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Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya 
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LESSON 2996 Mon 20 May 2019 Tipitaka - DO GOOD BE MINDFUL is the Essence of the Words of the Awakened One with Awareness Tipitaka Net -Hi Tech Radio Free Animation Clipart Online Tipiṭaka Law Research & Practice University
in
112 CLASSICAL LANGUAGES Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhās through
Filed under: General, Vinaya Pitaka, Sutta Pitaka, Abhidhamma Pitaka, Tipiṭaka, ಅಭಿಧಮ್ಮಪಿಟಕ, ವಿನಯಪಿಟಕ, ತಿಪಿಟಕ (ಮೂಲ)
Posted by: site admin @ 4:24 pm

LESSON 2996 Mon 20 May 2019

Tipitaka - DO GOOD BE MINDFUL is the Essence of the Words of the Awakened One with Awareness

Tipitaka Net -Hi Tech Radio Free Animation Clipart Online Tipiṭaka Law Research & Practice University
in
112 CLASSICAL LANGUAGES

Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca

Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya

http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhās
through

up a levelhttp://LESSON 2994 Sat 18 May 2019

Tipitaka - DO GOOD BE MINDFUL is the Essence of the Words of the Awakened One with Awareness

Tipitaka
is the MEDITATION PRACTICE in BUDDHA’S OWN WORDS for welfare,
happiness and peace on the path of Eternal Bliss as Final Goal

Mahāsatipaṭṭhāna Sutta
— Attendance on awareness —
[ mahā+satipaṭṭhāna ]

from

Analytic Insight Net -Hi Tech Radio Free Animation Clipart Online Tipiṭaka Law Research & Practice University
in
112 CLASSICAL LANGUAGES

Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca

Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya

http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhās
through

up a levelhttp://sarvajan.ambedkar.orgup a level

Buddhasasana

Buddha Sasana
Ytttyu

“In
the Buddha you see clearly a man, simple, devout, alone, battling for
light, a vivid human personality, not a myth. He too gave a message to
mankind universal in character.”

TIPITAKA BUDDHA SASANA yuuuugyyyKUSHINARA PARINIBBANA BHOOMI
TBSKPB
668,
5A Main Road, 8th Cross HAL III Stage Bengaluru - 560075 Karnataka
India Ph: 91 (080) 25203792 Email: buddhasaid2us@gmail.com, http://sarvajan.ambedkar.orgION PRACTICE in BUDDHA’S OWN WORDS for welfare,
happiness and peace on the path of Eternal Bliss as Final Goal

Mahāsatipaṭṭhāna Sutta
— Attendance on awareness —
[ mahā+satipaṭṭhāna ]

from

Analytic Insight Net -Hi Tech Radio Free Animation Clipart Online Tipiṭaka Law Research & Practice University
in
112 CLASSICAL LANGUAGES

Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca

Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya

http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhās
through

up a levelhttp://sarvajan.ambedkar.orgup a level

Buddhasasana

Buddha Sasana

“In
the Buddha you see clearly a man, simple, devout, alone, battling for
light, a vivid human personality, not a myth. He too gave a message to
mankind universal in character.”

TIPITAKA BUDDHA SASANA KUSHINARA PARINIBBANA BHOOMI
TBSKPB
668,
5A Main Road, 8th Cross HAL III Stage Bengaluru - 560075 Karnataka
India Ph: 91 (080) 25203792 Email: buddhasaid2us@gmail.com, http://sarvajan.ambedkar.orgION PRACTICE in BUDDHA’S OWN WORDS for welfare,
happiness and peace on the path of Eternal Bliss as Final Goal

.ambedkar.orgup a level

Buddhasasana

Buddha Sasana
Ytttyu

“In
the Buddha you see clearly a man, simple, devout, alone, battling for
light, a vivid human personality, not a myth. He too gave a message to
mankind universal in character.”

TIPITAKA BUDDHA SASANA yuuuugyyyKUSHINARA PARINIBBANA BHOOMI
TBSKPB
668,
5A Main Road, 8th Cross HAL III Stage Bengaluru - 560075 Karnataka
India Ph: 91 (080) 25203792 Email: buddhasaid2us@gmail.com, http://sarvajan.ambedkar.orgION PRACTICE in BUDDHA’S OWN WORDS for welfare,
happiness and peace on the path of Eternal Bliss as Final Goal

Mahāsatipaṭṭhāna Sutta
— Attendance on awareness —
[ mahā+satipaṭṭhāna ]

from

Analytic Insight Net -Hi Tech Radio Free Animation Clipart Online Tipiṭaka Law Research & Practice University
in
112 CLASSICAL LANGUAGESh

Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca

Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya
H
http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhās
through

up a levelhttp://sarvajan.ambedkar.orgup a level

Buddhasasana

Buddha Sasana

“In
the Buddha you see clearly a man, simple, devout, alone, battling for
light, a vivid human personality, not a myth. He too gave a message to
mankind universal in character.”

TIPITAKA BUDDHA SASANA KUSHINARA PARINIBBANA BHOOMI
TBSKPB
668,
5A Main Road, 8th Cross HAL III Stage Bengaluru - 560075 Karnataka
India Ph: 91 (080) 25203792 Email: buddhasaid2us@gmail.com, http://sarvajan.ambedkar.orgION PRACTICE in BUDDHA’S OWN WORDS for welfare,
happiness and peace on the path of Eternal Bliss as Final Goal

@Anonymous: All Awakened Aboriginal Societies I.e., Sarvajan Samaj must unite to start a real freedom struggle against just 0.1% intolerant, violent, militant, number one terrorists of the world, ever shooting, mob lynching, lunatic, mentally retarded paradesis from Bene Israel chitpavan brahmins of RSS (RowdyRakshahsa Swayam Sevaks) to make them quit Prabuddha Bharat. The Murderer of democratic institutions and Master of diluting institutions (Modi) already declared more than 360 in his mission with the support of CJI, CEC, PRESSTITUTE Media as chelas, stooges, chamchas, slaves, bootlickers, own mother’s flesh eaters. 99.9% Sarvajan Samaj must insist on Ballot Papers to save Universal
Adult Franchise, Democracy, Equality, Fraternity, Liberty as enshrined in our Modern Marvelous Constitution.

https://youtu.be/9gt1nuXaZ4s

There are also some claims that the temple was a Buddhist shrine till the 8th century before Adi Shankara played his part in …
researches also showed that The Badrinath Temple was worshipped as Buddhist Temple too, during the reign of Asoka. If you will see the Badrinath Temple, then the outlook of this temple also brings the idea of Buddhist temples.

Modi on Sunday arrived at Badrinath, another temple in Uttarakhand’s revered …

http://indohistory.com/buddhist_temples.html

Buddhist Architecture

Gandhara Architecture Gave Rise To Buddhist Architecture

Buddhist ArchitecturePass to the river Indus which Alexander the Great used to invade India in 326BC. Gandhara architecture, the merger of Indian and Greek art, took the form of Buddhist cult objects, Buddhas and ornaments for Buddhist monasteries. Hindu icons were few. Monasteries were invariably made of stone, and most of the sculpture (like friezes) was used to decorate the lower levels of buildings.

The genesis of the first Buddhist stupa came about during this period. The more decorative art was in the form of small votive stupas illustrated with clay images of birds, dragons, sea serpents and humans.

The most characteristic trait of Gandhara sculpture is the standing or seated Buddha in the few hundreds of temples which have survived out of thousands. The seated Buddha is always cross legged in the traditional Indian way.

Magnificent Buddhist Sculptors

The teachings of the Buddhism were adopted by Mauryan emperor Ashoka in 255BC as the religion that he as well as most of his subjects would follow. Towards this the king undertook steps to awaken and enlighten his people about the teachings of the Buddha, and to make sure that they would not forget how important it was for them to be Buddhists Ashoka took certain measures. These are the most early Buddhist sculptors, and were mainly of six types: stone pillars with inscriptions on them called edicts; stupas; monolithic pillars; shrines; a vast palace and a group of rock cut chambers. Out of these the most important ones were the edicts and the stupas and can still be seen today.

Ashoka Edifices

The Construction of Pillars

Ashoka’s edicts were nothing but circular free standing pillars rising upto to great heights so that they could be seen from a distance, topped off with a stone lion.

Made of bricks, they carried declarations from the king regarding Buddhism. There were probably thirty in all, but now only two still stand. The pillars did not stand in isolation, and were usually found near stupas in a spot either unknowingly marked by the Buddha himself or along the royal route to Magadha, the capital. The pillars were about forty feet in height, circular and rising straight out of the ground without evidence of a base to hold it up. At the top space was left for a Buddhist symbol to be placed, normally a lion. The pillar itself would bear inscriptions from the king, or teachings of the Buddha, upto a readable height and in large letters.

The Stupas

The stupas were large halls capped with a dome and bore symbols of the Buddha. Their purpose was to instill awe into the minds of the common people who, at that time, lived in small wooden houses. But the stupa was not the only awe-inspiring monuments; it was associated with a number of additional smaller structures such as pillared gates, decorated railings, umbrellas and lion thrones. All these were first made with brick, but when Ashoka realized that they would not stand the vigours of time and weather, he switched to stone.

The most famous of the stupas, the one at Sanchi, was originally built by Ashoka. In 150BC, renovation work was undertaken and massive additions were made to it. The stupa was made higher and broader, 120 feet in diameter and 54 feet high, as it is today. The timber railings were replaced by stone ones, standing 11 feet high with entrances at five cardinal point, forming a barricade. The emblem of protection, this stone railing encompassed the entire area around the stupa and the sacred tree (actually a branch from the holy tree in Bodh Gaya in Bihar was planted here) under which the Buddha is said to have attained enlightenment. The entrance to a stupa is through a stone gate, intricately carved with images of daily Buddhist life and stone lions guarding the images and the gate.

Palace of Ashoka - A ‘Magnum opus’

Ashoka’s palace near Patna was a masterpiece. Made mostly of wood, it seems to have been destroyed by fire. Enclosed by a high brick wall, the highlight of the palace was an immense pillared hall three storey and 250 feet high. Pillars were arranged at intervals of fifteen feet, and the ceiling was adorned with stone images and horizontally supported by wooden beams.

Construction of Monastries

The other all important Buddhist building is the shrine or the monastery.

Here the Gandhara style of architecture comes into play, following a similar pattern for all buildings. Definitely religious in nature, the construction of a monastery followed a somewhat irregular design.

Built on the patterns of a fort and defended by a stone wall, the monastery evolved from the site of an ancient stupa. Living quarters for monks were separated from that of prayer, with the former consisting of houses, small votive stupas, solitary pillars and tiny cells for low rank monks. The principle buildings were housed within a rectangular courtyard with a stupa in the south and the monastery in the north. The court was the most important building, surrounded on three sides by a range of small chapels. A flight of stairs connected the stupa with the monastery whose rooms were small and functional. Called the sanghrama, these cells were located around the central courtyard.

Buddhist Temples

While the stupas were places of religious learning, buddhist temples were used for dual purposes; prayers and teachings. Brick was rarely used, and stone formed the base of most temple building. The Hinayana sect concentrated in the southern and western sides of India and excavated halls out of mountains, creating temples out of them in secluded regions. The Mahayanas were more adventurous, as can be seen from the Buddhist temples in Ajanta and Ellora. The Ajanta carvings consist of viharas or halls, supported by pillars, all cut out from one solid piece of mountain.

Buddhist Cave Temples

The task of making a cave temple was a simple one. Wooden pegs were driven into the mountainside and then watered so that they expanded, breaking the rock face into manageable blocks. Huge sections of stone were either moved or left where they were depending on the requirement. The split rock face would then be dug into, carving entire halls from it. After that, all that was left to be done was to carve out intricate details into pillars, walls, ceilings and doorways, which usually took years to complete.

Rock art of the Buddhists was not constricted to temples and stupas. The Buddha himself was the inspiration behind massive statues of his likeness made out of stone, brass and copper. Buddha statues know no boundaries - they can be larger than life, going upto great heights (over 14 metres), reaching up into the sky or showing him reclining. However, in stupas and places of worship, the Buddha is almost never shown and is represented indirectly through foot impressions, empty thrones and the chakra (wheel).

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Filed under: General, Vinaya Pitaka, Sutta Pitaka, Abhidhamma Pitaka, Tipiṭaka, ಅಭಿಧಮ್ಮಪಿಟಕ, ವಿನಯಪಿಟಕ, ತಿಪಿಟಕ (ಮೂಲ)
Posted by: site admin @ 1:03 am

LESSON 2994 Sat 18 May 2019

Tipitaka - DO GOOD BE MINDFUL is the Essence of the Words of the Awakened One with Awareness

Tipitaka
is the MEDITATION PRACTICE in BUDDHA’S OWN WORDS for welfare,
happiness and peace on the path of Eternal Bliss as Final Goal

Mahāsatipaṭṭhāna Sutta
— Attendance on awareness —
[ mahā+satipaṭṭhāna ]

from

Analytic Insight Net -Hi Tech Radio Free Animation Clipart Online Tipiṭaka Law Research & Practice University
in
112 CLASSICAL LANGUAGES

Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca

Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya

http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhās
through

up a levelhttp://sarvajan.ambedkar.orgup a level

Buddhasasana

Buddha Sasana
Ytttyu

“In
the Buddha you see clearly a man, simple, devout, alone, battling for
light, a vivid human personality, not a myth. He too gave a message to
mankind universal in character.”

TIPITAKA BUDDHA SASANA yuuuugyyyKUSHINARA PARINIBBANA BHOOMI
TBSKPB
668,
5A Main Road, 8th Cross HAL III Stage Bengaluru - 560075 Karnataka
India Ph: 91 (080) 25203792 Email: buddhasaid2us@gmail.com, http://sarvajan.ambedkar.orgION PRACTICE in BUDDHA’S OWN WORDS for welfare,
happiness and peace on the path of Eternal Bliss as Final Goal

Mahāsatipaṭṭhāna Sutta
— Attendance on awareness —
[ mahā+satipaṭṭhāna ]

from

Analytic Insight Net -Hi Tech Radio Free Animation Clipart Online Tipiṭaka Law Research & Practice University
in
112 CLASSICAL LANGUAGES

Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca

Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya

http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhās
through

up a levelhttp://sarvajan.ambedkar.orgup a level

Buddhasasana

Buddha Sasana

“In
the Buddha you see clearly a man, simple, devout, alone, battling for
light, a vivid human personality, not a myth. He too gave a message to
mankind universal in character.”

TIPITAKA BUDDHA SASANA KUSHINARA PARINIBBANA BHOOMI
TBSKPB
668,
5A Main Road, 8th Cross HAL III Stage Bengaluru - 560075 Karnataka
India Ph: 91 (080) 25203792 Email: buddhasaid2us@gmail.com, http://sarvajan.ambedkar.orgION PRACTICE in BUDDHA’S OWN WORDS for welfare,
happiness and peace on the path of Eternal Bliss as Final Goal

Mahāsatipaṭṭhāna Sutta
— Attendance on awareness —
[ mahā+satipaṭṭhāna ]

from

Analytic Insight Net -Hi Tech Radio Free Animation Clipart Online Tipiṭaka Law Research & Practice University
in
112 CLASSICAL LANGUAGES

Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca

Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya

http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhās
through

up a levelhttp://sarvajan.ambedkar.orgup a level

Buddhasasana

Buddha Sasana

“In
the Buddha you see clearly a man, simple, devout, alone, battling for
light, a vivid human personality, not a myth. He too gave a message to
mankind universal in character.”

TIPITAKA BUDDHA SASANA KUSHINARA PARINIBBANA BHOOMI
TBSKPB
668,
5A Main Road, 8th Cross HAL III Stage Bengaluru - 560075 Karnataka
India Ph: 91 (080) 25203792 Email: buddhasaid2us@gmail.com, http://sarvajan.ambedkar.org

Buddha Purnima, also known as Buddha Jayanti is the birthday celebration of Lord Buddha. It is the most sacred Buddhist festival and commemorates Lord Buddha’s enlightenment and birth.
This year Buddha Purnima is falling on Saturday, 18th May. The day is considered to be a public holiday for most schools and offices. It is said that Lord Buddha was born in Lumbini, which is a part of Nepal. He was born around the 5th or 6th century as Prince Siddhartha Gautama to a royal family. He began his quest for enlightenment after seeing the suffering human race.

https://static-toiimg-com.cdn.ampproject.org/i/s/static.toiimg.com/photo/msid-69357527/69357527.jpg?resizemode=4&width=400

https://static-toiimg-com.cdn.ampproject.org/i/s/static.toiimg.com/photo/msid-69357518/69357518.It is believed that he gained enlightenment at Bodhgaya, state of Bihar. It is believed that he took his last breath at Kushinagar in Uttar Pradesh at the age of 80.
This year it will be the 2,851st birth anniversary of Buddha. This festival is celebrated at various Buddhist sites across India, including Bodhgaya, Sarnath and Kushinagar. It is also celebrated in other Buddhist regions such as Ladakh, Arunachal Pradesh, Sikkim and North Bengal.
b2 (1)
In Sikkim, the festival is celebrated as Sage Dawa while in Gangtok, a procession of monks carries the holy book from Tsuklakhang Palace Monastery around town. This is accompanied by the blowing of horns, beating of drums and burning of incense sticks. Some people also dance in celebration.
b3 (1)
The festival is also celebrated in Buddha Jayanti Park, New Delhi. The park is located at the end of Delhi Ridge and the closest metro station to this location is Rajiv Chowk.

Vinay’s first Piano recital
Excellent Vinay. Keep it up. Thaatha, Paati, Pradeep mama, Banu mami, Tushar, Harshith
Bambaiyya’: A magic carpet tour of Mumbai
Mumbai’s past and present with a 360 degree view? Take a look at ‘Bambaiyya’

India Art Fair, which takes place each year at the NSIC grounds in Okhla, Delhi, is one of India’s biggest commercial events for contemporary and modern art from South Asia. It attracts art enthusiasts, fashion bloggers, celebrities, wannabe celebrities, and gawkers.

Then in 2018, pushing back against this juggernaut, came The Irregulars Art Fair (TIRAF) at Khirki Village. Co-founded by Tarini Sethi and Anant Ahuja, it was just the ‘anti-art fair’ art fair that Delhi needed. One of the main attractions of TIRAF was a virtual reality show called ‘Bambaiyya’. A long line had snaked in front of the enclosure and it was clear that the show was attracting a lot of attention. Earlier in May, there was a similar long line when ‘Bambaiyya’ was shown at Mumbai’s Bhau Daji Lad Museum.

Feel transported

‘Bambaiyya’ is a joint creation of Archit Vaze, Salil Parekh, Tejas Nair, Alap Parikh and Jyoti Narayan, conceived in 2017 at the Eyemyth New Media Arts Festival when the quintet had gotten together to create an encounter with Mumbai through the eyes of three communities — the Kolis, the Parsis and the mill workers — who form the core of the city. And how did they recreate it? By driving the viewer around virtually in a kaali-peeli, the ubiquitous black-and-yellow taxi. It gives the viewer a 360 degree view that makes her feel transported to the heart of the country’s financial capital.

Each of the five artists is from a different background. Vaze is a visual artist and storyteller. Parekh’s background is in design.

https://www.thehindu.com/society/ktiwsw/article27158875.ece/alternates/FREE_320/19SMBhalla3JPjpg

Nair is a music producer and DJ. Parikh is an artist focusing on immersive experiences. Narayan has worked in the design industry for the last decade and has a keen interest in Indian history, culture and mythology.

The group wanted to make the experience a stylised one — using both 360-degree videos and graphic stylisation — but due to resource constraints, had to make do with 2D and 3D animation and illustrations.

They chose virtual reality, they say, because it is a unique and niche medium. “It lets you experience places like you might not have before. It’s a very magical experience. You get to be in someone else’s shoes while still having a sense of your reality. This kind of storytelling is unique, and the younger audience relates to it well,” says Narayan.

And because VR is expensive, the group decided that a Samsung Gear VR along with a Samsung Galaxy Note was the ideal set-up to give the audience a comfortable viewing experience — while still being affordable. “Making a good VR experience requires a good team working behind it. This is the case with a lot of things in life. Finding the right people to collaborate with is the key,” Narayan says. Once that is done, the rest of the journey does not seem that difficult.

The phase after the research was a really difficult period for the group. Each community has its own unique narratives. To whittle them down to just three wasn’t easy. Furthermore, during the making of the VR experience, the stories had to be made shorter to create more suitable viewing times, so that as many people as possible get the chance to see it.

At home in a taxi

“The three communities were chosen keeping in mind the time and resources as well as the scope the medium allows. We plan to explore other communities as well, provided we get more funds for it,” Narayan says. “We focus on the contribution of these communities to building the city of Mumbai. Each of the three communities has contributed in different ways — the Kolis gave land, the Parsis gave money and administrative skills, and the mill workers gave labour.”

https://www.thehindu.com/society/flnj5a/article27158876.ece/alternates/FREE_320/19SMBhalla5jpg

A 360 degree view of the mill workers’ community | Photo Credit: Bambaiyya VR
Why did they choose to take the viewer around in a kaali-peeli? Narayan says that the kaali-peelis have been an integral part of the city ever since they replaced the horse-driven carriages or victorias. “The taxi, its interiors, its meter, its rolled-up windows, the driver talking throughout the journey, the radio playing in the background while the city’s commotion plays outside… it has a unique character. This is the spirit of Mumbai, which always makes you feel at home.”

Late in 2018, when the project was first displayed in Mumbai, the group came across many people who shared their own stories and experiences of living in chawls. “It was special when people felt connected to their past when experiencing our project,” Narayan says. “In Delhi, it was a completely different experience. Many knew the political history of Mumbai but were really fascinated to know the stories of these various communities that helped build it.”

Sharing stories

Narayan summaries what she has learnt from working on the project, “There are so many stories to tell. Each of us has something to narrate. And when we want to express these stories, we should find the right medium to do so. By sharing our stories with others, we make them a part of it and our stories live with them. The more people pass on this knowledge, the more of these stories will survive. But the physical spaces and the traditional occupations of these communities might not survive the test of time.”

VR as a medium is very exciting, even in its nascent stages. And it opens up a whole new dimension when it is used in art, a sort of merging of the real with the surreal that lets you interact with and experience “reality” on a different plane altogether. For a project and a concept like ‘Bambaiyya’, VR proved to be perfect.

The writer is a Delhi-based freelance journalist.

All Awakened Aboriginal Societies leader Ms Mayawati said that we all will return back to our own home Buddhism. It is hoped that days are not far away.

Best wishes to all celebrating Veshak, a sacred occasion to millon’s around the world, in a time of growing intolerance and inequality, the Buddha’s message of non violence and service to others is more relevant than ever. On the day of Veshak, let us review our commitment to building a world of peace and dignity for all.

“Train yourself to do the Good that last long & brings Happiness. Cultivate Generosity, the Life of Peace & the Mind of Love”. - THE SUPREMELY ENLIGHTENED BUDDHA.
The Day of Birth, The Day of Enlightenment & The Day of Great Liberation - The 2563rd VESHAKA BUDDHA POORNIMA CELEBRATIONS brings Universal Peace, Compassion & Happiness to all the Living Beings.

https://www.deccanherald.com/national/west/nevermind-horses-sc-youth-goes-with-elephant-in-guj-734339.html?fbclid=IwAR2LIPzlubZloQSN6J38OodUtRvdtD9wOpqwUeCsZLk74uunXE17sLouEls

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