31815 MON LESSON 1612- Tipiáđaka- from Online FREE Tipiáđaka Research & Practice University (OFTRPU) through
conducts lessons for the entire society and requesting every one to
BUDDHA is a TITLE meaning AWAKEN ONE with AWARENESS.
The vast and unprecedented mobilisation of young, middle-class
Patels, or Patidars, as seen at the Kranti Rally on August 25, is a
symptom of the unrest simmering in a globalised Gujarat. The
governmentâs repeated projection of Gujarat as a state where âall is
wellâ has been undermined by the scale and strength of this protest,
which took the government, political parties and the media by surprise.
Among all the castes in Gujarat, the unity of the Patidars â which often
publicly manifests as caste patriotism â is taken as a given in the
public discourse. This perception has been reinforced by the
half-million strong demonstration organised on Tuesday,
where Patidars
from all parts of the state came together to shout slogans like âJai
Sardarâ and âJai Patidarâ. They demand that the government either extend
OBC reservations to Patidars or abolish the caste-based reservation
system altogether. What was achieved by the brain power for the dippressed
castes cannot be undone by the fraud EVMs and by resorting to violent
means by these 1% chitpawan brahmins by muscle power. It should be noted here that the Patidars were the
first community in this country to launch anti-reservation movements
against
the SC/STs and Adivasis, and later against Gujaratâs OBCs, in 1981 and
1985. Later, community leaders, under the guidance of the RSS and VHP,
shrewdly diverted the agitation, so it morphed into one against Muslims.
Non-resident Gujaratis who live abroad have also extended moral and
material support, much as they did to the Sangh Parivarâs Hindutva
agenda which was manufactured by a chitpawan brahmin vir savarkar,
nathuram godse, goplakrishna ngolale, balagangadhar tilak, hindumaha
sabha and the militant, violent, intolerant, terrorist, stealth scare
crows RSS which is just 1% of the population that grabbed the MASTERKEY
to Bahuth Jiyadha Paapis (BJP) for murdering of democratic institutions
(Modi) who believe manusmiriti system which says brahmins as 1st rate,
kshatrias as 2nd, baniyas as 3rd, shudras as 4th rate and the
aboriginals Panchamas (SC/STs) of having no souls (Athmas) so that they
could always terrorise them. Buddha never believed in any soul. He said
all are equal. Our Constitution is for equality, fraternity, democracy
and Liberty for Sarvajan Hitaye Sarvajan Sukhaye ie., for peace, welfare
& happiness of all societies including SC/STs/ OBCs/Minorities?poor
upper castes. which is 99% of the society.
After
snatching the MASTER KEY by tampering the fraud EVMs these Murderers of
democratic institutions (Modi) have started all sorts of monkey tricks
to retain the ill gotten power.
The
ex CJI Sampath committed a grave error of judgement by ordering thew
fraud EVMs to be replaced in phases instead of total replacement as
suggested by the ex CEC Sampath because of the cost of Rs 1600 crore
involved in total replacement of these fraud EVMs. The present CJI must
order for salvaging and scraping the Central and State governments
selected by these fraud EVMs and conduct fresh elections to save
democracy instead of creating ruckus such as :
The upsurge comprises the well-off and dominant Leuva and Kadva
Patidars. They constitute around 12 per cent of the stateâs population
and are the single-largest community among rich and middle-class
peasants. Since the last quarter of the 19th century, well-off Patidars
have been investing their agricultural surpluses in business, industry
and also in skill development. High rates of migration in the community,
first to Africa and later to the UK and the US, have added to their
prosperity. Indeed, in that sense they are a model community others have
tried to emulate. There is an almost universal aspiration among
Patidars to go to the US for economic purposes. Those who cannot settle
abroad look to get white-collar jobs or become industrialists.
However, in urban areas, except for a few well-established
professionals and entrepreneurs, the majority are white- or blue-collar
employees, or self-employed or casual, skilled labourers in textile or
diamond factories. The diamond industry has been a mainstay of the
community â eight in 10 diamonds in the world are said to be cut and
polished in Surat and in other towns and villages in Gujarat. But for
the last several months, the industry has been in deep crisis. Several
units have closed down, and a large number of diamond workers have been
retrenched, which has contributed to the current unrest in the Patidar
community.
Similarly, though advances in irrigation have meant that agricultural
growth in Gujarat over the last decade has been high at around 8 per
cent per annum, this growth has not been inclusive. Small and marginal
farmers have been left behind, and the head of every third Patidar
household is a small and marginal farmer, and/ or a landless labourer.
He grapples with the constant tension of high aspirations and wretched
living conditions. Poor farmers donât have enough resources to invest in
farming and incur debt. Hardik Patel, the leader of the agitation,
highlighted cases of farmer suicide. The government has been guilty of
ignoring the phenomenon. The poor have desperately tried to get non-farm
employment in nearby urban areas and dream of joining the urban middle
class. But urban growth, though impressive, has been unable to absorb
and accommodate these rising aspirations. It is true that economic
growth, largely in the manufacturing sector, is higher than in many
other states. But the quality of available employment does not meet the
expectations of young people. The growth in employment comes largely
from the informal sector, where there is no social security. Wages in
Gujarat are lower than in most other states. Even in the formal sector,
more often than not, employment is casual or contractual. Insecurity
haunts most young employees. In such a situation, government employment
is perceived by frustrated young Patidars as the only secure and
dignified position available. In fact, the number of these government
positions is also shrinking, though paradoxically many sanctioned posts
remain vacant for years. But these young people want simply to claim
something that they perceive others, lower in caste status, are entitled
to.
The aspirational young want admission in professional courses,
particularly in medicine or information technology, at well-reputed
institutions, so they can acquire status and wealth. The grouse of the
angry and agitated Patidar youth is that he is deprived of that
opportunity, because these âothersâ with less marks are admitted to
these institutions because of quotas. His grievance is that he has to
pay high fees to attend private colleges because government offices are
closed to him. The number of government-aided institutions has also
stagnated over time, while the number of self-financed colleges has
increased. Seats in government colleges increased 31 per cent from 2001
to 2015, while in self-financed colleges, the proportion of seats
increased over 600 per cent during the same period. Fees in the latter
are six to seven times those in the former, at an average of Rs 6,000
for a government college and around Rs 4 lakh for a private college. It
is beyond the reach of most middle-class families, unless one incurs
debt. So the Patidar envies those who get admission on reserved seats.
Moreover, Patidars have harboured ambitions of migrating to the US
for years. Their relatives settled there and improved their social
status, and they wish to imitate that advancement. But the opportunities
for that, too, are sinking, which adds fuel to the fire. Then, in the
last year, the Narendra Modi governmentâs promise of âachhe dinâ and jobs does not seem to have been fulfilled, further exacerbating their anger.
THEY
DO IT FOR THE GREED OF POWER, HATRED, ANGER, JEALOUSY, DELUSION WHICH
ARE DEFILEMENT OF THEIR MINDS THAT IS MADNESS REQUIRING TREATMENT IN
MENTAL ASYLUMS. THEY NEED INSIGHT MEDITATION TILL THEY ARE FULLY CURED!
NOW
THEY ARE SCARED BECAUSE THEY SNATCHED THE MASTER KEY BY TAMPERING THE
FRAUD EVMs. SO AS A STUNT THEY HAVE COME TO THE STREETS. BECAUSE OF THIS
EXPOSURE THEY MAY FIND IT DIFFICULT TO STIR OUT OF THEIR HOUSES IN THE NEAR FUTURE.
The model state, Gujarat has long been considered the social laboratory for Hindutva a cult manufactured by chitpawan brahmin vid savarkar just for the greed for the MASTER KEY that was grabbed by the fraud EVMs by tampering in favor of Murderer of democratic institutions (Modi). Jan Breman1 has analyzed the well-entrenched nature of the Hindutva movement and its predecessors in Gujarat, strongly opposed to communal harmony and to the design of society as a melting pot of diverse and open-ended social segments. The mobilisation of low and intermediate castes to participate in the activities of the Sangh parivar organisations in the last two decades has broadened the base of Hindu fundamentalism as a social-political force.The ex CJI Sampath committed a grave error of judgement by ordering thew fraud EVMs to be replaced in phases instead of total replacement as suggested by the ex CEC Sampath because of the cost of Rs 1600 crore involved in total replacement of these fraud EVMs. The present CJI must order for salvaging and scraping the Central and State governments selected by these fraud EVMs and conduct fresh elections to save democracy.
The price these previously denigrated segments have to pay for their acceptance within the Hindutva fold is their willingness to express antagonism to Muslims as members of the religious minority and, in brutal acts of confrontation, to do the dirty work of cleansing on behalf of their high-caste brothers and sisters. The dynamics of inclusion and exclusion are intricately interwoven. The battle for the hearts and minds of the SC/STs has undergone a tectonic shift - from their physical labour to their cultural/religious subservience. One of the most revered icons of modern Prabuddha Bharath - who sought to unravel the hegemony of religion and culture over the people, Babasaheb Ambedkar, has been given a ‘makeover’ by the Hindutva spin doctors.
~~~
Notes
[1]. Jan Breman, Communal Upheaval as Resurgence of Social Darwinism, www.epw.org, accessed on 17/05/2014, 11.30 pm
[2]. For Further details refer, Communalism as a Political Strategy, http://www.hrw.org/reports/2003/india0703/Gujarat-10.htm, Accessed on 20/05/2014, 12.15 am
[3]. Panchajanya, 19th April 2015, Bharat Prakashan, Delhi, Ltd
[4]. Arun Shourie’s, Worshipping False Gods: Ambedkar, and the Facts which Have Been Erased, ASA Publications, 1997
[5]. Ashok Modak, “Bharat Bhumi ka Bhakt: Bharat Ratna”, Panchajanya, Opcit, p 21
[6]. Ambedkar’s Writings and Speeches, Govt of Maharashtra, Vol 3, 1998, p 77
[7]. Ambedkar, Opcit, Vol 3, p 66
[8]. Ambedkar, Ibid, Vol 3, p 87
[9]. Panchajanya, Opcit, p 22
[10]. Eleanor Zelliot, Ambedkar’s World: The Making of Babasaheb and the SC/STs Movement, Navayana, 2013, p 54
[11]. Suvarna Rawal, “Two Stalwarts”, Revisiting Ambedkar, (Collector’s Edition), Organiser, April 2015, p 58
[12]. Friday, the 25th November, 1949, Constituent Assembly Of India - Volume Xi, http://parliamentofindia.nic.in/ls/debates/vol11p11.htm, Accessed 16/4/2015, 9.45 pm
[13]. Bhimrao Bhosale, “Enlightened Thinker”, Revisiting Ambedkar, The Organiser, (Collector’s Edition) April 2015, p 78
[14]. Ibid p 77
[15]. Ahir, D.C. âDr. Ambedkar’s Pilgrimate to Buddhism,âin Dr. Ambedkar, Buddhism and Social Change. Ed by A.K. Narain and D.C. Ahir. 1-16. Delhi, India: B.R. Publishing Corporation, 1994, p 8
[16]. The Organiser op cit, p 19
[17]. Ibid, p19
[18]. Ibid p 19
[19]. Hinduism and Modernity, David Smith, John Wiley & Sons, 2008, p 197
[20]. Organiser, p 15
[21]. Speech delivered by Dr. Ambedkar to the Bombay Presidency Mahar Conference, 31st May 1936, Bombay. Translated from the Marathi by Vasant W. Moon. The typescript of the translation, with handwritten emendations, was presented by the translator to Eleanor Zelliot on 25 January 1988, and has been contributed by her for this website. http://www.columbia.edu/itc/mealac/pritchett/00ambedkar/txt_ambedkar_salvation.html, Accessed 16/4/2015, 11.30 pm
[22]. Organiser, op cit, p 58
[23]. Organiser, p 15. For the exact quote, refer, M. K. Gandhi, Untouchability, Harijan, 11/2/1933, http://www.mkgandhi.org/journalist/untouchablity.htm Accessed on, 16/4/2015, 11.45 pm
[24]. Organiser, p 15
[25]. Ibid, p 15
[26]. Ambedkar, Writings and Speeches, Govt of Maharashtra, Vol 17, (111), 2002, p 95
[27]. Nazi Propaganda And Censorship, United States Holocaust Memorial Museum, Http://Www.Ushmm.Org/Outreach/En/Article.Php?Moduleid=10007677, Accessed 17/4/2015, 12.15 Am
[28]. With 8.8 Crore Members, BJP is Now the World’s Largest Party, http://www.ndtv.com/india-news/with-8-8-crore-members-bjp-is-now-the-worlds-largest-party-750679, Accessed 17/4/2015, 12.20 am
~~~
N. Sukumar is Professor at the Dept of Political Science, Delhi University, Delhi. His email is suku69@yahoo.comâĻ
Itâs a rare discovery as the areas under the Pandya empire did not have many Buddha icons.
An unfinished Buddha statue, possibly from the 10th
century, was found at Rosalpatty village in Andipatty taluk of Theni
district by scholars from the Madurai-based Pandya Nadu Centre for
Historical Research (PCHR).
C. Santhalingam, the
centreâs secretary, said they received information from a student, M.
Balamurugan, who gave them photographs of sculptures in the area.
âWe
expected the sculptures to be related to Jainism, which the district is
well known for. But, we found that the sculpture in Naththathi Medu was
that of a Buddha,â he said. It was extremely rare to find a Buddha
sculpture in the southern districts which were a part of the Pandya
empire.
âOther than Pandikovil in Madurai and two
other places where Buddha sculptures were unearthed, there have been no
other records or findings related to Buddha. Madurai and the surrounding
areas predominantly have only Jain beds with sculptures and bas
reliefs,â Mr. Santhalingam said.
The scholars who
discovered the sculpture said that it was in an unfinished state, which
meant that it could not have been worshipped by people. âThe sculpture
is seated with folded legs and the
usnisha
or tuft of hair has not been fully sculpted. A small piece of stone in
the right cheek is also broken and the chisel marking of the image is
not smooth,â he explained.
They were able to
ascertain the possible period when the Buddha was sculpted to the 10th
Century as the features and skill used in making the sculpture were
similar to two other rare Buddha icons which were discovered in the
southern districts of the State.
The team also found
many stone figures of deities such as Muruga, Vinayaka in the area and
architectural segments of a dilapidated Shiva temple which they believed
was from the 12th or 13th century
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áááâááķâááááŧáááâáá―áâáááááķááâááķáááĒááâáĒááļááášáá·áâááááááķâáá·áááá·áâáááááķááâáĒááŧááááâááááâáá―áâáá
ááááááŧáááâáášâááķâá áááâááūáâáááâááķáâáááâáá―áâáááâááķáâááķáâáááâááđáâááááķááâááđááááá―áâááķáâá
ááááážáâááķáâáááááķááâááķáâáááâáášâááá Patel ááááŧáâáá―áâáááááķááâááđáâááááūáâááááááá·á
áá
âáááâáá·áâááķáâáááá
ážáâááááķâáŽâááķáâáááááááááá―áâá
Jagatheesan ááá·áááááâááááâáĒáááâááááķááâááâááķáâá
ááâááááķáâááááâááááķááâ!
á
áááķ
âááâáá·áâáá·áááááķááâááķáâááļááŧáâááâááâááķá Patel áááâáááááâáááááâáâááááķâáâáŽ
Patidars áážá
âááķâááķáâááūáâáá
Kranti Rally ááķáááļâááááááļ 25
ááâááļá áķâáášâááķâáááâáááááķâááâááķáâá
ááķá
áâáá
âááááŧáâáááá Gujarat
ááŧáâáááá―áâáá·áááááâá ááķá
âááááķááâááááâáááááķáá·ááķáâááááâá áūáâááááâáááâááâáááá Gujarat
ááķâááááâáááâááķâááááááâááá
“ááķááâáĒááâáášâááķâááķáâáááĒâÂŧâáááâáááážáâááķáâááááááķáâáááâááá áâáá·áâááķáâááááķááâ
ááâááķáâááááķâáááâáááâááķáâááâáááááķâáá·âááķáâááááááâáááááķáâáá·áâááááááááâ
ááááááâááááķáâááķáâááķáâááááķáááááĒáūáâá ááááŧá
âá
ááááâáĒáááâááķááâáĒááâáá
âááááŧáâáááá Gujarat áâááááâáááâááķâááķáâáá―ááá―áâáá
Patidars -
áááâááķâááđáááķááâááķáâáááá áķáâááķáâááķâááķááķáááâááķâááķâááķáâááááá áķááķáá·âááááá -
áááážáâááķáâááâááķâááķáâáááááâáąááâáá
âááááŧáâááŧáááááááķâááķâááķááķáááâá ááķá
âáááâááūáâáááâáááážáâááķáâáááááđáâáááâááķáâááááūâááķááŧááááâáááķáâááááķááâááķááâáâ
ááááķâáâááķáâááķááâáááâááķáâáááá
áâááķáááļâááááâáĒááááķáâáááâááķâááááááâááá
Patidars
ááļâáááááâáááááâááķáááĒááâááâááááâáááâááķáâááâááķáá―áâááááķâááūááááļâáááááâ
ááķááááááááâáážá
ááķ “á
á Sardarâ” áá·á “á
á Patidarâ” á áá―á
âááâááķáâááķáááķáâáąááâáááááķáá·ááķáâááķááâáááááļáâááķáâááá OBC ááūááááļ Patidars
áŽâááŧáá
ááâááááááááâáááâáááâáááááâáááâááķáâáážáááááķáâááķáááĒááááááķâá ááū
âááķáâáĒáááļâáááâáááážáâááķáâáááááá
âááķáâáááâáĒáááķá
âáá―áááááķáâáááááķááâááááá
dippressed áááâáá·áâáĒáķá
âáááážáâááķáâááááūâááá EVMs
ááķáâáá―á
âáááááâáá·áâáááâááķáâáá
âááâáááááááķáâáááâááķáâáĒáááūâá á·ááááķâáááâááķááááá
âááááķá áááá chitpawan 1â% áááâáĒáááķá
âááķá
áááŧáâá ááķ
âáá―áâááâáááážáâááķáâáááâáááááķááâáá
âááļáááâááá Patidars
áááâáášâááķâáá ááááâááķâááūáâáááážáâáá
âááááŧáâááááááâáááâááūááááļâá
áķááâááááūâáâ
á
áááķâáááááķááâááķáâáááâáááááķááâááđáâááķáâááķááķ / STS áá·á Adivasis
á áūáâáááááâááâáááááķááâááđá Gujarat ááááâááá OBCs áá
âááááķá 1981 áá·á 1985
áááááááâáĒáááááđáááķáâáá ááááâáááááâááķáááđáááķáâáááá RSS áá·á VHPâ, á§ááķáááâááááááâáááūáááķáâáážá
ááááâááķ morphed á
ážáâáá
âááááŧáâááááķâáááááķááâááđáâááážâááááļâáâá á áááŧ
âáááķâááķâáĒâáá·ááķáâáâááâáááâáááâáá
âáááááâááķáâáááááļáâááķáâááķááááâáááááâ
ááááķáááļâáá·áâáááááķááâááâáááâ, á
áááūáâáážá
âááķâáá―áâááâááķáâááááūâááááâááķáá
Hindutva ááá Sangh parivar áááâáááážáâááķáâááá·áâáĄáūáâááá savarkar VIR
ááááķá áááá chitpawanâ, nathuram áááá goplakrishna ngolaleâ, balagangadhar
áĄáķááâ, hindumaha Sabha áá·áâááááááááááŧáááâ, áĒáááū
âá áđâááááķâ, á
áķááâáááááŧáâááâáâáâááááâ, áááááķá
âááááķááááķáâáááķá RSS
ááááķááâáááâááķáâáá 1â% ááâá
ááá―áâáááááķááâáááâááķáâá
áķáá MASTERKEY ááūááááļ
Bahuth Jiyadha Paapis (BJPâ)
áááááķááâááķáâáááááķááâáĒáááļâááááķáááâáááááķáá·ââáááááá (áááâááážâááļâ)
áááâááķâáĒáááâááŋâááķâáááááááá manusmiriti
áááâáá·ááķáâááķâááááķá ááááâááķâáĒááááķâááļ 1â, kshatrias ááķâááķá ááļ
2â, baniyas áááâááķâááļ 3â, shudras ááķâáĒááááķâááļ 4 áá·áâááááķáá·âááūáâááá
Panchamas (SC / STSâ) ááâááķáâááķáâáááááđáâáááâáá (Athmasâ)
áážá
ááááâáá―áâááâáááâááâáĒáķá
âááááūâááááááááâáá―áâááâá ááááááŧáááâáá·áâáááâááŋâááūâáááááđáâááķáá―áâá áááâááķáâáá·ááķáâááķâááķááâáĒááâáášâááááūâááááķâá ááááááááááŧááá
âááááâááūáâáášâáááááķááâááááķáâááķááááķáâáááááķáá·ââááááááâáá·áâááááļááķáâáááááķáá
Sarvajan Hitaye Sarvajan Sukhaye á§âá ,
áááááķááâááááá·ááķáâááŧááŧááķáááķáâáá·áâááŧááááááâááâáááááâááķáááĒááâáá―áâááķááâááááŧá
âááķááķ / STS / OBCs / ááááķáá·â? áááááâáááááâááááļáááâá áááâááķá 99â% ááâáááááâá
áááááķááâááļâááķáâáĒážáâááķáâáááááđáâáááâáááâááķáâááŧáááūâá
á
á áááķáâááķáâáá―á
âáááááâ
áááâááķáâááķááá EVMs ááááâááááķáááâáááááķáá·ââááááááâááķááâááá (áááâááážâááļâ)
ááķáâá
áķááâááááūâáâáááááâááááááâááâáááá·á
âááááâááááķâááūááááļâáááááķâáĒáááķá
âááá―áâ
áááááááááâá
áĒááļá
CJI Sampath
áááâááķáâáááááááđáááâááá áŧáâáááááááááâááķáâáá·áá·á
ááááâáááâááķáâáááááķ EVMs
ááķáâáá―á
âááááá thew
ááūááááļâáááážáâááķáâáááá―áâáá
âááááŧáâááááķááâááķáâáááá―áâáąááâááķáâáááá―áâáááŧáâ
áážá
ááķâááááūâáĄáūáâáááâáĒááļá CEC Sampath áááâááķáâááâááķáâá
áááķáâááâáĒáááá 1600
crore ááķáâáááá―áâáááâááķááâááķááááâááááŧáâááķáâáá―á
âáááááâáááŧáâá
ááá―á EVMs
ááķááâáááâá áá
áá
áŧáááááá CJI áááážáááâáááááķâáááááķáá salvaging
áá·áâáááááķáá·ááķáâáâááááķâá scraping áá·áâááááâááķáâááááūáâááūáâááá EVMs
ááķáâáá―á
âáááááâááķááâáááâáá·áâááááūâááķáâáááâáááááâáááááâááūááááļâááááááááâáá·âá
âááâáááâáááá―áâáąááâááķáâáááááūá ruckus áážá
ááķâ:
ááááááááâáĄáūáâáááâááķáâáááķáâáááĒâáá·á Leuva áá·áâááūáâáááâáá·á Kadva Patidars á áá―á
âááâááķáâáááááūáâááķáâáááá áá 12
ááķáâááâááâá
ááá―áâáááááķâááâááááâááááâáá·áâááķáâááâáá―áâáááâáááâáá ááááâááá·ááâ
ááâááķáâááâáá
âááááŧáâá
ááááâáĒáááâááķáâáá·áâáĒáááâáááááâáâááááķâáâá á
áķáá
âááķááâááļâááááļááķáâá
áŧáâáááááâááâááááááááâááļ 19 Patidars
áááĒâááááķá
áâááķáâáá·áá·áááâááūáâááá·ááááâááááâáááá―áâáá
âááááŧáâáĒáķááļáááááâ
á§ááááķá ááááâáá·áâááķáâááâáááâáá
âááááŧáâááķáâáĒáá·ááááâááááķáâá áĒááááķ
âáááááâááâááķáâááááūâá
áááķáâááááŧáâáá
âááááŧáâáá ááááâááūáâáááážáâáá
âááķááâááááļáâ
áĒáķâá ááááá·âáâá áūáâáááááâááâááķáâáá
âáááâááááááâáĒáááááááâáá·áâáĒáķáááá·áâááķáâ
ááááááâáááâááķâááūááááļâááķáâááŧáááŋáâááááâáááá―áâá ááķâááķáâáá·áâááķááâáá
âááááŧáâáááâááķâáá―áâááâáášâááķâáá ááááâáááážâáá―áâáááâáĒáááâáááááâáááâááķáâááááķááķáâááááūâááķáâá ááķáâááá
ááááļâááááķááááķâááķâáááâááááūáâááâáá
âááááŧáâá
áááá Patidars ááūááááļâá
ážáâáá
âáá ááááâáĒáķáááá·áâáááááķááâáááááááâááááááá·á
áá
âáášâá áĒáááâáááâáá·áâáĒáķá
âáááááááķáâáá
âáááá
âááááááâááūáâáá
âááūááááļâááá―áâááķáâááķáâááķáâáâáâáĒáķáâáŽâá§ááááķá ááâááááķáâââáá
âááķâá
ááá
âááķâáááķáâááķâáá
âááááŧáâáááááâááļááááŧáâ,
ááūáâáááâááâáááááķááâáĒáááâááááķáâáááááâáá―áâá
ááá―áâáááâáááááūáâáĄáūáâáááķáâáááĒâ
áá·áâáá áááá·áâááķáá
áááūáâááŧáááááâááķâáááááá white-
áŽâááááķááâáŽâáááá―áâáŊáâááķáâááķáááķáâáŽâááááááķâááááâáááâááķáâááááķáâáŽâáááá
áááâ
áááááâá áá·ááá
âá§ááááķá ááááâáááááâáááâáááážáâááķáâááâááááķááâááááâáá ááááâáá―á -
á
ááá―áâááááķáááļâááááŧá 10
áááááâáá
âááááŧáâáá·áááááâáááâáááážáâááķáâááâáá·ááķáâááķâáááážáâááķáâááķááâáá·áâááážâ
ááķâááááŧáâááķáâááážâáááķâáá·áâáá
âááķáâááļáááááŧáááâáá·áâáážáá·âáááááâáááâáá
âááááŧáâ
áááá Gujarat á áááŧááááâáááááķááâááķá
áááūáâááâá
áŧáâáááááâáááâáá·áááâá§ááááķá ááááâáááâááķáâáá
âááááŧáâáá·ááááá·âáááá
âá ááááŋáâááķâá
áááūáâááķáâáá·áâá áūáâáá·áâáá―áâá
ááá―áâááâááâááááááâáááâáááážáâááķáâ
ááááááâááļâáááááâáááâááķáâáá―áâá
ááááâááááūâáąááâááķáâááķáâá
ááķá
áâááķâáááâ
áá
áá
áŧááááááâáááâáá
âááááŧáâáá áááá Patidar á
áážá
âââááááķâáááâáááâááūâáááâááļâááķâááŧâááááááááâááķááķâááķâáááááâááķáâáááâááķâááááūáâ
ááááááá·á
áá
âááá·ááááâáá
âááááŧáâáááá Gujarat
áááâáááâáá―áâááááááááâá
áŧáâáááááâáááâáááážáâááķáâááâáááááķá 8
ááķáâááâááááŧáâáá―áâááááķáâááááūáâáááâáá·áâááķáâáááá
ážáâááááķâá ááá·áá
âááááķáâáážá
âáá·áâááđáâááķáâááááááááŧáâáá·áâááķâáááááķáâááâáááááâáááá―ááķá Patidar
ááļâááļâáášâááķâááá·ááâááááķáâáážá
âáá·áâáááááķááâáááááâáá·á /
áŽâááķâááááááâáááâááááķáâááļâá áááâááķáâáá―áâááķáâááķáâááđáâáááâááâááá
ááááļâááááķááááķâáááááâáá·áâááááķáááķáâááááá
âáááķáááâá ááá·ááâááááļáááâáá·áâááķáâááááķáâáááááááááķááâááááŧáâááķáâáá·áá·áááâáá
âááááŧáâááķáâááááūâááá·ááááâáá·áâááá―áááâááááŧáâá Hardik Patel ááķáâááâááđáâááķáâááâáááūáááķáâáááâááķáâáážáâáááááķááâáĒáááļâááááļâááâááá·ááâáááâááááūâáĒáááááķáâá áááááķáá·ááķáâááķáâááķâááķáâááá áŧáâááâááķáâáá·áâáĒáūááūâááķááŧáážáâáááâá áá
âááááļáááâááķáâááááķááķáâáááķáâááááķááâááááŧáâááķáâááá―áâááķáâááķáâááķáâáá·áâáááâ
ááá·ááááâáá
âááááŧáâáááááâááļááááŧáâáá
âáááááâáááâáá·áâááááļâááŧâáá·âáááâááâááķáâ
á
ážááá―áâááááŧáâáááááâáâááááķâáâááļááááŧáâá áááŧááááâááááūáâááļááááŧáâááļâááķâáá―áâáąááâá
áķááâáĒáķááááááâ, áá·áâáĒáķá
âáááážáâááâáá·áâááááŧáâááá
ááááļâááááķááááķâááūáâáĄáūáâááķáááááâá ááķâáášâááķâááķáâáá·áâáááâááķâááááūáâááááááá·á
áá
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âááááŧáâááááâááķâá
áááūáâáááâá áááŧááááâááŧáááķáâááâááķáááķáâáááâáĒáķá
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âááááŧáâáááá Gujarat áášâááķáâááķáâáá
âááááŧáâááááâááķáâá
áááūáâáááááâáááâá áážááááļâááâáá
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áá
áááááķâá ááŧááááá·áâáááâáááááâáĒâáâáááá·âááŧá haunts á
áááūáâááááŧáâá ááááŧá
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Patidars
áááâááķâááķáâááâá
á·áááâáááâáááááâááŧááááá·ááķáâáá·áâááķáâáááááááážáâááļááķááâááâáá―á
âáááâáááâáĒáķá
âááááūâááķáâá áá
âááááŧáâááķáâáá·áâá
ááá―áâáááááâááááâáááááķâáá·âááķáâááķááâáááâááâáááâáááážáâááķáâ
ááááķááâá
áŧáâááūâáááâááļâááķâááķáâáááŧáááâááķá
áááūá paradoxically
áááááķáâááķááâááááááááâáá
âááâáááááâáááááķááâááááķáâá áááŧááááâáááŧáááâáááâáááááâááķááâáááâá
ááâááķáâááááķááâááâááūááááļâááķáááķáâáĒáááļ
âáááâáá―áááâáááâááūáâááķâáĒáááâáááâáááâááķáâááķáâáá
âááááŧáâááááķáááķáâáááááâááķáâ
áá·áááá·âááá―áâááķáâá
ááá
âááķâááá
ááááļâááááķááááķâá
ááâááķáâá
ážááááâááááķáâáá·ááááķááļááâáááâáááááâáá
âááááŧáâ
ááááâáá·ááááķâááķâáá·áááâáá
âááááŧáâááķáâáâáááâáŽâáá
áá
áááá·ááááķâ,
áá
âááķáâááááķáááâááâáááâáááâá
áķááááŧáááķâáážá
ááááâáá―áâááâáĒáķá
âááá―áâááķáâáážáâ
ááááķáááķáâáá·áâááááááâáááááááá·âá grouse
ááááâááŧááá Patidar
ááđáâáá·áâáááâáááâáášâááķâááķááâáááážáâááķáâááâááá ážáâáąááķáâáááâáááâááķáâáá
“áĒáááâáááááâáááâ”
ááķááâáááâáááâááķáâáááááķâáá·á
âáááážáâááķáâááá―áâááááķááâááūááááļâáąááâááááķáááâááķáá
âáááâáááâááķáâááâááķáâáážááķâá ááķáááŧááá
âááááâááķááâáášâááķâááķááâááķáâááķáâáááâááááķááâááááâáááááâááūááááļâá
ážááá―áâááááŧáâ
áá áķáá·ááááķáááâáŊáááâáááâááķáâááâááķáá·ááķáááâáááááķáá·ááķáâáááážáâááķáâáá·áâáá
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ááá―áâááâáá áķáá·ááááķáááâáááá―áâáŊáâá á·áááááááááķáâáááâááķáâááūá
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âááááŧáâáá áķáá·ááááķáááâááááâáááááķáá·ááķáâááķáâááūáâáĄáūá 31
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ááááŧáâáá áķáá·ááááķáááâáááá―áâáŊáâá á·áááááááááķáâ,
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ááķááâáááááķááâáá áķáá·ááááķáááâáááááķáá·ááķáâáá―áâáá·áâáá
âááŧááá·áâáĒáááá 4 lakh
áá áķáá·ááááķáááâáŊáááâáá―áâá ááķâá á―áâááļâááķáâááķáâáá
âáááâááááâáááá―ááķáâáááááâáâááááķâáâááķáâá
áááūáâááááŧáâááááá·áááūâáááŧáááâááūááĄáūáâááááŧáâá áážá
áááá Patidar ááķáâá
áááááâáĒáááâáááâááá―áâááķáâááķáâááá―áâááâáá
âááūâáá
áĒáļâáááááŧáâá
ááūáâááļâáááâáá
ááá Patidars ááķáâá
ááážáâáá á·á
ááááķâááááâáĒáķáááá·áâááķáâááááūâá
áááķáâááááŧáâáá
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áááūáâááááķáâá ááķá
á
âááķáá·âááááâáá―áâááâááķáâááķááâááļáááá
âáá
âááļáááâá áūáâááķáâááááūâáąááâáááááūáâáĄáūáâ
ááááķáááķáâáááááâááááâáá―áâááâá áūáâáá―áâááâááķáâááááâá
ááâááâáááááķááâááķáâááķáâ
ááļáâá
áááūáâáááâááâá áááŧááááâáąááķáâáááááķááâááķâááâáááâáášâáááážáâááķáâáá·á
âáááâááááááâáááááâáá
âáąááâááááūáâá áááááķááâááâáá
âááááŧáâááááķáâá
áŧáâáááááâáááâááķáâáááááķâááááâáááááķâáá·âááķáâ
ááá Narendra Modi áááá “achhe áá·áâ”
áá·áâááķáâááķáâá áķááâáážá
âááķâáá·áâáááážáâááķáâáááááâááááááâáááááááááâáĄáūáâááļâ
ááá áđáâááááâáá―áâááâá
ááá 1â% CHITPAWAN ááááķá áááá RSS ááū BURRYING 99â% SARVAJAN SAMAJ
á§âáááááâááķáááĒááâáá―áâááķááâááááŧáâááķááķ / STS / OBCs / áĒááļáá·áá / ááķáâáááááá
WITOUT
ááķááâááķáâááūâááááļáááâáááâááđáâááķâáá―áâááâáášâááķâááááķááâáážáâáááâáááááâááķ
BANNIAN áá·áâááūáâááūâááááâáááááķááâ!
áá―á
âááâááááūâááķâáááâáĒáááķá
âááķáâáááĒááâááđáâá
ááááá delusion
áááâáááážáâááķáâááááĄáķááâáááá·áâááááâáá―áâááâáááâáášâááķâáááá―áâááķáááķáâáąááâááķáâ
ááķáâááááķááķáâáá
âááááŧáâááŧáâáá·áááá·âááááâáááâáááážáá
á·áááâá áá―áâááâáááážáâááķáâááááđááá·áâááķáâáááááđáâáážáááážááķáâáá ážááááâáá―áááâáááážáâááķáâááķááááááūáâáááķáâááááááâ!
áĨáĄážááááâááâáááááááķá âáááááâáá―áááâááķáâáááááūáâááâááâááâáááâááŧáááūâááķáâáááá EVMs á áážá ááááâááķâááķáâáááááááááķááâááâááâááķáâááâáááážáâá áááâááķáâááâá áķáá·áááâáááâáá―áâááâáĒáķá âááķáâááķáâáá·ááķáâááááŧáâááķáâáážáâáąááâá ááâááļâááááâááááâáá―áâááâáá âááááŧáâáááâáĒááķááâá
messageReservation ááááâááááŧá
á ááááķááâááááááŧáááâááķáâááâááūá
ááķâááķâááķáâááâááūáâááķâááķâáááááâáááâáááá·áâáá
âáááááâáĒáķááķá
ááá Pandya áá·áâááķáâáážáâááááķáâááááááŧáááâááķâá
áááūáâá
ááķâááķâááķáâááâááūáâááķâááķâáááááâáááâáááá·áâáá
âáááááâáĒáķááķá
ááá Pandya áá·áâááķáâáážáâááááķáâááááááŧáááâááķâá
áááūáâá
áážáááááķáâááááááŧáááâáá―áâáá·áâááķááâááķáâáááá
ááâ,
áĒáķá
âááááūâáá
âááķáâááļâááááááâááļ 10 áááážáâááķáâááâááūáâáá
âáážáá· Rosalpatty
ááááŧá taluk Andipatty ááâááááŧá Theni áááâáĒáááááááķáááâááļ Pandya
áááááķááâááķáâááááķáááááķáâááááâáááááááááâááķâáážâáááááááá·âááķâááááá Madurai
áážáááááķá (PCHRâ) á
á Santhalingam
ááááķâáá·âááķáâáâááááķâáâááķáâáąááâááđáâááķâáá―áâááâááķáâááá―áâááááđáâááļâáá·áááâáĒá·âá
Balamurugan áááâááķáâáąááâááâááâáážáááķáâááâáážáâá
ááááķááâáá
âáááááâáááâá
“ááūáâááááđáâááķâááđáâááķáâáážáâá
ááááķááâáááâáááážáâááķáâááķááááâáá
âááđáâááķá Jainism áááâááááŧáâáááâáááážáâááķáâááâááááķááâááâáááâáááááķááâá áááŧááááâááūáâááķáâááâááūáâááķâá
ááááķááâáá
âááááŧá Naththathi Medu áááâáášâááķâááááááŧáááâáá―á “ááķááâááķáâáá·ááķáâá ááķâáášâááķâááķáâááááâááááķááâááķááâááūááááļâááâáážáâá
ááááķááâááááááŧáááâáá
âááááŧá
âááááŧáâááķáâááķáâáááážáâáááâááķâáááááâáá―áâááâáĒáķááķá
ááá Pandya áá―áâá
“áááá
ááļ
Pandikovil ááááŧá Madurai
áá·áâááááááâááļáâáááááâáááâáááâááķâááááááâáážáâá
ááááķááâááááááŧáááâáááážáâááķáâ
ááâááļáâáá
âááļáááâáá·áâááķáâáááááâááááķâáááááâáááâáŽâááķáâááâááūáâáááâááķááááâáá
â
ááđáâááááááŧáááâá áááâááķáâáááááâááķâ: Madurai áá·á Santhalingam
áááááâááŧááá·áâáááâááūáâááŧáâááķáâááâááááâááááâááá Jain
áááâááķáâáážáâá
ááááķááâáá·áâá
ááááķááâÂŧâá
áĒáááááááķááá
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ááááķááâáááâááķáâáá·ááķáâááķâááķâááķáâáááķáâáá·áâááķááâááķáâáááá
áá
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âáááážáâááķáâááááâáážááķâáááâááķáâáááŧáááâá
“á
ááááķááâáášâáĒááááŧáâááķáá―áâááđáâááūáâáááâá áūá usnishââa Ꭰtuft ááâáááâááááâáĒáááâáá·áâáááážáâááķáâááâááķáâáááķáâááááááâá áá―áâááŧáâáážá
âáá―áâááâáááâáááâáá
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âááâáááâáá·áâáááááķâáâáááááķááâááâáážáááķáâáášâáá·áâááážá “ááķááâááķáâááááááâá
áá―áááâáĒáķá
âáĒááĒáķáâááļâááááááâáááâáĒáķá
âááááūâááķáâáá
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áááâááķâááááááâáá·áááâáá·áâááááķáâáááâáááážáâááķáâááááūâááááŧáâááķáâááááūâáąááâáážáâ
á
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ááķ Murugaâ,
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10) Classical Korean
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ëŠĐíëĄ ëļëĶŽėĪ!
ėīęēė ę·ļëĪė ė°ėĩė ëí ëŠĻë ėĻëžėļ ë°ĐëŽļíęļ° íėëĪėėí íë ĻėīëĪ
ëķėēë ëí ėļėęģž ę°ėą ONE ėëŊļė ė ëŠĐėīëĪ.
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ėėë íŽíĻ ëë ėĄ°ė ëė§ ėėėĩëëĪ ėąėĨė ëí ëķíė
ëëĪ.
Jagatheesanė, ëđė ė ėęēŽė ëžėīëļ ę°ëĪ!
25 ėž Kranti ë ëĶŽėė ëģž ė ėëŊėī ė ė ėĪė°ėļĩ Patels, ëë Patidarsė ęīë í ė ëĄ ëė, ėļęģí ęĩŽėëžíļ ëėļ ëķėė ėĶėė
ëëĪ. ęĩŽėëžíļė ė ëķė ë°ëģĩ ėėŽë “ëŠĻëę° ė”ėíëĄ ëëžęē ė ëķ, ė ëđ ë° ëŊļëėīëĨžíëĪėī ėėė ę·ëŠĻė ę°ëė ėíī ížėëęģ ėëĪ. ęĩŽėëžíļė ëŠĻë ęģęļ ę°ėīë°, Patidarsė ėžėđ - ėėĢž ęģĩę°ė ėžëĄ ėđīėĪíļ ė ęĩėŽėžëĄ ëíëëĪ - ęģĩęģĩ ëīëĄ ė ėĢžėīė§ėžëĄíëĪ. ėīëŽí ėļėė ęĩę°ė ëŠĻë ëķëķėė Patidarsë “ėėī ėŽëĨī ëĪëĨī ‘ė’ėėī Patidar”ė ę°ė ęĩŽíļëĨž ėļėđëĪíęļ° ėíī íĻęŧ ėĻ íėėžė ėĄ°ė§ ë 50 ë§ ę°í ë°ëŠĻė ėíī ę°íëęģ ėëĪ. ę·ļëĪė ė ëķę° Patidarsė OBC ėė―ė ė°ėĨíęą°ë ėė ėđīėĪíļ ęļ°ë°ė ėė― ėėĪí
ė íė§íęą°ë ęēė ėęĩŽíëĪ. ëŽīė dippressed ęģęļė ëí ëė íė ėíī ëŽėą ë ęēė ėŽęļ° EVMėė ėíī ę·žėĄė íėžëĄėī 1 % chitpawan ė§ėėļė ėíī íë Ĩė ėļ ėëĻė ėė§íėŽ ė·Ļė í ė ėėĩëëĪ. ę·ļ
ęēė Patidarsę°ėė§ëíė, 1981 ë
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, ė§ė ėŽí ė§ëėëĄ, ėŽė°ėĪ ėšëĄĪëžėīë / ëģīė ëŠĐí ëŠ
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Adivasis, ëėĪė ęĩŽėëžíļė OBCsė ëí ėí° ėė― ėīëė ėėíëėī ëëžė ėēŦ ëēė§ļ ėŧĪëŪĪëí° ėëĪęģ ėŽęļ°
ėĢžëŠĐíīėžíëĪ RSS ë° VHPë ė―ė ëđ ëĨīęē ęĩë°ė ė í, ę·ļëė ëŽīėŽëĶžė ëíī íëëĄ ëģė . ę·ļ
ëĪė chitpawan ė§ėėļė ëđëĨīė savarkarė ėíī ė ėĄ° ë Sangh Parivarė Hindutva ėė , ë íŽë
ęģ ëėļ, goplakrishna ngolale, balagangadhar TILAK, hindumaha ėŽë°ęģž ė íŽė ę·ļëŽë
ęēėēëž íīėļ ęą°ėĢž ëđęą°ėĢžė Gujaratis ëí, ë§ė ė ė ė , 뎞ė§ė ė§ėė íėĨíëĪ í
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ėĪ ęēė 1 ëđėĻëĄ kshatrias ëąė ė§ėėļė ë§íëĪ manusmiriti ėėĪí
ė ëŊŋęģ (ëŠĻë)
ëŊžėĢžėĢžė ė ëė ėīíī Bahuth Jiyadha Paapis (BJP)ėė MasterKeyëĨž ėĄęģ ėļęĩŽė ëķęģž 1 % RSSëĨž
ęđë§ę· 2 ëēė§ļ, 3 ëēė§ļëĄ baniyas, 4 ėëëĄ ėëëž ę·ļëĪė íė ę·ļëĪė ęģĩíŽė ëĻęē í ė ėëëĄ ë ėíž (AthmasëĨž)ėëė ėėĢžëŊž Panchamas (SC / ëģīė ëŠĐí ëŠ
ėļė). ëķėēë ėížė ëŊŋëíė§ ë§ėėėĪ. ę·ļë ëŠĻëę° ëėžíëĪ. ė°
ëĶŽ íëēė íëą, ë°ė , ëŊžėĢžėĢžėė ėė , ėĶ Sarvajan Hitaye Sarvajan Sukhayeėėíė
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ëģĩė§ ë° ėŽė°ėĪ ėšëĄĪëžėīë / ëģīė ëŠĐí ëŠ
ėļė / OBCsėī / ėė ëŊžėĄąė íŽíĻí ëŠĻë ėŽíė íëģĩė ėíī? ę°ëí ėė
ėđīėĪíļ. ėīë ėŽíė 99 %ėīëĪ.
ėŽęļ° EVMėėęē ëŊžėĢž ė ëė ėīėļëēė ėĄ°ėíėŽ ë§ėĪí° íĪëĨž ėąęēĻ í (ëŠĻë)ë ëģ ė ė ė ë Ĩė ė ė§íęļ° ėíī ėėėī íļëĶė ëŠĻë ėĒ ëĨėëĨž ėėíėĩëëĪ.
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CJI Sampath ëëŽļė ėīëŽí ėŽęļ° EVMė ėī ęĩėēīė ė°ļėŽ ëĢĻíž 1,600 croreė ëđėĐė ė CEC Sampathė
ėíī ė ė ëė ėī ęĩėēīė ëĻęģëĄ ęĩėēī í Thew ëģīëļ ėŽęļ° EVMė ėĢžëŽļė ėíī íëĻė ėĪëí ėĪëĨëĨž ëē. ëģļ CJIë ėīëŽí ėŽęļ° EVMė ė íí ėĪė ė ëķė ėĢžė ëķëĨžėļėíęģ ęļėī ėĢžëŽļ ëė ę°ė ėëė ë§ëë ëŊžėĢžėĢžėëĨž ė ėĨíë ėëĄėī ė ęą°ëĨž ėĪėíīėžíĐëëĪ
ęļėĶė ė ëęģ ė§ë°°ė Leuva ë° Kadva Patidarsė íŽíĻíëĪ. ę·ļëĪė ė― 12ââ ėĢž ėļęĩŽė ížėžíļëĨž ęĩŽėąíęģ ëķėė ėĪė°ėļĩ ëëŊž ėĪ ëĻėž ėĩë ę·ëŠĻė ėŧĪëŪĪëí°ė ëëĪ. 19 ėļęļ°ė ë§ė§ë§ ëķęļ° ėīí, ëķė í Patidars ėŽė , ė°ė ë ęļ°ė ę°ë°ė ėė ė ëė ėėŽëĨž íŽėíęģ ėëĪ. ė§ė ėŽíėė ėīėĢžė ëė ėë, ėĩėīė ėíëĶŽėđī ėīí ėęĩęģž ëŊļęĩė ę·ļëĪė ëēėė ėķę°íėĩëëĪ. ėŽėĪ, ę·ļë° ėëŊļėė ę·ļëĪė ëĪëĨļ ėŽëė ëŠĻë°Đíë Īęģ ë ļë Ĩ ëŠĻëļ ėŧĪëŪĪëí°ė ëëĪ. ęē―ė ė ëŠĐė ė ėíī ëŊļęĩė ę° Patidars ėĪ ęą°ė ëģīíļė ėļ ėīë§ėīėëĪ. íīėļ ė ė°Đ í ė ėėĩëëĪ ėŽëëĪė íėīíļ ėđžëž ėė ëë ë ęļ°ė ę°ëĨž ėŧė ëģļëĪ.
ę·ļëŽë ëė ė§ėėė, ëŠ ę°ė§ ė ęĩŽėķ ë ė ëŽļę° ë° ęļ°ė ė ė ėļíęģ ë ëëķëķė íėīíļ - ëë ëļëĢĻ ėđžëž ę·žëĄė ëë ėėė ė ëë ėšėĢžėž, ėŽė ëë ëĪėīė늎ë ęģĩėĨėė ėë Ļ ë ë ļëėė ëëĪ. ëĪėīė늎ë ė°ė ė ė§ė ėŽíė ėė§ę°ėëĪ - ėļęģėė 8 ~ 10 ëĪėīė늎ë ė ëĻęģž ėëė ęĩŽėëžíļė ëĪëĨļ ëėė ë§ė ė°ë§ í ė ėëĪęģ íĐëëĪ. ę·ļëŽë ė§ë ëŠ ę°ė ëė ė ęģë ęđė ėęļ°ė ėėëĪ. ėŽëŽ ëĻėë íė í ëĪėīė늎ë ë ļëėė ëĪėë Patidar ėŧĪëŪĪëí°ė íėŽ ëķėė ęļ°ėŽíęģ ėë íīęģ ëėëĪ.
ęīę°ė ë°ė ėī ė§ë 10 ë ę° ęĩŽėëžíļ ëė ėąėĨė ė― 8 ë ë§ëĪ %ė ëėëėėė ėëŊļę° ėė§ë§ ë§ė°Žę°ė§ëĄ,ėī ėąėĨė íŽíĻëė§ ėėėĩëëĪ. ėęģ íęģ ëëķëĪė ëĻėėëĪ, ëŠĻë ėļ ëēė§ļ Patidar ę°ė ė ëĻļëĶŽë ėęģ íęģ ëëķ, ę·ļëĶŽęģ / ëë í ė§ę°ėë ë ļëė. ę·ļë ëė ėīë§ęģž ëđė°ļí ėí ėĄ°ęąīė ė§ėė ėļ ęļīėĨ ę·ļë í. ę°ëí ëëķëĪė ëė ė íŽėíęģ ëđė ėīëíęļ°ė ėķĐëķí ėėėī ėėĩëëĪ. Hardik íí , ęĩë°ė ė§ëėë, ëëķ ėėīė ėŽëĄëĨž ę°ėĄ°íëĪ. ė ëķë íėė ëŽīėė ė ėĢėīėëĪ. ę°ëí íėŽė ėžëĄ ëđ ëėĨ ėļę·ž ëė ė§ėė ęģ ėĐęģž ëė ėĪė°ėļĩė íĐëĨė ęŋė ėŧęļ° ėíī ë ļë ĨíëĪ. ę·ļëŽë ëėė ėąėĨė ėļėė ėīė§ë§, íĄėíęģ ėī ėėđ ėīë§ė ėėĐ í ė ėėëĪ. ę·ļęēė ęē―ė ėąėĨė ėĢžëĄ ė ėĄ°ė ëķëŽļė, ë§ė ëĪëĨļ ęĩę°ė ëđíī ëė ęēė ėŽėĪėīëĪ. ę·ļëŽë ę°ëĨí ęģ ėĐė ė§ė ė ė ėŽëëĪė ęļ°ëė ëķėíė§ ėėĩëëĪ. ęģ ėĐ ėąėĨė ėĢžëĄ ėīëĪ ėŽí ëģīėĨėīėë ëđęģĩė ëķëŽļėė ėĻëĪ. ęĩŽėëžíļėėė ėęļė ëëķëķė ëĪëĨļ ėĢžė ëđíī ëŪëĪ. ėŽė§ėī ęģĩė ëķëŽļėė,ëģīëĪ ë ėėĢžíė§, ęģ ėĐ ėšėĢžėž ëë ęģė―ė ëëĪ. ëķėė ëëķëķė ė ė ė§ėė ęīīëĄ íëëĪ. ėīëŽí ėíĐėė, ė ëķ ęģ ėĐė ėŽėĐí ėėë ė ėží ėė íęģ íėėë ėėđëĄ ėĒė ė ė Patidarsė ėíī ę°ė§ëëĪ. ėėĪė ėžëĄ ë§ė ė ėŽ ęēė뎞 ë ęģĩė ëĻė ėė§ë§, ėĪė ëĄ ėīëĪ ė ëķė ėėđė ėë ëí ę°ėëëĪ. ę·ļëŽëėī ė ė ėŽëëĪėë°ė ė ėėĩëëĪ, ėđīėĪíļ ėíėė ëŪė ę·ļëĪė ëĪëĨļ ėŽëė ėļė ëę° íė ę°ëĻíęē í ė ėėĩëëĪ.
íđí ėí ëë ė ëģī ęļ°ė ė ëŽļ ęģžė ,,ė ė ėë Īė ļ ęļ°ęīė íŽëķ ė ė ė°ūë ė ėĨė ėí ë° ėŽė°ė ė·Ļë í ė ėėĩëëĪ. ëķë ļė ëė Patidar ėēėë ė ę·ļ ëžė°ėĪ ë íėę°ėëėī “ëĪëĨļ ėŽëėī”ëëŽļė í ëđëėī ęļ°ęīė ė ííęļ° ëëŽļė ę·ļę°, ę·ļ ęļ°íëĨž ë°íëëĪë ė ėīëĪ. ę·ļė ëķë§ė ę·ļę° ė ëķ ęļ°ęīėī ę·ļėęē ëŦí ėęļ° ëëŽļė ėŽëĶ― ëíė ė°ļėíęļ° ėíī ëė ëđėĐė ė§ëķíīėžíëĪë ęēėīëĪ. ėŽëđ ëíė ėę° ėĶę°íëĐīė ęģĩëĶ― ęļ°ęīė ėë ėę°ėī ė§ëĻė ë°ëž ė ėēī. ėŽëđ ëíė, ėĒėė ëđėĻėī ę°ė ęļ°ę° %ę° 600 ėīė ėĶę°íëĐīė ė ëķė ëíėė ėĒė, 2001ėė 2015 ėŽėī 31 % ėĶę°íëĪ. íėė ėęļėī ėŽėŊ ę°ėļ ëí 4 ëžíŽ ė ëķė ëíė ëí ë° RS ėĢžėė Ręģž 6,000ė íę· ė, ėīė ė ę·ļ ėę° ėžęģąíëĪ. íëë ëđė ėīëíė§ ėë í, ëëķëķė ėĪė°ėļĩ ę°ėĄąė ëēėëĨž ëēėīëĐëëĪ. ę·ļëė Patidar ėė― ë ėĒėė ė íė ėŧė ėŽëëĪė ëķëŽė.
ëí, Patidars ë
ëė ëŊļęĩė ėīėĢžė ėžë§ė íęģ ėëĪ. ę·ļëĪė ėđėēėī ė ė°Đíęģ ę·ļëĪė ėŽíė ė§ėëĨž ę°ė íęģ ę·ļ ë°ė ė ëŠĻë°Đíęģ ėķėĩëëĪ. íė§ë§ė ęļ°íę°, ëëŽī, ėđĻ늰ëë ęēė ëķė ė°ëĢëĨž ėķę°íëĪ. ę·ļëĶŽęģ , ėë
ė, “achhe ėė”ęģž ėė
ė ëë ëëž ëŠĻë ė ëķė ė―ėė ë ėė ė ëķë
ļëĨž ė
í ėķĐėĄą ë ęēėžëĄ ëģīėīė§ ėëëĪ.
ëģļ 1 % CHITPAWAN ė§ėėļ RSSë BURRYING ėļ 99 % SARVAJAN SAMAJ ėĶ, ėŽė°ėĪ ėšëĄĪëžėīë /
ëģīė ëŠĐí ëŠ
ėļė / OBCs / ėė ëŊžėĄą / ę°ëí ėėļĩ ėđīėĪíļ ė°ė ėë ę·ļëĪė BANNIAN ë° ėļëŊžë íļëĶŽ ėėđ
ėĻėėīëėëĪë ė ė íŽíĻíėŽ ëŠĻë ėŽí!
ę·ļëĪė ė ė ëģīíļ ėėĪėėë ėđëĢëĨž íėëĄ ęīęļ°ė ëëĪ ę·ļëĪė ë§ėė ëëŽė ëīėĐė ëëĪ ė ė, ėĶėĪ, ëķë ļ, ė§íŽ ë§ėė íėė ėíī ę·ļęēė í . ę·ļëĪė ėė í ęē―í TILL ę·ļëĪė íĩė°°ë Ĩ ëŠ ėė íėëĄíëĪ!
ę·ļëĪė ėŽęļ° EVMėė ėĄ°ėíėŽ ë§ėĪí° íĪëĨž ëĐėđ ėëëĐī ė§ęļė ëŽīėė. ę·ļëė ėĪíīíļ ę·ļëëĄ ę·ļëĪė ęą°ëĶŽëĄ ėėĩëëĪ. ėī ëëŽļė ë ļėķ ę·ļëĪė ėīë Īėī ę°ęđėī ėĨëė ę·ļëĪė ė§ė ė ėī ė°ūė ė ėėĩëëĪ.
ëī messageReservation
ëķė ėĄ°ę° ë°ęēŽ
ę·ļęēė ëėž ė ęĩėė ė§ė ėŽëŽ ëķėē ėėīė―ėī ėėėžëĄ íŽę· í ë°ęēŽėīëĪ.
ę·ļęēė ëėž ė ęĩėė ė§ė ėŽëŽ ëķėē ėėīė―ėī ėėėžëĄ íŽę· í ë°ęēŽėīëĪ.
ëŊļėėą ëķėė, ėë§ë 10 ėļęļ°ėė ėėŽ ė°ęĩŽëĨžėí ë§ë ëžėī ęļ°ë° ëėž ëë ėží° (PCHR) íėė ėíī Theni ė§ęĩŽ Andipattyė talukė Rosalpatty ë§ėėė ë°ęēŽëėëĪ.
C. Santhalingam, ėží°ė ëđė, ę·ļëĪėėī ė§ėė ę·ļëĪėęē ėĄ°ę°ė ėŽė§ė ėĪ íė, ė Balamurugan, ė ëģīëĨž ë°ėëĪęģ ë§íëĪ.
“ė°ëĶŽë ėĄ°ę°ėī ė§ėė ė ėë Īė ļėëĪ ėėīëęĩ, ęīë Ļėīėė ęēėžëĄ ėė. ę·ļëŽë, ė°ëĶŽę° Naththathi Meduė ėĄ°ę°ėī ę·ļ ëķėēëė ęēė ë°ęēŽíëĪ “ęģ ë§íëĪ. ę·ļęēė ëėž ė ęĩė ėžëķėë ëĻëķ ė§ėėė ëķė ėĄ°ę°ė ė°ūė ę·đí ëëŽļėīėëĪ.
“ë§ë ëžėīėė Pandikovilęģž ëķė ėĄ°ę°ėī ėķí ë ë ę°ė ëĪëĨļ ėĨė ėīėļ ëķėēė ęīë Ļë ëĪëĨļ ęļ°ëĄėīë ė°ęĩŽ ęē°ęģžë ėėëĪ. ë§ë ëžėīė ėĢžëģ ė§ėė ėĢžëĄ ėĄ°ę°ęģž ëķėĄ° ë§ ėėīëęĩ ėđĻëę° ėėĩëëĪ “ëžęģ Santhalingam ë§íëĪ.
ėĄ°ę°ė ë°ęēŽ í íėëėī ėŽëëĪė ėíī ėë°°ëė§ ėėė ė ėėė ėëŊļíë, ëŊļėėą ėíëžęģ ë§íëĪ. “ėĄ°ę°ė ė í ëĪëĶŽëĨž ėĨė°Đíęģ usnishââa ëë ëĻļëĶŽė ė ėī ėė í ėĄ°ę°ëė§ ėėėĩëëĪ. ėĪëĨļėŠ― ëšĻė ëė ėė ėĄ°ę°ė ëí íė ë ėīëŊļė§ė íė ëķė íėę° ėííė§ ėëĪ “ęģ ėĪëŠ íëĪ.
ėĄ°ę° ė ėė ėŽėĐëë ęļ°ëĨęģž ęļ°ė ė ęĩę°ė ëĻëķ ė§ėėė ë°ęēŽ ë ë ę°ė ëĪëĨļ íŽę· í ëķė ėėīė― ė ėŽíëĪėžëĄ ëķėēę° 10 ėļęļ°ė ėĄ°ę° ë ę·ļëĪė ę°ëĨââí ęļ°ę°ė íėļ í ė ėėëĪ.
ėī íė ëí ė§ėė Muruga, Vinayaka ę·ļëĪė 12 ëë 13 ėļęļ°ėė ëŊŋė ëĄė ėë° ėŽėė ęąīėķ ëķėž ëąė ė ëĪė ë§ė ë ę·ļëĶž ë°ęēŽ