | | Illusion is the wrong understanding, based on something (lit. “one way”) that is not really.
iii) Vikappa, Thought Intentional / Keen
Saddam-ñāṇānupattī vatthu-Sunna vikappo | | 9 | | Intentional
[9]
iv) Nidda, Sleep / Numbness
abhava-paccay’-ārammaṇā vatta Nidda | | 10 | | Mental activity in the absence of mental objects is called Sleep / Torpor.
v) Sati, the Memory / Mindfulness
Anubhuti-visayāsammosā sati | | 11 | | Not to be confused (or not lose) the object (sensory) previously experienced is called Memory / Mindfulness.
Abhyasa-virāgehi Tesam nirodho | | 12 | | The extinction of these [activities] comes from the practice of detachment / cessation of passions (turning)
[12] We have here the words turn and nirodha in the same sentence! It can not be more Buddhist canon than this! Interestingly, however, is the current use and non-metaphysical terms of this stretch. They are applied in a simple process of meditation, in particular the process of concentration meditation. This can not go unnoticed and goes directly in line with readings jhanic cultivation practices in Buddhism.
♦ The Training ♦
tatra-tiṭṭha yatano abhyasi | | 13 | | The
so-Kala-pana Dīgha nirantara-sakkār’āsevito dalhia-bhumi | | 14 | | Mast this (practice) must be based firmly in a long and careful exercise [excellent point here!]
[14]
diṭṭhānusavika-visaya-vitaṇhāy Detachment is the mastery (VASI-kara) of perception, the dropping of the seat (vitaṇhā) by the following (anu-savika, lit.’s Subsequent flow) experience a prey to view.
parama-tam Puris akkhātā guṇa-vitaṇhaṃ | | 16 | | This is the climax: the abandonment of the current headquarters of the senses, based on personal revelation / knowledge of self.
[16] Here we turned a Brahman, is this approach that allows the soul to win the seat / attachment, Tanh. And this short sentence has much to offer! At
♦ Realization - Jhana / Dhyanas ♦
The first jhana / Dhyāna
vitakka-vicar-Anand-Asmita rūp’ānugamā sampajaññatā | | 17 | | This
[17] Here we describe an almost identical description of the first jhana used time and again by the Buddha in Pali texts ( see this example ). Indeed, However, This In
saw-Paticca Abhyasa-anno-pubbo saṃkhāraseso | | 18 | | (This accomplishment) is based on detachment and previously applied for any subsequent activities.
bhava-Paticca videha-prakriti-layana | | 19 | | (For example) Based on this existence and the characteristics of self
saddha-viriya-sati-samadhi- This
[20] The Buddha mentions these five factors when he was training arupa jhana under his previous two teachers. He also mentions how crucial factors when striving for enlightenment under the Bodhi tree. Later,
Tibba-saṃvegānām āsanno | | 21 | | (For those) with a firm determination reached (this accomplishment, the first Dhyana / jhana).
♦ Advancing in jhana, tips and tricks. ♦
Mudu-majjhim’ādhi-mattatā tato’pi Visions | | 22 | | There is also a differentiation between (achievement) lower, middle and high
Issar paṇidhānā-go | | 23 | | Or based on devotion (devotion) to a Lord (a master of meditation).
kilesa-kamma-vipākāsayā aparāmissā Puris-visions’ Issar | | 24 | | The Lord (the Master) that is no longer influenced by the outcome kammic impurities and past desires.
[24] But with a little more research found that the term Issar Theragatha us are used to designate the “master”. Interesting is also the word in Pali āsayih replaced simple wish / desire - “Asa.” But
tatra-niratisayaṃ sabbaññatā bījaṃ | | 25 | | It is this that lies the seed of omniscience unmatched.
sa pubbesam api guru kālen’ānavacchedanā | | 26 | | This Master from the beginning never abandoned him or abandon
[26] Literally, “not” drop “(an + evaluation + chedana), or abandon, even for a time (short) (Kalena)
tassa vācako Panavia | | 27 | | His Word is the breath and the clamor of living
[27] On the panavah term, which can be interpreted as “om” in Hindu literature. It
taj-tad-japp attha-bhavana | | 28 | | Praying in unison with this, this is the goal of meditation
touch-pratyak cetanādhigamo’pi antarāyābhāvo ca | | 29 | | So if the mind itself and carries it away all obstacles / hazards:
Vyadha-ṭṭhāna-samsaya- Diseases,
citta-vikkhepā te’ntarāyā | | 30 | | These are the causes of mental distractions (they fall due).
dukkha-domanass’aṅgam ejayatv’assāsa-Passaseo vikkhepa-saha-Bhuvah | | 31 | | The physical and mental pain arises in the body, the shaking of the inhale and exhale conjução occur with such distractions.
[31] Here dukkha and Domanassam mentioned. They also appear in the definition of the Buddha’s four jhana, but in a different direction. The problem described here meditative seems out of place and looks as if someone had to fit these words here. Also
♦ ♦ The Objects of Meditation
tat-pratiṣedhārtham ekatattābhyāsaḥ | | 32 | | In order to control these distractions, this is the practice of unification of mind:
metta-karuna-mudita Upekkha-sukha-dukkha-Visayan- The
[33] And here we go. The
pracchardana-vidhāraṇābhyāṃ go prāṇasya | | 34 | | Or the inhale and exhale, which is also an excellent exercise in meditation.
Visayavati go pa-vatta uppannā manaso thiti-nibandhinī | | 35 | | It helps to stop and control the increasing mental activity that occurs through the power of the senses.
[34
Visoko go jotimatī | | 36 | | And the mind becomes free from sorrow and radiant.
vita-raga-visaya go citta | | 37 | | Free from desire for sense objects
[36
svapna Nidda-go-jnānālambanaṃ | | 38 | | Of dreaming and sleep,
yathābhimata dhyānād-go | | 39 | | parama-anu-stop-mahattvānto’
kkhīṇa-vatta abhijātass’eva grahītṛ mani-Graham-grāhyeṣu stha-tat-tad-anjanatāsamāpatti | | 41 | | When
tatra-nana-saddattha vikappaiḥ saṃkiṇṇā savitakkā Samāpatti, | | 42 | | There is the state of realization is “with thought” and marked by impurity of speech of conscious thought, the internal speech.
[42], in the Pali Canon parlance we would say “savitakka-jhana.”
sati-parisuddhaṃ svarūpa-suññevattha-matta- (However)
[43] parisuddham sati is obviously the name the Buddha gave to the fourth jhana. It
etadeva savic Nirvicārā ca-sukkhuma visaya akkhātā | | 44 | | Likewise, the state with and without research and consideration (vicara) is judged by subtlety of the object.
[44] Here we are somewhat hampered by the language, and tempted to ask: by whom discerned before the non-self (anatta)?
sukkhuma-visayattaṃ c’āliṅga-pary’avasānam | | 45 | | It culminates in a subtle object with no features
tā eva sa-Bijo samādhi | | 46 | | But even this is a samadhi with seed / question.
Nirvicārā-visārad’ajjhatta- Happiness
itaṃbharā paññā tatra | | 48 | | In this way, the truth is filled with wisdom.
sut’ānumāna paññāyā-anna-visaya vises’atthatā | | 49 | | And this wisdom is of a different kind of knowledge acquired through learning.
taj-jo-saṃkhāro’ñña Samkhara-paṭibaddhī | | 50 | | Such activity (meditative and induced) obstructs born (all) other activities.
tassāpi nirodha Sabba-nirodha nibbījo samādhi | | 51 | | With the extinction of it all is also stopped - and this is the root-without-samadhi (samadhi-unborn)
[51] Here This Did Hard to say. This
Patanjali Yoga viracite-iti-samadhi sutta paṭhamo-pated | | | This is the first chapter on the Samadhi Yoga Sutra of Patanjali.
Dhammarakkhita
The Yoga Suttas of Patanjali: a manual of Buddhist meditation
and free adaptation of the article published on the blog “Theravadin -
Theravada Practice Blog” (http://theravadin.wordpress.
summary, this comparison is quite obvious that the author of Yoga Sutra
was highly influenced by Buddhist philosophy and meditation practice,
possibly contemporaneously to the author.
it appears that a student of Buddhist canonical texts may in fact be
more easily understood than the Yoga Sutra a Hindu practitioner with no
other previous reference parameter practical and philosophical. We
do not consider comments here later Hindu / Brahman existing this text,
some of which seem to avoid (or ignore) the original references to
Buddhism in this text.
proximity of the Yoga Sutra-style, vocabulary, and subject to canonical
texts in Pali could also mean simply that Patanjali - or whoever it is
that inspired his writings - had practiced meditation from a Buddhist
contemplative community, a community of monks for a time before
returning to Brahmanism and then the movement would have rephrased his
experience in order to add a divine touch to your experience, making
substantial use of technical terms of Buddhist meditation, as originally
framed or developed by the Buddha for the purpose of contemplative
practice. But this would be pure speculation, because there is so far no studies or historical finding that supports this understanding.
is also possible, even likely, that the Buddhist meditation had so
broadly permeated the practice Hindu / Brahman at the time (after years
of a strong cultural influence began with Buddhist proselytism promoted
by Ashoka the Buddhist Sangha in his reign and Consolidation of India),
that these technical terms as well as descriptions of practice of jhana /
dhyana (meditative absorptions) have it built into common knowledge at
the point of no longer sounding particularly Buddhists. Something
similar to what happens today with the adoption of the ideas of
“nirvana” and “karma” in Western culture, in Christian countries.
particular, if the Yoga Sutra is read in one continuous line is amazing
how close the text is the thoughts and topics about samadhi, jhana
meditation and Samatha (concentration) as defined in the ancient texts
in Pali Buddhist.
at the “Ashtanga Yoga” or the “Eightfold Path of Yoga” (sic) we are
certainly inclined to think the definition of the central Buddha of the
Noble Eightfold Path.
instead of following the Buddhist literary definition of the Noble
Eightfold Path, the interpretation of the eightfold path of yoga follows
(to our surprise?) Another description of the Buddhist path: the one
given by the Buddha as he described how he taught his disciples to
practice in your system meditative, which consists of a number of steps
outlined in various suttas of the volume of speeches with Mean Length
(as in Ariyapariyesana Sutta, MN 26, etc.) and remind us much of the way
“yogic” (pragmatic?), as devised by Patanjali at Yoga Sutra.
far as terminology goes aa long in the Yoga Sutra that reminds us of
formulations of the Buddhist Pali Canon and even more Abhidharma
Sarvastivada Sautrantika and school. “Robert Thurman writes that
Patanjali was influenced by the success of the Buddhist monastic system
to formulate its own matrix for the version of thought he considered
orthodox (…) The division between Eight States (Sanskrit Ashtanga)
Yoga is reminiscent of the Noble Eightfold Path of Buddha, and the
inclusion of brahmavihara (Yoga Sutra 1:33) also shows the influence of
Buddhism in parts of the Sutras. “
this is where the subject becomes interesting for us here on this blog
and its relevance to the practice of Buddhist meditation.
all the above tells us that the Yoga Sutra is a comment Hindu / Brahmin
or at least a photograph of meditation practices common (influenced by
Buddhism) in the second century BC?
this is because the text is not a Buddhist but shares a “core” of
fundamental ideas on meditation to be able to take it as a sign pointing
to a deeper understanding of some of the terminology in the context of
the first centuries of Buddhist practice.
if the Yoga Sutra is read in a Buddhist context, one can have some idea
of how people understood at that time and (ou!) practiced Buddhist
meditation? Could this be of some help in triangular or point of which was the direction of former Buddhist meditation?
more we know how people practiced a few centuries after the Buddha’s
Parinibbana, the more we can understand how some of his teachings have
evolved and how they were implemented and explained / taught.
makes this fascinating idea is that this text would definitely be
filterable through the eyes of a Hindu / Brahman, but he is still
influenced by the “knowledge” of Buddhist meditation apparently so well
received, and the time of his writing had become the mainstream
“contemplative practices. This
would show us how and in what particular point, was considered to be
the “essence” of meditation (in addition to being philosophical
discussion of its purpose) in order to be considered universally true,
then that can be “merged” into other forms of practice religious.
they were considered “truth” and “accepted” so that the author Hindu /
Brahman had no other choice but to incorporate them into their theistic
philosophy, reminding us Western Christians today that due to the common
acceptance of the idea karma / kamma, sometimes find ways to
incorporate this idea in their religious views.
(ignorance), Asmita (egoism), raga-Dvesha (desires and aversions),
Abhinivesha (clinging to mundane life) are the five klesha or distress. Destroy these afflictions [e] You will realize Samadhi. “
impresses the reader as Buddhist before this paragraph is the simple
fact that all these impurities listed are those that no longer are you
supposed to Arahant one, or Awakened (!!!). That is, according to the text of Patanjali, the “Samadhi of Conduct” would be conceptually the same as the Buddhist Liberation.
ignorance or mental turvidão is even mentioned in the first place,
while clearly a Buddhist point of view is considered the root of all
problems.
“asmita”, which is superficially translated as “selfishness” by
understanding that had developed in shallow Sanskrit tradition that was
ignorant of the deeper meaning of that term as used in the suttas of the
Pali Canon (or tried to distort to suit your context religious).
term Buddhist in particular, pointing to the deeply embedded “notion
that it is” (ASMI-tā) has a clear explanation in the suttas, but here in
this passage and elsewhere, is reduced to a mere “selfishness” as a
moral impurity devoid of its original psychological application. In
the suttas “ASMI-Mana” is a deeply rooted psychological tendency that
only a Arahant (Iluminsfo) won [see post “The scent of am” blog
Theravadin].
there is also “abhinivesa”, a term the Buddha uses to explain how our
mind comes in and assumes the five groups of attachment. The
term “Nives” denotes a dwelling, a house - a simile brought by the
Buddha to show how our consciousness moves “inside” of the contact
experience of the senses and settles as if living in a house (see Sutta
Nipata, Atthakavagga , and Haliddakani Magandiya Sutta Sutta). This
usage is decreased very particular psychological context in Hindu /
Brahmin to denote only an “attachment to worldly life.”But here is worth
questioning whether this was also shared by superficial understanding
or just by Patanjali Yoga Sutra later commentators, who have lost sight
of these implications for not having knowledge of or access to the
preceding context of Buddhism in the Yoga Sutra was written?
have another pearl of a Buddhist point of view, which can be considered
truly revealing: the use of the word “Dharana” in the text of
Patanjali.
term “Dharana”, which literally means short and “I can hold, carry,
keep (in mind)” is a good description of the task faced in Buddhist
contemplative practice, regardless of what tradition / school
considered.
central feature of the task undertaken when trying to cultivate
meditative concentration, relates as an equivalent to the literal
meaning of the Buddhist term “sati” (which means reminder / recall) and
what is general and now translated simply as “mindfulness” - a
translation that often aboard with questions.
is exactly what makes the faculty of memory, usually being pushed away
by the impressions with new information by the six senses, which, if
penetrated, would result in more or less a wild spin.
you are able to sustain their concentration on one point however - or
even as much as you can keep it, one of the laws of functioning of the
mind that the Buddha rediscovered and explained in detail that this
rebate is “artificial” senses the support and focus on a particular
mental object equivalent to a minor sensory stimulus.
a result of mental calmness and happiness (piti) and happiness index
(sukha) will arise and show signs of the primeirs a stronger
concentration - these being two of the five factors of meditative
absorption (jhana), along with (i) directed thought (vitakka) (ii)
sustained (Vicara) and (iii) equanimity (Upekkha).
is also the reason why is quite logical that samma sati, mindfulness,
has to come before samma samadhi, full concentration in the Noble
Eightfold Path of Buddhism - or, as shown in this case in the Yoga
Sutra, “Dharana” would be the stage immediately prior to “Delivering the
Samadhi.”
this case the Yoga Sutra throws much light on the original meaning as
understood in the early centuries of Buddhist practice and can help us
reach a more precise understanding of what “samma sati, right
mindfulness, originally meant or pointed. (In Theravadin blog post is a rather plain and that shows how sati yoniso manasikara are coming in practical terms, check this link ).
the opposite side, or better, understanding it as a byproduct of the
practice of sati is no other term that would best be described as
“mindfulness.” The Pali term is sampajaññā -
which literally means “next-consideration”, eg, be well aware of when
performing an action, then a “clear understanding” of what it does - but
this activity is a result of sati, as having the mind fixed on an
object leads to a refined consciousness that arises when during the next
and keep the mind of an object, creating a clear understanding of the
few sensory impressions that may enter. According to this concept, mindfulness would be a result of sati and not the practice of sati in itself!
again, both activities are happening almost simultaneously, even if not
in the same order and then the current use of the term translated can
be done - at the same time a fine distinction, however, has its
benefits. You can not
keep an object from the standpoint of mind without which would create or
develop mindfulness in mind - but (unfortunately!) you may be aware of
all your actions that you work without the right concentration - as when
eat an ice cream, in seeking the sensual pleasure, an example of
improper care. This being the fact that unfortunately idealize the interpretations of some Westerners who want to say “Buddhist”.
is a difference between deliberately let himself be led by sense
impressions by focusing on their physical pleasures and enhancing /
supporting raga (desire) and nandi (joy) - and, from the perspective of
Gotama Buddha, put his feet on the ground using the mindful memory and
thus experiencing a more refined awareness of trying to get it off the
shaft so that it results in a greater mindfulness, in the culmination of
his experience flows into total equanimity in the face of both
pleasurable and painful sensations.
then, we must understand as vipassanā is no way a synonym for
mindfulness (sati) but something that springs from the combination of
all these factors especially the last two, samma sati (mindfulness) and
samma samadhi (right concentration) applied to the relentless
observation of what appears to be in front of (yathabhuta).
could say, vipassanā is a name for the Buddhist practice of sati
associated samadhi directed to the view anicca / anatta / dukkha (ie,
generating the wisdom of the vision of these three features) in the
processes of the six senses, including any mental activity. Thus, one will find the term vipassanā but the idea of sati in
the Yoga Sutra, Buddhist texts mention as the first term clearly having
samādhi as just the beginning of the journey to insight and access -
for example aniccanupassana .
to say that any particular reference to the Buddhist philosophy citing
anicca antta or point to the goal of Nibbana, a philosophical
proposition to which the system of Yoga certainly does not refer.
while it definitely does need to produce sati-samadhi, definitely does
not need to understand is samadhi anicca, dukkha and anatta - that does
not sound very compatible with the worldview of a eternalistic. Before
this, all spiritual approach arise due to the attempt to interpret
Samadhi Yoga Sutra as marriage or at least as close as you can get from a
“God”, a “Lord.” Something
that sounds quite natural in the end to a theist - such as an
Evangelical Christian would never interpret the reduction of its focus
on mental object unique sensual ecstasy and consequently a mere effect
of a psychological technique, but he would label it “the divine sign of
God touching him. “ It is for
this reason that, according to the Buddha Dhamma, in fact in most
situations we are inclined to be led by the plots of our senses,
including the mental impressions / thoughts / feelings / perceptions -
and therefore tend to limit ourselves to go beyond such experiences also
distorted the merger would allow access to insight and liberation.
to the context of comparison with the Christian interpretation of this
ecstasy, in short what Patanjali is facing such a theistic
interpretation sounds like someone moving a large portion of vocabulary
and terminology for the New Testament, which gives this ring a Buddhist.
funny thing is that this is exactly how many of the contemporary New
Age books are written - an amalgam of the terms of Western Spirituality /
Christian trying to express a view east. So
one can imagine that the situation in India was similar to that when
the Yoga Sutra was written addressing the Buddhist philosophy of that
era.
remaining Buddhist philosophy with his particular terminology
established by the Buddha himself would have become so pervasive in
religious thought, so to make seemingly trusted what was written on
meditation was a need to borrow or rely on several of these Buddhist
concepts predominant. This
had largely been done or even conscious, as most New Age authors
present not even reflect the content of their texts but about the
message you want to spend.
below is done in a way a translation - or rather a translation of a
transliteration given the proximity between languages - as was done with
the text of the Yoga Sutra in Sanskrit brought back to Pāli. Similar to what has been done this Sutra ( Theravadin available on the blog, in English on this link ),
the exercise helps us see how the same text would sound the Pāli
language, opening then find parallels in ancient Buddhist texts, the
suttas.
having said all that, pragmatism invoked by the text (which is what
makes it so valuable) also indicates much more than a simple textual
exploration. As you
read this you can not discern the notion, especially since the position
of a meditator concentration of whoever has written or inspired by this
text, at some point personally experienced jhana and samadhi and wanted
to convey his experience making use a rich language Buddhist meditation
on the same interpretation being directed to an audience Brahman /
proto-Hindu India 200 BC.
check by itself - the pauses between sets of paragraphs labeled in bold
are the author / translator and some important technical terms
Buddhists were deployed, with additional comments made in italics:
this context broadly means “meditation is (…) a stop to the busy
mind,” which is very active and its activity suggests a walk in circles. Probably the most direct (and correct) translation.
In the Pāli language Drist the word does not exist, and it would be
something like subsitituída by Muni, which has the same meaning -
except, of course, the fact that “he who sees” further points in this
case the seeing process. Here was however used the term Pāli ditthi so as to maintain the link with the term semantic ditthi. The alternate translation is then: “So lets see who (or have the opportunity - avaṭṭhāna) of being in their true and natural.”
Experience (Evident-Measurement), ii) misperception (Illusion), iii)
Intentional Thinking / Willing, iv) Sleep / Numbness, v) Memory /
Mindfulness.
Thinking / Willing is any way of understanding and unfounded assertion
(ie the internal speech, voltiva, partial and willful, based on mental
speculation).
Alternative translation: “Thinking is cognition without a sound object /
cause noise (vatthu).Think about it, thoughts are no more than sounds,
silent babble that passes through our being.
practice’s commitment to non-movement (ie, become mentally property (at
the same time it parmanece fluid - an excellent description for the
concentration!)
This goes in line with what the author wrote the medieval Pali
subcomentários the volume of the Digha Nikaya, where also we find the
combination of the terms and dalhia bhumi - “firmness” and
“establishment” - in the same sentence, denoting ” firm establishment “
that moment in history, Patanjali was so convinced of the Buddhist goal
of “opening up the attachment, the seat stop,” which boils down to vitaṇhā term he uses. However,
it does not give up without a soul which its theistic philosophy simply
collapses and nothing in the text would make it distinguishable from a
treatise on the Buddha Dhamma. Thus,
mounted on a meditative Buddhist terminology and guidelines in the
conversation he introduces the term “Puris, which can be read as” soul,
“saying that the more you get closer to its” intrinsic nature “(svarūpa)
and inner body “Puri, or soul, you become able to stop itself this seat
/ attachment. Interesting.
is the alertness (sampajañña) from (the) (Kingdom of) form: a
self-directed thought-based consciousness, which remains (to this) and
inner happiness.
we have a very beautiful description of the first jhana as a form of
sampajaññatā (fully aware of what is happening), after the plan of the
form (the theme of our meditation is a mental form) and a combined
happiness at the thought we are trying to grasp what itself could be
described as the pure experience of “I am” (Asmita - the term is being
used more loosely in place as would suttas).
the announcement vitakka / vicara the first mention of meditative
absorption is a clear reference to the origin of Buddhist Yoga Sutra. Interesting also is the connection that is being done now with sampajaññatā: Think of everything we have said before about sati. If sati is simply the seizure of an object (the paṭṭhāna
of sati, so to speak), so it’s interesting to see how sampajaññā this
case, is identified with the state of the first jhana. Could this mean that when the Buddha mentions these two texts in Pali, which implicitly means samatha-vipassana?
is not at all a strange idea, like many vipassana meditators, focusing
on objects will be much more subtle quickly show signs of the first
jhana. Could it be then that the term “sampajaññatā” was seen as the first result of a concentrated mind?
any case, experience will teach you very quickly that when you try to
hold an object in your mind, your awareness of what happens at this time
will increase dramatically, simply due to the fact that his effort to
keep the object is under constant danger during the siege of sense.
flower gives himself (based on these qualities) of conviction (saddha),
energy (viriya), mindfulness (sati), concentration (samadhi) and wisdom
(paññā)
during his years of teaching, he gave the name of “powers” (bullet) and
explained that, if perfected, would lead to enlightenment.
Besides the question whether the term “Issar” found here could be read
as merely referring to a master of meditation (which fits perfectly into
the discussion until verse 27, where it starts to not fit any more) is
likely discussion, including on-line translation of the Yoga Sutra by Geshe Michael Roach . The
principle can be interpreted so as to skeptics recalling the first
sutta MN seemed more logical to assume Issar was first used to designate
“the Lord” (ie your God).
“almost” sounds like “Asava” that would fit even better in the context
of kamma and vipaka Asava.But the idea is very specific (”that which
flows within you, taking it) and may or may not be what was meant in
this passage.
all depends if we read verses 24-27 as involving “Issar” to mean “God”
or simply refer to consider meditation master of meditation you learn. If
you do a search in the Tipitaka, you see that when the Buddha used the
term was to refer to teachers (see for example Theragatha)
skeptical questions, be moved to laziness of attachment, wrong view of
things, not meditative placements, or not yet firmly established in
these.
the inhale and exhale clearly has an important role in that they cease
to exist (nirodha) so subjective to the practitioner in the fourth
jhana. It is strange that all this is on the list, but is presented in a very different interpretation.
cheerful calm the mind (citta-pasada) is achieved by meditation of
loving kindness, compassion, joy and equanimity in the face of pleasure,
pain as well as luck and misfortunes.
four brahmavihara, of course, famous for the way Buddha encouraged
monks to practice them to subdue the obstacles and enter the five jhana. It
is also interesting as the Tipitaka sometimes aligns them with the
progression in four jhana (which deserves to be studied separately).
and 35] Wow, now includes Anapanasati to the list of meditation
techniques, the most favorite topics of Buddhist meditation, in addition
to brahmavihara, which “coincidentally” was mentioned in the previous
passage. Here
he almost “cites” the benefit of Anapanasati of Pali suttas, the Buddha
gave in the Anapanasatisamyutta Mahavagga, where it is clearly said
that the greatest benefit of Anapanasati is the ability to quiet the
mind. Very interesting!
and 37] These two passages seem more like a copy of what the Buddha
says in the suttas: “It is almost always remain in these states, O
monks, neither my body or my eyes get tired.” Although it immediately to
Explaining how the mind free from desires and radiant moves away from
the senses, as do the experienced meditators, this passage is important
because it shows that the author knew what he was talking in terms
pragmáticos.Não there is something more important to the induction of
samadhi (ie, jhana) that the resolution of the mind, the balance against
the attack of the senses to the mind.
it happens in the destruction of mental activity or movement
[Khin-vatta], there is the appearance of a jewel, the emergence of
someone who carries such an object, the object and the carrying of such
an object in itself - and this immobility is what is called a
realization, or state of completion.
there is a state of achievement without thinking (nirvitakka) with full
attention and clearer that it is the nature of emptiness without a
voice.
seems that the author tries to show us the range of four jhana,
pointing to the criteria of the first, and then, in contrast to the
characteristics of the fourth jhana again using the terminology of the
Pali suttas.
is attained with the inner conviction without regard to the
concentration already (vicara, which is paired with vitakka)
This last sentence sounds more like a reporter who, after being invited
to a very important meeting, is eager to share what he heard from
relevant sources.
we are given a definition, in fact, the definition of the Buddha
“phalasamāpatti” - a state of jhana, which can only happen after someone
has had a realization that the particular insight nirvanic, giving you
access to that which is samadhi no “seeds” (nibbīja).
whole concept fits nicely into a row of theistic argument, and no
attempt is being made here in the final set of samadhi, to explain it.
the Buddhists speak of this matter so that among the philosophical
circles “mainstream” of the time it was automatically understood as “the
highest you can get,” and the argument was so powerful that, despite
not fit in the school already thinking of the times (an ancient
Hinduism) was considered indisputable?
argument appears in the Sutta Ratanasutta Nipata.Vemos this final
state, without seeds, as something that would target when trying to
“Sanna-vedayita-nirodha” cessation of perception and feeling, a
realization of the Buddha described as possible Arahants Anagami for
that, after entering the eighth jhana sequentially finally leave the
activity more subtle (the sankhara) back.