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Paṭisambhidā Jāla-Abaddha Paripanti Tipiṭaka nīti Anvesanā ca Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya 
http://sarvajan.ambedkar.org anto 112 Seṭṭhaganthāyatta Bhāsā
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12/23/18
LESSON 2850 Sun 23 & 2851 Mon 24 Dec 2018 Do Good Be Mindful - Awakened One with Awareness (AOA) Tipitaka in 100) Classical Tamil-பாரம்பரிய இசைத்தமிழ் செம்மொழி,
Filed under: General, Vinaya Pitaka, Sutta Pitaka, Abhidhamma Pitaka, Tipiṭaka, ಅಭಿಧಮ್ಮಪಿಟಕ, ವಿನಯಪಿಟಕ, ತಿಪಿಟಕ (ಮೂಲ)
Posted by: site admin @ 5:20 pm



LESSON 2850 Sun 23 & 2851 Mon 24  Dec 2018



Do Good Be Mindful  -  Awakened One with Awareness (AOA)

Tipitaka
in

100)  Classical Tamil-பாரம்பரிய இசைத்தமிழ் செம்மொழி,

https://www.tipitaka.org/taml/

in 01) Classical Magahi Magadhi,
02) Classical Chandaso language,


03)Magadhi Prakrit,
04) Classical Hela Basa (Hela Language),

05) Classical Pali,


06) Classical Deva Nagari,
07) Classical Cyrillic
08) Classical Afrikaans– Klassieke Afrikaans

09) Classical Albanian-Shqiptare klasike,
10) Classical Amharic-አንጋፋዊ አማርኛ,
11) Classical Arabic-اللغة العربية الفصحى
12) Classical Armenian-դասական հայերեն,
13) Classical Azerbaijani- Klassik Azərbaycan,
14) Classical Basque- Euskal klasikoa,
15) Classical Belarusian-Класічная беларуская,

16) Classical Bengali-ক্লাসিক্যাল বাংলা,
17) Classical  Bosnian-Klasični bosanski,
18) Classical Bulgaria- Класически българск,
19) Classical  Catalan-Català clàssic
20) Classical Cebuano-Klase sa Sugbo,
21) Classical Chichewa-Chikale cha Chichewa,
22) Classical Chinese (Simplified)-古典中文(简体),

23) Classical Chinese (Traditional)-古典中文(繁體),

24) Classical Corsican-Corsa Corsicana,
25) Classical  Croatian-Klasična hrvatska,
26) Classical  Czech-Klasická čeština,


27) Classical  Danish-Klassisk dansk,Klassisk dansk,
28) Classical  Dutch- Klassiek Nederlands,
29) Classical English (Roman),
30) Classical Esperanto-Klasika Esperanto,


31) Classical Estonian- klassikaline eesti keel,
32) Classical Filipino,
33) Classical Finnish- Klassinen suomalainen,


34) Classical French- Français classique,


35) Classical Frisian- Klassike Frysk,
36) Classical Galician-Clásico galego,
37) Classical Georgian-კლასიკური ქართული,
38) Classical German- Klassisches Deutsch,
39) Classical Greek-Κλασσικά Ελληνικά,
40) Classical Gujarati-ક્લાસિકલ ગુજરાતી,

41) Classical Gurmukhi,

42) Classical Haitian Creole-Klasik kreyòl,
43) Classical Hausa-Hausa Hausa,
44) Classical Hawaiian-Hawaiian Hawaiian,

45) Classical Hebrew- עברית קלאסית
46) Classical Hindi-45) शास्त्रीय हिंदी,
47) Classical Hmong- Lus Hmoob,
48) Classical Hungarian-Klasszikus magyar,

49) Classical Icelandic-Klassísk íslensku,


50) Classical Igbo,
51) Classical Indonesian-Bahasa Indonesia Klasik,

52) Classical Irish-Indinéisis Clasaiceach,
53) Classical Italian-Italiano classico,
54) Classical Japanese-古典的なイタリア語,

55) Classical Javanese-Klasik Jawa,
56) Classical Kannada- ಶಾಸ್ತ್ರೀಯ ಕನ್ನಡ,
57) Classical Kazakh-Классикалық қазақ,
58) Classical Khmer- ខ្មែរបុរាណ,
59) Classical Korean-고전 한국어,
60) Classical Kurdish (Kurmanji)-Kurdî (Kurmancî),

61) Classical Kyrgyz-Классикалык Кыргыз,
62) Classical Lao-ຄລາສສິກລາວ,
63) Classical Latin-LXII) Classical Latin,
64) Classical Latvian-Klasiskā latviešu valoda,

65) Classical Lithuanian-Klasikinė lietuvių kalba,
66) Classical Luxembourgish-Klassesch Lëtzebuergesch,

67) Classical Macedonian-Класичен македонски,
68) Classical Malagasy,
69) Classical Malay-Melayu Klasik,

70) Classical Malayalam-ക്ലാസിക്കൽ മലയാളം,
71) Classical Maltese-Klassiku Malti,
72) Classical Maori-Maori Maori,
73) Classical Marathi-क्लासिकल माओरी,
74) Classical Mongolian-Сонгодог Монгол,

75) Classical Myanmar (Burmese)-Classical မြန်မာ (ဗမာ),

76) Classical Nepali-शास्त्रीय म्यांमार (बर्मा),
77) Classical Norwegian-Klassisk norsk,
78) Classical Pashto- ټولګی پښتو
79) Classical Persian-کلاسیک فارسی
80) Classical Polish-Język klasyczny polski,
81) Classical Portuguese-Português Clássico,

82) Classical Punjabi-ਕਲਾਸੀਕਲ ਪੰਜਾਬੀ,
83) Classical Romanian-Clasic românesc,

84) Classical Russian-Классический русский,

85) Classical Samoan-Samoan Samoa,
86) Classical Scots Gaelic-Gàidhlig Albannach Clasaigeach,

87) Classical Serbian-Класични српски,
88) Classical Sesotho-Seserbia ea boholo-holo,

89) Classical Shona-Shona Shona,
90) Classical Sindhi,
91) Classical Sinhala-සම්භාව්ය සිංහල,

92) Classical Slovak-Klasický slovenský,

93) Classical Slovenian-Klasična slovenska,

94) Classical Somali-Soomaali qowmiyadeed,

95) Classical Spanish-Español clásico,
96) Classical Sundanese-Sunda Klasik,
97) Classical Swahili,
98) Classical Swedish-Klassisk svensk,

99) Classical Tajik-тоҷикӣ классикӣ,
100)  Classical Tamil-பாரம்பரிய இசைத்தமிழ் செம்மொழி,

101) Classical Telugu- క్లాసికల్ తెలుగు,
102) Classical Thai-ภาษาไทยคลาสสิก,

103) Classical Tibetan
104) Classical Turkish-Klasik Türk,

105) Classical Ukrainian-Класичний український,

106) Classical Urdu- کلاسیکی اردو
107) Classical Uzbek-Klassik o’zbek,
108) Classical Vietnamese-Tiếng Việt cổ điển,

109) Classical Welsh-Cymraeg Clasurol,
109) Classical Xhosa-IsiXhosa zesiXhosa,
110) Classical Yiddish- קלאסישע ייִדיש
111) Classical Yoruba-Yoruba Yoruba,
112) Classical Zulu-I-Classical Zulu



http://velivada.com/20…/…/12/kaala-breaking-the-stereotypes/
‘Kaala’ – Breaking The Stereotypes!
I haven’t watched it, yet writing to share the wonderful thing I am
feeling after seeing our friends being so happy after watching ‘Kaala’.


It’s amazing to see that they are not only watching it but are on the
edge to share as many images which show our culture. And, Why not? It
hardly happens when these 75 mins show our Basti, our Buddha Vihar, Our
mohallas with images of Babasaheb etc.
So, it seems that this time, all of our gang has received super-power
from the screen. They are too powerful to keep this power within
themselves. So, it is indeed, very empowering to see them sharing this
power among each other.

All
credits go to ‘Kaala’, for ‘Kaala’ is firm to break their inferiority
complex. Particularly, in a society where all the means of production of
popular culture are in the hands of prejudiced ‘Savarna’ folks, we
never see such symbols like that in ‘Kaala’ in popular culture. In
fact, these ‘Savarna’ picture-walas never leave any stone unturned to
project ‘Bahujans’ as utterly filthy, degraded and inferior beings. Such
a demeaning projection of our lives through cinema has always resulted
in the lowly self-confidence and wounded self-esteem.

But now
Dhammachakra is definitely turning. This is a time of transformation. In
such a crucial phase, ‘Kaala’ contributes a momentum by not only
breaking the inferiority complex of ‘Bahujans’, but also by providing a
‘jabardast’ confidence to their fighter spirits. In fact, this feeling
of confidence which I sense, increases with every added picture of our
symbol exhibited in the popular culture

So, guys, I will
definitely watch it after this weekend. Until then, Let’s keep breaking
this age-long Inferiority Complex, let’s keep sharing our Super Culture,
Let’s keep sharing our Power, Let’s keep on becoming more Confident and
let’s keep sharing our ‘Kaala’.

Jai Bhim!

Author – Vruttant Manwatkar, JNU, June 2018


velivada.com
I haven’t watched it, yet writing to share the wonderful thing I am feeling…






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 112 CLASSICAL LANGUAGES 


Paṭisambhidā
Jāla-Abaddha Paripanti Tipiṭaka Anvesanā ca Paricaya Nikhilavijjālaya ca ñātibhūta Pavatti Nissāya




anto 112 Seṭṭhaganthāyatta Bhāsā





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is the most Positive Energy of informative and research oriented site propagating the teachings of the Awakened One with Awareness the Buddha and on Techno-Politico-Socio Transformation and Economic Emancipation Movement followed by millions of people all over the world.


Rendering
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Enterer (Sottapanna) and to attain Eternal Bliss as a Final Goal.

http://www.orgsites.com/oh/awakenedone/

Awakeness Practices


All 84,000 Khandas As Found in the Pali Suttas

Traditionally the are 84,000 Dharma Doors - 84,000 ways to get

Awakeness. Maybe so; certainly the Buddha taught a large number of
practices that lead to Awakeness. This web page attempts to catalogue
those found in the Pali Suttas (DN, MN, SN, AN, Ud & Sn 1). There
are 3 sections:

The discourses of Buddha are divided into 84,000, as to separate

addresses. The division includes all that was spoken by Buddha.”I
received from Buddha,” said Ananda, “82,000 Khandas, and  from the
priests 2000; these are 84,000 Khandas maintained by me.” They are
divided into 275,250, as to the stanzas of the original text, and into
361,550, as to the stanzas of the commentary. All the discourses
including both those of
Buddha and those of the commentator, are divided  into 2,547 banawaras,
containing 737,000 stanzas, and 29,368,000 separate letters.




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