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08/03/20
LESSON 3404 Tue 4 Aug 2020 Discovery of Awakened One with Awareness Universe (DAOAU) Current Situation Ends between 04-8-2020 and 3-12-2020 For The Welfare, Happiness, Peace of All Sentient and Non-Sentient Beings and for them to Attain Eternal Peace as Final Goal. Invitation to the 1st Anniversary of KUSHINARA NIBBANA BHUMI PAGODA in 116 CLASSICAL LANGUAGES Through http://sarvajan.ambedkar.org At WHITE HOME 668, 5A main Road, 8th Cross, HAL III Stage, Prabuddha Bharat Puniya Bhumi Bengaluru Magadhi Karnataka State PRABUDDHA BHARAT on 04-8-2020 Dr B.R.Ambedkar thundered “Main Bharat Baudhmay karunga.” (I will make India Buddhist) All Aboriginal Awakened Societies Thunder ” Hum Prapanch Prabuddha Bharatmay karunge.” (We will make world Prabuddha Prapanch It is a 18 feet Dia All White Pagoda with may be a table or, but be sure to having above head level based on the usual use of the room.
Filed under: General
Posted by: site admin @ 7:42 pm

LESSON 3404  Tue  4 Aug 2020


Discovery of  Awakened One with Awareness Universe (DAOAU) 


Current Situation Ends between 04-8-2020 and 3-12-2020 

    For

The Welfare, Happiness, Peace of All Sentient and Non-Sentient Beings and for them to Attain Eternal Peace as Final Goal.



Invitation to the 1st Anniversary of

    KUSHINARA NIBBANA BHUMI PAGODA

    in 116 CLASSICAL LANGUAGES

    Through

    http://sarvajan.ambedkar.org

At

    WHITE HOME

    668, 5A main Road, 8th Cross, HAL III Stage,

    Prabuddha Bharat Puniya Bhumi Bengaluru

Magadhi Karnataka State

    PRABUDDHA BHARAT

on 04-8-2020

Dr B.R.Ambedkar thundered “Main Bharat Baudhmay karunga.” (I will make India Buddhist)




All Aboriginal  Awakened Societies Thunder ” Hum Prapanch Prabuddha Bharatmay karunge.” (We will make world Prabuddha Prapanch
It is a 18 feet Dia All
White Pagoda with may be a table or, but be sure to having above head
level based on the usual use of the room.
 
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It is a 18 feet Dia All
White Pagoda with may be a table or, but be sure to having above head
level based on the usual use of the room.
 
  1. White pagoda choice
  2. The White Pagoda’s Age up choice picture
  3. White pagodaPhoto of the real White Pagoda in Beihai Park in Beijing
  4. China - white pagodaThe White Pagoda as it appears in-game


As it is considered ‘bad etiquette’ to place the Matteyya Awakened One with Awareness is higher than any other image in the same Pagoda.


In the place of an image of Buddha, a Tipitaka Sutta  written on a piece of paper or similar is perfectly acceptable.

As
some Buddhist schools recommend certain standardized arrangements of
images for their lay members Dhamma guardians or lineage masters is
placed.


  • Placed offerings on the lowest level,  a bowl of wate, a bell or singing bowl on a cushion useful.


  • As traditional offerings include candles, flowers, incense, fruit or food. However, it is not what you offer that is important: it is that it is done sincerely with a pure mind.

  • Since Buddhist monastics aren’t allowed to eat after lunchtime, food,
    fruit and dairy offerings traditionally – and for symbolic reasons –
    occur in the morning or shortly before lunchtime. Offerings of water,
    non-dairy beverages, candles, flowers and incense may, however, occur at
    other times of the day.




  • Placed a small stūpa on the supporting surface of the shrine. Made a simple stūpa with a small pile of stones as there is no need to go out and buy a costly gold one; that defeats the purpose of Buddhism.


  • It is traditional to change the offering water every morning, however, the old water should never go to waste.

  • Use it to water a plant or something. A new cup or bowl
    should be used for this purpose: glass or crystal is preferable, because
    the clarity of the water represents clarity of the mind. Some Buddhist
    schools use two water bowls: ‘drinking’ water and ‘washing’
    water. It is far from wrong to let flowers remain even after withering
    has begun: The flowers serve to remind you of impermanence.


  • Offers incense at the shrine when you recite morning ceremony. Touch the tip to your forehead, then light it. See warning.






    • Best time in the Morning Offering water before Sunshine is 4am or 6:30am.Waking up early enough to

      have time to think about the purpose of one’s life. When  waked  up
      thinking that one is been in meditation. Thinking that today  to help
      all
      sentient and non-sentient beings to be happy, well  and secure  just by being kind, compassionate and
      generous to those with whom in in contact.
    • May all have calm, quiet, alert, attentive and an equanimity mind witha clear understanding that everything is changing.
    • Then
      rising and going to the shrine. Lighting a stick of incense and
      thinking Namo Tassa Bagavatho Samma Sam Buddha (three times) To the
      Buddha,
      Dharma and Sangha,
    • Buddham saranam Gaccami
    • Dhammam Saranam Gaccami
    • Sangam saranam Gaccami
    • (Three Times)
    • making  this offering.

    • Then continued by offering
      seven (or 1 or 2 . . .) water bowls, etc

    • It’s your choice whether you want to put anything in there or not, but usually it’s left clean/empty.
      Yes,
      that is absolutely fine. If you’d like, you could write “BUDDHA” on a
      piece of crumpled-up loose leaf paper; you’d still be fine. It really
      does not matter what the
      shrine looks like, but rather what it is about for you.

      Nice idea to try to focus the books and items on your pursuit of Dhamma.

      Leave
      food for a few hours not letting it go bad! Food  offered to guests,
      animals, the hungry or just offered to Buddhahood and eaten. as it is
      sinful to discard food.

    • Anyone can eat the food. Before a meal you offer the food to the Buddha,
      then you eat it. The principle is the same for altars and everything
      else.

    • Flowers symbolize the causes,

    • while fruits symbolize the effects. They play a part in reminding
      practitioners of the truth of cause and effect, which most refer to as
      Kamma.

    • Can I continue to present my offerings to the shrine and meditate regularly when I am having my menstrual period?

      Buddhism has no restrictions to continue to present offerings to the shrine and meditate regularly when having my menstrual period.



    • Can use a picture of the Buddha instead of a statue.

    • The three statues in front of Buddha represent




      They represent the past Buddha, present Buddha and the next Buddha.



  • Stand supports the white statue of the Metteyya Awakened One with Awareness.
    A simple start is a steel stand with three levels. This is the main
    surface of the Pagoda, so you may want to put some effort into this.

  • Placed the Matteyya Awakened One with Awareness onto the Pagoda.

    First need was an image of the Matteyya Awakened One with Awareness.


  • Shwedagon Pagoda, Myanmar - AirPano.com • 360° Aerial Panoramas • 360° Virtual Tours Around the World
    Kanha Cave vihara in the Nasik Caves, 1st century BCE, is one of the earliest.[1]
    5th century Cave 4 at the Ajanta Caves with a Buddha statue in the centre shrine cell.

    Cave 12, Ellora, a late multi-story rock-cut vihara. Further decoration of the pillars was probably intended. Plan of cave 1 at Ajanta, a large vihara

    Cave 12, Ajanta Caves, cell entries off a vihara hall

    Mahabodhi Temple in India. Viharas found at Thotlakonda
    The ruins of Shalvan Vihara, the Buddhist monastery that operated between 7th-12th century in what is now Mainamati, Bangladesh.

    Southeast Asia

    Vihara, locally called wihan, of Wat Chedi Luang in Northern Thailand

    Cave 4, Ajanta Caves

    Entrance to a vihara hall at Kanheri Caves

    Wall carvings at Kanheri CavesSimple slab abode beds in vihara at Kanheri CavesDoorways of a Vihara, Bedse Cave

    hall for prayer and living, 5th century


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    Bodhgaya is one of the most important and sacred Buddhist pilgrimage center in the world. It was here under a banyan tree, the Bodhi Tree, Gautama attained supreme knowledge to become Buddha,the Enlightened One. Born; in the foothills of the Himalayas as a Sakya prince of Kapilvastu (now in Nepal), most of the major events of his life, like enlightenment and last sermon, happened in Bihar. Buddhism as a religion was really born in Bihar and evolved here through his preaching and the example of his lifestyle of great simplicity, renunciation and empathy for everything living. Significantly, the state’s name of ‘Bihar’ originated from ‘Vihara’ meaning monasteries which abounded in Bihar. Several centuries after Buddha’s passing away, the Maurya Emperor Ashoka (234-198 BC) contributed tremendously towards the revival, consolidation and spread of the original religion.
    	
    It is the monasteries, Ashoka built for the Buddhist monks and the pillars known as Ashokan Pillars erected to commemorate innumerable historical sites associated with the Buddha’s life, mostly intact to this day, that helped scholars and pilgrims alike to trace the life events and preaching of a truly extraordinary man. There is a magnificent Mahabodhi temple and the Tree from the original sapling still stands in the temple premises. The temple is an architectural amalgamation of many centuries, cultures and heritages. While its architecture has a distinct stamp of the Gupta era, it has later ages inscriptions describing visits of pilgrims from Sri Lanka, Myanmar and China between 7th and 10th century AD. It is perhaps still the same temple Hieuen Tsang visited in 7th century.
    Bodhgaya is one of the most important and sacred Buddhist pilgrimage center in the world. It was here under a banyan tree, the Bodhi Tree, Gautama attained supreme knowledge to become Buddha,the Enlightened One. Born; in the foothills of the Himalayas as a Sakya prince of Kapilvastu (now in Nepal), most of the major events of his life, like enlightenment and last sermon, happened in Bihar. Buddhism as a religion was really born in Bihar and evolved here through his preaching and the example of his lifestyle of great simplicity, renunciation and empathy for everything living. Significantly, the state’s name of ‘Bihar’ originated from ‘Vihara’ meaning monasteries which abounded in Bihar. Several centuries after Buddha’s passing away, the Maurya Emperor Ashoka (234-198 BC) contributed tremendously towards the revival, consolidation and spread of the original religion.
    	
    It is the monasteries, Ashoka built for the Buddhist monks and the pillars known as Ashokan Pillars erected to commemorate innumerable historical sites associated with the Buddha’s life, mostly intact to this day, that helped scholars and pilgrims alike to trace the life events and preaching of a truly extraordinary man. There is a magnificent Mahabodhi temple and the Tree from the original sapling still stands in the temple premises. The temple is an architectural amalgamation of many centuries, cultures and heritages. While its architecture has a distinct stamp of the Gupta era, it has later ages inscriptions describing visits of pilgrims from Sri Lanka, Myanmar and China between 7th and 10th century AD. It is perhaps still the same temple Hieuen Tsang visited in 7th century.
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    PHOTO
    วัดหงส์รัตนารามราชวรวิหาร Wat Hong Rattanaram
    PHOTO
    THE PAGODA CONTAIN BUDDHA RELIC INSIDE เจดีย์ภูเขาทอง
    PHOTO
    Wat Phan Sadet Nai วัดพันเสด็จใน
    PHOTO
    Wat Phan Sadet Nai 2 วัดพันเสด็จใน
    PHOTO
    วัดพันเสด็จใน Wat Phan Sadet Nai
    inside the cosmic buddha exhibition space
    • Home
    • Research
    • The Cosmic Buddha

    The Cosmic Buddha

    In Chinese Buddhist art, the sixth century was an era of great
    artistic transformation and theological debate. During that dynamic
    period, religion enjoyed both imperial patronage and abundant popular
    support. Promise of Paradise,
    an exhibition of the permanent collection in the Freer Gallery of Art,
    brings together finely carved stone figures, architectural reliefs, and
    gilt bronzes from that pivotal period. Together the works illustrate how
    beliefs, artistic techniques, and religious expression both rapidly
    evolved and provided a foundation for later innovations.

    One sculpture deserving particular attention is a late sixth-century
    image of the Buddha. A complex decoration of low-relief narrative scenes
    covers its surface. To better elucidate the significance of these
    carvings, Keith Wilson, curator of ancient Chinese art at the Freer and
    Sackler Galleries, turned to digital resources for assistance in closely
    examining this imposing sculpture.

    Scholars have identified the headless figure as Vairochana, the
    Cosmic Buddha (Pilushena in Chinese). The iconography of the narrative
    scenes that cover its form-fitting robe represents the life of the
    Historical Buddha as well as the “Realms of Existence,” a symbolic map
    of the Buddhist world. In Buddhist texts, Vairochana is described as the
    generative force behind all phenomena in the universe. He is also a
    central figure in the Chinese schools of Tiantai and Huayan. The
    narrative scenes are spiritual emanations rising from the Buddha himself
    and illustrate fundamental Buddhist teachings. These scenes originally
    would have been painted, as suggested by the slight traces of pigment
    that remain.

    Following the success of the 2011 exhibition Echoes of the Past,
    Wilson recognized the potential of digital imaging techniques. That
    earlier exhibition utilized 3D-imaging technology to explore an
    important group of late sixth-century devotional sites: the Buddhist
    cave temples of Xiangtangshan in northern China. In the early twentieth
    century sculptures had been removed from the caves. Technology made it
    possible to reconstruct one of the caves by layering high-resolution
    color photographs and 3D laser scans of the missing sculptures onto
    digitized scans of the interior as it now looks. Visitors could thus
    experience a Buddhist cave in its original arrangement, an impossible
    experience today.

    To create an interactive, web-based resource about the Cosmic Buddha, Wilson partnered with the Smithsonian Institution’s Digitization Program Office
    (DPO). That office is charged with creating images of the Smithsonian’s
    collections through both photography and 3D modeling. As part of a
    joint initiative between DPO and the Freer and Sackler Galleries,
    digitization experts Adam Metallo, Vince Rossi, and Jon Blundell scanned
    the Cosmic Buddha over a two-week period in the fall of 2011.

    Members of the Digitization Program Office used laser scanners to capture a 3D digital image of the Freer’s Cosmic Buddha

    Those scans were then digitally stitched together to create a 3D
    model, the basis for an interactive web module. Generously supported by
    the 2D and 3D software developer Autodesk, the web interface software
    allows viewers to rotate the sculpture, adjust lighting, and zoom in to
    see details of the sculpture’s surface. The module features guided tours written
    by Wilson and geologist Janet Douglas, a former Freer|Sackler
    conservation scientist. For example, Douglas presents overviews of the
    stone-working technique that was used to carve the sculpture, a
    scientific profile of the stone itself, and the sculpture’s conservation
    history. Wilson annotates the sculpture to explain the complex
    iconography that is derived from religious texts and theological
    discussions. More tours will be added as research progresses, thus
    allowing the public to follow developments and new findings.

    Through the use of this digital model, Wilson and other researchers
    can study the sculpture and its exceptional details in a new way.
    Scholars have long relied on rubbings to read such low-relief carvings,
    using black ink on white paper to make the patterns and scenes more
    legible. Today’s 3D modeling provides a far clearer view of the
    sculpture’s surface. Wilson can now detect previously unreadable
    details, and he is undertaking a comprehensive survey of the complex
    scenes depicted over the sculpture’s surface. This newfound ability has
    led him to conclude that the Freer’s Cosmic Buddha may well have been
    designed to serve as a teaching sculpture, probably in a monastery,
    where a narrator provided commentary and instruction on the teachings of
    Buddhism.

    The
    entire Cosmic Buddha (left) is covered with intricate scenes that are
    difficult to discern with the naked eye, as seen on the shoulder.
    Rubbings on paper (F1980.86.1d) bring out more details, while the 3D
    scan with digital surface occlusion (right) provides the clearest view
    of the sculpture’s surface.

    The scans’ clarity makes it easier than ever to map the surface and
    more clearly identify the borders of scenes and the figures they
    contain. Spatial depth in the narrative units is created through
    diagonals, vanishing points, and layered landscapes. By looking at 3D
    prints, scholars can now study these scenes for their artistic merit in a
    manner similar to paintings. The prints might help elucidate early
    Chinese narrative illustration and provide vital insight into the visual
    culture of sixth-century China.

    Thanks to the 3D model, the Cosmic Buddha can now be examined
    collaboratively in ways as never before, with “copies” of the sculpture
    being shared with colleagues in China and elsewhere around the world. In
    October 2016, the Freer and Sackler Galleries plan to hold a conference
    on the Cosmic Buddha, convening the field around a seminal period of
    Chinese Buddhist art and providing a forum for considering a single
    sculpture and the milieu in which it was created.

    Creating and studying digital images of the Cosmic Buddha demonstrate
    how technology can aid art historians, Buddhist scholars, and other
    researchers and interested people around the world by providing them
    with greater access to a masterpiece of Buddhist sculpture.

    Learn more about the Cosmic Buddha

    Angela Howard. Imagery of the Cosmological Buddha. Leiden: Brill, 1986.
    Denise Leidy. The Art of Buddhism: An Introduction to Its History and Meaning. Boston: Shambhala, 2008.

    Related online features

    Vairochna, the Cosmic Buddha
    Echoes of the Past: The Buddhist Caves of Xiangtangshan
    The Return of the Buddha
    Body of Devotion: The Cosmic Buddha in 3D


    Visitors at the Freer entrance
    https://www.gnomon.edu/academics?utm_source=ArtStation&utm_medium=Banner-animated-2020-Q3&utm_campaign=Mikko%202%20Standard

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    Learn to tell short animated stories to share with the world





    Any audiovisual project goes through a series of phases before
    reaching a final product. These are preproduction, production and
    postproduction and, in this Domestika course, you will see how they
    apply in the creation of an animated short film.

    From the hand of Dalmiro Buigues and Martín Dasnoy - founders of the
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    About this course




    Course table of contents


    • U1

      Introduction


    • U2

      Preproduction


    • U3

      Short production - Character design, color palette and styleframe.


    • U4

      Short production - Head and body


    • U5

      Short production - Stage modeling.


    • U6

      Short production - UVWs, mapping coordinate generation


    • U7

      Short production - Materials and lighting


    • U8

      Short production - Rig


    • U9

      Short production - Animation


    • U10

      Short production - Composition and sound


    • U11

      Postproduction


    • FP

      Final project

    View details
    ↓


    You will start by meeting Martín and Dalmiro, founders of Buda.tv,
    who will tell you about their career in the world of animation and their
    main influences.

    Then, you will start with the preproduction of your short film, shaping your script and then converting it into a storyboard and later into an animatic .

    You will define the aesthetics and the style of animation of your
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    Once you have defined the path to follow and the needs, you will
    start the production of your short film, generating characters, colors
    and scenarios from scratch.

    Finally, you will export your project using specifications that
    Martín and Dalmiro will provide you, in order to be part of the final
    collaborative project in which all students’ videos will be put
    together.




    What is this course’s project?



    You will create an animation short of between 5 and 15 seconds that
    will work as part of a collaborative short film among the students of
    the course.




    Who is it for?




    To people who are starting in the world of animation and want to know the processes behind a short film.

    What you need




    The course is based and focuses on the processes. Therefore, you will
    need basic knowledge of the 2D or 3D animation software of your choice
    (it can be Maya, Cinema 4D, MAX, Blender, or any other one you use) and a
    computer with that software installed.








    comments (0)
    LESSON 3403 Mon 3 Aug 2020 Discovery of Awakened One with Awareness Universe (DAOAU) Current Situation Ends between 04-8-2020 and 3-12-2020 For The Welfare, Happiness, Peace of All Sentient and Non-Sentient Beings and for them to Attain Eternal Peace as Final Goal. Invitation to the 1st Anniversary of KUSHINARA NIBBANA BHUMI PAGODA in 116 CLASSICAL LANGUAGES Through http://sarvajan.ambedkar.org At WHITE HOME 668, 5A main Road, 8th Cross, HAL III Stage, Prabuddha Bharat Puniya Bhumi Bengaluru Magadhi Karnataka State PRABUDDHA BHARAT on 04-8-2020 Dr B.R.Ambedkar thundered “Main Bharat Baudhmay karunga.” (I will make India Buddhist) All Aboriginal Awakened Societies Thunder ” Hum Prapanch Prabuddha Bharatmay karunge.” (We will make world Prabuddha Prapanch)
    Filed under: General
    Posted by: site admin @ 3:51 am

    LESSON 3403  Mon 3 Aug 2020


    Discovery of  Awakened One with Awareness Universe (DAOAU) 


    Current Situation Ends between 04-8-2020 and 3-12-2020 

        For

    The Welfare, Happiness, Peace of All Sentient and Non-Sentient Beings and for them to Attain Eternal Peace as Final Goal.



    Invitation to the 1st Anniversary of

        KUSHINARA NIBBANA BHUMI PAGODA

        in 116 CLASSICAL LANGUAGES

        Through

        http://sarvajan.ambedkar.org

    At

        WHITE HOME

        668, 5A main Road, 8th Cross, HAL III Stage,

        Prabuddha Bharat Puniya Bhumi Bengaluru

    Magadhi Karnataka State

        PRABUDDHA BHARAT

    on 04-8-2020

    Dr B.R.Ambedkar thundered “Main Bharat Baudhmay karunga.” (I will make India Buddhist)


    All Aboriginal  Awakened Societies Thunder ” Hum Prapanch Prabuddha Bharatmay karunge.” (We will make world Prabuddha Prapanch)
    zen dream GIF








    https://www.hongaku.net/teachings-of-the-buddha-in-his-own-words.html

    The Threefold Refuge
    The Pali formula of Refuge is still the same as in the Buddha’s time:

    Buddha.m sara.na.m gacchāmi
    Dhamma.m sara.n a.m gacchāmi
    San gha.m sara.na.m gacchāmi.

    I go for refuge to the Buddha
    I go for refuge to the Dhamma
    I go for refuge to the Sangha.


    The Five Precepts
    1. Pānātipātā veramani-sikkhāpadam samādiyāmi.

    I undertake to observe the precept to abstain from killing living beings.

    1. Adinnādānā veramanii-sikkhāpada.m samādiyāmi.

    I undertake to observe the precept to abstain from taking things not given.

    1. Kāmesu michcācārā verama.ni-sikkhāpada.m samādiyāmi.

    I undertake to observe the precept to abstain from sexual misconduct.

    1. Musāvādā verama.ni sikkhāpada.m samādiyāmi.

    I undertake to observe the precept to abstain from false speech.

    1. Surāmeraya - majja - pamāda.t.thānā verama.nii-sikkhāpada.m samādiyāmi.

    I undertake to observe the precept to abstain from intoxicating drinks and drugs causing heedlessness.




    https://en.wikisource.org/wiki/The_Constitution_of_India_(Original_Calligraphed_and_Illuminated_Version)/Part_5/Chapter_1
    The Constitution of India (Original Calligraphed and Illuminated Version)/Part 5/Chapter 


    < The Constitution of India (Original Calligraphed and Illuminated Version)

    http://www.columbia.edu/itc/mealac/pritchett/00ambedkar/ambedkar_buddha/





    http://www.columbia.edu/itc/mealac/pritchett/00ambedkar/ambedkar_buddha/04_01.html





    Buddha

    https://www.quora.com/What-language-did-Gautama-Buddha-speak-according-to-Indian-mythology-and-why-is-it-significant

    The Buddha spoke in a language called Magadhi Prakrit.

    Magadhi
    Prakrit is the spoken language of the ancient Magadha kingdom, one of
    the 16 city-state kingdoms  at the time, located in the eastern Indian
    subcontinent, in a region around
    modern-day
    Bihār,
    and spanning what is now eastern India, Bangladesh, and Nepal. The
    first Magadha king is Bimbisara (558 BC –491 BC), during whose reign the
    Buddha attained enlightenment. Both king Bimbisara and his successor
    son Ajatashatru, were mentioned in several Buddhist Sutras, being lay disciplines, great friends and protectors of the Buddha

    https://awakenmediaprabandhak. wordpress.com/
    When
    a just born baby is kept isolated without anyone communicating with the
    baby, after a few days it will speak and human natural (Prakrit)
    language known as
    Classical Magahi Magadhi/Classical Chandaso language/Magadhi Prakrit/Classical Hela Basa (Hela Language)/Classical Pali which are the same. Buddha spoke in Magadhi. All the 7111 languages and dialects are off shoot of Classical
    Magahi Magadhi. Hence all of them are Classical in nature (Prakrit) of
    Human Beings, just like all other living spieces have their own natural
    languages for communication. 116 languages are translated by https://translate.google.com




    Magadha empire, ~500 BCE



    The Magadha kingdom later became part of the Mauryan Empire, one of the world’s largest empires in its time, and the largest ever in the Indian subcontinent.



    Inline image 1


    Mauryan Empire, 265 BCE



    Magadhi Prakrit is the official language of the Mauryan court. Its emperor “Ashoka
    the Great” (ruled 273- 232 BCE) united continental India. During the
    war to conquer Kalinga, the last Southern part of India not subject to
    his rule, he personally witnessed the devastation that caused hundred of
    thousands of deaths, and began feeling remorse. Although the annexation
    of Kalinga was completed, Ashoka embraced the teachings of Buddhism, and renounced war and violence. He sent out missionaries to travel around Asia - his son Mahinda  and daughter Sanghamitra,  who established Buddhism in Ceylon (now Sri Lanka) - and spread  Buddhism to other countries.




    Stone lion of Ashoka, later became symbol of modern India

    Magadhi Prakrit is predominantly the language by which Emperor Ashoka’s edicts  were composed in. These edicts were carved on stone pillars placed throughout the empire.
    The inscriptions on the pillars described edicts about morality based on Buddhist tenets.

    Ashoka Pillar at Feroze Shah Kotla, Delhi, written in Magadhi, Brami and Urdu


    Geographically, the Buddha
    taught in Magadha, but the four most important places in his life are
    all outside of it. It is likely that he taught in several closely
    related dialects of Middle Indo-Aryan, which had a high degree of mutual
    intelligibility.

    Brāhmī Alphabet  


    Brāhmī lipi


    The Brāhmī alphabet is the ancestor of most of the 40 or so
    modern alphabets, and of a number of other
    alphabets, such as Khmer and Tibetan.
    It is thought to have been modelled on the Aramaic
    or Phoenician alphabets, and appeared in Jambudvipa sometime before 500 BC.





    The earliest known inscriptions in the Brāhmī alphabet are those of
    King Asoka (c.270-232 BC), third monarch of the Mauryan dynasty.





    Brāhmī was used to write a variety of languages, including  Prakrit.


    Notable features



    • Type of writing system: abugida - each letter represents a consonant with an
      inherent vowel. Other vowels were indicated using a variety of diacritics
      and separate letters.
    • Letters are grouped according to the way they are pronounced.
    • Many letters have more than one form.
    • Direction of writing: left to right in horizontal lines

    Vowels and vowel diacritics

    Brāhmī vowel diacritics

    Consonants

    Brāhmī consonantsBrāhmī consonants

    Sample text

    Sample text in Brāhmī

    Asokan Edict - Delhi Inscription



    Transliteration




    devānaṁpiye piyadasi lājā hevaṁ āhā ye atikaṁtaṁ
    aṁtalaṁ lājāne husa hevaṁ ichisu kathaṁ jane
    dhaṁmavaḍhiyā vāḍheya nocujane anulupāyā dhaṁmavaḍhiyā
    vaḍhithā etaṁ devānaṁpiye piyadasi lājā hevaṁ āhā esame
    huthā atākaṁtaṁ ca aṁtalaṁ hevaṁ ichisu lājāne katha jane

    Translation




    Thus spoke king Devanampiya Piyadasi: “Kings of the olden time have gone to heaven under
    these very desires. How then among mankind may religion (or growth in grace) be increased?
    Yea, through the conversion of the humbly-born shall religion increase”


    Source: http://www.virtualvinodh.com/brahmi-lipitva/144-asokan-edict-delhi



    Some modern descendants of Brāhmī


    Bengali,
    Devanāgarī,
    Gujarāti,
    Gurmukhi,
    Kannada,
    Khmer,
    Malayalam,
    Odia,
    Sinhala,
    Tamil,
    Telugu,
    Tibetan



    Links


    Information about Brāhmī


    http://en.wikipedia.org/wiki/Br%C4%81hm%C4%AB_script


    http://www.virtualvinodh.com/brahmi-lipitva


    http://www.ancientscripts.com/brahmi.html


    http://www.nibbanam.com/Brahmi/brahmi.htm


    Brāhmī fonts


    https://sites.google.com/site/brahmiscript/


    The Edicts of King Asoka


    http://www.cs.colostate.edu/~malaiya/ashoka.html





    ALPHABETUM - a Unicode font
    specifically designed for ancient scripts, including classical
    & medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian,
    Faliscan, Messapic, Picene, Iberian, Celtiberian, Gothic, Runic,
    Old & Middle English, Hebrew, Sanskrit, Old Nordic, Ogham,
    Kharosthi, Glagolitic, Old Cyrillic, Phoenician, Avestan, Ugaritic,
    Linear B, Anatolian scripts, Coptic, Cypriot, Brahmi, Old Persian cuneiform:
    http://guindo.pntic.mec.es/~jmag0042/alphabet.html



    Some of the writing systems used to write Sanskrit



    • Brāhmi,
    • Devanāgari,
    • Grantha,
    • Kharoṣṭhi,
    • Śāradā,
    • Siddham,
    • Thai,
    • Tibetan, (and many more)


    Syllabic alphabets / abugidas

    • Ahom,
    • Badaga,
    • Balinese,
    • Batak,
    • Baybayin (Tagalog),
    • Bengali,
    • Bima,
    • Blackfoot,
    • Brahmi,
    • Buhid,
    • Burmese,
    • Carrier,
    • Chakma,
    • Cham,
    • Cree,
    • Dehong Dai,
    • Devanagari,
    • Dives Akuru,
    • Ethiopic,
    • Evēla Akuru,
    • Fraser,
    • Gondi,
    • Grantha,
    • Gujarati,
    • Gupta,
    • Gurmukhi,
    • Hanuno’o,
    • Inuktitut,
    • Javanese,
    • Jenticha,
    • Kaithi,
    • Kannada,
    • Kawi,
    • Kharosthi,
    • Khmer,
    • Khojki,
    • Kulitan,
    • Lampung,
    • Lanna,
    • Lao,
    • Lepcha,
    • Limbu,
    • Lontara/Makasar,
    • Malayalam,
    • Manpuri,
    • Modi,
    • Mongolian Horizontal Square Script,
    • Mro,
    • New Tai Lue,
    • Ojibwe,
    • Odia,
    • Pahawh Hmong,
    • Pallava,
    • Phags-pa,
    • Ranjana,
    • Redjang,
    • Sasak,
    • Satera Jontal,
    • Shan,
    • Sharda,
    • Siddham,
    • Sindhi,
    • Sinhala,
    • Sorang Sompeng,
    • Sourashtra,
    • Soyombo,
    • Sundanese,
    • Syloti Nagri,
    • Tagbanwa,
    • Takri,
    • Tamil,
    • Telugu,
    • Thai,
    • Tibetan,
    • Tigalari (Tulu),
    • Tikamuli,
    • Tocharian,
    • Tolong Siki,
    • Varang Kshiti


      http://www.indicstudies.us/Archives/Linguistics/Brahmi.html


      The Brahmi script was the
      ancestor of all

      South Asian writing
      systems
      . In
      addition, many East and Southeast Asian scripts,
      such as Burmese, Thai,

      Tibetan
      , and even
      Japanese to a very small extent (vowel order),
      were also ultimately derived from the Brahmi
      script. Thus the Brahmi script was the Indian
      equivalent of the Greek script that gave arise
      to a host of different systems. You can take a
      look at



      the evolution of Indian scripts
      ,
      or

      the evolution of Southeast Asian scripts
      .
      Both of these pages are located at the very
      impressive site

      Languages and Scripts of India
      .
      You can also take a look at

      Asoka’s edict at Girnar
      ,
      inscribed in the Brahmi script.


      Related links:



      • Languages and Scripts of
        India



      • Eden’s Page: Scripts of all


    https://www.bestwebsiteinindia.com/blog/22-most-spoken-prominent-and-scheduled-languages-of-india/


    Best of India!



    Its all about best Indian places, culture, people, festivals and lots more…

    Best Site Categories 


    List of Official Languages of India According to Indian Constitution




    admin

    1 Comment

    Language History
    of India: The concept of verbal communication in India started late
    back in Indo-Aryan time from 1500 BCE to 600 BCE. It was a period of
    Indus Valley civilization. In this era, a Dravidian Language is supposed
    to exist for speaking and communicating. Soon after, Devanagari script
    was introduced for writing Sanskrit and later Hindi languages.
    Subsequently, many native and regional languages emerged with the
    widespread of Indian
    Civilization. Most of them were dialects and variants grouped under the
    Hindi Language. Centuries later, Persian language or Parsi was
    introduced into India by the Mahmud of Ghazni and by other Turkish &
    Afghanis Dynasties as the court language. In an early 18th
    century, the British started the invasion in India and for
    administrative purpose brought their major Language – English. It’s a
    latest known language in India.

    Official languages of India:

    India has the world’s second highest
    780 number of languages, after Papua New Guinea which has 839
    languages. According to the most recent census of 2001, there are 1635
    restructured mother tongues, 234 identifiable mother tongues, and 22
    major languages. Many assume that Hindi is the National
    Language of India, but it’s a misconception. Hindi is not the national
    language of India but official. The Constitution of India designates the
    official language
    of the Government of India both as Standard Hindi written in the
    Devanagari script, as well as English. The Eighth Schedule of the Indian
    Constitution lists 22 languages, which have been referred to as
    scheduled languages and given status, recognition and even official
    encouragement. Here, we have not including English as a part of Indian
    Nationalized Languages. Let us below identify with the most Spoken,
    Popular and 22 Official Languages of India (in alphabetic order).


    1. Assamese – is an Eastern Indo-Aryan language spoken mainly in the Indian state of Assam, where it is an official language. It is spoken by over 15 million native speakers. It is also spoken in parts of Arunachal Pradesh and other northeast Indian states.
    2. Bengali – is an Indo-Aryan language
      spoken both in the Republic of Bangladesh and north-eastern states of
      the Republic of India including West Bengal, Tripura, Assam (Barak
      Valley) and Andaman and Nicobar Islands. The language is spoken by 83 million people across India. After Hindi and Punjabi, Bengali is 3rd most spoken language in India.
    3. Bodo– is the Sino-Tibetan language
      spoken primarily by the Bodo people of North East India, Nepal and
      Bengal.  The population of Boro speakers according to 2001 census report
      was 2 million.
    4. Dogri– is an Indo-Aryan language spoken by roughly five million people in India and Pakistan, chiefly in the region of Jammu and Kashmir, Himachal Pradesh and northern Punjab in India.
    5. Gujarati – is an Indo-Aryan language
      native to the state of Gujarat. Gujarati emerged from time 1100–1500 AD
      in India. It is the official language in the state of Gujarat, in the
      union territories of Daman and Diu and Dadra and Nagar Haveli. Gujarati
      is the language of the Gujjars, who had ruled Rajputana and Punjab.
      According to the Central Intelligence Agency (CIA), 4.5% of the Indian
      population speaks Gujarati, which amounts to 46 million speakers in India.
    6. Hindi– is the most spoken and standardized Hindustani language. There are more than 300 Million people who use Hindi as their mother tongue. Moreover, it is the fourth most-spoken first language in the world.
      It is considered to be one of the oldest languages in the world. As it
      is descended from Sanskrit language and is considered part of the New
      Indo-Aryan subgroup. Hindi written in the Devanagari script is the official language of the Government of India. Modern Standard Hindi is believed to be influenced by Dravidian languages, Turkic languages, Persian, Arabic, Portuguese and English.
    7. Kannada – is a Dravidian language
      spoken primarily by Kannada people in south India, mainly in the state
      of Karnataka, Andhra Pradesh, Telangana, Tamil Nadu and Kerala. The
      language has roughly 45 million native speakers who are called Kannadigas.
    8. Kashmiri – is a language from the Dardic sub-group of the Indo-Aryan languages
      and it is spoken primarily in the state of north India of Jammu and
      Kashmir mainly in the Kashmir and Chenab Valley. There are approximately
      5 Million speakers throughout India. Most Kashmiri also speaks and use Urdu or English as a second language.
    9. Konkani – is an Indo-Aryan language
      belonging to the Indo-European family of languages and is spoken along
      the South western coast of India, mainly in Goa and Maharashtra. Native speakers are almost 8 million. The first Konkani inscription is dated 1187 A.D.
    10. Maithili – is an Indo-Aryan language
      spoken in the northern and eastern Bihar of India and a few districts
      of the Nepal Terai. It is one of the largest languages in India and the
      second largest language in Nepal. It is almost spoken by 34 million people in India. Less commonly, it was written with a mix of other neighboring languages such as Bhojpuri, Magahi, and Awadhi.
    11. Malayalam – is a Dravidian language
      spoken mainly in south India, principally in the state of Kerala. It is
      one of the 22 scheduled languages of India and was designated as a
      Classical Language in India in 2013. Malayalam is also spoken in the
      neighboring states of Tamil Nadu and Karnataka. Approximately 34 million native people speak Malayalam.
    12. Manipuri –
      or known as Meitei is the main language in the southeastern Himalayan
      state of Manipur, in northeastern India. It is the State official
      language in government offices. Manipuri is also spoken in the Indian
      states of Assam and Tripura, and in some part of Bangladesh and Myanmar.
      It is currently classified as a vulnerable language by UNESCO. Just
      about 1.5 Million People speak this language in India.
    13. Marathi
      – is an Indian language spoken predominantly by the Marathi people of
      Maharashtra. It is the official language and co-official language in the
      Maharashtra and Goa states of Western India, respectively. Roughly, 75 Million people in India Speaks Marathi as their native language. There is no much difference in Marathi and Konkani Language while speaking.
    14. Nepali – is an Indo-Aryan language
      derived from Sanskrit. It is the official language of Nepal. But In
      India, (due to Devanagari script) the Nepali language is listed in the
      Eighth Schedule to the Constitution of India as an Indian language
      having an official status in the Indian state of Sikkim and in West
      Bengal’s Darjeeling district. It is spoken essentially by Pahari people
      in Nepal and by a significant number of Bhutanese and some Burmese
      people.
    15. Odia – or Oriya is an Indo-Aryan language that is spoken mostly in eastern India from the state of Odisha. Just around 44 million native speakers
      are from Orissa (and above 55 million if we include adjoining regions
      of its neighboring states largely migrated from Orissa to other parts of
      India), making it spoken by 4.2% of India’s population.
    16. Punjabi – is an Indo-Aryan language, which is very popular in northern India and in large Pakistan province. It is second most spoken language in India. Punjabi is spoken by over 120 million native speakers worldwide (making
      it the 11th most widely spoken language in the world). Basically, it’s
      the native language of the Punjabi people who inhabit the historical
      Punjab region of India and Pakistan before independence.
    17. Sanskrit – is a standardized dialect of Old Indo-Aryan
      and is a primary liturgical language of Hinduism. It is marked as the
      philosophical language of Hinduism, Sikhism, Buddhism, Jainism and even
      considered lingua franca of ancient India and Nepal. As a result of
      transmission of Hindu and Buddhist culture to Southeast Asia and parts
      of Central Asia, it was also a language of high culture in some of these
      regions during the early-medieval era. Even today, in many secondary
      schools across India, the Sanskrit language is regarded as one of the
      main subjects from other class lessons.
    18. Santali – is a language in the Munda sub-family of Austro-Asiatic languages, related to Ho and Mundari. It is spoken by around 6.4 million people in India,
      Bangladesh, Bhutan and Nepal. Most of its speakers live in India, in
      the states of Odisha, Jharkhand, Bihar, Tripura, Mizoram, Assam and West
      Bengal.
    19. Sindhi -is an Indo-Aryan language
      of the historical Sindh region (spoken by the Sindhi people) from
      Pakistani province of Sindh. But, In India, due to its chronological
      history, Sindhi is considered one of the scheduled languages officially
      recognized by the Indian federal government. There are roughly 25 million people across India and Pakistan who speaks in Sindhi.
    20. Tamil – is a Dravidian language predominantly spoken by 70 million people
      from India and Sri Lanka. In India, it is spoken widely in South Indian
      states of Tamil Nadu, Kerala, Puducherry, Chennai, Karnataka, Andhra
      Pradesh, Telangana and the Union Territory of the Andaman and Nicobar
      Islands. Tamil is also an official language of two countries – Sri Lanka
      and Singapore.
    21. Telugu – is another Dravidian language
      native to India. Telugu is the prime language in the states of Andhra
      Pradesh, Telangana, Yanam, Puducherry, Chennai and Karnataka. It is one
      of six languages designated a classical language of India by the
      Government of India. Telugu ranks fourth by the number of native speakers in India which turns out to be somewhere 74 million in numbering.
    22. Urdu – is a Persian standardized index language
      of the Hindustani language. Urdu came in India with Islamic Mughal
      Empire late back in 1100 AD. Urdu is an official language of six states
      of India – Uttar Pradesh, Jammu and Kashmir, Telangana, Bihar,
      Jharkhand, West Bengal as well as Delhi. It is the official national
      language of Pakistan also. Urdu is recognized in the Constitution of
      India as one of the official languages.


    Other local languages and dialects:

    Below we have also tried to identify places and those small regions where some other native and least popular
    languages are spoken by more than 1 million people (10 Lakh) in India.
    Most of them are dialects/variants grouped under the Hindi Language.
    They are;

    • Bhojpuri – language is from the Bihar State of India with a number of native speakers of 33 million.
    • Rajasthani – is a language from Rajasthan State with 19 Million no of native speakers.
    • Magadhi – language is from East Bihar State with approximately 18 million speakers.
    • Chhattisgarhi – is a language from Chhattisgarh State with number of native speakers = 13 Million
    • Haryanvi – language is from Haryana with number of native speakers reaching to 10 Million
    • Marwari – is a language from Gujarat and Rajasthan State with number of native speakers are roughly about 8 Million
    • Malvi – language is from Madhya Pradesh State with number of native speakers = 6 Million
    • Mewari – language is from Rajasthan State with a number of native speakers of 5 Million.
    • Khorth – language is from Jharkhand with the number of native speakers = 4 Million.
    • Bundeli –
      language is from Bundelkhand region (comprises regions of Uttar Pradesh
      and Madhya Pradesh) with the number of native speakers somewhere about 3
      Million.
    • Bagheli – Language is from Madhya Pradesh and Uttar Pradesh with 2 million people speaking across these regions.
    • Pahari –
      Language is often spoken in the State of Uttarakhand, Himachal Pradesh
      and some part of Jammu & Kashmir with the number of native speakers 2
      Million.
    • Laman – language is from Maharashtra and Karnataka State with a number of native speakers = 2.5 Million.
    • Awadhi –
      language is from Awadh region of Uttar Pradesh and Terai belt of Nepal
      with the number of people speaking is more than 2 Million in numbering.
    • Harauti –
      is a Rajasthani language, spoken by some 4 million people in the Hadoti
      region of southwestern Rajasthan and neighboring areas in Madhya
      Pradesh.
    • Garhwali –
      language is from Garhwal Division of the northern Indian state of
      Uttarakhand in the Indian Himalayas with the number of native speakers
      somewhere about 2.5 Million.
    • Nimadi –
      is from Nimar region of west-central India (lies within the state of
      Madhya Pradesh and Maharashtra). 2 million people speak this language.
    • Sadri –
      language is spoken in the Indian states of Bihar, Jharkhand, Odisha and
      the north of West Bengal, and in Bangladesh with number of native
      speakers of 2.4 Million
    • Kumauni – language is spoken by over 3.2 Million people who reside in the State of Uttarakhand.
    • Dhundhari – is from northern Rajasthan. People speaking this language is somewhere about 2 million in counting.
    • Tulu – is a Dravidian Languages spoken by around 2 million native speakers mainly from the Indian state of Karnataka and Kerala.
    • Surgujia – is primarily spoken in Surguja, Jashpur, and Koriya districts of Chhattisgarh with a number of native speakers = 1.5 Million.
    • Bagri –
      is a dialect of Rajasthani language mixed with Punjabi language, spoken
      mainly in the Bagar region of north-western India and parts of Pakistan
      with 2 Million native speakers.
    • Banjari – is a language of once nomadic Banjara people live across India with the number of native speakers of 1 Million.
    • Surajpuri –
      is a Bengali dialect mainly spoken in the Seemanchal region of Bihar,
      West Bengal (Uttar Dinajpur and Dakshin Dinajpur districts, and in
      Siliguri city of Darjeeling district with a number of native speakers of 1.5 Million.
    • Kangri –
      language is predominantly spoken in the Kangra, Hamirpur, Bilaspur, Una
      districts and some parts of Mandi and Chamba district of Himachal
      Pradesh with number of native speakers = 1.2 Million
    • Varhadi – is a dialect of Marathi spoken in Vidarbha region of Maharashtra with a number of native speakers = 1.5 Million.

    At Online Pagoda for the benefit of all following steps may be practiced from one’s own home.

    Placed the Awakened One with Awareness onto the Pagoda.

    First need was an image of the Matteyya Awakened One with Awareness.

    The Yoga Suttas of Patanjali: a manual of Buddhist meditation.

    • Place the Awakened One with Awarenes 
    • Thinking to be in meditation in different postures.

    • The Yoga Suttas of Patanjali: a manual of Buddhist meditation.


      Translation
      and free adaptation of the article published on the blog “Theravadin -

      Theravada Practice Blog” (http://theravadin.wordpress.com/).

      We consider here the Yoga Suttas of Patanjali, a classical text and revered in Hinduism, dated at approx. 200 BC and compared its semantics and vocabulary to Buddhist canonical texts. In
      summary, this comparison is quite obvious that the author of Yoga Sutta
      was highly influenced by Buddhist philosophy and meditation practice,
      possibly contemporaneously to the author.

      Moreover,
      it appears that a student of Buddhist canonical texts may in fact be
      more easily understood than the Yoga Sutta a Hindu practitioner with no
      other previous reference parameter practical and philosophical.
       We
      do not consider comments here later Hindu / Brahman existing this text,
      some of which seem to avoid (or ignore) the original references to
      Buddhism in this text.

      The
      proximity of the Yoga Sutta-style, vocabulary, and subject to canonical
      texts in Pali could also mean simply that Patanjali - or whoever it is
      that inspired his writings - had practiced meditation from a Buddhist
      contemplative community, a community of monks for a time before
      returning to Brahmanism and then the movement would have rephrased his
      experience in order to add a divine touch to your experience, making
      substantial use of technical terms of Buddhist meditation, as originally
      framed or developed by the Buddha for the purpose of contemplative
      practice.
       But this would be pure speculation, because there is so far no studies or historical finding that supports this understanding.

      It
      is also possible, even likely, that the Buddhist meditation had so
      broadly permeated the practice Hindu / Brahman at the time (after years
      of a strong cultural influence began with Buddhist proselytism promoted
      by Ashoka the Buddhist Sangha in his reign and Consolidation of India),
      that these technical terms as well as descriptions of practice of jhana /
      dhyana (meditative absorptions) have it built into common knowledge at
      the point of no longer sounding particularly Buddhists.
       Something
      similar to what happens today with the adoption of the ideas of
      “nibbana” and “kamma” in Western culture, in Christian countries.

      In
      particular, if the Yoga Sutra is read in one continuous line is amazing
      how close the text is the thoughts and topics about samadhi, jhana
      meditation and Samatha (concentration) as defined in the ancient texts
      in Pali Buddhist.

      For a first analysis, an overview. Look
      at the “Ashtanga Yoga” or the “Eightfold Path of Yoga” (sic) we are
      certainly inclined to think the definition of the central Buddha of the
      Noble Eightfold Path.


      But
      instead of following the Buddhist literary definition of the Noble
      Eightfold Path, the interpretation of the eightfold path of yoga follows
      (to our surprise?) Another description of the Buddhist path: the one
      given by the Buddha as he described how he taught his disciples to
      practice in your system meditative, which consists of a number of steps
      outlined in various suttas of the volume of speeches with Mean Length
      (as in Ariyapariyesana Sutta, MN 26, etc.) and remind us much of the way
      “yogic” (pragmatic?), as devised by Patanjali at Yoga Sutta.

      Then compare these two “paths to reach the samadhi.”

      First what is in the Yoga Sutta of Patanjali:



      1.                  Yama, on the field conduct, morality or virtue



      2.                 Niyama, self-purification and study



      3.                 Asana, proper posture



      4.                 Pranayama, breath control



      5.                 Pratyahara, the removal of the five senses



      6.                 Dharana, concentration or apprehension of the object meditative



      7.                  Samadhi, meditative absorption


      And down the list of steps recommended by the Buddha when asked about the gradual development through his teachings. This list is found in many suttas of the volumes of speeches and Mean Length Long, as in other parts of the Canon:


      1.                  Sila, moral conduct or virtue, and Santosa, contentment



      2.                 Samvara, containment or removal of the senses



      3.                 Kayagata-sati and Iriyapatha, or “Asana” means the cultivation of mindfulness and four correct postures.



      4.                 Anapanasati, mindfulness of breathing



      5.                 Overcoming Obstacles or five nivarana (sensual desire, ill will, anxiety and remorse, sleep and torpor, doubt, skeptical)



      6.                 Sati, mindfulness, keep the object in mind, often quoted along with the comments dharana canonical.



      7.                  Jhana, levels of meditative absorption



      8.                 Samadhi, a result of absorption, the “realization” of various kinds or Samāpatti


      Of course we’re not the first to notice similarities such as the list above. A handful of other authors have noted some more and others less obvious parallels. In fact, even Wikipedia has an entry for Yoga Sutra in which we read:


      “Karel Werner writes that” the system of Patanjali is unthinkable without Buddhism. As
      far as terminology goes aa long in the Yoga Sutta that reminds us of
      formulations of the Buddhist Pali Canon and even more Abhidharma
      Sarvastivada Sautrantika and school. “Robert Thurman writes that
      Patanjali was influenced by the success of the Buddhist monastic system
      to formulate its own matrix for the version of thought he considered
      orthodox (…) The division between Eight States (Sanskrit Ashtanga) Yoga
      is reminiscent of the Noble Eightfold Path of Buddha, and the inclusion
      of brahmavihara (Yoga Sutra 1:33) also shows the influence of Buddhism
      in parts of the Suttas. “

      Now
      this is where the subject becomes interesting for us here on this blog
      and its relevance to the practice of Buddhist meditation.


      Doesall
      the above tells us that the Yoga Sutra is a comment Hindu / Brahmin or
      at least a photograph of meditation practices common (influenced by
      Buddhism) in the second century BC?

    • If this is the case, definitely warrants a closer look at. Certainly,
      this is because the text is not a Buddhist but shares a “core” of
      fundamental ideas on meditation to be able to take it as a sign pointing
      to a deeper understanding of some of the terminology in the context of the first centuries of Buddhist practice.


      Thus,
      if the Yoga Sutta is read in a Buddhist context, one can have some idea
      of how people understood at that time and (ou!) practiced Buddhist
      meditation?
       Could this be of some help in triangular or point of which was the direction of former Buddhist meditation?

      The
      more we know how people practiced a few centuries after the Buddha’s
      Parinibbana, the more we can understand how some of his teachings have
      evolved and how they were implemented and explained / taught.

      What
      makes this fascinating idea is that this text would definitely be
      filterable through the eyes of a Hindu / Brahman, but he is still
      influenced by the “knowledge” of Buddhist meditation apparently so well
      received, and the time of his writing had become the mainstream
      “contemplative practices.
       This would show us how and
      in what particular point, was considered to be the “essence” of
      meditation (in addition to being philosophical discussion of its
      purpose) in order to be considered universally true, then that can be
      “merged” into other forms of practice religious.

      Under this view, the Yoga Sutra is actually quite revealing. Consider a few passages that copies may shed light on this idea. Passages like the following really seems a direct copy and paste the Buddha-Dhamma. Some of them even make much sense in a context of religious doctrine theological-in-search-of-the-soul-creationist , but it fits absolutely in the philosophy of liberation through concentration and wisdom. However,
      they were considered “truth” and “accepted” so that the author Hindu /
      Brahman had no other choice but to incorporate them into their theistic
      philosophy, reminding us Western Christians today that due to the common
      acceptance of the idea karma / kamma, sometimes find ways to
      incorporate this idea in their religious views.


      Let’s start seeing the following list of impurities that Yoga Sutra tells us must be overcome:


      “Avidya
      (ignorance), Asmita (egoism), raga-Dvesha (desires and aversions),
      Abhinivesha (clinging to mundane life) are the five klesha or distress.
       Destroy these afflictions [e] You will realize Samadhi. “

      [Free translation of the original quote from Wikipedia]

      What
      impresses the reader as Buddhist before this paragraph is the simple
      fact that all these impurities listed are those that no longer are you
      supposed to Arahant one, or Awakened (!!!).
       That is, according to the text of Patanjali, the “Samadhi of Conduct” would be conceptually the same as the Buddhist Liberation.

      Consider the terms used:

      Avijja,
      ignorance or mental turvidão is even mentioned in the first place,
      while clearly a Buddhist point of view is considered the root of all
      problems.

      Then
      “asmita”, which is superficially translated as “selfishness” by
      understanding that had developed in shallow Sanskrit tradition that was
      ignorant of the deeper meaning of that term as used in the suttas of the
      Pali Canon (or tried to distort to suit your context religious).

      This
      term Buddhist in particular, pointing to the deeply embedded “notion
      that it is” (ASMI-tā) has a clear explanation in the suttas, but here in
      this passage and elsewhere, is reduced to a mere “selfishness” as a
      moral impurity devoid of its original psychological application.
       In
      the suttas “ASMI-Mana” is a deeply rooted psychological tendency that
      only a Arahant (Iluminsfo) won [see post “The scent of am” blog
      Theravadin].

      And
      there is also “abhinivesa”, a term the Buddha uses to explain how our
      mind comes in and assumes the five groups of attachment.
       The
      term “Nives” denotes a dwelling, a house - a simile brought by the
      Buddha to show how our consciousness moves “inside” of the contact
      experience of the senses and settles as if living in a house (see Sutta
      Nipata, Atthakavagga , and Haliddakani Magandiya Sutta Sutta). This
      usage is decreased very particular psychological context in Hindu /
      Brahmin to denote only an “attachment to worldly life.”But here is worth
      questioning whether this was also shared by superficial understanding
      or just by Patanjali Yoga Sutra later commentators, who have lost sight
      of these implications for not having knowledge of or access to the
      preceding context of Buddhism in the Yoga Sutra was written?

      And sometimes something awakening about the “sati” Buddhist can also be found. We
      have another pearl of a Buddhist point of view, which can be considered
      truly revealing: the use of the word “Dharana” in the text of
      Patanjali.

      This is one area in which our contemporary knowledge of Buddhism can benefit from insights. The
      term “Dharana”, which literally means short and “I can hold, carry,
      keep (in mind)” is a good description of the task faced in Buddhist
      contemplative practice, regardless of what tradition / schoolconsidered.

      In meditation we also need to maintain our meditation object firmly in focus in mind, without losing it. This
      central feature of the task undertaken when trying to cultivate
      meditative concentration, relates as an equivalent to the literal
      meaning of the Buddhist term “sati” (which means reminder / recall) and
      what is general and now translated simply as “mindfulness” - a
      translation that often aboard with questions.

      And the reason is as follows, in summary: To maintain the object of meditation in mind you need to remember it. Remember here that means you have to hold, keep in mind, your object of concentration. This
      is exactly what makes the faculty of memory, usually being pushed away
      by the impressions with new information by the six senses, which, if
      penetrated, would result in more or less a wild spin.

      If
      you are able to sustain their concentration on one point however - or
      even as much as you can keep it, one of the laws of functioning of the
      mind that the Buddha rediscovered and explained in detail that this
      rebate is “artificial” senses the support and focus on a particular
      mental object equivalent to a minor sensory stimulus.

      As
      a result of mental calmness and happiness (piti) and happiness index
      (sukha) will arise and show signs of the primeirs a stronger
      concentration - these being two of the five factors of meditative
      absorption (jhana), along with (i) directed thought (vitakka) (ii)
      sustained (Vicara) and (iii) equanimity (Upekkha).

      This
      is also the reason why is quite logical that samma sati, mindfulness,
      has to come before samma samadhi, full concentration in the Noble
      Eightfold Path of Buddhism - or, as shown in this case in the Yoga
      Sutta, “Dharana” would be the stage immediately prior to “Delivering the
      Samadhi.”

      In
      this case the Yoga Sutra throws much light on the original meaning as
      understood in the early centuries of Buddhist practice and can help us
      reach a more precise understanding of what “samma sati, right
      mindfulness, originally meant or pointed.
       (In Theravadin blog post is a rather plain and that shows how sati yoniso manasikara are coming in practical terms, check this link ).

      On
      the opposite side, or better, understanding it as a byproduct of the
      practice of sati is no other term that would best be described as
      “mindfulness.”
       The Pali term is sampajaññā -
      which literally means “next-consideration”, eg, be well aware of when
      performing an action, then a “clear understanding” of what it does - but
      this activity is a result of sati, as having the mind fixed on an
      object leads to a refined consciousness that arises when during the next
      and keep the mind of an object, creating a clear understanding of the
      few sensory impressions that may enter. According to this concept, mindfulness would be a result of sati and not the practice of sati in itself!

      But
      again, both activities are happening almost simultaneously, even if not
      in the same order and then the current use of the term translated can
      be done - at the same time a fine distinction, however, has its
      benefits.
       You can not keep an object from the
      standpoint of mind without which would create or develop mindfulness in
      mind - but (unfortunately!) you may be aware of all your actions that
      you work without the right concentration - as when eat an ice cream, in
      seeking the sensual pleasure, an example of improper care. This being the fact that unfortunately idealize the interpretations of some Westerners who want to say “Buddhist”.

      There
      is a difference between deliberately let himself be led by sense
      impressions by focusing on their physical pleasures and enhancing /
      supporting raga (desire) and nandi (joy) - and, from the perspective of
      Gotama Buddha, put his feet on the ground using the mindful memory and
      thus experiencing a more refined awareness of trying to get it off the
      shaft so that it results in a greater mindfulness, in the culmination of
      his experience flows into total equanimity in the face of both
      pleasurable and painful sensations.

      Thus,
      then, we must understand as vipassanā is no way a synonym for
      mindfulness (sati) but something that springs from the combination of
      all these factors especially the last two, samma sati (mindfulness) and
      samma samadhi (right concentration) applied to the relentless
      observation of what appears to be in front of (yathabhuta).

      You
      could say, vipassanā is a name for the Buddhist practice of sati
      associated samadhi directed to the view anicca / anatta / dukkha (ie,
      generating the wisdom of the vision of these three features) in the
      processes of the six senses, including any mental activity.
       Thus, one will find the term vipassanā but the idea of sati in
      the Yoga Sutra, Buddhist texts mention as the first term clearly having
      samādhi as just the beginning of the journey to insight and access -
      for example aniccanupassana .

      Finish here the parenthesis. Suffice 
      to say that any particular reference to the Buddhist philosophy citing
      anicca antta or point to the goal of Nibbana, a philosophical
      proposition to which the system of Yoga certainly does not refer.

      In essence the school of Yoga can be placed below the postures eternalists. So,
      while it definitely does need to produce sati-samadhi, definitely does
      not need to understand is samadhi anicca, dukkha and anatta - that does
      not sound very compatible with the worldview of a eternalistic. Before
      this, all spiritual approach arise due to the attempt to interpret
      Samadhi Yoga Sutra as marriage or at least as close as you can get from a
      “God”, a “Lord.” Something that sounds quite natural in
      the end to a theist - such as an Evangelical Christian would never
      interpret the reduction of its focus on mental object unique sensual
      ecstasy and consequently a mere effect of a psychological technique, but
      he would label it “the divine sign of God touching him. “ It
      is for this reason that, according to the Buddha Dhamma, in fact in
      most situations we are inclined to be led by the plots of our senses,
      including the mental impressions / thoughts / feelings / perceptions -
      and therefore tend to limit ourselves to go beyond such experiences also
      distorted the merger would allow access to insight and liberation.

      Returning
      to the context of comparison with the Christian interpretation of this
      ecstasy, in short what Patanjali is facing such a theistic
      interpretation sounds like someone moving a large portion of vocabulary
      and terminology for the New Testament, which gives this ring a Buddhist.

      The
      funny thing is that this is exactly how many of the contemporary New
      Age books are written - an amalgam of the terms of Western Spirituality /
      Christian trying to express a view east.
       So one can
      imagine that the situation in India was similar to that when the Yoga
      Sutta was written addressing the Buddhist philosophy of that era.

      The
      remaining Buddhist philosophy with his particular terminology
      established by the Buddha himself would have become so pervasive in
      religious thought, so to make seemingly trusted what was written on
      meditation was a need to borrow or rely on several of these Buddhist
      concepts predominant.
       This had largely been done or
      even conscious, as most New Age authors present not even reflect the
      content of their texts but about the message you want to spend.

      Thus,
      below is done in a way a translation - or rather a translation of a
      transliteration given the proximity between languages - as was done with
      the text of the Yoga Sutra in Sanskrit brought back to Pāli.
       Similar to what has been done this Sutra ( Theravadin available on the blog, in English on this link ),
      the exercise helps us see how the same text would sound the Pāli
      language, opening then find parallels in ancient Buddhist texts, the
      suttas.

      However,
      having said all that, pragmatism invoked by the text (which is what
      makes it so valuable) also indicates much more than a simple textual
      exploration.
       As you read this you can not discern
      the notion, especially since the position of a meditator concentration
      of whoever has written or inspired by this text, at some point
      personally experienced jhana and samadhi and wanted to convey his
      experience making use a rich language Buddhist meditation on the same
      interpretation being directed to an audience Brahman / proto-Hindu India
      200 BC.

      Anyway,
      check by itself - the pauses between sets of paragraphs labeled in bold
      are the author / translator and some important technical terms
      Buddhists were deployed, with additional comments made in italics:



      Patañjalino yogasuttaṃ (Part I of IV)

      Introduction

      atha yogānusāsanaṃ | | 1 | |

      And now a statement about the European Union (Yoga)

      [1] Read yourself to be the object of meditation, or an instruction (anusāsana) on the meditative practice (yoga).

      yogo-citta-vatta nirodho | | 2 | |

      The Union (Yogo) is the extinction of the movement of the mind


      [2] in this passage denotes vatta turbulence, swirl, activity - literally wandering, circling, confused. In
      this context broadly means “meditation is (…) a stop to the busy mind,”
      which is very active and its activity suggests a walk in circles.
       Probably the most direct (and correct) translation.

      Tada ditthi (muni) svarūpe’avaṭṭhānaṃ | | 3 | |

      (Only) then he who sees is allowed (to be) in (his) true nature.


      [3]
      In the Pāli language Drist the word does not exist, and it would be
      something like subsitituída by Muni, which has the same meaning -
      ,except, of course, the fact that “he who sees” further points in
      this,case the seeing process.
       Here was however used the term Pāli ditthi so as to maintain the link with the term semantic ditthi. The alternate translation is then: “So lets see who (or have the opportunity - avaṭṭhāna) of being in their true and natural.”

      Sarup-vatta itaritaraṃ | | 4 | |

      (Otherwise) at other times we become (equal) to this activity (of mind).

      ♦ ♦ Challenges

      vatta Panza kilesa akilesā ca ca | | 5 | |

      Activities (Mental) are five, some non-contaminating other contaminants

      pamanes-vipariyesa-vikappa-Nidda-sati | | 6 | |

      i)
      Experience (Evident-Measurement), ii) misperception (Illusion), iii)
      Intentional Thinking / Willing, iv) Sleep / Numbness, v) Memory /
      Mindfulness.

      i) pamanes, experience or clear-measurement

      Paccakkh’ānumān’āgamā honte pamāṇāni | | 7 | |

      What one sees and looks directly (paccakha), taking as a reference - it’s called experience.

      [7] Literally: “What comes through direct visualization and measurement is called the experience”

      ii) Vipariyesa, misperception or illusion

      Micca vipariyeso-Nanam atad-rūpa-patiṭṭhitaṃ | | 8 | |

      Illusion is the wrong understanding, based on something (lit. “one way”) that is not really.

      iii) Vikappa, Thought Intentional / Keen

      Saddam-ñāṇānupattī vatthu-Sunna vikappo | | 9 | |

      Intentional
      Thinking / Willing is any way of understanding and unfounded assertion
      (ie the internal speech, voltiva, partial and willful, based on mental
      speculation).

      [9]
      Alternative translation: “Thinking is cognition without a sound object /
      cause noise (vatthu).Think about it, thoughts are no more than sounds,
      silent babble that passes through our being.

      iv) Nidda, Sleep / Numbness

      abhava-paccay’-ārammaṇā vatta Nidda | | 10 |

      Mental activity in the absence of mental objects is called Sleep / Torpor.

      v) Sati, the Memory / Mindfulness

      Anubhuti-visayāsammosā sati | | 11 | |

      Not to be confused (or not lose) the object (sensory) previously experienced is called Memory / Mindfulness.

      Abhyasa-virāgehi Tesam nirodho | | 12 | |

      The extinction of these [activities] comes from the practice of detachment / cessation of passions (turning)

      [12] We have here the words turn and nirodha in the same sentence! It can not be more Buddhist canon than this! Interestingly, however, is the current use and non-metaphysical terms of this stretch. They are applied in a simple process of meditation, in particular the process of concentration meditation. This can not go unnoticed and goes directly in line with readings jhanic cultivation practices in Buddhism.


      ♦ The Training ♦

      tatra-tiṭṭha yatano abhyasi | | 13 |

      The
      practice’s commitment to non-movement (ie, become mentally property (at
      the same time it parmanece fluid - an excellent description for the
      concentration!)

      so-Kala-pana Dīgha nirantara-sakkār’āsevito dalhia-bhumi | | 14 | |

      Mast this (practice) must be based firmly in a long and careful exercise [excellent point here!]

      [14]
      This goes in line with what the author wrote the medieval Pali
      subcomentários the volume of the Digha Nikaya, where also we find the
      combination of the terms and dalhia bhumi - “firmness” and
      “establishment” - in the same sentence, denoting ” firm establishment

      diṭṭhānusavika-visaya-vitaṇhāya Vasik-Sannes viraga | | 15 |

      Detachment is the mastery (VASI-kara) of perception, the dropping of the seat (vitaṇhā) by the following (anu-savika, lit.’s Subsequent flow) experience a prey to view.

      parama-tam Puris akkhātā guṇa-vitaṇhaṃ | | 16 | |

      This is the climax: the abandonment of the current headquarters of the senses, based on personal revelation / knowledge of self.


      [16] Here we turned a Brahman, is this approach that allows the soul to win the seat / attachment, Tanh. And this short sentence has much to offer! At
      that moment in history, Patanjali was so convinced of the Buddhist goal
      of “opening up the attachment, the seat stop,” which boils down to vita
      ṇhā term he uses. However,
      it does not give up without a soul which its theistic philosophy simply
      collapses and nothing in the text would make it distinguishable from a
      treatise on the Buddha Dhamma.
       Thus,
      mounted on a meditative Buddhist terminology and guidelines in the
      conversation he introduces the term “Puris, which can be read as” soul,
      “saying that the more you get closer to its” intrinsic nature “(svarūpa)
      and inner body “Puri, or soul, you become able to stop itself this
      seat/ attachment.
       Interesting.

      ♦ Realization - Jhana / Dhyanas

      The first jhana / Dhyāna

      vitakka-vicar-Anand-Asmita rūp’ānugamā sampajaññatā | | 17 | |

      This
      is the alertness (sampajañña) from (the) (Kingdom of) form: a
      self-directed thought-based consciousness, which remains (to this) and
      inner happiness.

      [17] Here we describe an almost identical description of the first jhana used time and again by the Buddha in Pali texts ( see this example ). Indeed,
      we have a very beautiful description of the first jhana as a form of
      sampajaññatā (fully aware of what is happening), after the plan of the
      form (the theme of our meditation is a mental form) and a combined
      happiness at the thought we are trying to grasp what itself could be
      described as the pure experience of “I am” (Asmita - the term is being
      used more loosely in place as would suttas).

      However,
      the announcement vitakka / vicara the first mention of meditative
      absorption is a clear reference to the origin of Buddhist Yoga Sutra.
       Interesting also is the connection that is being done now with sampajaññatā: Think of everything we have said before about sati. If sati is simply the seizure of an object (the paṭṭhāna
      of sati, so to speak), so it’s interesting to see how sampajaññā this
      case, is identified with the state of the first jhana.
       Could this mean that when the Buddha mentions these two texts in Pali, which implicitly means samatha-vipassana?

      This
      is not at all a strange idea, like many vipassana meditators, focusing
      on objects will be much more subtle quickly show signs of the first
      jhana.
       Could it be then that the term “sampajaññatā” was seen as the first result of a concentrated mind?

      In
      any case, experience will teach you very quickly that when you try to
      hold an object in your mind, your awareness of what happens at this time
      will increase dramatically, simply due to the fact that his effort to 
      keep the object is under constant danger during the siege of sense.

      saw-Paticca Abhyasa-anno-pubbo saṃkhāraseso | | 18 |

      (This accomplishment) is based on detachment and previously applied for any subsequent activities.

      bhava-Paticca videha-prakriti-layana | | 19 | |

      (For example) Based on this existence and the characteristics of self

      saddha-viriya-sati-samadhi-paññā-pubbaka itaresam | | 20 | |

      This
      flower gives himself (based on these qualities) of conviction (saddha),
      energy (viriya), mindfulness (sati), concentration (samadhi) and wisdom
      (paññā)

      [20] The Buddha mentions these five factors when he was training arupa jhana under his previous two teachers. He also mentions how crucial factors when striving for enlightenment under the Bodhi tree. Later,
      during his years of teaching, he gave the name of “powers” (bullet) and
      explained that, if perfected, would lead to enlightenment.

      Tibba-saṃvegānām āsanno | | 21 | |

      (For those) with a firm determination reached (this accomplishment, the first Dhyana / jhana).

      ♦ Advancing in jhana, tips and tricks. ♦

      Mudu-majjhim’ādhi-mattatā tato’pi Visions | | 22 | |

      There is also a differentiation between (achievement) lower, middle and high

      Issar paṇidhānā-go | | 23 | |

      Or based on devotion (devotion) to a Lord (a master of meditation).

      kilesa-kamma-vipākāsayā aparāmissā Puris-visions’ Issar | | 24 | |

      The Lord (the Master) that is no longer influenced by the outcome kammic impurities and past desires.

      [24]
      Besides the question whether the term “Issar” found here could be read
      as merely referring to a master of meditation (which fits perfectly into
      the discussion until verse 27, where it starts to not fit any more) is
      ikely discussion, including on-line
       translation of the Yoga Sutra by Geshe Michael Roach . The
      principle can be interpreted so as to skeptics recalling the first
      sutta MN seemed more logical to assume Issar was first used to designate
      “the Lord” (ie your God).

      But with a little more research found that the term Issar Theragatha us are used to designate the “master”. Interesting is also the word in Pali āsayih replaced simple wish / desire - “Asa.” But
      “almost” sounds like “Asava” that would fit even better in the context
      of kamma and vipaka Asava.But the idea is very specific (”that which
      flows within you, taking it) and may or may not be what was meant in
      this passage.

      tatra-niratisayaṃ sabbaññatā bījaṃ | | 25 | |

      It is this that lies the seed of omniscience unmatched.

      sa pubbesam api guru kālen’ānavacchedanā | | 26 | |

      This Master from the beginning never abandoned him or abandon

      [26] Literally, “not” drop “(an + evaluation + chedana), or abandon, even for a time (short) (Kalena)

      tassa vācako Panavia | | 27 | |

      His Word is the breath and the clamor of living

      [27] On the panavah term, which can be interpreted as “om” in Hindu literature. It
      all depends if we read verses 24-27 as involving “Issar” to mean “God”
      or simply refer to consider meditation master of meditation you learn.
       If
      you do a search in the Tipitaka, you see that when the Buddha used the
      term was to refer to teachers (see for example Theragatha)

      taj-tad-japp attha-bhavana | | 28 | |

      Praying in unison with this, this is the goal of meditation

      touch-pratyak cetanādhigamo’pi antarāyābhāvo ca | | 29 | |

      So if the mind itself and carries it away all obstacles / hazards:

      Vyadha-ṭṭhāna-samsaya-pamādālayāvirati-bhrānti-dassanā’laddhabhūmikatvā’navatthitatāni

      Diseases,
      skeptical questions, be moved to laziness of attachment, wrong view of
      things, not meditative placements, or not yet firmly established in
      these.

      citta-vikkhepā te’ntarāyā | | 30 | |

      These are the causes of mental distractions (they fall due).


      dukkha-domanass’aṅgam ejayatv’assāsa-Passaseo vikkhepa-saha-Bhuvah | | 31 | |

      The physical and mental pain arises in the body, the shaking of the inhale and exhale conjução occur with such distractions.

      [31] Here dukkha and Domanassam mentioned. They also appear in the definition of the Buddha’s four jhana, but in a different direction. The problem described here meditative seems out of place and looks as if someone had to fit these words here. Also
      the inhale and exhale clearly has an important role in that they cease
      to exist (nirodha) so subjective to the practitioner in the fourth
      jhana.
       It is strange that all this is on the list, but is presented in a very different interpretation.

      ♦ ♦ The Objects of Meditation

      tat-pratiṣedhārtham ekatattābhyāsaḥ | | 32 | |

      In order to control these distractions, this is the practice of unification of mind:

      metta-karuna-mudita Upekkha-sukha-dukkha-Visayan-puññāpuñña bhāvanātassa cittapasādanaṃ | | 33 | |

      Thecheerful
      calm the mind (citta-pasada) is achieved by meditation of loving
      kindness, compassion, joy and equanimity in the face of pleasure, pain
      as well as luck and misfortunes.

      [33] And here we go. The
      four brahmavihara, of course, famous for the way Buddha encouraged
      monks to practice them to subdue the obstacles and enter the five jhana.
       It
      is also interesting as the Tipitaka sometimes aligns them with the
      progression in four jhana (which deserves to be studied separately).


      pracchardana-vidhāraṇābhyāṃ go prāṇasya | | 34 | |

      Or the inhale and exhale, which is also an excellent exercise in meditation.

      Visayavati go pa-vatta uppannā manaso thiti-nibandhinī | | 35

      It helps to stop and control the increasing mental activity that occurs through the power of the senses.

      [34
      and 35] Wow, now includes Anapanasati to the list of meditation
      techniques, the most favorite topics of Buddhist meditation, in addition
      to brahmavihara, which “coincidentally” was mentioned in the previous
      passage.
       Here
      he almost “cites” the benefit of Anapanasati of Pali suttas, the Buddha
      gave in the Anapanasatisamyutta Mahavagga, where it is clearly said
      that the greatest benefit of Anapanasati is the ability to quiet the
      mind.
       Very interesting!

       

      Visoko go jotimatī | | 36 | |

      And the mind becomes free from sorrow and radiant.

      vita-raga-visaya go citta | | 37 | |

      Free from desire for sense objects

      [36
      and 37] These two passages seem more like a copy of what the Buddha
      says in the suttas: “It is almost always remain in these states, O
      monks, neither my body or my eyes get tired.” Although it immediately to
      Explaining how the mind free from desires and radiant moves away from
      the senses, as do the experienced meditators, this passage is important
      because it shows that the author knew what he was talking in terms
      pragmáticos.Não there is something more important to the induction of
      samadhi (ie, jhana) that the resolution of the mind, the balance
      againstthe attack of the senses to the mind.

      svapna Nidda-go-jnānālambanaṃ | | 38 | |

      Of dreaming and sleep,

      yathābhimata dhyānād-go | | 39 | |

      parama-anu-stop-mahattvānto’ssa vasīkāri | | 40 | |

      kkhīṇa-vatta abhijātass’eva grahītṛ mani-Graham-grāhyeṣu stha-tat-tad-anjanatāsamāpatti | | 41 |

      When
      it happens in the destruction of mental activity or movement
      [Khin-vatta], there is the appearance of a jewel, the emergence of
      someone who carries such an object, the object and the carrying of such
      an object in itself - and this immobility is what is called a
      realization, or state of completion.

      tatra-nana-saddattha vikappaiḥ saṃkiṇṇā savitakkā Samāpatti, | | 42 | |

      There is the state of realization is “with thought” and marked by impurity of speech of conscious thought, the internal speech.

      [42], in the Pali Canon parlance we would say “savitakka-jhana.”

      sati-parisuddhaṃ svarūpa-suññevattha-matta-nibbhāsā nivitakkā | | 43 | |

      (However)
      there is a state of achievement without thinking (nirvitakka) with full
      attention and clearer that it is the nature of emptiness without a
      voice.

      [43] parisuddham sati is obviously the name the Buddha gave to the fourth jhana. It
      seems that the author tries to show us the range of four jhana,
      pointing to the criteria of the first, and then, in contrast to the
      characteristics of the fourth jhana again using the terminology of the
      Pali suttas.

      etadeva savic Nirvicārā ca-sukkhuma visaya akkhātā | | 44 | |

      Likewise, the state with and without research and consideration (vicara) is judged by subtlety of the object.

      [44] Here we are somewhat hampered by the language, and tempted to ask: by whom discerned before the non-self (anatta)?

      sukkhuma-visayattaṃ c’āliṅga-pary’avasānam | | 45 | |

      It culminates in a subtle object with no features

      tā eva sa-Bijo samādhi | | 46 |

      But even this is a samadhi with seed / question.

      Nirvicārā-visārad’ajjhatta-pasado | | 47 | |

      Happiness
      is attained with the inner conviction without regard to the
      concentration already (vicara, which is paired with vitakka)

      itaṃbharā paññā tatra | | 48 | |

      In this way, the truth is filled with wisdom.

      sut’ānumāna paññāyā-anna-visaya vises’atthatā | | 49 |

      And this wisdom is of a different kind of knowledge acquired through learning.

      taj-jo-saṃkhāro’ñña Samkhara-paṭibaddhī | | 50 | |

      Such activity (meditative and induced) obstructs born (all) other activities.

      tassāpi nirodha Sabba-nirodha nibbījo samādhi | | 51 | |

      With the extinction of it all is also stopped - and this is the root-without-samadhi (samadhi-unborn)

      [51]
      This last sentence sounds more like a reporter who, after being invited
      to a very important meeting, is eager to share what he heard from
      relevant sources.

      Here
      we are given a definition, in fact, the definition of the Buddha
      “phalasamāpatti” - a state of jhana, which can only happen after someone
      has had a realization that the particular insight nirvanic, giving
      youaccess to that which is samadhi no “seeds” (nibbīja).

      This
      whole concept fits nicely into a row of theistic argument, and no
      attempt is being made here in the final set of samadhi, to explain it.

      Did
      the Buddhists speak of this matter so that among the philosophical
      circles “mainstream” of the time it was automatically understood as “the
      highest you can get,” and the argument was so powerful that, despite
      not fit in the school already thinking of the times (an ancient
      Hinduism) was considered indisputable?

      Hard to say. This
      argument appears in the Sutta Ratanasutta Nipata.Vemos this final
      state, without seeds, as something that would target when trying to
      “Sanna-vedayita-nirodha” cessation of perception and feeling, a
      realization of the Buddha described as possible Arahants Anagami for
      that, after entering the eighth jhana sequentially finally leave
      theactivity more subtle (the sankhara) back.

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