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anuttaro purisadammasÄrathÄ«:
supreme
leader of persons to be tamed - one of the attributes of the Buddha,
which appears in his standard description (for which see BuddhÄnussati).
See the explanation of the term given at MN 137.
leader of persons to be tamed - one of the attributes of the Buddha,
which appears in his standard description (for which see BuddhÄnussati).
See the explanation of the term given at MN 137.
Anussati
ā The Recollections ā
The
Buddha lists six anussatis: the Buddha, the Dhamma, the Sangha, one’s
own virtue, own’s one generosity, and the devas (see AN 6.10). The first
four are analysed here. They are most important, because they are the
verbal expression of the four sotÄpattiĀ·yĀ·aį¹ gas.
Buddha lists six anussatis: the Buddha, the Dhamma, the Sangha, one’s
own virtue, own’s one generosity, and the devas (see AN 6.10). The first
four are analysed here. They are most important, because they are the
verbal expression of the four sotÄpattiĀ·yĀ·aį¹ gas.
Note: infoĀ·bubbles on all words
BuddhÄnussati | DhammÄnussati | Saį¹
ghÄnussati | SÄ«lÄnussati
ā140 occurences
AriyasÄvako
saddho hoti, saddahati tathÄgatassa bodhiį¹: itipi so BhagavÄ arahaį¹
sammÄĀ·sambuddho, vijjÄĀ·caraį¹aĀ·sampanno, sugato, lokaĀ·vidÅ«, anuttaro
purisaĀ·dammaĀ·sÄrathi,{1} satthÄ devaĀ·manussÄnaį¹, Buddho BhagavÄ ti.
saddho hoti, saddahati tathÄgatassa bodhiį¹: itipi so BhagavÄ arahaį¹
sammÄĀ·sambuddho, vijjÄĀ·caraį¹aĀ·sampanno, sugato, lokaĀ·vidÅ«, anuttaro
purisaĀ·dammaĀ·sÄrathi,{1} satthÄ devaĀ·manussÄnaį¹, Buddho BhagavÄ ti.
The
noble disciple is convinced, he believes in the full awakening of the
TathÄgata: surely, he is a BhagavÄ, an arahant, rightly and fully
awakened, accomplished in vijjÄ and [good] conduct, faring well, knowing
the world, the unsurpassed leader of persons to be tamed,{1} teacher of
devas and humans, a Buddha, a BhagavÄ.
noble disciple is convinced, he believes in the full awakening of the
TathÄgata: surely, he is a BhagavÄ, an arahant, rightly and fully
awakened, accomplished in vijjÄ and [good] conduct, faring well, knowing
the world, the unsurpassed leader of persons to be tamed,{1} teacher of
devas and humans, a Buddha, a BhagavÄ.
AriyasÄvako saddho hoti,
The noble disciple is convinced,
saddahati tathÄgatassa bodhiį¹:
he believes in the full awakening of the TathÄgata:
itipi so BhagavÄ
surely, he is a BhagavÄ,
arahaį¹ sammÄĀ·sambuddho,
an arahant, rightly and fully awakened,
vijjÄĀ·caraį¹aĀ·sampanno,
accomplished in vijjÄ and [good] conduct,
sugato, lokaĀ·vidÅ«,
faring well, knowing the world,
anuttaro purisaĀ·dammaĀ·sÄrathi,{1}
the unsurpassed leader of persons to be tamed,{1}
satthÄ devaĀ·manussÄnaį¹,
teacher of devas and humans,
Buddho BhagavÄ ti.
a Buddha, a BhagavÄ.
BuddhÄnussati | DhammÄnussati | Saį¹
ghÄnussati | SÄ«lÄnussati
ā90 occurences
SvÄkkhÄto bhagavatÄ dhammo: sandiį¹į¹hiko akÄliko ehipassiko opaneyyiko paccattaį¹ veditabbo viĆ±Ć±Å«hÄ« ti.
The
Dhamma is well declared by the BhagavÄ: visible here and now,
immediate, inviting to come and see, effective, to be individually
ascertained by the wise.
Dhamma is well declared by the BhagavÄ: visible here and now,
immediate, inviting to come and see, effective, to be individually
ascertained by the wise.
SvÄkkhÄto bhagavatÄ dhammo:
The Dhamma is well declared by the BhagavÄ:
sandiį¹į¹hiko akÄliko
visible here and now, immediate,
ehipassiko opaneyyiko
inviting to come and see, effective,
paccattaį¹ veditabbo viĆ±Ć±Å«hÄ« ti.
to be individually ascertained by the wise.
BuddhÄnussati | DhammÄnussati | Saį¹
ghÄnussati | SÄ«lÄnussati
ā45 occurences
SuĀ·paį¹ipanno
bhagavato sÄvakaĀ·saį¹ gho, ujuĀ·paį¹ipanno bhagavato sÄvakaĀ·saį¹ gho,
ƱÄyaĀ·paį¹ipanno bhagavato sÄvakaĀ·saį¹ gho, sÄmÄ«ciĀ·paį¹ipanno bhagavato
sÄvakaĀ·saį¹ gho, yadidaį¹ cattÄri purisaĀ·yugÄni aį¹į¹ha purisaĀ·puggalÄ, esa
bhagavato sÄvakaĀ·saį¹ gho Ähuneyyo, pÄhuneyyo, dakkhiį¹eyyo,
aƱjaliĀ·karaį¹Ä«yo, anuttaraį¹ puƱƱa’k'khettaį¹ lokassÄ.
bhagavato sÄvakaĀ·saį¹ gho, ujuĀ·paį¹ipanno bhagavato sÄvakaĀ·saį¹ gho,
ƱÄyaĀ·paį¹ipanno bhagavato sÄvakaĀ·saį¹ gho, sÄmÄ«ciĀ·paį¹ipanno bhagavato
sÄvakaĀ·saį¹ gho, yadidaį¹ cattÄri purisaĀ·yugÄni aį¹į¹ha purisaĀ·puggalÄ, esa
bhagavato sÄvakaĀ·saį¹ gho Ähuneyyo, pÄhuneyyo, dakkhiį¹eyyo,
aƱjaliĀ·karaį¹Ä«yo, anuttaraį¹ puƱƱa’k'khettaį¹ lokassÄ.
The
Sangha of the BhagavÄ’s disciples is practicing well, the Sangha of the
BhagavÄ’s disciples is practicing straightforwardly, the Sangha of the
BhagavÄ’s disciples is practicing rightly, the Sangha of the BhagavÄ’s
disciples is practicing correctly,{1} that is, the four pairs of men,
the eight [types of] individuals, this Sangha of the BhagavÄ’s disciples
is worthy of gifts, worthy of hospitality, worthy of offerings, worthy
of respectful salutations, the unsurpassed field of merit for the world.
Sangha of the BhagavÄ’s disciples is practicing well, the Sangha of the
BhagavÄ’s disciples is practicing straightforwardly, the Sangha of the
BhagavÄ’s disciples is practicing rightly, the Sangha of the BhagavÄ’s
disciples is practicing correctly,{1} that is, the four pairs of men,
the eight [types of] individuals, this Sangha of the BhagavÄ’s disciples
is worthy of gifts, worthy of hospitality, worthy of offerings, worthy
of respectful salutations, the unsurpassed field of merit for the world.
SuĀ·paį¹ipanno bhagavato sÄvakaĀ·saį¹
gho,
The Sangha of the BhagavÄ’s disciples is practicing well,
ujuĀ·paį¹ipanno bhagavato sÄvakaĀ·saį¹
gho,cing straightforwardly,
ƱÄyaĀ·paį¹ipanno bhagavato sÄvakaĀ·saį¹
gho,
the Sangha of the BhagavÄ’s disciples is practicing rightly,
sÄmÄ«ciĀ·paį¹ipanno bhagavato sÄvakaĀ·saį¹
gho,
the Sangha of the BhagavÄ’s disciples is practicing correctly,
yadidaį¹ cattÄri purisaĀ·yugÄni
that is, the four pairs of men,
aį¹į¹ha purisaĀ·puggalÄ,
the eight [types of] individuals,
esa bhagavato sÄvakaĀ·saį¹
gho
this Sangha of the BhagavÄ’s disciples
Ähuneyyo, pÄhuneyyo,
is worthy of gifts, worthy of hospitality,
dakkhiį¹eyyo, aƱjaliĀ·karaį¹Ä«yo,
worthy of offerings, worthy of respectful salutations,
anuttaraį¹ puƱƱa’k'khettaį¹ lokassÄ.
the unsurpassed field of merit for the world.
āāāāāāoooOoooāāāāāā
Note
1. practicing well/ straightforwardly/ rightly/ correctly:
practicing well: sup-paį¹ipanno - alternative renderings: practicing happily/ thoroughly.
practicing straightforwardly: ujup-paį¹ipanno - alternative renderings: practicing rightly/ directly/ honestly/ uprightly.
practicing
rightly: ƱÄyap-paį¹ipanno - alternative renderings: practicing in the
suitable way, practicing in accordance to the method.
rightly: ƱÄyap-paį¹ipanno - alternative renderings: practicing in the
suitable way, practicing in accordance to the method.
practicing correctly: sÄmÄ«cip-paį¹ipanno - alternative renderings: practicing properly, respectfully.
BuddhÄnussati | DhammÄnussati | Saį¹
ghÄnussati | SÄ«lÄnussati
ā45 occurences
AriyaĀ·sÄvako
attano sÄ«lÄni anussarati akhaį¹įøÄni acchiddÄni asabalÄni akammÄsÄni
bhujissÄni viƱƱuĀ·pĀ·pasatthÄni aĀ·parÄmaį¹į¹hÄni samÄdhiĀ·saį¹vattanikÄni.
attano sÄ«lÄni anussarati akhaį¹įøÄni acchiddÄni asabalÄni akammÄsÄni
bhujissÄni viƱƱuĀ·pĀ·pasatthÄni aĀ·parÄmaį¹į¹hÄni samÄdhiĀ·saį¹vattanikÄni.
The
noble disciple recollects his own virtues, which are entire, not
defective, unspotted, unblemished, liberating, praised by the wise,
without attachment,{1} leading to concentration.
noble disciple recollects his own virtues, which are entire, not
defective, unspotted, unblemished, liberating, praised by the wise,
without attachment,{1} leading to concentration.
AriyaĀ·sÄvako attano sÄ«lÄni anussarati
The noble disciple recollects his own virtues,
akhaį¹įøÄni acchiddÄni asabalÄni
which are entire, not defective, unspotted,
akammÄsÄni bhujissÄni viƱƱuĀ·pĀ·pasatthÄni
unblemished, liberating, praised by the wise,
aĀ·parÄmaį¹į¹hÄni samÄdhiĀ·saį¹vattanikÄni.
without attachment, leading to concentration.
āāāāāāoooOoooāāāāāā
Note
1.
without attachment: a-parÄmaį¹į¹hÄni - Bhikkhu Bodhi rather translates
‘not mishapprehended’ and Thanissaro Bhikkhu ‘untarnished’. The
translator follows the interpretation given by SN Goenka, according to
whom it refers here to the practice performed by certain sects, as for
example the Jains, which consists in stretching the precepts to such an
extent that observing them becomes an overly difficult task which
requires spending unreasonable amounts of time and energy.
without attachment: a-parÄmaį¹į¹hÄni - Bhikkhu Bodhi rather translates
‘not mishapprehended’ and Thanissaro Bhikkhu ‘untarnished’. The
translator follows the interpretation given by SN Goenka, according to
whom it refers here to the practice performed by certain sects, as for
example the Jains, which consists in stretching the precepts to such an
extent that observing them becomes an overly difficult task which
requires spending unreasonable amounts of time and energy.
N 137 (M iii 215)
Saįø·Äyatanavibhaį¹
ga Sutta
{excerpt}
ā An analysis of the senses ā
[saįø·Äyatana-vibhaį¹
ga]
In
this deep and very interesting sutta, the Buddha defines among other
things what are the investigations of pleasant, unpleasant and neutral
mental feelings, and also defines the expression found in the standard
description of the Buddha: ‘anuttaro purisadammasÄrathÄ«ā.
this deep and very interesting sutta, the Buddha defines among other
things what are the investigations of pleasant, unpleasant and neutral
mental feelings, and also defines the expression found in the standard
description of the Buddha: ‘anuttaro purisadammasÄrathÄ«ā.
Note: infoĀ·bubbles on “underdotted” English words
PÄįø·i
English
…
…
āAį¹į¹hÄrasa
manopavicÄrÄ veditabbÄāti: iti kho panetaį¹ vuttaį¹. KiƱcetaį¹ paį¹icca
vuttaį¹? āCakkhunÄ rÅ«paį¹ disvÄ somanassaį¹į¹hÄnÄ«yaį¹ rÅ«paį¹ upavicarati,
domanassaį¹į¹hÄnÄ«yaį¹ rÅ«paį¹ upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹ rÅ«paį¹
upavicarati; sotena saddaį¹ sutvÄ somanassaį¹į¹hÄnÄ«yaį¹ saddaį¹ upavicarati,
domanassaį¹į¹hÄnÄ«yaį¹ saddaį¹ upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹ saddaį¹
upavicarati; ghÄnena gandhaį¹ ghÄyitvÄ somanassaį¹į¹hÄnÄ«yaį¹ gandhaį¹
upavicarati, domanassaį¹į¹hÄnÄ«yaį¹ gandhaį¹ upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹
gandhaį¹ upavicarati; jivhÄya rasaį¹ sÄyitvÄ somanassaį¹į¹hÄnÄ«yaį¹ rasaį¹
upavicarati, domanassaį¹į¹hÄnÄ«yaį¹ rasaį¹ upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹
rasaį¹ upavicarati; kÄyena phoį¹į¹habbaį¹ phusitvÄ somanassaį¹į¹hÄnÄ«yaį¹
phoį¹į¹habbaį¹ upavicarati, domanassaį¹į¹hÄnÄ«yaį¹ phoį¹į¹habbaį¹ upavicarati,
upekkhÄį¹į¹hÄnÄ«yaį¹ phoį¹į¹habbaį¹ upavicarati; manasÄ dhammaį¹ viƱƱÄya
somanassaį¹į¹hÄnÄ«yaį¹ dhammaį¹ upavicarati, domanassaį¹į¹hÄnÄ«yaį¹ dhammaį¹
upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹ dhammaį¹ upavicarati. Iti cha
somanassÅ«pavicÄrÄ, cha domanassÅ«pavicÄrÄ, cha upekkhÅ«pavicÄrÄ,
āaį¹į¹hÄrasa manopavicÄrÄ veditabbÄāti: iti yaį¹ taį¹ vuttaį¹ idametaį¹
paį¹icca vuttaį¹.
manopavicÄrÄ veditabbÄāti: iti kho panetaį¹ vuttaį¹. KiƱcetaį¹ paį¹icca
vuttaį¹? āCakkhunÄ rÅ«paį¹ disvÄ somanassaį¹į¹hÄnÄ«yaį¹ rÅ«paį¹ upavicarati,
domanassaį¹į¹hÄnÄ«yaį¹ rÅ«paį¹ upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹ rÅ«paį¹
upavicarati; sotena saddaį¹ sutvÄ somanassaį¹į¹hÄnÄ«yaį¹ saddaį¹ upavicarati,
domanassaį¹į¹hÄnÄ«yaį¹ saddaį¹ upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹ saddaį¹
upavicarati; ghÄnena gandhaį¹ ghÄyitvÄ somanassaį¹į¹hÄnÄ«yaį¹ gandhaį¹
upavicarati, domanassaį¹į¹hÄnÄ«yaį¹ gandhaį¹ upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹
gandhaį¹ upavicarati; jivhÄya rasaį¹ sÄyitvÄ somanassaį¹į¹hÄnÄ«yaį¹ rasaį¹
upavicarati, domanassaį¹į¹hÄnÄ«yaį¹ rasaį¹ upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹
rasaį¹ upavicarati; kÄyena phoį¹į¹habbaį¹ phusitvÄ somanassaį¹į¹hÄnÄ«yaį¹
phoį¹į¹habbaį¹ upavicarati, domanassaį¹į¹hÄnÄ«yaį¹ phoį¹į¹habbaį¹ upavicarati,
upekkhÄį¹į¹hÄnÄ«yaį¹ phoį¹į¹habbaį¹ upavicarati; manasÄ dhammaį¹ viƱƱÄya
somanassaį¹į¹hÄnÄ«yaį¹ dhammaį¹ upavicarati, domanassaį¹į¹hÄnÄ«yaį¹ dhammaį¹
upavicarati, upekkhÄį¹į¹hÄnÄ«yaį¹ dhammaį¹ upavicarati. Iti cha
somanassÅ«pavicÄrÄ, cha domanassÅ«pavicÄrÄ, cha upekkhÅ«pavicÄrÄ,
āaį¹į¹hÄrasa manopavicÄrÄ veditabbÄāti: iti yaį¹ taį¹ vuttaį¹ idametaį¹
paį¹icca vuttaį¹.
The eighteen explorations for
the intellect should be known’: thus was it said. And in reference to
what was it said? Seeing a form via the eye, one explores a form that
can act as the basis for happiness, one explores a form that can act as
the basis for unhappiness, one explores a form that can act as the basis
for equanimity; hearing a sound via the ear, one explores a form that
can act as the basis for happiness, one explores a form that can act as
the basis for unhappiness, one explores a form that can act as the basis
for equanimity; smelling an aroma via the nose, one explores an aroma
that can act as the basis for happiness, one explores an aroma that can
act as the basis for unhappiness, one explores an aroma that can act as
the basis for equanimity; tasting a flavor via the tongue, one explores a
flavor that can act as the basis for happiness, one explores a flavor
that can act as the basis for unhappiness, one explores a flavor that
can act as the basis for equanimity; feeling a tactile sensation via the
body, one explores a tactile sensation that can act as the basis for
happiness, one explores a tactile sensation that can act as the basis
for unhappiness, one explores a tactile sensation that can act as the
basis for equanimity; cognizing an idea via the intellect, one explores
an idea that can act as the basis for happiness, one explores an idea
that can act as the basis for unhappiness, one explores an idea that can
act as the basis for equanimity. Thus the six happiness-explorations,
the six distress-explorations, the six equanimity-explorations, the
eighteen explorations for the intellect should be known’: thus was it
said. And in reference to this was it said.
the intellect should be known’: thus was it said. And in reference to
what was it said? Seeing a form via the eye, one explores a form that
can act as the basis for happiness, one explores a form that can act as
the basis for unhappiness, one explores a form that can act as the basis
for equanimity; hearing a sound via the ear, one explores a form that
can act as the basis for happiness, one explores a form that can act as
the basis for unhappiness, one explores a form that can act as the basis
for equanimity; smelling an aroma via the nose, one explores an aroma
that can act as the basis for happiness, one explores an aroma that can
act as the basis for unhappiness, one explores an aroma that can act as
the basis for equanimity; tasting a flavor via the tongue, one explores a
flavor that can act as the basis for happiness, one explores a flavor
that can act as the basis for unhappiness, one explores a flavor that
can act as the basis for equanimity; feeling a tactile sensation via the
body, one explores a tactile sensation that can act as the basis for
happiness, one explores a tactile sensation that can act as the basis
for unhappiness, one explores a tactile sensation that can act as the
basis for equanimity; cognizing an idea via the intellect, one explores
an idea that can act as the basis for happiness, one explores an idea
that can act as the basis for unhappiness, one explores an idea that can
act as the basis for equanimity. Thus the six happiness-explorations,
the six distress-explorations, the six equanimity-explorations, the
eighteen explorations for the intellect should be known’: thus was it
said. And in reference to this was it said.
āChattiį¹sa
sattapadÄ veditabbÄāti: iti kho panetaį¹ vuttaį¹. KiƱcetaį¹ paį¹icca
vuttaį¹? Cha gehasitÄni somanassÄni, cha nekkhammasitÄni somanassÄni, cha
gehasitÄni domanassÄni, cha nekkhammasitÄni domanassÄni, cha gehasitÄ
upekkhÄ, cha nekkhammasitÄ upekkhÄ.
sattapadÄ veditabbÄāti: iti kho panetaį¹ vuttaį¹. KiƱcetaį¹ paį¹icca
vuttaį¹? Cha gehasitÄni somanassÄni, cha nekkhammasitÄni somanassÄni, cha
gehasitÄni domanassÄni, cha nekkhammasitÄni domanassÄni, cha gehasitÄ
upekkhÄ, cha nekkhammasitÄ upekkhÄ.
The
thirty-six states to which beings are attached{1} should be known’: thus
was it said. And in reference to what was it said? Six kinds of
household joy & six kinds of renunciation joy; six kinds of
household distress & six kinds of renunciation distress; six kinds
of household equanimity & six kinds of renunciation equanimity.
thirty-six states to which beings are attached{1} should be known’: thus
was it said. And in reference to what was it said? Six kinds of
household joy & six kinds of renunciation joy; six kinds of
household distress & six kinds of renunciation distress; six kinds
of household equanimity & six kinds of renunciation equanimity.
Tattha
katamÄni cha gehasitÄni somanassÄni? CakkhuviƱƱeyyÄnaį¹ rÅ«pÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ paį¹ilÄbhaį¹ vÄ
paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹
idaį¹ vuccati gehasitaį¹ somanassaį¹. SotaviƱƱeyyÄnaį¹ saddÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ paį¹ilÄbhaį¹ vÄ
paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ rÅ«pÄnaį¹ somanassaį¹
idaį¹ vuccati gehasitaį¹ somanassaį¹. GhÄnaviƱƱeyyÄnaį¹ gandhÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ paį¹ilÄbhaį¹ vÄ
paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ evarÅ«paį¹ somanassaį¹
idaį¹ vuccati gehasitaį¹ somanassaį¹. JivhÄviƱƱeyyÄnaį¹ rasÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ paį¹ilÄbhaį¹ vÄ
paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ evarÅ«paį¹ somanassaį¹
idaį¹ vuccati gehasitaį¹ somanassaį¹. KÄyaviƱƱeyyÄnaį¹ phoį¹į¹habbÄnaį¹
iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹
paį¹ilÄbhaį¹ vÄ paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹
niruddhaį¹ vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ evarÅ«paį¹
somanassaį¹ idaį¹ vuccati gehasitaį¹ somanassaį¹. ManoviƱƱeyyÄnaį¹ dhammÄnaį¹
iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹
paį¹ilÄbhaį¹ vÄ paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹
niruddhaį¹ vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ evarÅ«paį¹
somanassaį¹ idaį¹ vuccati gehasitaį¹ somanassaį¹. ImÄni cha gehasitÄni
somanassÄni.
katamÄni cha gehasitÄni somanassÄni? CakkhuviƱƱeyyÄnaį¹ rÅ«pÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ paį¹ilÄbhaį¹ vÄ
paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹
idaį¹ vuccati gehasitaį¹ somanassaį¹. SotaviƱƱeyyÄnaį¹ saddÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ paį¹ilÄbhaį¹ vÄ
paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ rÅ«pÄnaį¹ somanassaį¹
idaį¹ vuccati gehasitaį¹ somanassaį¹. GhÄnaviƱƱeyyÄnaį¹ gandhÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ paį¹ilÄbhaį¹ vÄ
paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ evarÅ«paį¹ somanassaį¹
idaį¹ vuccati gehasitaį¹ somanassaį¹. JivhÄviƱƱeyyÄnaį¹ rasÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ paį¹ilÄbhaį¹ vÄ
paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ evarÅ«paį¹ somanassaį¹
idaį¹ vuccati gehasitaį¹ somanassaį¹. KÄyaviƱƱeyyÄnaį¹ phoį¹į¹habbÄnaį¹
iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹
paį¹ilÄbhaį¹ vÄ paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹
niruddhaį¹ vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ evarÅ«paį¹
somanassaį¹ idaį¹ vuccati gehasitaį¹ somanassaį¹. ManoviƱƱeyyÄnaį¹ dhammÄnaį¹
iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹
paį¹ilÄbhaį¹ vÄ paį¹ilÄbhato samanupassato pubbe vÄ paį¹iladdhapubbaį¹ atÄ«taį¹
niruddhaį¹ vipariį¹ataį¹ samanussarato uppajjati somanassaį¹, yaį¹ evarÅ«paį¹
somanassaį¹ idaį¹ vuccati gehasitaį¹ somanassaį¹. ImÄni cha gehasitÄni
somanassÄni.
And what are the six kinds of
household joy? The joy that arises when one regards as an acquisition
the acquisition of forms cognizable by the eye ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous acquisition of such forms after they have passed, ceased,
& changed: That is called household joy. The joy that arises when
one regards as an acquisition the acquisition of sounds cognizable by
the ear ā agreeable, pleasing, charming, endearing, connected with
worldly baits ā or when one recalls the previous acquisition of such
sounds after they have passed, ceased, & changed: That is called
household joy. The joy that arises when one regards as an acquisition
the acquisition of aromas cognizable by the nose ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous acquisition of such aromas after they have passed, ceased,
& changed: That is called household joy. The joy that arises when
one regards as an acquisition the acquisition of flavors cognizable by
the tongue ā agreeable, pleasing, charming, endearing, connected with
worldly baits ā or when one recalls the previous acquisition of such
flavors after they have passed, ceased, & changed: That is called
household joy. The joy that arises when one regards as an acquisition
the acquisition of tactile sensations cognizable by the body ā
agreeable, pleasing, charming, endearing, connected with worldly baits ā
or when one recalls the previous acquisition of such tactile sensations
after they have passed, ceased, & changed: That is called household
joy. The joy that arises when one regards as an acquisition the
acquisition of ideas cognizable by the intellect ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous acquisition of such ideas after they have passed, ceased,
& changed: That is called household joy.
household joy? The joy that arises when one regards as an acquisition
the acquisition of forms cognizable by the eye ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous acquisition of such forms after they have passed, ceased,
& changed: That is called household joy. The joy that arises when
one regards as an acquisition the acquisition of sounds cognizable by
the ear ā agreeable, pleasing, charming, endearing, connected with
worldly baits ā or when one recalls the previous acquisition of such
sounds after they have passed, ceased, & changed: That is called
household joy. The joy that arises when one regards as an acquisition
the acquisition of aromas cognizable by the nose ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous acquisition of such aromas after they have passed, ceased,
& changed: That is called household joy. The joy that arises when
one regards as an acquisition the acquisition of flavors cognizable by
the tongue ā agreeable, pleasing, charming, endearing, connected with
worldly baits ā or when one recalls the previous acquisition of such
flavors after they have passed, ceased, & changed: That is called
household joy. The joy that arises when one regards as an acquisition
the acquisition of tactile sensations cognizable by the body ā
agreeable, pleasing, charming, endearing, connected with worldly baits ā
or when one recalls the previous acquisition of such tactile sensations
after they have passed, ceased, & changed: That is called household
joy. The joy that arises when one regards as an acquisition the
acquisition of ideas cognizable by the intellect ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous acquisition of such ideas after they have passed, ceased,
& changed: That is called household joy.
Tattha
katamÄni cha nekkhammasitÄni somanassÄni? RÅ«pÄnaį¹tveva aniccataį¹
viditvÄ vipariį¹ÄmavirÄganirodhaį¹, āpubbe ceva rÅ«pÄ etarahi ca sabbe te
rÅ«pÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹ idaį¹
vuccati nekkhammasitaį¹ somanassaį¹. SaddÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva saddÄ etarahi ca sabbe te saddÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹, idaį¹ vuccati
nekkhammasitaį¹ somanassaį¹. GandhÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva gandhÄ etarahi ca sabbe te saddÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹, idaį¹ vuccati
nekkhammasitaį¹ somanassaį¹. RasÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rasÄ etarahi ca sabbe te rasÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹, idaį¹ vuccati
nekkhammasitaį¹ somanassaį¹. Phoį¹į¹habbÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva phoį¹į¹habbÄ etarahi ca sabbe te
phoį¹į¹habbÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹,
idaį¹ vuccati nekkhammasitaį¹ somanassaį¹. DhammÄnaį¹ tveva aniccataį¹
viditvÄ vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva dhammÄ, etarahi ca sabbe te
dhammÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato uppajjati somanassaį¹. Yaį¹ evarÅ«pÄ somanassaį¹, idaį¹
vuccati nekkhammasitaį¹ somanassaį¹. ImÄni cha nekkhammasitÄni
somanassÄni.
katamÄni cha nekkhammasitÄni somanassÄni? RÅ«pÄnaį¹tveva aniccataį¹
viditvÄ vipariį¹ÄmavirÄganirodhaį¹, āpubbe ceva rÅ«pÄ etarahi ca sabbe te
rÅ«pÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹ idaį¹
vuccati nekkhammasitaį¹ somanassaį¹. SaddÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva saddÄ etarahi ca sabbe te saddÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹, idaį¹ vuccati
nekkhammasitaį¹ somanassaį¹. GandhÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva gandhÄ etarahi ca sabbe te saddÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹, idaį¹ vuccati
nekkhammasitaį¹ somanassaį¹. RasÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rasÄ etarahi ca sabbe te rasÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹, idaį¹ vuccati
nekkhammasitaį¹ somanassaį¹. Phoį¹į¹habbÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva phoį¹į¹habbÄ etarahi ca sabbe te
phoį¹į¹habbÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato uppajjati somanassaį¹. Yaį¹ evarÅ«paį¹ somanassaį¹,
idaį¹ vuccati nekkhammasitaį¹ somanassaį¹. DhammÄnaį¹ tveva aniccataį¹
viditvÄ vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva dhammÄ, etarahi ca sabbe te
dhammÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato uppajjati somanassaį¹. Yaį¹ evarÅ«pÄ somanassaį¹, idaį¹
vuccati nekkhammasitaį¹ somanassaį¹. ImÄni cha nekkhammasitÄni
somanassÄni.
And what are the six kinds of
renunciation joy? The joy that arises when ā experiencing the
inconstancy of those very forms, their change, fading, & cessation ā
one sees with right discernment as it actually is that all forms, past
or present, are inconstant, stressful, subject to change: That is called
renunciation joy. The joy that arises when ā experiencing the
inconstancy of those very sounds, their change, fading, & cessation ā
one sees with right discernment as it actually is that all sounds, past
or present, are inconstant, stressful, subject to change: That is
called renunciation joy. The joy that arises when ā experiencing the
inconstancy of those very aromas, their change, fading, & cessation ā
one sees with right discernment as it actually is that all aromas, past
or present, are inconstant, stressful, subject to change: That is
called renunciation joy. The joy that arises when ā experiencing the
inconstancy of those very flavors, their change, fading, & cessation
ā one sees with right discernment as it actually is that all flavors,
past or present, are inconstant, stressful, subject to change: That is
called renunciation joy. The joy that arises when ā experiencing the
inconstancy of those very tactile sensations, their change, fading,
& cessation ā one sees with right discernment as it actually is that
all tactile sensations, past or present, are inconstant, stressful,
subject to change: That is called renunciation joy. The joy that arises
when ā experiencing the inconstancy of those very ideas, their change,
fading, & cessation ā one sees with right discernment as it actually
is that all ideas, past or present, are inconstant, stressful, subject
to change: That is called renunciation joy.
renunciation joy? The joy that arises when ā experiencing the
inconstancy of those very forms, their change, fading, & cessation ā
one sees with right discernment as it actually is that all forms, past
or present, are inconstant, stressful, subject to change: That is called
renunciation joy. The joy that arises when ā experiencing the
inconstancy of those very sounds, their change, fading, & cessation ā
one sees with right discernment as it actually is that all sounds, past
or present, are inconstant, stressful, subject to change: That is
called renunciation joy. The joy that arises when ā experiencing the
inconstancy of those very aromas, their change, fading, & cessation ā
one sees with right discernment as it actually is that all aromas, past
or present, are inconstant, stressful, subject to change: That is
called renunciation joy. The joy that arises when ā experiencing the
inconstancy of those very flavors, their change, fading, & cessation
ā one sees with right discernment as it actually is that all flavors,
past or present, are inconstant, stressful, subject to change: That is
called renunciation joy. The joy that arises when ā experiencing the
inconstancy of those very tactile sensations, their change, fading,
& cessation ā one sees with right discernment as it actually is that
all tactile sensations, past or present, are inconstant, stressful,
subject to change: That is called renunciation joy. The joy that arises
when ā experiencing the inconstancy of those very ideas, their change,
fading, & cessation ā one sees with right discernment as it actually
is that all ideas, past or present, are inconstant, stressful, subject
to change: That is called renunciation joy.
Tattha
katamÄni cha gehasitÄni domanassÄni: cakkhuviƱƱeyyÄnaį¹ rÅ«pÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ appaį¹ilÄbhaį¹ vÄ
appaį¹ilÄbhato samanupassato pubbe vÄ appaį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati domanassaį¹. Yaį¹ evarÅ«paį¹
domanassaį¹. Idaį¹ vuccati gehasitaį¹ domanassaį¹. SotaviƱƱeyyÄnaį¹ saddÄnaį¹
iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹
appaį¹ilÄbhaį¹ vÄ appaį¹ilÄbhato samanupassato pubbe vÄ appaį¹iladdhapubbaį¹
atÄ«taį¹ niruddhaį¹ vipariį¹ataį¹ samanussarato uppajjati domanassaį¹. Yaį¹
evarÅ«paį¹ domanassaį¹. Idaį¹ vuccati gehasitaį¹ domanassaį¹. GhÄnaviƱƱeyyÄnaį¹
gandhÄnaį¹ iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹
lokÄmisapaį¹isaį¹yuttÄnaį¹ appaį¹ilÄbhaį¹ vÄ appaį¹ilÄbhato samanupassato
pubbe vÄ appaį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹ vipariį¹ataį¹ samanussarato
uppajjati domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹. Idaį¹ vuccati gehasitaį¹
domanassaį¹. JivhÄviƱƱeyyÄnaį¹ rasÄnaį¹ iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹
manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ appaį¹ilÄbhaį¹ vÄ appaį¹ilÄbhato
samanupassato pubbe vÄ appaį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹ vipariį¹ataį¹
samanussarato uppajjati domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹. Idaį¹
vuccati gehasitaį¹ domanassaį¹. KÄyaviƱƱeyyÄnaį¹ phoį¹į¹habbÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ appaį¹ilÄbhaį¹ vÄ
appaį¹ilÄbhato samanupassato pubbe vÄ appaį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati domanassaį¹. Yaį¹ evarÅ«paį¹
domanassaį¹. Idaį¹ vuccati gehasitaį¹ domanassaį¹. ManoviƱƱeyyÄnaį¹ dhammÄnaį¹
iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹
appaį¹ilÄbhaį¹ vÄ appaį¹ilÄbhato samanupassato pubbe vÄ appaį¹iladdhapubbaį¹
atÄ«taį¹ niruddhaį¹ vipariį¹ataį¹ samanussarato uppajjati domanassaį¹. Yaį¹
evarÅ«paį¹ domanassaį¹. Idaį¹ vuccati gehasitaį¹ domanassaį¹. ImÄni cha
gehasitÄni domanassÄni.
katamÄni cha gehasitÄni domanassÄni: cakkhuviƱƱeyyÄnaį¹ rÅ«pÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ appaį¹ilÄbhaį¹ vÄ
appaį¹ilÄbhato samanupassato pubbe vÄ appaį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati domanassaį¹. Yaį¹ evarÅ«paį¹
domanassaį¹. Idaį¹ vuccati gehasitaį¹ domanassaį¹. SotaviƱƱeyyÄnaį¹ saddÄnaį¹
iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹
appaį¹ilÄbhaį¹ vÄ appaį¹ilÄbhato samanupassato pubbe vÄ appaį¹iladdhapubbaį¹
atÄ«taį¹ niruddhaį¹ vipariį¹ataį¹ samanussarato uppajjati domanassaį¹. Yaį¹
evarÅ«paį¹ domanassaį¹. Idaį¹ vuccati gehasitaį¹ domanassaį¹. GhÄnaviƱƱeyyÄnaį¹
gandhÄnaį¹ iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹
lokÄmisapaį¹isaį¹yuttÄnaį¹ appaį¹ilÄbhaį¹ vÄ appaį¹ilÄbhato samanupassato
pubbe vÄ appaį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹ vipariį¹ataį¹ samanussarato
uppajjati domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹. Idaį¹ vuccati gehasitaį¹
domanassaį¹. JivhÄviƱƱeyyÄnaį¹ rasÄnaį¹ iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹
manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ appaį¹ilÄbhaį¹ vÄ appaį¹ilÄbhato
samanupassato pubbe vÄ appaį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹ vipariį¹ataį¹
samanussarato uppajjati domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹. Idaį¹
vuccati gehasitaį¹ domanassaį¹. KÄyaviƱƱeyyÄnaį¹ phoį¹į¹habbÄnaį¹ iį¹į¹hÄnaį¹
kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹ appaį¹ilÄbhaį¹ vÄ
appaį¹ilÄbhato samanupassato pubbe vÄ appaį¹iladdhapubbaį¹ atÄ«taį¹ niruddhaį¹
vipariį¹ataį¹ samanussarato uppajjati domanassaį¹. Yaį¹ evarÅ«paį¹
domanassaį¹. Idaį¹ vuccati gehasitaį¹ domanassaį¹. ManoviƱƱeyyÄnaį¹ dhammÄnaį¹
iį¹į¹hÄnaį¹ kantÄnaį¹ manÄpÄnaį¹ manoramÄnaį¹ lokÄmisapaį¹isaį¹yuttÄnaį¹
appaį¹ilÄbhaį¹ vÄ appaį¹ilÄbhato samanupassato pubbe vÄ appaį¹iladdhapubbaį¹
atÄ«taį¹ niruddhaį¹ vipariį¹ataį¹ samanussarato uppajjati domanassaį¹. Yaį¹
evarÅ«paį¹ domanassaį¹. Idaį¹ vuccati gehasitaį¹ domanassaį¹. ImÄni cha
gehasitÄni domanassÄni.
And what are the six
kinds of household distress? The distress that arises when one regards
as a non-acquisition the non-acquisition of forms cognizable by the eye ā
agreeable, pleasing, charming, endearing, connected with worldly baits ā
or when one recalls the previous non-acquisition of such forms after
they have passed, ceased, & changed: That is called household
distress. The distress that arises when one regards as a non-acquisition
the non-acquisition of sounds cognizable by the ear ā agreeable,
pleasing, charming, endearing, connected with worldly baits ā or when
one recalls the previous non-acquisition of such sounds after they have
passed, ceased, & changed: That is called household distress. The
distress that arises when one regards as a non-acquisition the
non-acquisition of aromas cognizable by the nose ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous non-acquisition of such aromas after they have passed,
ceased, & changed: That is called household distress. The distress
that arises when one regards as a non-acquisition the non-acquisition of
flavors cognizable by the tongue ā agreeable, pleasing, charming,
endearing, connected with worldly baits ā or when one recalls the
previous non-acquisition of such flavors after they have passed, ceased,
& changed: That is called household distress. The distress that
arises when one regards as a non-acquisition the non-acquisition of
tactile sensations cognizable by the body ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous non-acquisition of such tactile sensations after they have
passed, ceased, & changed: That is called household distress. The
distress that arises when one regards as a non-acquisition the
non-acquisition of ideas cognizable by the mind ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous non-acquisition of such ideas after they have passed,
ceased, & changed: That is called household distress.
kinds of household distress? The distress that arises when one regards
as a non-acquisition the non-acquisition of forms cognizable by the eye ā
agreeable, pleasing, charming, endearing, connected with worldly baits ā
or when one recalls the previous non-acquisition of such forms after
they have passed, ceased, & changed: That is called household
distress. The distress that arises when one regards as a non-acquisition
the non-acquisition of sounds cognizable by the ear ā agreeable,
pleasing, charming, endearing, connected with worldly baits ā or when
one recalls the previous non-acquisition of such sounds after they have
passed, ceased, & changed: That is called household distress. The
distress that arises when one regards as a non-acquisition the
non-acquisition of aromas cognizable by the nose ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous non-acquisition of such aromas after they have passed,
ceased, & changed: That is called household distress. The distress
that arises when one regards as a non-acquisition the non-acquisition of
flavors cognizable by the tongue ā agreeable, pleasing, charming,
endearing, connected with worldly baits ā or when one recalls the
previous non-acquisition of such flavors after they have passed, ceased,
& changed: That is called household distress. The distress that
arises when one regards as a non-acquisition the non-acquisition of
tactile sensations cognizable by the body ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous non-acquisition of such tactile sensations after they have
passed, ceased, & changed: That is called household distress. The
distress that arises when one regards as a non-acquisition the
non-acquisition of ideas cognizable by the mind ā agreeable, pleasing,
charming, endearing, connected with worldly baits ā or when one recalls
the previous non-acquisition of such ideas after they have passed,
ceased, & changed: That is called household distress.
Tattha
katamÄni cha nekkhammasitÄni domanassÄni: rÅ«pÄnaį¹ tveva aniccataį¹
viditvÄ vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rÅ«pÄ etarahi ca sabbe te
rÅ«pÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu
nÄmÄhaį¹ tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. SaddÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva saddÄ etarahi ca sabbe te saddÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu nÄmÄhaį¹
tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. GandhÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rÅ«pÄ etarahi ca sabbe te rÅ«pÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu nÄmÄhaį¹
tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. RasÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rasÄ etarahi ca sabbe te rasÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu nÄmÄhaį¹
tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. Phoį¹į¹habbÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva phoį¹į¹habbÄ etarahi ca sabbe te
phoį¹į¹habbÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu
nÄmÄhaį¹ tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. DhammÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva dhammÄ etarahi ca sabbe te dhammÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu nÄmÄhaį¹
tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. ImÄni cha nekkhammasitÄni
domanassÄni.
katamÄni cha nekkhammasitÄni domanassÄni: rÅ«pÄnaį¹ tveva aniccataį¹
viditvÄ vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rÅ«pÄ etarahi ca sabbe te
rÅ«pÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu
nÄmÄhaį¹ tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. SaddÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva saddÄ etarahi ca sabbe te saddÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu nÄmÄhaį¹
tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. GandhÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rÅ«pÄ etarahi ca sabbe te rÅ«pÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu nÄmÄhaį¹
tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. RasÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rasÄ etarahi ca sabbe te rasÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu nÄmÄhaį¹
tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. Phoį¹į¹habbÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva phoį¹į¹habbÄ etarahi ca sabbe te
phoį¹į¹habbÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu
nÄmÄhaį¹ tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. DhammÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva dhammÄ etarahi ca sabbe te dhammÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄti. Evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
disvÄ anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpeti: kudassu nÄmÄhaį¹
tadÄyatanaį¹ upasampajja viharissÄmi. YadariyÄ etarahi Äyatanaį¹
upasampajja viharantÄ«āti. Iti anuttaresu vimokkhesu pihaį¹ upaį¹į¹hÄpayato
upapajjati pihappaccayÄ domanassaį¹. Yaį¹ evarÅ«paį¹ domanassaį¹, idaį¹
vuccati nekkhammasitaį¹ domanassaį¹. ImÄni cha nekkhammasitÄni
domanassÄni.
And what are the six kinds of
renunciation distress? The distress coming from the longing that arises
in one who is filled with longing for the unexcelled liberations when ā
experiencing the inconstancy of those very forms, their change, fading,
& cessation ā he sees with right discernment as it actually is that
all forms, past or present, are inconstant, stressful, subject to change
and he is filled with this longing: ‘O when will I enter & remain
in the dimension that the noble ones now enter & remain in?’ This is
called renunciation distress. The distress coming from the longing that
arises in one who is filled with longing for the unexcelled liberations
when ā experiencing the inconstancy of those very sounds, their change,
fading, & cessation ā he sees with right discernment as it actually
is that all sounds, past or present, are inconstant, stressful, subject
to change and he is filled with this longing: ‘O when will I enter
& remain in the dimension that the noble ones now enter & remain
in?’ This is called renunciation distress. The distress coming from the
longing that arises in one who is filled with longing for the
unexcelled liberations when ā experiencing the inconstancy of those very
aromas, their change, fading, & cessation ā he sees with right
discernment as it actually is that all aromas, past or present, are
inconstant, stressful, subject to change and he is filled with this
longing: ‘O when will I enter & remain in the dimension that the
noble ones now enter & remain in?’ This is called renunciation
distress. The distress coming from the longing that arises in one who is
filled with longing for the unexcelled liberations when ā experiencing
the inconstancy of those very flavors, their change, fading, &
cessation ā he sees with right discernment as it actually is that all
flavors, past or present, are inconstant, stressful, subject to change
and he is filled with this longing: ‘O when will I enter & remain in
the dimension that the noble ones now enter & remain in?’ This is
called renunciation distress. The distress coming from the longing that
arises in one who is filled with longing for the unexcelled liberations
when ā experiencing the inconstancy of those very tactile sensations,
their change, fading, & cessation ā he sees with right discernment
as it actually is that all tactile sensations, past or present, are
inconstant, stressful, subject to change and he is filled with this
longing: ‘O when will I enter & remain in the dimension that the
noble ones now enter & remain in?’ This is called renunciation
distress. The distress coming from the longing that arises in one who is
filled with longing for the unexcelled liberations when ā experiencing
the inconstancy of those very ideas, their change, fading, &
cessation ā he sees with right discernment as it actually is that all
ideas, past or present, are inconstant, stressful, subject to change and
he is filled with this longing: ‘O when will I enter & remain in
the dimension that the noble ones now enter & remain in?’ This is
called renunciation distress.
renunciation distress? The distress coming from the longing that arises
in one who is filled with longing for the unexcelled liberations when ā
experiencing the inconstancy of those very forms, their change, fading,
& cessation ā he sees with right discernment as it actually is that
all forms, past or present, are inconstant, stressful, subject to change
and he is filled with this longing: ‘O when will I enter & remain
in the dimension that the noble ones now enter & remain in?’ This is
called renunciation distress. The distress coming from the longing that
arises in one who is filled with longing for the unexcelled liberations
when ā experiencing the inconstancy of those very sounds, their change,
fading, & cessation ā he sees with right discernment as it actually
is that all sounds, past or present, are inconstant, stressful, subject
to change and he is filled with this longing: ‘O when will I enter
& remain in the dimension that the noble ones now enter & remain
in?’ This is called renunciation distress. The distress coming from the
longing that arises in one who is filled with longing for the
unexcelled liberations when ā experiencing the inconstancy of those very
aromas, their change, fading, & cessation ā he sees with right
discernment as it actually is that all aromas, past or present, are
inconstant, stressful, subject to change and he is filled with this
longing: ‘O when will I enter & remain in the dimension that the
noble ones now enter & remain in?’ This is called renunciation
distress. The distress coming from the longing that arises in one who is
filled with longing for the unexcelled liberations when ā experiencing
the inconstancy of those very flavors, their change, fading, &
cessation ā he sees with right discernment as it actually is that all
flavors, past or present, are inconstant, stressful, subject to change
and he is filled with this longing: ‘O when will I enter & remain in
the dimension that the noble ones now enter & remain in?’ This is
called renunciation distress. The distress coming from the longing that
arises in one who is filled with longing for the unexcelled liberations
when ā experiencing the inconstancy of those very tactile sensations,
their change, fading, & cessation ā he sees with right discernment
as it actually is that all tactile sensations, past or present, are
inconstant, stressful, subject to change and he is filled with this
longing: ‘O when will I enter & remain in the dimension that the
noble ones now enter & remain in?’ This is called renunciation
distress. The distress coming from the longing that arises in one who is
filled with longing for the unexcelled liberations when ā experiencing
the inconstancy of those very ideas, their change, fading, &
cessation ā he sees with right discernment as it actually is that all
ideas, past or present, are inconstant, stressful, subject to change and
he is filled with this longing: ‘O when will I enter & remain in
the dimension that the noble ones now enter & remain in?’ This is
called renunciation distress.
Tattha katamÄ
cha gehasitÄ upekkhÄ: cakkhunÄ rÅ«paį¹ disvÄ upapajjati upekkhÄ bÄlassa
mÅ«įø·hassa puthujjanassa anodhijinassa avipÄkajinassa anÄdÄ«navadassÄvino
assutavato puthujjanassa. YÄ evarÅ«pÄ upekkhÄ, rÅ«paį¹ sÄ nÄtivattati.
TasmÄ sÄ upekkhÄ gehasitÄni vuccati. Sotena saddaį¹ sutvÄ upapajjati
upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa anodhijinassa avipÄkajinassa
anÄdÄ«navadassÄvino assutavato puthujjanassa. YÄ evarÅ«pÄ upekkhÄ, saddÄ
sÄ nÄtivattati. TasmÄ sÄ upekkhÄ gehasitÄni vuccati. GhÄnena gandhaį¹
ghÄyitvÄ upapajjati upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa anodhijinassa
avipÄkajinassa anÄdÄ«navadassÄvino assutavato puthujjanassa. YÄ evarÅ«paį¹
upekkhÄ, gandhÄ sÄ nÄtivattati. TasmÄ sÄ upekkhÄ gehasitÄni vuccati.
JivhÄya rasaį¹ sÄyitvÄ upapajjati upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa
anodhijinassa avipÄkajinassa anÄdÄ«navadassÄvino assutavato
puthujjanassa. YÄ evarÅ«paį¹ upekkhÄ, rasÄ sÄ nÄtivattati. TasmÄ sÄ
upekkhÄ gehasitÄni vuccati. KÄyena phoį¹į¹habbaį¹ phusitvÄ upapajjati
upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa anodhijinassa avipÄkajinassa
anÄdÄ«navadassÄvino asutavato puthujjanassa. YÄ evarÅ«paį¹ upekkhÄ,
phoį¹į¹habbaį¹ sÄ nÄtivattati. TasmÄ sÄ upekkhÄ gehasitÄni vuccati. ManasÄ
dhammaį¹ viƱƱÄya upapajjati upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa
anodhijinassa avipÄkajinassa anÄdÄ«navadassÄvino assutavato
puthujjanassa. YÄ evarÅ«pÄ upekkhÄ, dhammaį¹ sÄ nÄtivattati. TasmÄ sÄ
upekkhÄ gehasitÄni vuccati. ImÄ cha gehasitÄ upekkhÄ.
cha gehasitÄ upekkhÄ: cakkhunÄ rÅ«paį¹ disvÄ upapajjati upekkhÄ bÄlassa
mÅ«įø·hassa puthujjanassa anodhijinassa avipÄkajinassa anÄdÄ«navadassÄvino
assutavato puthujjanassa. YÄ evarÅ«pÄ upekkhÄ, rÅ«paį¹ sÄ nÄtivattati.
TasmÄ sÄ upekkhÄ gehasitÄni vuccati. Sotena saddaį¹ sutvÄ upapajjati
upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa anodhijinassa avipÄkajinassa
anÄdÄ«navadassÄvino assutavato puthujjanassa. YÄ evarÅ«pÄ upekkhÄ, saddÄ
sÄ nÄtivattati. TasmÄ sÄ upekkhÄ gehasitÄni vuccati. GhÄnena gandhaį¹
ghÄyitvÄ upapajjati upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa anodhijinassa
avipÄkajinassa anÄdÄ«navadassÄvino assutavato puthujjanassa. YÄ evarÅ«paį¹
upekkhÄ, gandhÄ sÄ nÄtivattati. TasmÄ sÄ upekkhÄ gehasitÄni vuccati.
JivhÄya rasaį¹ sÄyitvÄ upapajjati upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa
anodhijinassa avipÄkajinassa anÄdÄ«navadassÄvino assutavato
puthujjanassa. YÄ evarÅ«paį¹ upekkhÄ, rasÄ sÄ nÄtivattati. TasmÄ sÄ
upekkhÄ gehasitÄni vuccati. KÄyena phoį¹į¹habbaį¹ phusitvÄ upapajjati
upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa anodhijinassa avipÄkajinassa
anÄdÄ«navadassÄvino asutavato puthujjanassa. YÄ evarÅ«paį¹ upekkhÄ,
phoį¹į¹habbaį¹ sÄ nÄtivattati. TasmÄ sÄ upekkhÄ gehasitÄni vuccati. ManasÄ
dhammaį¹ viƱƱÄya upapajjati upekkhÄ bÄlassa mÅ«įø·hassa puthujjanassa
anodhijinassa avipÄkajinassa anÄdÄ«navadassÄvino assutavato
puthujjanassa. YÄ evarÅ«pÄ upekkhÄ, dhammaį¹ sÄ nÄtivattati. TasmÄ sÄ
upekkhÄ gehasitÄni vuccati. ImÄ cha gehasitÄ upekkhÄ.
And
what are the six kinds of household equanimity? The equanimity that
arises when a foolish, deluded person ā a run-of-the-mill, untaught
person who has not conquered his limitations or the results of action{2}
& who is blind to danger{3} ā sees a form with the eye. Such
equanimity does not go beyond forms, which is why it is called household
equanimity. The equanimity that arises when a foolish, deluded person ā
a run-of-the-mill, untaught person who has not conquered his
limitations or the results of action & who is blind to danger ā
hears a sound with the ear. Such equanimity does not go beyond sounds,
which is why it is called household equanimity. The equanimity that
arises when a foolish, deluded person ā a run-of-the-mill, untaught
person who has not conquered his limitations or the results of action
& who is blind to danger ā odors an aroma with the nose. Such
equanimity does not go beyond aromas, which is why it is called
household equanimity. The equanimity that arises when a foolish, deluded
person ā a run-of-the-mill, untaught person who has not conquered his
limitations or the results of action & who is blind to danger ā
tastes a flavor with the tongue. Such equanimity does not go beyond
flavors, which is why it is called household equanimity. The equanimity
that arises when a foolish, deluded person ā a run-of-the-mill, untaught
person who has not conquered his limitations or the results of action
& who is blind to danger ā feels a tactile sensation with the body.
Such equanimity does not go beyond tactile sensations, which is why it
is called household equanimity. The equanimity that arises when a
foolish, deluded person ā a run-of-the-mill, untaught person who has not
conquered his limitations or the results of action & who is blind
to danger ā cognizes an idea with the intellect. Such equanimity does
not go beyond ideas, which is why it is called household equanimity.
what are the six kinds of household equanimity? The equanimity that
arises when a foolish, deluded person ā a run-of-the-mill, untaught
person who has not conquered his limitations or the results of action{2}
& who is blind to danger{3} ā sees a form with the eye. Such
equanimity does not go beyond forms, which is why it is called household
equanimity. The equanimity that arises when a foolish, deluded person ā
a run-of-the-mill, untaught person who has not conquered his
limitations or the results of action & who is blind to danger ā
hears a sound with the ear. Such equanimity does not go beyond sounds,
which is why it is called household equanimity. The equanimity that
arises when a foolish, deluded person ā a run-of-the-mill, untaught
person who has not conquered his limitations or the results of action
& who is blind to danger ā odors an aroma with the nose. Such
equanimity does not go beyond aromas, which is why it is called
household equanimity. The equanimity that arises when a foolish, deluded
person ā a run-of-the-mill, untaught person who has not conquered his
limitations or the results of action & who is blind to danger ā
tastes a flavor with the tongue. Such equanimity does not go beyond
flavors, which is why it is called household equanimity. The equanimity
that arises when a foolish, deluded person ā a run-of-the-mill, untaught
person who has not conquered his limitations or the results of action
& who is blind to danger ā feels a tactile sensation with the body.
Such equanimity does not go beyond tactile sensations, which is why it
is called household equanimity. The equanimity that arises when a
foolish, deluded person ā a run-of-the-mill, untaught person who has not
conquered his limitations or the results of action & who is blind
to danger ā cognizes an idea with the intellect. Such equanimity does
not go beyond ideas, which is why it is called household equanimity.
Tattha
katamÄ cha nekkhammasitÄ upekkhÄ: rÅ«pÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rÅ«pÄ etarahi ca sabbe te rÅ«pÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ rÅ«paį¹ sÄ ativattati. TasmÄ
sÄ upekkhÄ nekkhammasitÄti vuccati. SaddhÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva saddÄ etarahi ca sabbe te saddÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ saddaį¹ sÄ ativattati.
TasmÄ sÄ upekkhÄ nekkhammasitÄti vuccati. GandhÄnaį¹ tveva aniccataį¹
viditvÄ vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva gandhÄ etarahi ca sabbe te
gandhÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ gandhaį¹ sÄ
ativattati. TasmÄ sÄ upekkhÄ nekkhammasitÄti vuccati. RasÄnaį¹ tveva
aniccataį¹ viditvÄ vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rasÄ etarahi ca
sabbe te rasÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ rasaį¹ sÄ
ativattati. TasmÄ sÄ upekkhÄ nekkhammasitÄti vuccati. Phoį¹į¹habbÄnaį¹
tveva aniccataį¹ viditvÄ Vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva phoį¹į¹habbÄ
etarahi ca sabbe te phoį¹į¹habbÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti
evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya passato upapajjati upekkhÄ yÄ
evarÅ«pÄ upekkhÄ phoį¹į¹habbaį¹ sÄ ativattati. TasmÄ sÄ upekkhÄ
nekkhammasitÄti vuccati. DhammÄ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva dhammÄ etarahi ca sabbe te dhammÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ dhammaį¹ sÄ ativattati.
TasmÄ sÄ upekkhÄ nekkhammasitÄti vuccati. ImÄ cha nekkhammasitÄ upekkhÄ.
Chattiį¹sa sattapadÄ veditabbÄti iti yaį¹ taį¹ vuttaį¹, idametaį¹ paį¹icca
vuttaį¹.
katamÄ cha nekkhammasitÄ upekkhÄ: rÅ«pÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rÅ«pÄ etarahi ca sabbe te rÅ«pÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ rÅ«paį¹ sÄ ativattati. TasmÄ
sÄ upekkhÄ nekkhammasitÄti vuccati. SaddhÄnaį¹ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva saddÄ etarahi ca sabbe te saddÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ saddaį¹ sÄ ativattati.
TasmÄ sÄ upekkhÄ nekkhammasitÄti vuccati. GandhÄnaį¹ tveva aniccataį¹
viditvÄ vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva gandhÄ etarahi ca sabbe te
gandhÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ gandhaį¹ sÄ
ativattati. TasmÄ sÄ upekkhÄ nekkhammasitÄti vuccati. RasÄnaį¹ tveva
aniccataį¹ viditvÄ vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva rasÄ etarahi ca
sabbe te rasÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹
sammappaƱƱÄya passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ rasaį¹ sÄ
ativattati. TasmÄ sÄ upekkhÄ nekkhammasitÄti vuccati. Phoį¹į¹habbÄnaį¹
tveva aniccataį¹ viditvÄ Vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva phoį¹į¹habbÄ
etarahi ca sabbe te phoį¹į¹habbÄ aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti
evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya passato upapajjati upekkhÄ yÄ
evarÅ«pÄ upekkhÄ phoį¹į¹habbaį¹ sÄ ativattati. TasmÄ sÄ upekkhÄ
nekkhammasitÄti vuccati. DhammÄ tveva aniccataį¹ viditvÄ
vipariį¹ÄmavirÄganirodhaį¹, pubbe ceva dhammÄ etarahi ca sabbe te dhammÄ
aniccÄ dukkhÄ vipariį¹ÄmadhammÄāti evametaį¹ yathÄĀ·bhÅ«taį¹ sammappaƱƱÄya
passato upapajjati upekkhÄ yÄ evarÅ«pÄ upekkhÄ dhammaį¹ sÄ ativattati.
TasmÄ sÄ upekkhÄ nekkhammasitÄti vuccati. ImÄ cha nekkhammasitÄ upekkhÄ.
Chattiį¹sa sattapadÄ veditabbÄti iti yaį¹ taį¹ vuttaį¹, idametaį¹ paį¹icca
vuttaį¹.
And what are the six kinds of
renunciation equanimity? The equanimity that arises when ā experiencing
the inconstancy of those very forms, their change, fading, &
cessation ā one sees with right discernment as it actually is that all
forms, past or present, are inconstant, stressful, subject to change:
This equanimity goes beyond forms, which is why it is called
renunciation equanimity. The equanimity that arises when ā experiencing
the inconstancy of those very sounds, their change, fading, &
cessation ā one sees with right discernment as it actually is that all
sounds, past or present, are inconstant, stressful, subject to change:
This equanimity goes beyond sounds, which is why it is called
renunciation equanimity. The equanimity that arises when ā experiencing
the inconstancy of those very aromas, their change, fading, &
cessation ā one sees with right discernment as it actually is that all
aromas, past or present, are inconstant, stressful, subject to change:
This equanimity goes beyond aromas, which is why it is called
renunciation equanimity. The equanimity that arises when ā experiencing
the inconstancy of those very flavors, their change, fading, &
cessation ā one sees with right discernment as it actually is that all
flavors, past or present, are inconstant, stressful, subject to change:
This equanimity goes beyond flavors, which is why it is called
renunciation equanimity. The equanimity that arises when ā experiencing
the inconstancy of those very tactile sensations, their change, fading,
& cessation ā one sees with right discernment as it actually is that
all tactile sensations, past or present, are inconstant, stressful,
subject to change: This equanimity goes beyond tactile sensations, which
is why it is called renunciation equanimity. The equanimity that arises
when ā experiencing the inconstancy of those very ideas, their change,
fading, & cessation ā one sees with right discernment as it actually
is that all ideas, past or present, are inconstant, stressful, subject
to change: This equanimity goes beyond ideas, which is why it is called
renunciation equanimity.
renunciation equanimity? The equanimity that arises when ā experiencing
the inconstancy of those very forms, their change, fading, &
cessation ā one sees with right discernment as it actually is that all
forms, past or present, are inconstant, stressful, subject to change:
This equanimity goes beyond forms, which is why it is called
renunciation equanimity. The equanimity that arises when ā experiencing
the inconstancy of those very sounds, their change, fading, &
cessation ā one sees with right discernment as it actually is that all
sounds, past or present, are inconstant, stressful, subject to change:
This equanimity goes beyond sounds, which is why it is called
renunciation equanimity. The equanimity that arises when ā experiencing
the inconstancy of those very aromas, their change, fading, &
cessation ā one sees with right discernment as it actually is that all
aromas, past or present, are inconstant, stressful, subject to change:
This equanimity goes beyond aromas, which is why it is called
renunciation equanimity. The equanimity that arises when ā experiencing
the inconstancy of those very flavors, their change, fading, &
cessation ā one sees with right discernment as it actually is that all
flavors, past or present, are inconstant, stressful, subject to change:
This equanimity goes beyond flavors, which is why it is called
renunciation equanimity. The equanimity that arises when ā experiencing
the inconstancy of those very tactile sensations, their change, fading,
& cessation ā one sees with right discernment as it actually is that
all tactile sensations, past or present, are inconstant, stressful,
subject to change: This equanimity goes beyond tactile sensations, which
is why it is called renunciation equanimity. The equanimity that arises
when ā experiencing the inconstancy of those very ideas, their change,
fading, & cessation ā one sees with right discernment as it actually
is that all ideas, past or present, are inconstant, stressful, subject
to change: This equanimity goes beyond ideas, which is why it is called
renunciation equanimity.
āChattiį¹sa sattapadÄ veditabbÄāti: iti yaį¹ taį¹ vuttaį¹ idametaį¹ paį¹icca vuttaį¹.
The thirty-six states to which beings are attached should be known’: thus was it said. And in reference to this was it said.
…
…
So
vuccati yoggÄcariyÄnaį¹ āanuttaro purisadammasÄrathÄ«āti: iti kho panetaį¹
vuttaį¹. KiƱcetaį¹ paį¹icca vuttaį¹? Hatthidamakena, bhikkhave, hatthidammo
sÄrito ekaį¹yeva disaį¹ dhÄvati: puratthimaį¹ vÄ pacchimaį¹ vÄ uttaraį¹ vÄ
dakkhiį¹aį¹ vÄ. Assadamakena, bhikkhave, assadammo sÄrito ekaƱƱeva disaį¹
dhÄvati: puratthimaį¹ vÄ pacchimaį¹ vÄ uttaraį¹ vÄ dakkhiį¹aį¹ vÄ.
Godamakena, bhikkhave, godammo sÄrito ekaį¹yeva disaį¹ dhÄvati:
puratthimaį¹ vÄ pacchimaį¹ vÄ uttaraį¹ vÄ dakkhiį¹aį¹ vÄ.
vuccati yoggÄcariyÄnaį¹ āanuttaro purisadammasÄrathÄ«āti: iti kho panetaį¹
vuttaį¹. KiƱcetaį¹ paį¹icca vuttaį¹? Hatthidamakena, bhikkhave, hatthidammo
sÄrito ekaį¹yeva disaį¹ dhÄvati: puratthimaį¹ vÄ pacchimaį¹ vÄ uttaraį¹ vÄ
dakkhiį¹aį¹ vÄ. Assadamakena, bhikkhave, assadammo sÄrito ekaƱƱeva disaį¹
dhÄvati: puratthimaį¹ vÄ pacchimaį¹ vÄ uttaraį¹ vÄ dakkhiį¹aį¹ vÄ.
Godamakena, bhikkhave, godammo sÄrito ekaį¹yeva disaį¹ dhÄvati:
puratthimaį¹ vÄ pacchimaį¹ vÄ uttaraį¹ vÄ dakkhiį¹aį¹ vÄ.
‘Among
master trainers, he is said to be ‘the unexcelled trainer of those
people fit to be tamed’: thus was it said. And in reference to what was
it said? Steered by the elephant trainer, the elephant to be tamed runs
in only one direction: east, west, north, or south. Steered by the horse
trainer, the horse to be tamed runs in only one direction: east, west,
north, or south. Steered by the ox trainer, the ox to be tamed runs in
only one direction: east, west, north, or south.
master trainers, he is said to be ‘the unexcelled trainer of those
people fit to be tamed’: thus was it said. And in reference to what was
it said? Steered by the elephant trainer, the elephant to be tamed runs
in only one direction: east, west, north, or south. Steered by the horse
trainer, the horse to be tamed runs in only one direction: east, west,
north, or south. Steered by the ox trainer, the ox to be tamed runs in
only one direction: east, west, north, or south.
TathÄgatena
hi, bhikkhave, arahatÄ sammÄsambuddhena purisadammo sÄrito aį¹į¹ha disÄ
vidhÄvati. RÅ«pÄ« rÅ«pÄni passati: ayaį¹ ekÄ disÄ;
hi, bhikkhave, arahatÄ sammÄsambuddhena purisadammo sÄrito aį¹į¹ha disÄ
vidhÄvati. RÅ«pÄ« rÅ«pÄni passati: ayaį¹ ekÄ disÄ;
But
steered by the Tathagata ā worthy and rightly self-awakened ā the
person to be tamed fans out in eight directions. Possessed of form,
he/she sees forms. This is the first direction.
steered by the Tathagata ā worthy and rightly self-awakened ā the
person to be tamed fans out in eight directions. Possessed of form,
he/she sees forms. This is the first direction.
Ajjhattaį¹ arÅ«pasaƱƱī bahiddhÄ rÅ«pÄni passati: ayaį¹ dutiyÄ disÄ;
Not percipient of form internally, he/she sees forms externally. This is the second direction.
Subhantveva adhimutto hoti: ayaį¹ tatiyÄ disÄ;
He/she is intent only on the beautiful. This is the third direction.
sabbaso
rÅ«pasaƱƱÄnaį¹ samatikkamÄ paį¹ighasaƱƱÄnaį¹ atthaį¹ gamÄ nÄnattasaƱƱÄnaį¹
amanasikÄrÄ āananto ÄkÄsoāti ÄkÄsÄnaƱcÄyatanaį¹ upasampajja viharati:
ayaį¹ catutthÄ« disÄ;
rÅ«pasaƱƱÄnaį¹ samatikkamÄ paį¹ighasaƱƱÄnaį¹ atthaį¹ gamÄ nÄnattasaƱƱÄnaį¹
amanasikÄrÄ āananto ÄkÄsoāti ÄkÄsÄnaƱcÄyatanaį¹ upasampajja viharati:
ayaį¹ catutthÄ« disÄ;
With the complete
transcending of perceptions of [physical] form, with the disappearance
of perceptions of resistance, and not heeding perceptions of diversity,
[perceiving,] ‘Infinite space,’ he/she enters and remains in the
dimension of the infinitude of space. This is the fourth direction.
transcending of perceptions of [physical] form, with the disappearance
of perceptions of resistance, and not heeding perceptions of diversity,
[perceiving,] ‘Infinite space,’ he/she enters and remains in the
dimension of the infinitude of space. This is the fourth direction.
Sabbaso ÄkÄsÄnaƱcÄyatanaį¹ samatikkamma āanantaį¹ viƱƱÄį¹aānti viƱƱÄį¹aƱcÄyatanaį¹ upasampajja viharati: ayaį¹ paƱcamÄ« disÄ;
With
the complete transcending of the dimension of the infinitude of space,
[perceiving,] ‘Infinite consciousness,’ he/she enters and remains in the
dimension of the infinitude of consciousness. This is the fifth
direction.
the complete transcending of the dimension of the infinitude of space,
[perceiving,] ‘Infinite consciousness,’ he/she enters and remains in the
dimension of the infinitude of consciousness. This is the fifth
direction.
Sabbaso viƱƱÄį¹aƱcÄyatanaį¹ samatikkamma ānatthi kiƱcÄ«āti ÄkiƱcaƱƱÄyatanaį¹ upasampajja viharati: ayaį¹ chaį¹į¹hÄ« disÄ;
With
the complete transcending of the dimension of the infinitude of
consciousness, [perceiving,] ‘There is nothing,’ he/she enters and
remains in the dimension of nothingness. This is the sixth direction.
the complete transcending of the dimension of the infinitude of
consciousness, [perceiving,] ‘There is nothing,’ he/she enters and
remains in the dimension of nothingness. This is the sixth direction.
Sabbaso ÄkiƱcaƱƱÄyatanaį¹ samatikkamma nevasaƱƱÄnÄsaƱƱÄyatanaį¹ upasampajja viharati: ayaį¹ sattamÄ« disÄ;
With
the complete transcending of the dimension of nothingness, he/she
enters and remains in the dimension of neither perception nor
non-perception. This is the seventh direction.
the complete transcending of the dimension of nothingness, he/she
enters and remains in the dimension of neither perception nor
non-perception. This is the seventh direction.
Sabbaso nevasaƱƱÄnÄsaƱƱÄyatanaį¹ samatikkamma saƱƱÄvedayitanirodhaį¹ upasampajja viharati: ayaį¹ aį¹į¹hamÄ« disÄ.
With
the complete transcending of the dimension of neither perception nor
non-perception, he/she enters and remains in the cessation of perception
and feeling. This is the eighth direction.
the complete transcending of the dimension of neither perception nor
non-perception, he/she enters and remains in the cessation of perception
and feeling. This is the eighth direction.
TathÄgatena,
bhikkhave, arahatÄ sammÄsambuddhena purisadammo sÄrito imÄ aį¹į¹ha disÄ
vidhÄvati. āSo vuccati yoggÄcariyÄnaį¹ anuttaro purisadammasÄrathÄ«āti:
iti yaį¹ taį¹ vuttaį¹ idametaį¹ paį¹icca vuttaāānti.
bhikkhave, arahatÄ sammÄsambuddhena purisadammo sÄrito imÄ aį¹į¹ha disÄ
vidhÄvati. āSo vuccati yoggÄcariyÄnaį¹ anuttaro purisadammasÄrathÄ«āti:
iti yaį¹ taį¹ vuttaį¹ idametaį¹ paį¹icca vuttaāānti.
Steered
by the Tathagata ā worthy and rightly self-awakened ā the person to be
tamed fans out in eight directions. ‘Among master trainers, he (the
Tathagata) is said to be the unexcelled trainer of those people fit to
be tamed’: thus was it said. And in reference to this was it said.
by the Tathagata ā worthy and rightly self-awakened ā the person to be
tamed fans out in eight directions. ‘Among master trainers, he (the
Tathagata) is said to be the unexcelled trainer of those people fit to
be tamed’: thus was it said. And in reference to this was it said.
Idamavoca bhagavÄ. AttamanÄ te bhikkhÅ« bhagavato bhÄsitaį¹ abhinandunti.
That is what the Blessed One said. Gratified, the monks delighted in the Blessed One’s words.
Notes
1.
states to which beings are attached: Satta-pada. The question in
translating this compound is whether satta means “living being” or
“attached to.” In this translation, I have opted for both.
states to which beings are attached: Satta-pada. The question in
translating this compound is whether satta means “living being” or
“attached to.” In this translation, I have opted for both.
2.
has not conquered his limitations or the results of action: this
passage seems related to the passage in AN 3.99, which defines a person
of limited mind, prey to the results of past bad actions, as one who is
“undeveloped in contemplating the body, undeveloped in virtue,
undeveloped in concentration, and undeveloped in discernment;
restricted, small-hearted, dwelling with suffering.” As AN 3.99 points
out, such a person suffers more intensely from the results of past
unskillful actions than does one whose awareness is unrestricted. SN
42.8 recommends the practice of the four sublime attitudes as a way of
developing an unrestricted awareness that weakens the results of past
unskillful actions.
has not conquered his limitations or the results of action: this
passage seems related to the passage in AN 3.99, which defines a person
of limited mind, prey to the results of past bad actions, as one who is
“undeveloped in contemplating the body, undeveloped in virtue,
undeveloped in concentration, and undeveloped in discernment;
restricted, small-hearted, dwelling with suffering.” As AN 3.99 points
out, such a person suffers more intensely from the results of past
unskillful actions than does one whose awareness is unrestricted. SN
42.8 recommends the practice of the four sublime attitudes as a way of
developing an unrestricted awareness that weakens the results of past
unskillful actions.
3. blind to danger: A
person who is “blind to danger” is one who does not see the drawbacks of
sensual pleasure or attachment to the body. For such a person, moments
of equanimity are usually a dull spot in the midst of the quest for
sensual pleasure. This is why such moments do not go beyond the sensory
stimulus that generated them.
person who is “blind to danger” is one who does not see the drawbacks of
sensual pleasure or attachment to the body. For such a person, moments
of equanimity are usually a dull spot in the midst of the quest for
sensual pleasure. This is why such moments do not go beyond the sensory
stimulus that generated them.
Translated from the Pali by Thanissaro Bhikkhu.
Access to Insight, 1 July 2010.
āāāoOoāāā
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Wish you a happy birthday 
Marasandra Muniappa Ji
Marasandra Muniappa JiMay you be ever happy 
, well and secure.
, well and secure. May you live long at least for 150 years with NAD pills.
May you have calm, quiet, alert 
, attentive and equanimity mind with a clear understanding that everything is changing.
, attentive and equanimity mind with a clear understanding that everything is changing.From J Chandrasekharan and family
Kushinara NIBBÄNA BHUMI Pagoda
White Home 
18ft Dia Mindful Meditation 
Lab
LabPunya BHUMI, Bengaluru,
Magadhi Karnataka,
Prabuddha Bharat
Sir
Jaibhim ,Above Cycle Expedition for free Tibet .Samata Sainik Dal
support free Tibet Movement. Route of expedition is nearby your place
then support him, felicitation
Jaibhim ,Above Cycle Expedition for free Tibet .Samata Sainik Dal
support free Tibet Movement. Route of expedition is nearby your place
then support him, felicitation
All
Sentient and Non-sentient beings are happy, well and secure in
Awakened One with Awareness Universe. They are calm, quiet
, alert
attentive and have equanimity mind with a clear understanding that
everything is changing. They grow vegetables
and fruit 
bearing
dwarf trees
and live like free birds 
. They construct their own
homes and make their own dresses.
Sentient and Non-sentient beings are happy
, well and secure inAwakened One with Awareness Universe. They are calm, quiet
, alert attentive and have equanimity mind with a clear understanding that
everything is changing. They grow vegetables
and fruit bearingdwarf trees
and live like free birds . They construct their ownhomes and make their own dresses.
All
Sentient and Non-sentient beings are happy, well and secure in
Awakened One with Awareness Universe. They are calm, quiet, alert
attentive and have equanimity mind with a clear understanding that
everything is changing. They grow vegetables and fruit bearing
dwarf trees and live like free birds . They construct their own
homes and make their own dresses.
Sentient and Non-sentient beings are happy
, well and secure inAwakened One with Awareness Universe. They are calm, quiet
, alert attentive and have equanimity mind with a clear understanding that
everything is changing. They grow vegetables
and fruit bearingdwarf trees
and live like free birds . They construct their ownhomes and make their own dresses.
Latest
best min digital camera to capture 360 degrees akin to Circarama and
projector to project 360 degree movie in 18 ft dia hall
best min digital camera to capture 360 degrees akin to Circarama and
projector to project 360 degree movie in 18 ft dia hall
Latest
best min digital camera to capture 360 degrees akin to Circarama and
projector to project 360 degree movie in 18 ft dia hall. To capture and
project all Buddhist sites as suggested by the Buddha.
best min digital camera to capture 360 degrees akin to Circarama and
projector to project 360 degree movie in 18 ft dia hall. To capture and
project all Buddhist sites as suggested by the Buddha.
As
CM of UP she became eligible to be the PM of Prabuddha Bharat with her
best governance by way of distributing the wealth of the State
proportionately among Sarvajan Samaj as enshrined in our Constitution
which was not tolerated by the foreigners chitpavan brahmins. Hence the
fraud EVMs were tampered to deny her the Master Key
as desired by the
father of the Constitution Dr BR Ambedkar. If the elections are
conducted with Ballot Papers the chitpavan brahmin parties will get only
0.1 % votes.
CM of UP she became eligible to be the PM of Prabuddha Bharat with her
best governance by way of distributing the wealth of the State
proportionately among Sarvajan Samaj as enshrined in our Constitution
which was not tolerated by the foreigners chitpavan brahmins. Hence the
fraud EVMs were tampered to deny her the Master Key
as desired by thefather of the Constitution Dr BR Ambedkar. If the elections are
conducted with Ballot Papers the chitpavan brahmin parties will get only
0.1 % votes.
25 Best Animated Infographic Examples Online
25 Best Animated Infographic
One huge problem video marketers constantly face is:
The difficulty involved in engaging a large audience with your important information and statistics.
But why is that the case?
Because
most people are going about it the wrong way! They are trying to
present their facts and figures in a format thatās not designed to
perform those functions. The result is almost always boring and
unengaging.
most people are going about it the wrong way! They are trying to
present their facts and figures in a format thatās not designed to
perform those functions. The result is almost always boring and
unengaging.
So, what is the right format?
Well, thatās exactly what Iām going to discuss in this post:
The Spiel guide to animated infographics with 25 of the worldās best examples!
Table of Contents
What is an Animated Infographic?
How Can I Create an Attention-Grabbing Animated Infographic?
25 of the Worldās Best Animated Infographics
Conclusion
What is an Animated Infographic?
An
animated infographic is a visually appealing depiction of data, facts,
figures, and stats. They can cover any subject and, thanks to their
ability to transform often boring figures into vivid, memorable
experiences, are easily absorbable and informative for specialists and
casual viewers alike.
animated infographic is a visually appealing depiction of data, facts,
figures, and stats. They can cover any subject and, thanks to their
ability to transform often boring figures into vivid, memorable
experiences, are easily absorbable and informative for specialists and
casual viewers alike.
But, as the digital
landscape becomes more and more cluttered with content, basic image
infographics, though effective on their own, just arenāt cutting it like
they used to.
landscape becomes more and more cluttered with content, basic image
infographics, though effective on their own, just arenāt cutting it like
they used to.
Thatās where animation comes in!
By
enhancing your image with motion, it will naturally draw the attention
of the human eye. So, for maximum engagement, you should get the
audience interested with attractive animation and then keep them
interested with surprising and informative content.
enhancing your image with motion, it will naturally draw the attention
of the human eye. So, for maximum engagement, you should get the
audience interested with attractive animation and then keep them
interested with surprising and informative content.
āBy enhancing your image with motion, it will naturally draw the attention of the human eye.ā
The 10 most common styles of animated infographic are:
Maps:
For data intrinsically linked to a geographical location (or
locations), using maps to visualise it is the most effective method.
For data intrinsically linked to a geographical location (or
locations), using maps to visualise it is the most effective method.
Process or How-To: Directional cues take the viewer through a series of instructional steps.
Exploded View: Each component of a product is separated in the order of assembly to get to the core of how it works.
Comparisons: Two or more similar, or dissimilar, things are compared side by side to highlight their distinctions.
Interactive:
The viewer can interact with the animated infographic by clicking on
various components for a closer look or to influence the content in some
way. Take a look at my interactive video guide for more info here.
The viewer can interact with the animated infographic by clicking on
various components for a closer look or to influence the content in some
way. Take a look at my interactive video guide for more info here.
Data Visualisation: In-depth information can be easily communicated with Venn diagrams, pie and bar charts, line graphs, etc.
Kinetic Typography: For infographic videos especially, animated moving text is a great way to convey more abstract information.
Timeline: A chronological visualisation of how something has changed or evolved over a certain time period.
Hierarchy: Various components making up a single subject are arranged in order of importance, usually using a hierarchy pyramid.
Informational
or List: Text-heavy rather than number-heavy. Ordered lists like
ātop-10sā are a sure way to hold peopleās attention.
or List: Text-heavy rather than number-heavy. Ordered lists like
ātop-10sā are a sure way to hold peopleās attention.
Animated
infographics can be made for multiple reasons, such as product or
service explanations, education, recruitment, corporate videos or even
just for pure entertainment.
infographics can be made for multiple reasons, such as product or
service explanations, education, recruitment, corporate videos or even
just for pure entertainment.
If you would like
to get a better idea of which style would work best for you, they are
all covered in the 25 examples at the end of this article.
to get a better idea of which style would work best for you, they are
all covered in the 25 examples at the end of this article.
How Can I Create an Attention-Grabbing Animated Infographic?
Creating
a great animated infographic is all about knowing how to find the
perfect animation company for you, then building a constructive
collaboration with them.
a great animated infographic is all about knowing how to find the
perfect animation company for you, then building a constructive
collaboration with them.
Here are my top 8 guidelines for doing just that:
Goals:
Before approaching agencies, set goals for your infographic that can be
measured: āIncrease my social media followingā as opposed to āexplain
my company history.āThis will have a positive domino effect on the rest
of the campaign. It gives a good agency direction for research, which in
turn informs the key performance indicators, the budget, the content,
the art style, and so on.
Before approaching agencies, set goals for your infographic that can be
measured: āIncrease my social media followingā as opposed to āexplain
my company history.āThis will have a positive domino effect on the rest
of the campaign. It gives a good agency direction for research, which in
turn informs the key performance indicators, the budget, the content,
the art style, and so on.
Location: If you prefer to meet the
animation company in-person, only search for ones in your area. For
example, search āinfographic animation company Londonā or ābest animated
infographic agency in Londonā.
animation company in-person, only search for ones in your area. For
example, search āinfographic animation company Londonā or ābest animated
infographic agency in Londonā.
Study Portfolios: Examining agenciesā portfolios and client reviews will allow you to:
See if their style and quality work for you
See if they have worked well with similar or well-renowned businesses
Save some of your favourites to reference when talking to them
Brief:
Take some time to summarise the key information that you want to be
included in the infographic as well as your brand ethos. This will help
an agency when they are formulating a creative treatment for the
project.
Take some time to summarise the key information that you want to be
included in the infographic as well as your brand ethos. This will help
an agency when they are formulating a creative treatment for the
project.
A True Collaboration: If an animation company is
offering you a definite quote after just one phone call, know theyāre
looking for a quick sale rather than a collaboration focused on
producing a successful animated infographic.
offering you a definite quote after just one phone call, know theyāre
looking for a quick sale rather than a collaboration focused on
producing a successful animated infographic.
Know the
Creatives: Firstly, you will talk to a salesperson, who will take your
information on-board and help you get a better understanding of the
process.As the project progresses, however, also make sure youāre in
communication with the creative director. They are the ones who will be
able to translate your brief into the most compelling, eye-catching
animated infographic possible.
Creatives: Firstly, you will talk to a salesperson, who will take your
information on-board and help you get a better understanding of the
process.As the project progresses, however, also make sure youāre in
communication with the creative director. They are the ones who will be
able to translate your brief into the most compelling, eye-catching
animated infographic possible.
Trust Your Feeling: After corresponding with an agency a few times, ask yourself how those interactions have been.
Do they seem passionate about your project?
Are they responsive and helpful?
Do they seem to be grasping your message?
Be
Open: As long as youāre open to professional opinion and are realistic
with your budget and schedule, youāve everything you need to form an
amazingly productive and long-lasting collaboration.
Open: As long as youāre open to professional opinion and are realistic
with your budget and schedule, youāve everything you need to form an
amazingly productive and long-lasting collaboration.
Now, here are 25 of the worldās best animated infographics online:
How Far Can North Korean Missiles Go?
This
attention-grabbing animated video infographic was created by YouTube
channel The Infographics Show. It plays on recent news headlines by
informing the viewer exactly where on the globe the reported North
Korean intercontinental ballistic missiles could potentially reach.
attention-grabbing animated video infographic was created by YouTube
channel The Infographics Show. It plays on recent news headlines by
informing the viewer exactly where on the globe the reported North
Korean intercontinental ballistic missiles could potentially reach.
The
colourful 2-D animation clearly conveys the voiceover and flows
naturally from point to point. As their name suggests, The Infographic
Show is a channel dedicated purely to animated infographics, and, with
3.5 million subscribers, they really do demonstrate how compelling the
style can be.
colourful 2-D animation clearly conveys the voiceover and flows
naturally from point to point. As their name suggests, The Infographic
Show is a channel dedicated purely to animated infographics, and, with
3.5 million subscribers, they really do demonstrate how compelling the
style can be.
How to Build a Human ā Animated Infographic
Human-Made
This
animated infographic GIF was created by digital entertainment company
Nerdist. It is an easy to understand visual guide to all 40 weeks of
pregnancy from fertilization through to birth.
animated infographic GIF was created by digital entertainment company
Nerdist. It is an easy to understand visual guide to all 40 weeks of
pregnancy from fertilization through to birth.
Animated
infographics are a great tool because they can fit so much valuable
information into such a small space, and do it in such a way that
doesnāt feel cluttered or confusing. Animating your infographic image
will naturally draw the attention of casual browsers.
infographics are a great tool because they can fit so much valuable
information into such a small space, and do it in such a way that
doesnāt feel cluttered or confusing. Animating your infographic image
will naturally draw the attention of casual browsers.
With or Without EU ā Animated Infographic
Infographics
can be used to explain some of the most complex topics in a succinct
manner. The School of Business, Management and Economics at the
University of Sussex proves it with this 3-minute clip about post-Brexit
Britain.
can be used to explain some of the most complex topics in a succinct
manner. The School of Business, Management and Economics at the
University of Sussex proves it with this 3-minute clip about post-Brexit
Britain.
The clean, sleek animation uses block
colours and smooth transitions to effectively distinguish between
Britainās various imports and exports as well as where they come and go
around the world.
colours and smooth transitions to effectively distinguish between
Britainās various imports and exports as well as where they come and go
around the world.
Evolution of Insight ā Animated Infographic
Evolution of Insight
This
interactive animated infographic was made by cloud-based customer
intelligence platform Vision Critical. It is a visual history of the
evolution of insight beginning in the 1890s with Herman Hollerith
revolutionizing the census process and ending with āin-the-momentā
mobile data collection.
interactive animated infographic was made by cloud-based customer
intelligence platform Vision Critical. It is a visual history of the
evolution of insight beginning in the 1890s with Herman Hollerith
revolutionizing the census process and ending with āin-the-momentā
mobile data collection.
The animators did a
great job at representing the aesthetic changes throughout the previous
century. And allowing the audience to interact with the infographic adds
a whole new level of engagement. If they can choose where to focus
their attention, they are likely to stay with it for longer.
great job at representing the aesthetic changes throughout the previous
century. And allowing the audience to interact with the infographic adds
a whole new level of engagement. If they can choose where to focus
their attention, they are likely to stay with it for longer.
Cheetah: Natureās Speed Machine ā Animated Infographic
cheetah
Educational
content maker Animagraffs created this animated infographic all about
the worldās fastest land mammal. Using beautiful sketch-style animation,
it gives the viewer the essential facts about cheetahs while making
interesting comparisons, like to the speed of a Ferrari Enzo.
content maker Animagraffs created this animated infographic all about
the worldās fastest land mammal. Using beautiful sketch-style animation,
it gives the viewer the essential facts about cheetahs while making
interesting comparisons, like to the speed of a Ferrari Enzo.
Infographics
are a great way to educate people because they weed out the unimportant
information and present what matters in a visually appealing way,
helping people retain what theyāre learning.
are a great way to educate people because they weed out the unimportant
information and present what matters in a visually appealing way,
helping people retain what theyāre learning.
The Seas of Plastic ā Animated Infographic
The Seas of Plastic
This
detailed interactive infographic, titled The Seas of Plastic, allows
the viewer to control an animated 3-D graphic of the earth, depicting 30
years of accumulated floating debris in the worldās ocean.
detailed interactive infographic, titled The Seas of Plastic, allows
the viewer to control an animated 3-D graphic of the earth, depicting 30
years of accumulated floating debris in the worldās ocean.
Infographics
are a fantastic tool for modelling and tracking complex systems and
data inputs, even on a world scale. When trying to portray something of
such enormity, itās a helpful and powerful way of getting vital messages
across.
are a fantastic tool for modelling and tracking complex systems and
data inputs, even on a world scale. When trying to portray something of
such enormity, itās a helpful and powerful way of getting vital messages
across.
Chronology of the Universe ā Animated Infographic
This
3.5-minute animated infographic video takes on the very ambitious task
of summarising the 13.7 billion-year history of the universe, and all
without voiceover. Instead, it combines dramatic music with ethereal
graphics and concise text to represent all of the major development
stages.
3.5-minute animated infographic video takes on the very ambitious task
of summarising the 13.7 billion-year history of the universe, and all
without voiceover. Instead, it combines dramatic music with ethereal
graphics and concise text to represent all of the major development
stages.
Donāt be afraid to be ambitious with
your animated infographic. And, if the topic allows, utilise sound
design to engross the viewer in the world, or universe, youāre
revealing.
your animated infographic. And, if the topic allows, utilise sound
design to engross the viewer in the world, or universe, youāre
revealing.
42 Butterflies of North America Animated Infographic
Butterflies
Science
blog Tabletop Whale created this animated infographic as a guide to 42
of the most unique species of butterfly in North America. It is more
visual than it is informative, but it still includes their common names,
scientific names, sizes and locations.
blog Tabletop Whale created this animated infographic as a guide to 42
of the most unique species of butterfly in North America. It is more
visual than it is informative, but it still includes their common names,
scientific names, sizes and locations.
This is
one of the most referenced animated infographics I have come across
online. The reason for its popularity is its moving animation and the
quality of that animation. Having life-like, fluttering sketches of
butterflies instantly catches the attention of anyone with the even
remotest interest.
one of the most referenced animated infographics I have come across
online. The reason for its popularity is its moving animation and the
quality of that animation. Having life-like, fluttering sketches of
butterflies instantly catches the attention of anyone with the even
remotest interest.
Global Air Traffic ā Animated Infographic
This
fascinating animated video infographic was made by German creative
communication solutions agency Rightcolours. It visualises interesting
facts and trends about worldwide air travel, such as the biggest cause
of delays, and ranking the worldās busiest airports.
fascinating animated video infographic was made by German creative
communication solutions agency Rightcolours. It visualises interesting
facts and trends about worldwide air travel, such as the biggest cause
of delays, and ranking the worldās busiest airports.
The
simple animation continuously pans on to the next fact or point making
it simple to follow. A great technique if you want to create an animated
infographic packed full of curiosities.
simple animation continuously pans on to the next fact or point making
it simple to follow. A great technique if you want to create an animated
infographic packed full of curiosities.
The History of Europe: Every Year
This
well-researched historical infographic maps European boarders and
populations every year from 400 BC up to 2017. Given just 12 minutes, I
cannot think of a more effective way of visualising Europeās population
dynamics throughout the centuries than with this style of animated
infographic video.
well-researched historical infographic maps European boarders and
populations every year from 400 BC up to 2017. Given just 12 minutes, I
cannot think of a more effective way of visualising Europeās population
dynamics throughout the centuries than with this style of animated
infographic video.
With over 5 million views,
this clip is more proof that the to-the-point appeal of infographics
works. The more effort you put in, the more likely you are to be
rewarded.
this clip is more proof that the to-the-point appeal of infographics
works. The more effort you put in, the more likely you are to be
rewarded.
The New New York Skyline ā Animated Infographic
The New New York Skyline
Iconic
magazine National Geographic created this interactive animated
infographic to show how the New York skyline will change radically by
2021. With 47 new skyscrapers either built, under construction or
planned between 2004 and that year, the city is undergoing an
unprecedented transformation.
magazine National Geographic created this interactive animated
infographic to show how the New York skyline will change radically by
2021. With 47 new skyscrapers either built, under construction or
planned between 2004 and that year, the city is undergoing an
unprecedented transformation.
Interactive
infographics are not only an excellent way of envisaging future plans,
they also allow people to focus on the bits that interest them.
infographics are not only an excellent way of envisaging future plans,
they also allow people to focus on the bits that interest them.
Hellmannās ā Itās Time for Real ā Animated Infographic
Food
product brand Hellmanās created this in animated infographic for a
Canadian audience. It promotes buying food that has been produced within
the country by informing customers of their growing reliance on imports
as well as their declining exports.
product brand Hellmanās created this in animated infographic for a
Canadian audience. It promotes buying food that has been produced within
the country by informing customers of their growing reliance on imports
as well as their declining exports.
What makes
this infographic stand out is its creative combination of 3-D animation
and stop-motion. Having the food portray each fact cleverly reinforces
whatās being said.
this infographic stand out is its creative combination of 3-D animation
and stop-motion. Having the food portray each fact cleverly reinforces
whatās being said.
Think about how you could combine animation styles to attract attention to your infographic.
Landing Page Best Practices ā Animated Infographic
Landing Page Best Practices
Email
design and HTML coding company Email Monks created this innovative
animated infographic all about optimising your landing page. By
scrolling down the screen, you are in control of a car driving down
āLanding Page Roadā, leading straight to āBusiness Successā.
design and HTML coding company Email Monks created this innovative
animated infographic all about optimising your landing page. By
scrolling down the screen, you are in control of a car driving down
āLanding Page Roadā, leading straight to āBusiness Successā.
Think
about clever ways you can take the viewer on a journey with your
animated infographic. Make them excited to stick around and find out
whatās going to come up next.
about clever ways you can take the viewer on a journey with your
animated infographic. Make them excited to stick around and find out
whatās going to come up next.
Vitamin Atlas: An Interactive Guide to Nutrition and the Human Body
Vitamin Atlas: An Interactive Guide to Nutrition and the Human Body
Global
news company GOOD created this in-depth interactive infographic as a
guide to vitamins and the various function they perform in the human
body. It provides information about every vitamin, like background on
how and where it was discovered, what it does in the body and in what
foods it can be found in.
news company GOOD created this in-depth interactive infographic as a
guide to vitamins and the various function they perform in the human
body. It provides information about every vitamin, like background on
how and where it was discovered, what it does in the body and in what
foods it can be found in.
If your business is
highly complex, use animated interactive infographics to help potential
customers better understand your product or service.
highly complex, use animated interactive infographics to help potential
customers better understand your product or service.
Social Networks ā In Numbers
This
is a good example of a low-budget animated infographic made by a
student. It breaks down the worldwide users of Facebook, Twitter and
YouTube by numbers and in doing so makes some fascinating points.
is a good example of a low-budget animated infographic made by a
student. It breaks down the worldwide users of Facebook, Twitter and
YouTube by numbers and in doing so makes some fascinating points.
What
sparks my interest in this video is the comparisons it makes. For
example, if Facebook, with its 955 million users, were a country, it
would be the third largest in the world behind India.
sparks my interest in this video is the comparisons it makes. For
example, if Facebook, with its 955 million users, were a country, it
would be the third largest in the world behind India.
If
your viewers are anything like me, including curious comparisons that
convey things like scale in your infographics will do a lot to hold
their attention.
your viewers are anything like me, including curious comparisons that
convey things like scale in your infographics will do a lot to hold
their attention.
āIf your viewers are anything
like me, including curious comparisons that convey things like scale in
your infographics will do a lot to hold their attention.ā
like me, including curious comparisons that convey things like scale in
your infographics will do a lot to hold their attention.ā
Adobe Illustrator vs Adobe Photoshop ā Animated Infographic
This
animated infographic is an interesting example of how the format can be
used to compare two similar things and highlight their differences.
Here we see Adobeās vector graphics editor Illustrator side by side with
Adobeās raster graphics editor Photoshop.
animated infographic is an interesting example of how the format can be
used to compare two similar things and highlight their differences.
Here we see Adobeās vector graphics editor Illustrator side by side with
Adobeās raster graphics editor Photoshop.
Perhaps
a critique you often hear about one of your products is that itās the
very same as another, but you know that this is a misunderstanding.
Animated infographics could be the perfect tool to dispel all confusion.
a critique you often hear about one of your products is that itās the
very same as another, but you know that this is a misunderstanding.
Animated infographics could be the perfect tool to dispel all confusion.
Economic Inequality is Fixable ā Animated Infographic
Economic Inequality is Fixable
American
non-profit think-thank The Economic Policy Institute created this
animated interactive infographic to educate people about how economic
inequality was created and how it can therefore be fixed. It offers
visitors a chance to learn the facts around factors like trade, tax
fairness and labour standards as well as myths like the American dream
and trickle-down economics.
non-profit think-thank The Economic Policy Institute created this
animated interactive infographic to educate people about how economic
inequality was created and how it can therefore be fixed. It offers
visitors a chance to learn the facts around factors like trade, tax
fairness and labour standards as well as myths like the American dream
and trickle-down economics.
Infographics are a
powerful tool for simplifying issues that people might otherwise be
turned off of. Encouraging them to get involved and take action.
powerful tool for simplifying issues that people might otherwise be
turned off of. Encouraging them to get involved and take action.
Save the Elephants ā Animated Infographic
Environmental
organisation WildAid created this 3.5-minute animated infographic as an
urgent wake-up call to the plight of the worldās elephant populations.
It instantly grabs the viewerās attention with the shocking fact that of
the original 350 elephant species, only 2 remain.
organisation WildAid created this 3.5-minute animated infographic as an
urgent wake-up call to the plight of the worldās elephant populations.
It instantly grabs the viewerās attention with the shocking fact that of
the original 350 elephant species, only 2 remain.
This
is a great example of an infographic video using kinetic topography (or
āmoving textā) to communicate its agenda. This inexpensive form of
animation is effective at reinforcing key messages.
is a great example of an infographic video using kinetic topography (or
āmoving textā) to communicate its agenda. This inexpensive form of
animation is effective at reinforcing key messages.
An Analysis of The Beatles ā Animated Infographic
An Analysis of The Beatles
This
brilliant interactive infographic image was created by analytics and
art blog Dueling Data. It breaks down the Beatles discography by band
member for the 7 years they were releasing music as a group.
brilliant interactive infographic image was created by analytics and
art blog Dueling Data. It breaks down the Beatles discography by band
member for the 7 years they were releasing music as a group.
It
provides music nerds with data like: who wrote most of their songs,
what most of their songs are about and which of them had the largest
vocabulary (not Ringo).
provides music nerds with data like: who wrote most of their songs,
what most of their songs are about and which of them had the largest
vocabulary (not Ringo).
Never underestimate the attention purely interest-based infographics can attract to your cause.
7 Ways to Hack a Drought ā Animated Infographic
7 Ways to Hack a Drought
Data
visualization company Column Five Media created this animated GIF
infographic to help Californians cope with the water restrictions the
drought-prone state has implemented. It visualises 7 easy ways of
reducing water consumption.
visualization company Column Five Media created this animated GIF
infographic to help Californians cope with the water restrictions the
drought-prone state has implemented. It visualises 7 easy ways of
reducing water consumption.
Why not add some
simple motion to your still infographic? The engagement benefits of
doing so are well worth the minimal effort required to do it.
simple motion to your still infographic? The engagement benefits of
doing so are well worth the minimal effort required to do it.
#NoFoodWasted ā Animated Infographic
NBCUniversalās
sustainability initiative Green is Universal created this shocking
animated video infographic for Earth Week 2015. It highlights the
problem of food waste in America, and opening with the unbelievable stat
that 40% of all food in America is thrown away certainly got my
attention.
sustainability initiative Green is Universal created this shocking
animated video infographic for Earth Week 2015. It highlights the
problem of food waste in America, and opening with the unbelievable stat
that 40% of all food in America is thrown away certainly got my
attention.
I like this video because it
encourages people to be more environmentally conscious by showing just
how much it would benefit them personally, rather than expecting
everyone to see the bigger picture.
encourages people to be more environmentally conscious by showing just
how much it would benefit them personally, rather than expecting
everyone to see the bigger picture.
Also, to boost awareness, think about putting your brand colour centre stage in your infographic.
2013 on Ustream ā Animated Infographic
2013 on Ustream
Live
video streaming and video hosting company Ustream, now IBM Cloud Video,
decided to create this entire animated infographic website for maximum
exposure. The animation moves in relation to the scrollbar. As you move
down each page, the animations pop out to supplement stats.
video streaming and video hosting company Ustream, now IBM Cloud Video,
decided to create this entire animated infographic website for maximum
exposure. The animation moves in relation to the scrollbar. As you move
down each page, the animations pop out to supplement stats.
Depending
on the nature of your business, presenting your vital statistics up
front and centre in a bright and bold fashion could be a perfect tactic
for boosting your conversions.
on the nature of your business, presenting your vital statistics up
front and centre in a bright and bold fashion could be a perfect tactic
for boosting your conversions.
āDepending on
the nature of your business, presenting your vital statistics up front
and centre in a bright and bold fashion could be a perfect tactic for
boosting your conversions.ā
the nature of your business, presenting your vital statistics up front
and centre in a bright and bold fashion could be a perfect tactic for
boosting your conversions.ā
How Speakers Make Sound ā Animated Infographic
How Speakers Make Sound
This
detailed, professional animated infographic turns realistic exploded
view sketches into GIF images in order to explain how speakers work. It
provides technical details about magnets, cones, suspension and sound
waves.
detailed, professional animated infographic turns realistic exploded
view sketches into GIF images in order to explain how speakers work. It
provides technical details about magnets, cones, suspension and sound
waves.
This style of animated infographic is
perfect for explaining highly complicated and technical products. If you
are targeting professionals or people who are knowledgeable about your
industry, a great product board will let them know exactly why they
should choose to buy from you.
perfect for explaining highly complicated and technical products. If you
are targeting professionals or people who are knowledgeable about your
industry, a great product board will let them know exactly why they
should choose to buy from you.
Omega Pharma ā Animated Infographic
Belgian-based
pharmaceutical company Omega Pharma created this animated video
infographic to build awareness of their growing importance in the
industry.
pharmaceutical company Omega Pharma created this animated video
infographic to build awareness of their growing importance in the
industry.
This is a great example of a
multifunctional corporate marketing infographic. It could just as easy
be classed as a brand advert or even an explainer video. Sometimes
infographics are the most effective way of getting your brand messages
across.
multifunctional corporate marketing infographic. It could just as easy
be classed as a brand advert or even an explainer video. Sometimes
infographics are the most effective way of getting your brand messages
across.
Free Business Directory
Children of the Recession ā Animated Infographic
Non-profit
organisation UNICEF created this poignant animated video infographic to
highlights the impact the economic crisis is having on child well-being
in rich countries. It uses kinetic topography, emotive music and graphs
to present a worrying trend in European child poverty.
organisation UNICEF created this poignant animated video infographic to
highlights the impact the economic crisis is having on child well-being
in rich countries. It uses kinetic topography, emotive music and graphs
to present a worrying trend in European child poverty.
One
thing I especially like about this video is its character design. It
shows the range of children effected and sends a powerful message by
keeping their faces featureless.
thing I especially like about this video is its character design. It
shows the range of children effected and sends a powerful message by
keeping their faces featureless.
Conclusion
I
hope this post has given you a better understanding of animated
infographics and maybe even got you thinking about making your own.
hope this post has given you a better understanding of animated
infographics and maybe even got you thinking about making your own.
While watching these 25 examples, are there any that relate to your infographic needs?
Please leave any questions or feedback in the comments below. Iād be happy to get back to you!
If
you would like to learn about explainer videos, one of the most
engaging video styles, you can check out my definitive guide to the
subject here.
you would like to learn about explainer videos, one of the most
engaging video styles, you can check out my definitive guide to the
subject here.
CategoriesBlog, Animated Infographics
Posted on February 12, 2021
15 Comments
Darren Travers
Darren Travers
Darren
is creative writer at Spiel, a London-based video production company,
who’s obsessed with writing anything and everything on how to produce
successful videos. Find more of his articles on our blog and follow
Spiel on Twitter, Facebook and LinkedIn.
is creative writer at Spiel, a London-based video production company,
who’s obsessed with writing anything and everything on how to produce
successful videos. Find more of his articles on our blog and follow
Spiel on Twitter, Facebook and LinkedIn.
15 Comments
Avatar for DataIT Solutions
DATAIT SOLUTIONS
January 28, 2021 at 7:40 am
Thank you so much for sharing this useful information.
Reply
Avatar for Arena Animation
ARENA ANIMATION
January 13, 2021 at 7:58 am
I
Really like your blog! Ideal important information that has been truly
helpful. I hope you and your loved ones have a very good day!
Really like your blog! Ideal important information that has been truly
helpful. I hope you and your loved ones have a very good day!
Reply
Darren Travers
DARREN TRAVERS
January 31, 2021 at 3:47 pm
Thank you Arena
Reply
Darren Travers
DARREN TRAVERS
December 28, 2020 at 12:25 pm
Thanks Greg
Reply
Avatar for Interactivv Animation Studio
INTERACTIVV ANIMATION STUDIO
December 21, 2020 at 2:11 pm
I learn from this article, very helpful for us, visitors you can also learn more.
Reply
Avatar for cyndy
CYNDY
December 11, 2020 at 4:20 am
Great info. what software is used to create these animated infographics?
Reply
Avatar for Abi Lingford
ABI LINGFORD
February 28, 2020 at 2:03 pm
Thanks
for the article, very inspiring. Just to note, the second example is
mis-attributed as being produced by nerdist. It is actually produced by
Eleanor Lutz of tabletop whale (who is correctly attributed in a later
example)
for the article, very inspiring. Just to note, the second example is
mis-attributed as being produced by nerdist. It is actually produced by
Eleanor Lutz of tabletop whale (who is correctly attributed in a later
example)
Reply
Avatar for tony
TONY
January 27, 2020 at 12:05 pm
nice blog, but you left out the platforms used to create those videos. It would be nice to know what they were.
Reply
Avatar for Aleena Johnson
ALEENA JOHNSON
December 9, 2019 at 9:23 am
Really nice to read such a helpful blog. You have mentioned important points in a easy way to understand.
Reply
admin
ADMIN
December 11, 2019 at 2:17 pm
Thank you Aleena
Reply
Avatar for Travis Martinez
TRAVIS MARTINEZ
September 5, 2019 at 4:54 am
This
article definitely gives us more understanding of animated
infographics. Thank you for sharing the examples as well for better
understanding.
article definitely gives us more understanding of animated
infographics. Thank you for sharing the examples as well for better
understanding.
Reply
admin
ADMIN
September 18, 2019 at 11:25 am
Thanks Travis
Reply
Avatar for Chehak Wadhwa
CHEHAK WADHWA
June 10, 2019 at 11:48 am
This
post has given a more comprehensive view of the animation world with
different infographic examples. Understanding and choosing the best
examples mentioned above can help to make a killer video. I just love
this blog! Thanks for sharing.
post has given a more comprehensive view of the animation world with
different infographic examples. Understanding and choosing the best
examples mentioned above can help to make a killer video. I just love
this blog! Thanks for sharing.
Reply
Darren Travers
DARREN TRAVERS
June 10, 2019 at 9:40 pm
Thanks Chehak. Glad you enjoyed the post!
Reply
Avatar for Greg Sparrow
GREG SPARROW
February 11, 2019 at 6:38 am
Very nice post. I just stumbled upon your blog and wished to
say that I have truly enjoyed your articles.
In any case, I will be subscribing to your blog and I hope you write again soon!
Reply
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To
create Prabuddha Vishwa to Do Good
Purify Mind for Happiness,
Welfare and Peace and to Attain Eternal Bliss as Final Goal for all
Sentient and Non-sentient beings of entire universe.
create Prabuddha Vishwa to Do Good
Purify Mind for Happiness,Welfare and Peace and to Attain Eternal Bliss as Final Goal for all
Sentient and Non-sentient beings of entire universe.
by SpiritFilms | Public
Films
which awaken the human spirit, connect us to the one Source, or reveal
the Dharma. These are films that that lift the veil of familiarity
between you and the world, revealing the beauty and mystery in the
universe.
which awaken the human spirit, connect us to the one Source, or reveal
the Dharma. These are films that that lift the veil of familiarity
between you and the world, revealing the beauty and mystery in the
universe.
98 titles
Spring, Summer, Fall, Winter… and Spring
1. Spring, Summer, Fall, Winter… and Spring (2003)
R | 103 min | Drama, Romance
8
A
cinematic masterpiece - possibly the most beautiful backdrop for any
film in history. An old monk lives on a beautiful floating temple. As he
tries live in balance and harmony the people who come into his world
teach him deep lessons about life as he teaches them.
cinematic masterpiece - possibly the most beautiful backdrop for any
film in history. An old monk lives on a beautiful floating temple. As he
tries live in balance and harmony the people who come into his world
teach him deep lessons about life as he teaches them.
2001: A Space Odyssey
2. 2001: A Space Odyssey (1968)
G | 149 min | Adventure, Sci-Fi
8.3
A
classic artistic and cinematic masterpiece which explores what it means
to have consciousness, purpose, destiny and how to achieve evolutionary
transcendence.
classic artistic and cinematic masterpiece which explores what it means
to have consciousness, purpose, destiny and how to achieve evolutionary
transcendence.
Baraka
3. Baraka (1992)
Not Rated | 96 min | Documentary
8.6
A
wordless journey into the visual patterns of nature juxtaposed with the
patterns that humanity has created on this planet. Spiritually
uplifting, the soul dances after watching this film.
wordless journey into the visual patterns of nature juxtaposed with the
patterns that humanity has created on this planet. Spiritually
uplifting, the soul dances after watching this film.
Inner Worlds, Outer Worlds
4. Inner Worlds, Outer Worlds (2012)
Not Rated | 122 min | Documentary, History
8.5
Awakened
beings such as Christ, Buddha, Krishna and Lao Tse all share a common
root connection; one could call this the archetypal spiritual
experience. This common inner connection is what lies at the core of all
spiritual traditions. Inner Worlds Outer Worlds reconnects us, makes us
remember who we are, brings us back to the One Source that most of
humanity has forgotten. It is more than a film - it is a template for a
new world that humanity is evolving towards.
beings such as Christ, Buddha, Krishna and Lao Tse all share a common
root connection; one could call this the archetypal spiritual
experience. This common inner connection is what lies at the core of all
spiritual traditions. Inner Worlds Outer Worlds reconnects us, makes us
remember who we are, brings us back to the One Source that most of
humanity has forgotten. It is more than a film - it is a template for a
new world that humanity is evolving towards.
Samadhi: Part 2 - It’s Not What You Think
5. Samadhi: Part 2 - It’s Not What You Think (2018)
71 min | Documentary
8.7
Through
the use of various metaphors and analogies the director comes as close
as possible to telling the Tao that cannot be told.
the use of various metaphors and analogies the director comes as close
as possible to telling the Tao that cannot be told.
The Matrix
6. The Matrix (1999)
R | 136 min | Action, Sci-Fi
8.7
The
Matrix is the illusion that we live in… the conditioned patterns that
keep us from experiencing our true nature. Based on ancient Vedic
teachings “The Matrix” is vedanta for the modern world.
Matrix is the illusion that we live in… the conditioned patterns that
keep us from experiencing our true nature. Based on ancient Vedic
teachings “The Matrix” is vedanta for the modern world.
Samadhi
7. Samadhi (2017)
PG | 60 min | Documentary
8.4
A poignant, direct look at the human condition, and what is required to return to “union” with the source.
Groundhog Day
8. Groundhog Day (1993)
PG | 101 min | Comedy, Fantasy, Romance
8
Billy
Murray lives the same day over and over until he gets it right. A
metaphor for awakening to our true nature which is to be selflessness
and loving.
Murray lives the same day over and over until he gets it right. A
metaphor for awakening to our true nature which is to be selflessness
and loving.
Fight Club
9. Fight Club (1999)
R | 139 min | Drama
8.8
My
favorite quote from the film: ‘It’s only after we’ve lost everything
that we’re free to do anything’. Fight club is about the fight that goes
on within each of us to become the person we are meant to be. It is
about destiny vs. anarchy, rules vs. freedom, and overcoming our fear
and conditioned patterns.
favorite quote from the film: ‘It’s only after we’ve lost everything
that we’re free to do anything’. Fight club is about the fight that goes
on within each of us to become the person we are meant to be. It is
about destiny vs. anarchy, rules vs. freedom, and overcoming our fear
and conditioned patterns.
Avatar
10. Avatar (2009)
PG-13 | 162 min | Action, Adventure, Fantasy
7.8
There
is an intelligence that moves through nature and through us. It is the
connection to spirit that has been lost in our society. Avatar
recognizes this loss and the behavior that perpetuates our belief in our
separateness.
is an intelligence that moves through nature and through us. It is the
connection to spirit that has been lost in our society. Avatar
recognizes this loss and the behavior that perpetuates our belief in our
separateness.
DMT: The Spirit Molecule
11. DMT: The Spirit Molecule (2010)
Not Rated | 75 min | Documentary
7.2
DMT
is the chemical that produces the experience during Shamanic Ayahuasca
journeys. It is the doorway to a certain type of transcendent
experience.
is the chemical that produces the experience during Shamanic Ayahuasca
journeys. It is the doorway to a certain type of transcendent
experience.
The Story of the Weeping Camel
12. The Story of the Weeping Camel (2003)
PG | 93 min | Documentary, Drama, Family
7.5
A slow moving film that is sort of like an active meditation. Even the most jaded and crusty hearts are capable of opening.
Life Is Beautiful
13. Life Is Beautiful (1997)
PG-13 | 116 min | Comedy, Drama, Romance
8.6
Within
the most terrible situations beauty and transcendence is possible
through the use of imagination and love. A Nazi concentration camp
experience is transformed for one child through the loving determination
of his father.
the most terrible situations beauty and transcendence is possible
through the use of imagination and love. A Nazi concentration camp
experience is transformed for one child through the loving determination
of his father.
AmƩlie
14. AmƩlie (2001)
R | 122 min | Comedy, Romance
8.3
A
charming film about a French girl with a powerful imagination who sets
things right in the world around her. Think of her as karma in action.
charming film about a French girl with a powerful imagination who sets
things right in the world around her. Think of her as karma in action.
Samsara
15. Samsara (I) (2011)
PG-13 | 102 min | Documentary, Music
8.5
Samsara
is the endless cycle of suffering. From the creators of Baraka comes a
visual journey through the tragic comedy which is our human existence.
is the endless cycle of suffering. From the creators of Baraka comes a
visual journey through the tragic comedy which is our human existence.
Samsara
16. Samsara (2001)
R | 138 min | Adventure, Drama, Romance
7.7
A monk seeking enlightenment in a cave is drawn back into the world to experience the comic tragedy that we call love.
Atanarjuat: The Fast Runner
17. Atanarjuat: The Fast Runner (2001)
R | 172 min | Drama
7.5
Life of Pi
18. Life of Pi (2012)
PG | 127 min | Adventure, Drama, Fantasy
7.9
Ram Dass, Fierce Grace
19. Ram Dass, Fierce Grace (2001)
Not Rated | 93 min | Documentary
7.6
Ram
Dass was a student of Maharaji who became a popular spiritual teacher
in the 1960’s. This film tells of his connection to Richard Alpert and
Timothy Leary in his search for transcendence, and moves into new
lessons in old age.
Dass was a student of Maharaji who became a popular spiritual teacher
in the 1960’s. This film tells of his connection to Richard Alpert and
Timothy Leary in his search for transcendence, and moves into new
lessons in old age.
The Tibetan Book of the Dead: The Great Liberation
20. The Tibetan Book of the Dead: The Great Liberation (1994)
45 min | Documentary
7.6
The book of how to live and how to die, the way of liberation, narrated by Leonard Cohen.
Apocalypto
21. Apocalypto (2006)
R | 139 min | Action, Adventure, Drama
7.8
A
film that will get your blood stirring and connect you to a sense of
the destiny, mystery and tragedy of human life. You feel the power that
has been lost in the modern world.
film that will get your blood stirring and connect you to a sense of
the destiny, mystery and tragedy of human life. You feel the power that
has been lost in the modern world.
CoSM the Movie: Alex Grey & the Chapel of Sacred Mirrors
22. CoSM the Movie: Alex Grey & the Chapel of Sacred Mirrors (2006)
Not Rated | 80 min | Documentary
7.4
The
visionary art of Alex Grey comes from a place of transcendence has has
common roots in various traditions. A fascinating look at an artist who
channels spirit into his work.
visionary art of Alex Grey comes from a place of transcendence has has
common roots in various traditions. A fascinating look at an artist who
channels spirit into his work.
Enlightenment Guaranteed
23. Enlightenment Guaranteed (1999)
109 min | Drama, Comedy
7.2
A fun film about two brothers who end up at Zen temple and find that enlightenment is not what they expected.
The Journals of Knud Rasmussen
24. The Journals of Knud Rasmussen (2006)
112 min | Drama
6.4
Knud Rasmussen documents the story of a Shaman and gives insights into a seldom seen world.
What the Bleep!?: Down the Rabbit Hole
25. What the Bleep!?: Down the Rabbit Hole (2006)
PG | 156 min | Documentary, Drama
6.4
The
follow-up to the original “What the Bleep”. More about Quantum physics
and the fraying edges of science, and what it means for our
understanding of reality.
follow-up to the original “What the Bleep”. More about Quantum physics
and the fraying edges of science, and what it means for our
understanding of reality.
Peaceful Warrior
26. Peaceful Warrior (2006)
PG-13 | 120 min | Drama, Romance, Sport
7.3
A gymnast meets an illusive teacher where he is taught to find the path to stillness beyond the egoic sense of self.
The Dhamma Brothers
27. The Dhamma Brothers (2008)
76 min | Documentary
7.6
A documentary about meditation in the prison system. It shows the possibility of real transformation, rehabilitation and hope.
The Green Planet
28. The Green Planet (1996)
99 min | Comedy, Sci-Fi
7.3
Waking Life
29. Waking Life (2001)
R | 99 min | Animation, Drama, Fantasy
7.8
Once we realize that we a living a dream within a dream, we have the possibility of being awake.
Tuning In
30. Tuning In (2008)
Not Rated | 80 min | Documentary
7.5
A
documentary containing interviews from some of the great channelers of
our time. Much of this wisdom is years ahead of where humanity is at
now.
documentary containing interviews from some of the great channelers of
our time. Much of this wisdom is years ahead of where humanity is at
now.
The Living Matrix
31. The Living Matrix (2009)
Not Rated | 83 min | Documentary
6.6
By living in alignment with the matrix of the universe we can bring ourselves back to health.
The Fountain
32. The Fountain (2006)
PG-13 | 97 min | Drama, Mystery, Romance
7.2
KumarƩ
33. KumarƩ (2011)
Not Rated | 84 min | Documentary
7.5
The guru is within each of us.
The Life of Buddha
34. The Life of Buddha (2007)
105 min | Animation, Biography, Drama
6.9
An excellent BBC documentary explores the classic story of the Buddha.
August Rush
35. August Rush (2007)
PG | 114 min | Drama, Music
7.5
The
film conveys a profound realization of the power of intention,
synchronicity and the inner mechanism for following one’s bliss.
film conveys a profound realization of the power of intention,
synchronicity and the inner mechanism for following one’s bliss.
Koyaanisqatsi
36. Koyaanisqatsi (1982)
Not Rated | 86 min | Documentary, Music
8.3
A wordless journey into nature. Beautiful soundtrack by Philip Glass.
Whale Rider
37. Whale Rider (2002)
PG-13 | 101 min | Drama, Family
7.5
A young Maori girl fulfills a destiny that those around her refuse to see or acknowledge.
Zen Noir
38. Zen Noir (2004)
71 min | Comedy, Drama, Mystery
6.1
A
left-brain detective is immersed into the world of Zen when he
investigates a crime. The biggest mystery is not who the suspect is, but
who he himself is.
left-brain detective is immersed into the world of Zen when he
investigates a crime. The biggest mystery is not who the suspect is, but
who he himself is.
Cloud Atlas
39. Cloud Atlas (2012)
R | 172 min | Action, Drama, Mystery
7.4
An
attempt at conveying a sense of the cycles of dharma, the Kalachakra,
the wheels of time that we are bound to, and the archetypes and themes
that move through history and through lives.
attempt at conveying a sense of the cycles of dharma, the Kalachakra,
the wheels of time that we are bound to, and the archetypes and themes
that move through history and through lives.
Blade Runner
40. Blade Runner (1982)
R | 117 min | Action, Drama, Sci-Fi
8.1
Based
on the book “Do Androids Dream of Electric Sheep?”. Blade Runner
ultimately asks the question “What is life, what is consciousness?”.
on the book “Do Androids Dream of Electric Sheep?”. Blade Runner
ultimately asks the question “What is life, what is consciousness?”.
A Zen Life: D.T. Suzuki
41. A Zen Life: D.T. Suzuki (2006)
77 min | Documentary
8.1
A glimpse of the great Zen teacher who popularized Zen in the West. The way of Zen is a path, not a destination.
Zen
42. Zen (2009)
127 min | Biography, Drama
7.4
A beautiful film that explores the life of a Zen Buddhist master.
American Beauty
43. American Beauty (1999)
R | 122 min | Drama
8.3
This
film lifts the veil on the American dream to show us the truth about
beauty, suffering and where true happiness can be found.
film lifts the veil on the American dream to show us the truth about
beauty, suffering and where true happiness can be found.
Schindler’s List
44. Schindler’s List (1993)
R | 195 min | Biography, Drama, History
8.9
Joseph Campbell: Sukhavati
45. Joseph Campbell: Sukhavati (1998)
Not Rated | 79 min
7.4
Mythologist
and author Joseph Campbell narrates a journey through archetypal
images, leading us from the unconscious to the conscious.
and author Joseph Campbell narrates a journey through archetypal
images, leading us from the unconscious to the conscious.
The Truman Show
46. The Truman Show (1998)
PG | 103 min | Comedy, Drama
8.1
The Yogis of Tibet
47. The Yogis of Tibet (2002 Video)
Documentary
8
A
glimpse into the lives of yogic masters and a world that has remained
largely hidden and inaccessible. This film is not to be missed by those
on the spiritual path.
glimpse into the lives of yogic masters and a world that has remained
largely hidden and inaccessible. This film is not to be missed by those
on the spiritual path.
Ashes and Snow
48. Ashes and Snow (2005)
62 min | Documentary, Drama
8.2
A dreamlike meditation, poetically revealing some of the most beautiful images ever shot.
Rivers and Tides
49. Rivers and Tides (2001)
TV-G | 90 min | Documentary
8
Where nature’s art and human art intersect.
A Christmas Carol
50. A Christmas Carol (1951)
TV-PG | 86 min | Drama, Family, Fantasy
8.1
Perhaps the best film about awakening the human heart ever made.
Babette’s Feast
51. Babette’s Feast (1987)
G | 103 min | Drama
7.8
Meetings with Remarkable Men
52. Meetings with Remarkable Men (1979)
G | 108 min | Biography, Drama
7.3
A
film about the visionary and mystic George Gurdjieff. While not the
greatest film, the content can still help to convey something of this
great spiritual teacher.
film about the visionary and mystic George Gurdjieff. While not the
greatest film, the content can still help to convey something of this
great spiritual teacher.
Cast Away
53. Cast Away (2000)
PG-13 | 143 min | Adventure, Drama, Romance
7.8
A journey to the self which lies behind the masks that we wear.
Life in a Day
54. Life in a Day (2011)
PG-13 | 95 min | Documentary, Drama
7.6
Video and images all taken from a single day on Earth from all around the world.
Harold and Maude
55. Harold and Maude (1971)
PG | 91 min | Comedy, Drama, Romance
7.9
A film about a death-obsessed boy who becomes friends with an old lady.
Amongst White Clouds
56. Amongst White Clouds (2005 Video)
86 min | Documentary
7.8
A journey into Zen as practiced by hermits living in China’s Zhongnan Mountain range.
Happy
57. Happy (2012)
Not Rated | 76 min | Documentary, Drama, Family
7.2
An
exploration of what it is that we call “happiness”. What is it that we
are really pursuing in our lives, and will it actually lead to
happiness?
exploration of what it is that we call “happiness”. What is it that we
are really pursuing in our lives, and will it actually lead to
happiness?
I Am
58. I Am (III) (2010)
Not Rated | 78 min | Documentary
7.5
An exploration of life and search for true meaning in the world.
Awake: The Life of Yogananda
59. Awake: The Life of Yogananda (2014)
PG | 87 min | Documentary
7.3
A documentary about the life and teachings of Yogananda.
Moving from Emptiness: The Life and Art of a Zen Dude
60. Moving from Emptiness: The Life and Art of a Zen Dude (2014)
69 min | Documentary, Biography
8.5
A wonderful insight into the relationship between stillness and creativity.
Lucy
61. Lucy (I) (2014)
R | 89 min | Action, Sci-Fi, Thriller
6.4
Surprisingly this film has a deep symbollic sub-text in spite of its Hollywood style appearance.
Gandhi
62. Gandhi (1982)
PG | 191 min | Biography, Drama
8
A
biographical drama that focuses on the major events in Ghandi’s life.
This film is more historically focused than “spiritual” but you can a
bit of a sense of Ghandi’s depth.
biographical drama that focuses on the major events in Ghandi’s life.
This film is more historically focused than “spiritual” but you can a
bit of a sense of Ghandi’s depth.
Cabeza de Vaca
63. Cabeza de Vaca (1991)
R | 111 min | Adventure, Biography, Drama
6.9
A Spanish explorer finds his true calling as he is immersed in the indigenous shamanism of the new world.
As It Is in Heaven
64. As It Is in Heaven (2004)
Not Rated | 133 min | Comedy, Drama, Music
7.5
Mr. Nobody
65. Mr. Nobody (2009)
R | 141 min | Drama, Fantasy, Romance
7.8
Crazy Wisdom: The Life & Times of Chogyam Trungpa Rinpoche
66. Crazy Wisdom: The Life & Times of Chogyam Trungpa Rinpoche (2011)
Not Rated | 86 min | Documentary
6.8
2001: A Space Odyssey
67. 2001: A Space Odyssey (1968)
G | 149 min | Adventure, Sci-Fi
8.3
Blade Runner
68. Blade Runner (1982)
R | 117 min | Action, Drama, Sci-Fi
8.1
Forrest Gump
69. Forrest Gump (1994)
PG-13 | 142 min | Drama, Romance
8.8
Holy Motors
70. Holy Motors (2012)
Not Rated | 115 min | Drama, Fantasy
7.1
A
strange and surreal film which conveys the Shakespearean adage “all the
world’s a stage and all the men and women merely players”. When you
take off the masks and let go of your character, who is left?
strange and surreal film which conveys the Shakespearean adage “all the
world’s a stage and all the men and women merely players”. When you
take off the masks and let go of your character, who is left?
Song of the New Earth
71. Song of the New Earth (2014)
Not Rated | 87 min | Documentary, Biography, Music
8.3
Ayurveda: Art of Being
72. Ayurveda: Art of Being (2001)
Not Rated | 102 min | Documentary
7.6
A glimpse into the “mother of all systems”, Ayurveda is a way of life, a way to heal, a way to connect to the one source.
On Yoga the Architecture of Peace
73. On Yoga the Architecture of Peace (2017)
87 min | Documentary
7.8
10 Questions for the Dalai Lama
74. 10 Questions for the Dalai Lama (2006)
Unrated | 85 min | Documentary
7.5
Into the Wild
75. Into the Wild (2007)
R | 148 min | Adventure, Biography, Drama
8.1
An existential exploration based on a true story. Superb acting conveys the journey of one person to find meaning in life.
What the #$*! Do We (K)now!?
76. What the #$*! Do We (K)now!? (2004)
Not Rated | 109 min | Documentary, Comedy, Drama
5.3
A
film that challenges the way we see the world. As science pushes into
the nether regions, we come back to the truths that spiritual traditions
knew in the past.
film that challenges the way we see the world. As science pushes into
the nether regions, we come back to the truths that spiritual traditions
knew in the past.
I Am That I Am: Experience the Teachings of Sri Nisargadatta Maharaj
77. I Am That I Am: Experience the Teachings of Sri Nisargadatta Maharaj (2005 Video)
157 min | Documentary
8.6
A Fortunate Man
78. A Fortunate Man (2018)
TV-14 | 162 min | Drama, Romance
7.2
The Fall
79. The Fall (2006)
R | 117 min | Adventure, Drama, Fantasy
7.9
Westworld
80. Westworld (2016ā )
TV-MA | 62 min | Drama, Mystery, Sci-Fi
8.6
Yunus Emre
81. Yunus Emre (2015ā2016)
70 min | Biography, History
8
Zen
82. Zen (2009)
127 min | Biography, Drama
7.4
One Track Heart: The Story of Krishna Das
83. One Track Heart: The Story of Krishna Das (2012)
Not Rated | 74 min | Documentary, Biography, Music
7.1
The Holy Mountain
84. The Holy Mountain (1973)
R | 114 min | Adventure, Drama, Fantasy
7.9
The Dance of Reality
85. The Dance of Reality (2013)
Unrated | 133 min | Biography, Drama, Fantasy
7.5
Frank Herbert’s Dune: The Lure of Spice
86. Frank Herbert’s Dune: The Lure of Spice (2000 Video)
26 min | Documentary, Short
7
The Midnight Gospel
87. The Midnight Gospel (2020ā )
TV-MA | 23 min | Animation, Adventure, Comedy
8.2
Simply brilliant. It gets progressively better after the first few episodes.
Avatar: The Last Airbender
88. Avatar: The Last Airbender (2005ā2008)
TV-Y7-FV | 23 min | Animation, Action, Adventure
9.3
A beautifully made series conveying many deep truths about life, and incorporating ancient wisdom in a way that makes it fun.
A Beautiful Day in the Neighborhood
89. A Beautiful Day in the Neighborhood (2019)
PG | 109 min | Biography, Drama
7.3
A moving drama about the transformative spiritual practices of Fred Rogers.
Rebel in the Rye
90. Rebel in the Rye (2017)
PG-13 | 106 min | Biography, Drama, Romance
6.7
A
film with an unexpectedly Buddhist message. J.D. Salinger confronts his
own ego attachments at the height of his popularity and opts to become
“no one”.
film with an unexpectedly Buddhist message. J.D. Salinger confronts his
own ego attachments at the height of his popularity and opts to become
“no one”.
Leaning Into The Wind
91. Leaning Into The Wind (2017)
PG | 97 min | Documentary
6.8
This film lifts the veil of familiarity that shrouds us from the world. Beautiful.
Becoming Nobody
92. Becoming Nobody (2019)
PG | 81 min | Documentary
7.5
Deep wisdom from a great spiritual teacher.
Soul
93. Soul (2020)
PG | 100 min | Animation, Adventure, Comedy
8.1
Beyond The Visible - Hilma af Klint
94. Beyond The Visible - Hilma af Klint (2019)
94 min | Documentary, Biography, History
7.4
Derek DelGaudio’s In & Of Itself
95. Derek DelGaudio’s In & Of Itself (2020)
TV-MA | 90 min | Documentary
8.3
My Octopus Teacher
96. My Octopus Teacher (2020)
TV-G | 85 min | Documentary
8.1
A heart opening film which reveals a consciousness that lives in the natural world and in us.
My Dinner with Andre
97. My Dinner with Andre (1981)
PG | 110 min | Comedy, Drama
7.8
The Sage of Arunachala
98. The Sage of Arunachala (1992 Video)
E | Documentary
|
5) Buddha
Buddha
The
term Buddha means the āawakened oneā and represents the founder of
Buddhism. A real person, the Buddha was a former prince who gave up a
lavish lifestyle to find the root of human suffering and discover the
true meaning of life. His story inspires us to remember that as a normal
person who liberated himself from suffering, we can do the same. It is
recommended to take a moment at the beginning of a meditation to imagine
yourself as Buddha with all of his qualities ā open, enlightened and
compassionate.
term Buddha means the āawakened oneā and represents the founder of
Buddhism. A real person, the Buddha was a former prince who gave up a
lavish lifestyle to find the root of human suffering and discover the
true meaning of life. His story inspires us to remember that as a normal
person who liberated himself from suffering, we can do the same. It is
recommended to take a moment at the beginning of a meditation to imagine
yourself as Buddha with all of his qualities ā open, enlightened and
compassionate.
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