Discovery of Metteyya the Awakened One with Awareness Universe(FOAINDMAOAU)
From Analytic Insight Net - FREE Online Tipiṭaka Law Research & Practice University in
 116 CLASSICAL LANGUAGES in BUDDHA'S own Words through http://sarvajan.ambedkar.orgat 668, 5A main Road, 8th Cross, HAL 3rd Stage, Punya Bhumi Bengaluru- Magadhi Karnataka State -PRABUDDHA BHARAT
Categories:

Archives:
Meta:
November 2019
M T W T F S S
« Oct   Dec »
 123
45678910
11121314151617
18192021222324
252627282930  
11/12/19
LESSON 3180 Wed 13 Nov 2019 Free Online NIBBANA TRAINING from KUSHINARA NIBBANA BHUMI PAGODA -PATH TO ATTAIN ETERNAL BLISS AS FINAL GOAL Analytic Insight Net - FREE Online Tipiṭaka Law Research & Practice University in
 111 CLASSICAL LANGUAGES in BUDDHA’S own Words through http://sarvajan.ambedkar.org at 668, 5A main Road, 8th Cross, HAL 3rd Stage, Bangalore- Karnataka State -India “Nothing can give real happiness as [can] Nibbana.” So said the Buddha Do Good Purify Mind Attain Nibbana ‘The gift of Dhamma excels all other gifts – sabba danam dhamma danam to attain NIBBANA as Final Goal
Filed under: General, Vinaya Pitaka, Sutta Pitaka, Abhidhamma Pitaka, Tipiṭaka
Posted by: site admin @ 10:22 pm
LESSON 3180 Wed 13 Nov 2019

Free Online NIBBANA TRAINING
from
KUSHINARA NIBBANA BHUMI PAGODA -PATH TO ATTAIN ETERNAL BLISS AS FINAL GOAL


Analytic Insight Net - FREE Online Tipiṭaka Law Research
& Practice University in
 111 CLASSICAL LANGUAGES in BUDDHA’S own
Words

through

http://sarvajan.ambedkar.org

at 668, 5A main Road, 8th Cross, HAL 3rd Stage, Bangalore- Karnataka State -India

“Nothing can give real happiness as [can] Nibbana.” So said the Buddha

Do Good Purify Mind Attain Nibbana

 ‘The gift of Dhamma excels all other gifts – sabba danam dhamma danam to attain NIBBANA as Final Goal


    Buddha was asked, “What have you gained by Meditation?”
    He replied “Nothing!”
    “However, Buddha said, let me yell you what I lost:
    Anger,
    Anxiety,
    Depression,
    Insecurity,
    Fear of Old Age and Death”

Propagate TIPITAKA - BUDDHA AND HIS DHAMMA

When
a just born baby is kept isolated without anyone communicating with the
baby, after a few days it will speak and human natural (Prakrit)
language known as
Classical Magahi Magadhi/Classical Chandaso language/Magadhi Prakrit/Classical Hela Basa (Hela Language)/Classical Pali which are the same. Buddha spoke in Magadhi. All the 7111 languages and dialects are off shoot of Classical
Magahi Magadhi. Hence all of them are Classical in nature (Prakrit) of
Human Beings, just like all other living spieces have their own
naturallanguages for communication. 111 languages are translated by https://translate.google.com


Complete Course on our Dhamma and Polity for the welfare, happiness
and peace of all Awakened Aboriginal Societies and for their Eternal
Bliss as Final Goal.

Meditate throughout life for Welfare, Happiness and Peace in all
postures of the body including, sitting, standing, lying, walking,
cycling, swimming, performing martial arts, Tai Chi, Kung Fu, Karate,
Kalari and so on.

Let us Practice and propagate
Buddha’s Own Words as in BUDDHA AND HIS DHAMMA by Dr. B.R. Ambedkar for
doing Good and for Purification of the Mind for the
Welfare, Happiness and Peace of All Aboriginal Awakened Societies to attain Eternal Bliss as Final Goal

69) Classical Maltese-Klassiku Malti,

https://vimeo.com/channels/1265102/211998792
69) Malti Klassiku-Klassiku Malti

NIBBANA

TAĦRIĠ B’XEJN B’XEJN B’XEJN
minn
KUSHINARA NIBBANA BHUMI PAGODA -PATH LI TIDDEĊIDI L-BLISS ETERNALI BĦAL GĦAN FINALI

Analitika
Insight Net - RIĊERKA & Prattika tal-Liġi Tipiṭaka Online B’XEJN
Università fi 111-IL LINGWI KLASSIĊI fi Kliem proprji tal-BUDDHA

permezz ta ’

http://sarvajan.ambedkar.org

fi 668, 5A Road prinċipali, 8th Cross, HAL 3rd Stage, Bangalore- Karnataka State -India
“Xejn ma jista ‘jagħti kuntentizza reali kif jista’ [jista] Nibbana.” Hekk qal il-Buddha

Ippurifika tajjeb it-Tajjeb Ikseb Nibbana

“Ir-rigal ta ‘Dhamma jeċċella r-rigali l-oħra kollha - sabba danam dhamma danam biex jilħaq NIBBANA bħala l-Objettiv Finali

Il-Buddha kien mistoqsi, “X’ġibu mill-Meditazzjoni?”
Huwa wieġeb “Xejn!”
“Madankollu, qal il-Buddha, ħalluni ngħajjat ​​dak li tlift:
Rabja,
Ansjetà,
Depressjoni,
Insigurtà,
Biża ‘fix-Xjuħija u l-Mewt “

Propagate TIPITAKA - BUDDHA U DHAMMA TIEGĦU

Meta
tarbija li għadha titwieled tinżamm iżolata mingħajr ma xi ħadd
jikkomunika mat-tarbija, wara ftit jiem hekk se jitkellem u naturali
uman (Prakrit)
lingwa magħrufa bħala Classical Magahi Magadhi / Classical Chandaso
lingwa / Magadhi Prakrit / Klassika Hela Basa (Hela Language) /
Classical Pali li huma l-istess. Buddha tkellem f’Magadhi. Il-lingwi u
d-djaletti 7111 kollha jinsabu barra mill-isparar tal-Klassika Magahi
Magadhi. Għalhekk kollha huma ta ‘natura Klassika (Prakrit) tal-Bniedem,
l-istess bħalma spieces l-oħra ħajjin għandhom il-lingwi naturali
tagħhom stess għall-komunikazzjoni.
111-il lingwa huma tradotti minn https://translate.google.com


Kors komplut dwar id-Dhamma u l-Polità tagħna għall-benesseri, l-hena u
l-paċi tas-Soċjetajiet Aboriġini kollha Qajjem u għall-Bliss Etern
tagħhom bħala Mira Finali.

Immedita tul il-ħajja kollha għall-Ġid, il-Ferħ u l-Paċi
fil-karigi kollha tal-ġisem inklużi, bilqiegħda, bilwieqfa, mimdud,
mixi, ċikliżmu, għawm, eżekuzzjoni ta ‘arti marzjali, Tai Chi, Kung Fu,
Karate, Kalari u l-bqija.

Ejja nipprattikaw u nisserrdu l-Buddha
Kliem Propji bħal fil-BUDDHA U TIEGĦU DHAMMA minn Dr. B.R. Ambedkar
talli qed tagħmel it-Tajjeb u għat-Tisfija tal-Moħħ għall-Ħarsien,
il-Kuntentizza u l-Paċi tas-Soċjetajiet Tqajjem Aboriġini kollha biex
jilħqu l-Bliss Etern bħala l-Għan Final

X’inhu, patrijiet, l-element Nibbana bil-fdal li jibqa ‘?


Xi ħadd li tela ‘fil-vettura ta’ Bodhisattva għandu jiddeċiedi li
“Għandi nmexxi l-ħlejjaq kollha lejn Nibbana, fl-isfera ta ‘Nibbana li
ma tħalli xejn warajh”. X’inhu dan l-isfera ta ‘Nibbana li ma tħalli
xejn warajh?

“Xejn ma jista ‘jagħti kuntentizza reali kif jista’ [jista] Nibbana.” Hekk qal il-Buddha

Li l-passjonijiet huma qishom jaqbad in-nar kien it-test ta ‘priedka li l-Buddha kkonsenja lill-Bhikkus

meta kien joqgħod Gaya. Dan huwa dak li qal:
“L-affarijiet kollha, O Bhikkus, qegħdin jaqbdu. U x’inhuma, O Qassisin, dawn l-affarijiet kollha li jinsabu fuq nar?

“L-għajn, O Bhikkus, tinsab fuq in-nar; il-formoli huma fuq in-nar;
is-sensi tal-għajnejn qiegħed fuq in-nar; l-impressjonijiet li jirċievu l-għajn huma mixgħula
nar; u kwalunkwe sensazzjoni, pjaċevoli, mhux pjaċevoli, jew indifferenti,
toriġina fid-dipendenza fuq l-impressjoni li jirċievi hu, li huwa wkoll fuq in-nar. “

“U x’inhuma dawn in-nar?”

“Bil-. in-nar tal-passjoni, ngħid jien, bin-nar tal-mibegħda, mal-id
in-nar tal-maturazzjoni; bi twelid, xjuħija, mewt, niket, lamentazzjoni,
miżerja, niket u disperazzjoni qegħdin in-nar. “


“Il-widna qiegħda tieħu fuqu; il-ħsejjes jinsabu fuq in-nar; l-imnieħer
ikun in-nar; irwejjaħ huma fuq in-nar; l-ilsien qiegħed fuq in-nar;
il-gosti huma fuq in-nar; il-korp qiegħed fuq nar;
l-ideat qed jaqbdu; u kwalunkwe sensazzjoni, pjaċevoli, mhux pjaċevoli, jew
indifferenti, toriġina fid-dipendenza fuq l-impressjoni li tirċievi
moħħok, dak ukoll qiegħed fuq nar.

“U x’inhuma dawn in-nar?”

“Min-nar tal-passjoni, ngħid jien; bin-nar tal-mibegħda; man-nar
ta ‘maturazzjoni; bi twelid, xjuħija, mewt, niket, lamentazzjoni,
miżerja, niket, u disperazzjoni qegħdin in-nar. “

“Jipperċepixxi dan, O Bhikkus, il-persuna mgħallma u nobbli [persuna] toħroġ l-istmerrija.


U meta joħroġ din l-istmerrija, huwa jinqered mill-passjoni, u
bl-assenza tal-passjoni jsir ħieles, u meta jkun liberu jsir konxju li
hu ħieles. “

Dan il-Buddha għamilha ċara fi priedka mogħtija lill-Bhikkus li fiha qal:
“Eċitati mill-regħba (lobha), aħwa, furious bir-rabja (dosa),
għomja bid-delużjoni (moha), b’moħħu megħlub, b’moħħ skjavjat, l-irġiel
jirriflettu fuq is-sfortuna tagħhom stess, l-irġiel jirriflettu fuq
l-isfortuna ta ‘ħaddieħor, l-irġiel jesperjenzaw tbatija mentali u
dwejjaq.

”Madankollu, jekk ir-regħba, ir-rabja u d-delużjoni
jintemmu [bl-] irġiel, la jirriflettu la l-isfortuna tagħhom u lanqas
is-sofferenza mentali u d-dieqa.

Għalhekk, ħuti, Nibbana hija viżibbli f’din il-ħajja u mhux sempliċement
fil-futur - li tistieden, attraenti, aċċessibbli għad-dixxiplu għaref. “

https://giphy.com/gifs/dream-buddha-amida-2yCVnZ6dgIXNS

ħolma zen GIF

- Dr B.R.Ambedkar fil-BUDDHA TIEGĦU U DHAMMA TIEGĦU
https://giphy.com/gifs/flying-cliff-88HMaqBTiNUBO

GIF sportiv estrem li jtajjar

http://www.columbia.edu/…/00ambe…/ambedkar_buddha/03_03.html

Li tgħix f’Nibbana hija Dhamma

1. “Xejn ma jista ‘jagħti hena reali kif jista’ [jista] Nibbana.”
Hekk qal il-Buddha.

2. Mid-duttrini kollha mgħallma mill-Buddha, il
id-duttrina ta ’Nibbana hija l-iktar waħda ċentrali.

3. X’inhu Nibbana? Nibbana kif mgħallem mill-Buddha
għandu tifsira u kontenut totalment differenti minn dak li ngħata
dan mill-predeċessuri tiegħu.

4. Minn Nibbana huma fissru s-salvazzjoni tar-ruħ.

5. B’hekk kien hemm erba ’modi kif kienet Nibbana
maħsuba minn: (1) Laukik (materjal, tiekol, tixrob u tkun tat-tip għajjien); (2)
Jogic; (3) Brahmanic, u (4) Upanishadic.

6. Kien hemm karatteristika waħda komuni tal-Brahmaniku
u l-kunċetti Upanishadic ta ‘Nibbana. Huma kienu jinvolvu r-rikonoxximent ta ‘
ruħ bħala entità indipendenti - teorija li l-Buddha ċaħad.
Il-Buddha għalhekk ma kellu l-ebda diffikultà biex jirrifjuta l-Brahmaniku u l-Upanishadic
tagħlim ta ‘Nibbana.

7. Il-kunċett ta ‘Laukik ta’ Nibbana kien wisq materjalist
nappella lill-Buddha. Ma kienet tfisser xejn ħlief is-sodisfazzjon tal-bniedem
aptit tal-annimali. Ma kien hemm xejn spiritwali fiha.

8. Taċċetta tali kunċett ta ‘Nibbana l-Buddha
ħass li kien ħażin kbir li jista ’jsir lil bniedem.

9. Għas-sodisfazzjon tal-aptit jista ’jirriżulta
biss fil-ħolqien ta ’iktar aptit. Mod ta ‘ħajja bħal dan ma jista’ jġib l-ebda kuntentizza,
hu ħaseb. Għall-kuntrarju, tali kuntentizza kienet żgur li ġġib iktar kuntentizza.

10. Il-kunċett Yogic ta ‘Nibbana kien purament
stat temporanju. Il-ferħ li ġab kien negattiv. Kien jinvolvi diżassociazzjoni
mid-dinja. Huwa evita l-uġigħ iżda ma ta l-ebda kuntentizza. Hi x’inhi l-hena
jista ‘jingħad li ġab iddum sakemm idum il-yoga. Ma kienx permanenti.
Kien temporanju.

11. Il-kunċett tal-Buddha dwar Nibbana huwa pjuttost
differenti minn dik ta ’qabilhom.

12. Hemm tliet ideat li huma l-bażi tal-kunċett tiegħu
ta ‘Nibbana.

13. Minn dawn, l-hena ta ‘l-essenzjalment
kif distint mis-salvazzjoni tar-ruħ huwa wieħed.

14. It-tieni idea hija l-kuntentizza tal-għajxien
li qiegħed f’Samsara waqt li huwa ħaj. Imma l-idea ta ’ruħ u l
salvazzjoni tar-ruħ wara l-mewt huma assolutament barranin għall-Buddha
konċepiment ta ‘Nibbana.

15. It-tielet idea li hi bbażata fuq il-kunċett tiegħu
ta ‘Nibbana huwa l-eżerċizzju ta’ kontroll fuq il-fjammi tal-passjonijiet
huma dejjem fuq in-nar.

16. Li l-passjonijiet huma bħall-ħruq tan-nar kien
it-test ta ‘priedka li l-Buddha kkonsenja lill-Bhikkus meta kien
kien joqgħod Gaya. Dan huwa dak li qal:

17. “L-affarijiet kollha, O Bhikkus, jinsabu fuq in-nar. U xiex,
O Qassisin, huma dawn l-affarijiet kollha li qegħdin jaqbduh?

18. “L-għajn, O Bhikkus, tinsab fuq in-nar; il-formoli jinsabu fuq
nar; is-sensi tal-għajnejn qiegħed fuq in-nar; l-impressjonijiet riċevuti mill-għajn huma
fuq nar; u kwalunkwe sensazzjoni, pjaċevoli, mhux pjaċevoli, jew indifferenti,
toriġina fid-dipendenza fuq l-impressjoni li jirċievi minnu, jiġifieri wkoll
fuq nar. “

19. “U ma ‘dawn in-nar?”

20. “Bil-. in-nar tal-passjoni, ngħid jien, id
nar tal-mibegħda, bin-nar tal-maturazzjoni; mat-twelid, ix-xjuħija, il-mewt,
niket, lamentazzjoni, miżerja, niket u disperazzjoni qegħdin in-nar. “

21. “Il-widna hija fuq in-nar; il-ħsejjes jinsabu fuq in-nar;
l-imnieħer ikun in-nar; irwejjaħ huma fuq in-nar; l-ilsien qiegħed fuq in-nar; gosti
jinsabu fuq in-nar; il-korp qiegħed fuq nar; l-ideat qed jaqbdu; u kwalunkwe sensazzjoni,
pjaċevoli, mhux pjaċevoli, jew indifferenti, joriġina fid-dipendenza fuq l-impressjoni
riċevut mill-moħħ, li wkoll qiegħed fuq nar.

22. “U x’inhuma dawn in-nar?”

23. “Bil-ħruq tal-passjoni, ngħid jien; man-nar
tal-mibegħda; bin-nar tal-maturazzjoni; bi twelid, xjuħija, mewt, niket,
Lamentazzjoni, miżerja, niket, u disperazzjoni jinsabu fuq in-nar. “

24. “Jipperċepixxi dan, O Bhikkus, min tgħallem u
[persuna] nobbli tikkonċepixxi l-istmerrija. U fit-tnissil ta ‘din l-istmerrija,
hu jinqata ’mill-passjoni, u bin-nuqqas ta’ passjoni hu jsir
b’xejn, u meta jkun liberu jsir konxju li hu ħieles. “

25. Kif Nibbana tista ‘tagħti l-kuntentizza? Dik hija
mistoqsija li jmiss li titlob spjegazzjoni.

26. Il-kunċett komuni huwa li l-bniedem mhuwiex kuntent għaliex
hu jkun irid. Iżda dan mhux dejjem veru. Il-bniedem mhuwiex kuntent minkejja
jinsab fin-nofs ta ’ħafna.

27. Il-kuntentizza hija r-riżultat tar-regħba, u tar-regħba
hija l-kondizzjoni tal-ħajja ta ’dawk li għandhom, kif ukoll ta’ dawk li m’għandhomx.

28. Dan il-Buddha għamilha ċara fi priedka mogħtija
lill-Bhikkus fejn qal:

Ħbieb, furija, eċċitati mir-regħba (lobha)
bir-rabja (dosa), agħma bid-delużjoni (moha), b’moħħu megħlub, bil-moħħ
skjavjat, l-irġiel jirriflettu fuq is-sfortuna tagħhom stess, l-irġiel
jirriflettu fuq l-isfortuna ta ’ħaddieħor, l-irġiel jesperjenzaw tbatija
mentali u dieqa.
30. “Jekk, madankollu, ir-regħba, ir-rabja u
d-delużjoni huma mneħħija [bl], l-irġiel la jirriflettu la l-isfortuna
tagħhom stess u lanqas is-sofferenza mentali u d-dieqa.

31. “Għalhekk, ħuti, Nibbana hija viżibbli f’dan
ħajja u mhux biss fil-futur - li tistieden, attraenti, aċċessibbli għaliha
id-dixxiplu għaref. ”


32. Hawnhekk tinsab l-ispjegazzjoni ta ‘dak li jikkonsma l-bniedem u
jagħmillu kuntent. Billi uża din it-tixbiha tal-ħruq tan-nar biex
jaħdem il-passjonijiet tal-bniedem, il-Buddha tat l-iktar spjegazzjoni
qawwija
għall-hena tal-bniedem.

33. Dak li jagħmel
il-bniedem kuntent huwa l-waqgħa tiegħu ta ‘priża għall-passjonijiet
tiegħu. Dawn il-passjonijiet jissejħu fetters li jipprevjenu raġel milli
jilħaq l-istat ta ‘Nibbana. Fil-mument li huwa ħieles mit-tbandil
tal-passjonijiet tiegħu - i.e., jitgħallem jikseb il-mod ta
‘Nibbana-bniedem lejn il-kuntentizza
hu miftuħ għalih.

34. Dawn il-passjonijiet, skont l-analiżi tal-Buddha,
jaqgħu taħt tliet gruppi.

35. L-ewwel: dak li jirreferi għall-gradi kollha ta ‘xenqa
jew sekwestru - bħalma hija l-lussu, il-maturazzjoni, u r-regħba (lobha).

36. It-tieni: dak li jirreferi għall-gradi kollha ta ‘
antipatija - mibegħda, rabja, vaksazzjoni, jew ripugnanza (doża).

37. It-tielet: dak li jirreferi għall-gradi kollha ta ‘injoranza - delużjoni,
ngħas, u stupidità (moha jew avidya).


38. L-ewwel u t-tieni nirien għandhom x’jaqsmu ma ‘l-emozzjonijiet u
[firxa] fuq l-iskala kollha ta’ l-attitudnijiet u sentimenti ta ‘wieħed
lejn bnedmin oħra, waqt li t-tielet nar huwa relatat ma’ l-ideat kollha
li huma b’xi mod jitneħħew mill-verità.

39. Hemm ċerti nuqqas ta ‘ftehim dwar id-duttrina tal-Buddha ta’ Nibbana.

40. Il-kelma Nibbana etimoloġikament tfisser tqaxxir,
tifi.

41. Waqt li żżomm din it-tifsira tal-għerq tal-kelma,
kritiċi ppruvaw jagħmlu nonsense tad-duttrina ta ’Nibbana.

42. Huma jqisu li Nibbana tfisser l-estinzjoni ta ‘kulħadd
passjonijiet tal-bniedem, li hija ekwivalenti għall-mewt.

43. B’dan il-mezz ippruvaw jitfgħu redikolu
fuq id-duttrina ta ’Nibbana.

44. Tali t-tifsira ta ’Nibbana mhix pjuttost
ċar jekk wieħed jeżamina l-lingwa tal-priedka tan-nar.

45. Il-priedka tan-nar ma tgħidx li l-ħajja tinħaraq
u l-mewt hija estinzjoni. Ta ’min jgħid li l-passjonijiet qegħdin jaqbdu.

46. ​​Il-priedka tan-nar ma tgħidx li huma l-passjonijiet
trid tintefa kompletament. Ta ’min jgħid, ma żżidx fjuwil mal-fjamma.

47. It-tieni, il-kritiċi ma rnexxielhomx jagħmlu distinzjoni
bejn Nibbana u Parinibbana.


48. Kif tgħid l-Udana: “Il-parinibbana sseħħ meta l-ġisem
jisintegra, il-perċezzjonijiet kollha jitwaqqfu, is-sensazzjonijiet
kollha jmutu, l-attivitajiet jieqfu u s-sensi jmorru. Għalhekk
il-Parinibbana tfisser estinzjoni sħiħa. ”

49. Nibbana qatt ma jista ’jkollha din it-tifsira. Nibbana
tfisser kontroll biżżejjed fuq il-passjoni sabiex wieħed jippermetti li
wieħed jimxi fit-triq tat-tjieba. Ma kienx maħsub biex ifisser. xejn
iżjed.

50. Li Nibbana huwa isem ieħor għall-ħajja twajba
huwa ċar mill-Buddha nnifsu għal Radha.


51. Ladarba l-venerabbli Radha wasal għand il-Waħdieni. Wara li
għamel dan, huwa sellem lill-Eżaltjat u poġġa bilqiegħda fuq naħa waħda.
Allura bil-qiegħda, il-venerabbli Radha indirizza l-Wieħed Għoli: “Itolbu, Mulej, x’inhu għal [= għal dak li hu] Nibbana?”

52. “Nibbana tfisser ħelsien mill-passjoni,” wieġbu
il-Mulej.

53. “Imma Nibbana, Lord, x’inhu l-għan ta ‘dan?”

54. “Għeruq fin-Nibbana, Radha, il-ħajja t-twajba
huwa għex. Nibbana hija l-għan tagħha. Nibbana hija t-tmiem tiegħu. “

55. Li Nibbana ma tfissirx li l-estinzjoni hija wkoll
magħmula ċar minn Sariputta fil-priedka li ġejja:

56. “Darba l-Imbierek Mulej kien joqgħod fi Shravasti
fl-Ashrama ta ‘Anathpindika fejn kien joqgħod Sariputta wkoll.

57. “Il-Mulej, li jindirizza lil ħutna, qal,” Almsmen,
kunu partitarji mhux tal-oġġetti tad-dinja imma tad-duttrina tiegħi;
fil-kompassjoni tiegħi għalikom kollha ninsab ħerqan li niżgura dan. ”

58. “Hekk tkellem il-Mulej, li mbagħad tela’ u
mgħoddi għaċ-ċellola tiegħu stess.

59. “Sariputta baqa ‘lura, u ħutna
talbu biex jispjega x’inhu Nibbana.

60. “Imbagħad Sariputta b’risposta għal ħutna qal,
Ħutna, taf li r-regħba hija vili, u l-ħażin huwa r-riżentiment.


61. “” Biex titfa ‘din ir-regħba u din ir-riżentiment, hemm it-Triq
Nofsani li tagħtina għajnejna biex naraw u jagħmilna jafu, li jwassalna
għall-paċi, l-għarfien, id-dwal, u Nibbana.

62. “” X’inhi
din it-Triq tan-Nofs? Huwa xejn imma l-Ġenb tat-Tmienja tan-Nobbli ta
’prospettiva tajba, għanijiet tajbin, diskors tajjeb, azzjoni tajba,
mezz ġust għall-għajxien, sforz it-tajjeb, konxja tajba, u
konċentrazzjoni tajba; dan, almsmen, huwa l-Middle Way.

63.
“” Iva, sinjuri: ir-rabja hija vili u l-ħażin huwa vile, l-għira u
l-għeluq huma vili, in-negattività u l-għajn huma vili, l-ipokresija u
l-ingann u l-arroganza huma vili, l-inflazzjoni [= il-ftaħir] hija vili,
u
l-indolenza hija vili.

64. “Għall-inflazzjoni
tal-inflazzjoni u l-indolenza hemm il-Mixja Nofsani - tagħtina għajnejna
biex tara, tgħarrafna u twassalna għall-paċi, l-għarfien, id-dawl.

65. “” Nibbana - li mhi xejn imma dik it-triq tan-Nobbli fuq tmienja. “

4807/5000
66. Għalhekk tkellem l-revered Sariputta. Ferħan qalbek,
l-almsmen ferħet b’dak li kien qal:

67. Li l-idea sottostanti għal Nibbana hija li hija
hi t-triq tat-tjieba. Ħadd ma jiżbalja Nibbana għal xejn
inkella.

68. Il-anihilazzjoni sħiħa hija waħda estrema, u l-Parinibbana
huwa estrem ieħor. Nibbana hija t-Triq tan-Nofs.

69. Hekk mifhum, kull konfużjoni dwar Nibbana se
jisparixxu.

https://www.accesstoinsight.org/…/dhamma/sacca/sacca3/nibba…

Nibbana

Nibbana isemmi l-libertà traxxendenti u singularment ineffabbli li hija l-għan aħħari tat-tagħlim kollu tal-Buddha.

https://giphy.com/…/profile-notoverthehill-tomdds-7yojoQtev…

dak hu kollu folks tal-profil GIF

“Dan
hija l-paċi, din hija exquisite - ir-riżoluzzjoni tal-fabbrikazzjonijiet kollha, l
it-tneħħija mill-ġdid tal-akkwisti kollha, it-tmiem tax-xenqa; disassjoni;
waqfien; Nibbana. ”
- AN 3.32

https://giphy.com/gifs/qz-3o6Ztj160BEqLidM7S
Uġigħ fil-mewt GIF mill-Kwarz

https://www.youtube.com/watch
Il-Waqfien tat-Tbatija: Il-waqfien tat-Tbatija hija Nibbana - liberazzjoni.

Buddiżmu ħaj
6 abbonati
Il-Waqfien tat-Tbatija: Il-waqfien tat-Tbatija hija Nibbana - liberazzjoni.

Sabiex telimina “Dukka” jew tbati kompletament, wieħed għandu jelimina l-għerq ewlieni ta ‘Dukkha.

Hija xewqa jew għatx u għalhekk it-tielet Verità Nobbli hija wkoll
magħrufa bħala “Thanhakkayo Nirodha” estinzjoni tax-xenqa, l-għatx jew
ix-xewqa. Dan ifisser il-waqfien komplet ta ‘’ thanha ‘jew xenqa.

Nibbana jew Nirodha hija ħelsien assolut mill-effetti tax-xenqa, ħelsien mill-ħażin, ħelsien mill-mibegħda u l-injoranza.

Sakemm ikun hemm dan l - “għatx” “li jkun” u “li jsir” iċ - ċiklu ta ‘
il-kontinwità tkompli. Jista ‘jitwaqqaf biss meta l-forza tas-sewqan tagħha
Ix-xenqa hija maqtugħa permezz tal-għerf.

L-għerf qed jara l-veru
stat tal-affarijiet. Ma nistgħux naraw ir-realtà kif inhi koperta u
moħbija mill-moħħ tagħna stess. Meta l-moħħ ikun ossessjonat bid-defilimenti
bħal xewqa u mibegħda, ir-realtà hija moħbija.

Allura biex tara l-affarijiet kemm tassew kif huma f’moħħhom pur għandhom ikunu mikxufa.

L-estinzjoni tax-xenqa, l-estinzjoni tal-mibegħda, l-estinzjoni tal
l-illużjoni u l-injoranza se jwittu t-triq biex tara l-affarijiet b’mod ċar għaliex
allura biss il-moħħ ikun ħieles minn nuqqasijiet li jkopru l-moħħ.

‘Nirodha’ jew ‘Nibbana’ bħala t-tielet verità nobbli hija l-waqfien ta ‘Dhukka
jew tbatija, u dan jista ‘jinkiseb billi titnaddaf il-moħħ minn
defilements, xenqa u mibegħda.

Dan hu l-għerf li jintiret minn moħħ pur.

Ara l-filmat l-ieħor fil-kanal tal-Buddiżmu Ħaj.

L-1 Parti: https://youtu.be/ShzNueVOnkA
Parti 11: https://youtu.be/PIPz-4GWP1E
Parti 111: https://youtu.be/t-xjimv-SKg
Parti IV: https://youtu.be/aNT54fjsw08

tħossok liberu li tikseb l-aħħar Duttrina Buddista tiegħi fil-link hawn taħt. Kollha int
hemm bżonn li tiffirma bl-amazon li jista ’jinstema’. Għaddi permezz tal-link
hawn taħt u tisma ‘l-awdjo-ktieb tiegħi li huwa assolutament b’xejn.

Rabta Għall-Iskrizzjoni tal-Prova Ħielsa li Tisma ‘30 Jum

https://amzn.to/2xphT1P
Kategorija
Edukazzjoni

“Din hija l-paċi, din hija exquisite - ir-riżoluzzjoni tal-fabbrikazzjonijiet kollha,
it-tneħħija mill-ġdid tal-akkwisti kollha, it-tmiem tax-xenqa;
disassjoni; waqfien; Nibbana. ”
- AN 3.32

Dwar Dan il-Websajt
youtube.com
Il-Waqfien tat-Tbatija: Il-waqfien tat-Tbatija hija Nibbana - liberazzjoni.

https://giphy.com/gifs/ysl-love-passion-9GJ1mqBbUEkVhl8cVu

M’hemm l-ebda nar bħal passjoni,

Rumanz imħabba GIF minn YSL Beauty USA

https://giphy.com/gifs/tmobile-Yjvg6BHVXJVOxwrG43

bla telf bħal rabja

mad rainn wilson GIF minn T-Mobile

https://giphy.com/gifs/someone-bj-braces-F0dSz5pqsyU3S

l-ebda uġigħ bħall-aggregati

uġigħ fil-GIF

https://giphy.com/g…/wizard-of-oz-the-wiz-live-hZTauiFiq2q4g
bla faċilità minbarra l-paċi

diana ross faċilità meta tistabbilixxi GIF

https://giphy.com/gifs/the-hunger-games-thg-EsMsYvk3o9TjO
Il-ġuħ: il-marda qabel kollox.

logħob tal-ġuħ GIF

https://giphy.com/…/SkyTV-ow-painful-kick-in-the-nuts-RN96C…
Fabricazzjonijiet: l-uġigħ fuq kollox

GIF Bad Santa Uġigħ mis-Sema

https://giphy.com/gifs/car-leather-ease-2YHAi391Qff1u
It-twaqqif huwa l-iktar faċilità

Ġilda tal-karozza GIF

https://giphy.com/gifs/tangled-slide-freedom-r9ab37HE8b4LC
Ħelsien mill-mard: l-aktar fortuna tajba.

libertà GIF

https://giphy.com/…/snl-saturday-night-live-season-44-5bgIO…
Konteniment: il-ġid qabel kollox

aidy bryant influencer GIF minn Saturday Night Live

https://giphy.com/gifs/rule-e05GB2c86qgOk
Fiduċja: il-parentela qabel kollox

Regola ta ‘fiduċja GIF

M’hemm l-ebda nar bħal passjoni,
l-ebda telf bħal rabja, l-ebda uġigħ bħall-aggregati, l-ebda faċilità għajr
il-paċi. Il-ġuħ: il-marda qabel kollox. Fabricazzjonijiet: l-uġigħ qabel kollox.
Għal wieħed jaf din il-verità kif fil-fatt hi, L-għaqda hija qabel kollox
faċilità. Ħelsien mill-mard: l-aktar fortuna tajba. Kontenut: il
qabel kollox il-ġid. Fiduċja: il-parentela qabel kollox. Li ma jorbotx: qabel kollox
faċilità.
- Dhp 202-205

4785/5000
Vers 202. Il-Ferħ It-Trankwill

M’hemm l-ebda nar bħal lust,
l-ebda ħażen bħal stmerrija,
l-ebda dukkha bħall-aggregati,
ebda bliss ogħla mill-Paċi.

Spjegazzjoni: M’hemm l-ebda nar bħal passjoni. M’hemm l-ebda reat
qisu rabja. M’hemm l-ebda uġigħ bħall-aggregat personalizzat tal-fenomeni.
M’hemm l-ebda ferħ ogħla mill-paċi suprema.

Vers 203. L-Agħar Marda u l-Ikbar Ferħ

Il-ġuħ huwa l-ikbar morda,
l-akbar dukkha - kundizzjonalità,
jafu din ir-realtà fiha:
Nibbana bliss supreme.

Spjegazzjoni: L-iktar marda serja hija l-ġuħ. L aghar
l-uġigħ huwa fl-affarijiet komponenti. Jekk dan huwa apprezzat b’mod realistiku,
Nibbana hija l-ogħla bliss.

Vers 204. Erba ’Akkwisti Supremi

Is-saħħa hija l-akbar qligħ,
il-kontenut, l-aħjar tal-ġid,
fiduċja fl-aħjar qraba ta ‘qraba,
Nibbana bliss supreme.

Spjegazzjoni: Mill-akkwisti, saħħa tajba hija qabel kollox.
Mill-ġid, l-akbar hija s-serħan tal-moħħ. Minn qraba, min jafdah
huma l-aqwa. L-ogħla bliss huwa Nibbana.

Vers 205. Il-Ħieles Huma L-aktar Puri

Wara li sakra mis-solitudni
u daq il-Paċi Sublimi,
ħieles min-niket, ħieles mill-ħażen,
wieħed jixrob il-ferħ ta ’Dhamma.

Spjegazzjoni: Huwa mexa l-togħma tas-solitudni. Huwa għandu
Esperjenza wkoll it-togħma ta ’trankwillità li toħroġ mill-assenza
tbajja ‘. Li jgawdi l-ħlewwa tal-għarfien realistiku hu
huwa affettwat minn tbajja u huwa nieqes mill-ħażen.

Il-qajjem bil-kuxjenza, kontinwament
assorbit fil-jhana, jipperseveraw, sod fl-isforz tagħhom: huma jmissu
Li ma jorbotx, is-sigurtà mhux eskluża mill-jasar.
- Dhp 23

Vers 23. Il-libertà hija diffiċli

Huma jimmeditaw b’mod persistenti,
kontinwament jistinkaw b’mod sod,
il-wieqfa biex tilħaq Nibbana,
il-Secure Unixcelled minn bonds.

Spjegazzjoni: Dawk l-individwi għaqlija
li jipprattikaw il-meditazzjoni b’mod kostanti, jilħqu livell ta ’fehim li
jippermettilhom jesperjenzaw Nibbana. Dawk l-individwi għaqli li bla heda
ikomplu fil-meditazzjoni tagħhom, b’mod sod u kostanti, jesperjenzaw Nibbana,
li huwa r-rilaxx suprem mill-bonds kollha.

“Hemm
hi dik id-dimensjoni fejn la hemm l-art, u lanqas l-ilma, u lanqas in-nar,
lanqas riħ; la dimensjoni ta ‘l-infinità ta’ l-ispazju, u lanqas dimensjoni ta ‘
l-infinità tas-sensi, u lanqas id-dimensjoni ta ’xejn, lanqas
dimensjoni ta ‘la perċezzjoni u lanqas nuqqas ta’ perċezzjoni; la din id-dinja,
u lanqas id-dinja li jmiss, lanqas ix-xemx, u lanqas il-qamar. U hemm, ngħid jien
la ġej, u mhux sejjer, u lanqas stażi; la tgħaddi u lanqas ma toħroġ:
mingħajr pożizzjoni, mingħajr fondazzjoni, mingħajr appoġġ [oġġett mentali].
Dan, biss dan, huwa t-tmiem tal-istress. “
- Ud 8.1

https://www.youtube.com/watch
Underground Theme (Super Mario Bros.) - Super Smash Bros. Brawl

GilvaSunner
Abbonati 356K
Mużika: Underground Theme (Super Mario Bros.)
Arranġament: Kentaro Ishizaka
Logħba oriġinali: Super Mario Bros.
Logħba: Super Smash Bros. Brawl

Playlist kompluta:
L-1 Parti: http://www.youtube.com/view_play_list
Parti 2: http://www.youtube.com/view_play_list
Kategorija
Mużika
“Hemm dik id-dimensjoni fejn la hemm l-art, u lanqas l-ilma, u lanqas
nar, lanqas riħ; la d-dimensjoni tal-infinitità tal-ispazju, u lanqas
dimensjoni ta ‘l-infinit tas-sensi, u lanqas dimensjoni ta’
xejn, u lanqas dimensjoni ta ’la perċezzjoni u lanqas nuqqas ta’ perċezzjoni;
la din id-dinja, u lanqas id-dinja li jmiss, u lanqas ix-xemx, u lanqas il-qamar. U hemm, jien
jgħidu, la hemm ġejjin, u lanqas sejrin, u lanqas stasi; la tgħaddi
‘il bogħod u mingħajr ma jinqalgħu: mingħajr pożizzjoni, mingħajr fondazzjoni, mingħajr appoġġ
[oġġett mentali]. Dan, biss dan, huwa t-tmiem tal-istress. “
- Ud 8.1

Dwar Dan il-Websajt
youtube.com
Underground Theme (Super Mario Bros.) - Super Smash Bros. Brawl

“Hemm,
il-patrijiet, li għadhom ma jitwieldux - li ma jistgħux jitgħabbew - li mhumiex sfrenati. Kieku ma kienx hemm
dik li għadha ma twieldetx - li ma tistax tiġġebbed - li mhix imxejba - ma tkunx hemm
F’każ li l-emanċipazzjoni mill-imwieled - issir - magħmula - tkun
jiġu rrikonoxxuti. Imma preċiżament għax hemm tarbija fil-ġuf - unbecome -
mhux imtawwal - mhux sfruttat, emanċipazzjoni minn imwieled - sar - magħmul -
iddisinjat huwa nstab. “
- Ud 8.3

https://www.youtube.com/watch
Richard St Clair: Dharma Chant, Parti 1 ta ‘3, Il-Path of the Sages

3
0
Aqsam
Issejvja
Richard St Clair
52 abbonat
L-Ewwel Parti

Mwettaq minn Commonwealth Chorale, David Carrier cond., 21 ta ‘Mejju, 2016, West Roxbury, Massachusetts.

L-ewwel Parti: It-Triq tas-Sages

Siltiet mill-Kanonku Pali

Ġieħ lil Waħda mill-Onorati Dinjija, il-Wieħed ta ’Min Jidher, il-Waħdieni ta’ Dawl.

Immur il-Buddha għall-kenn; Immur id-Dharma għall-kenn; Immur għand Sangha għall-kenn.

Tali tabilħaqq huwa l-Imbierek, Exalted, Omniscent, mogħni
l-għarfien u l-virtù, imxew sewwa, Kavallier tad-Dinjiet, charioteer
inkomparabbli għat-taħriġ ta ‘persuni, Għalliem ta’ l-allat u l-irġiel,
Mdawwal u Beatu.



https://www.youtube.com/watch?v=5P1WD9mO2Fs
The Las Vegas Strip, VR 360 video

Virtual Reality 360 Video Channel
4.31K subscribers
For best viewing experience select Quality 2160s 4K! Driving down the
Las Vegas Strip! Las Vegas (the City of Las Vegas , Vegas) is the
29th-most populated city in the United States, the most populated city
in the state of Nevada. The Las Vegas Strip is a stretch of Las Vegas
Boulevard South in Clark County, Nevada, known for its concentration of
resort hotels and casinos. The Strip is approximately 4.2 miles (6.8 km)
in length, located immediately south of the Las Vegas city limits in
the unincorporated towns of Paradise and Winchester.
Category
Entertainment
B’hekk smajt li f’okkażjoni waħda
il-Beatu kien joqgħod f’Savatthi fil-Groetta ta ‘Jeta, l-Anathapindika
Monasteru. Dak iż-żmien il-Beatu kien qed jagħti struzzjonijiet, jħeġġeġ,
tqanqal u tħeġġeġ lill-patrijiet bid-diskors ikkonċernat bid-Dhamma
mhux marbuta. Il-patrijiet riċettivi, attenti, jiffokaw kollu kemm huma
widna tas-self tal-kuxjenza, sema ’d-Dhamma. Imbagħad, meta nirrealizzaw
is-sinifikat ta ’dak, il-Beatu f’dik l-okkażjoni stagħġeb:

Hemm dik l-isfera fejn la hemm l-art u lanqas l-ilma, u lanqas in-nar
lanqas riħ; la l-isfera ta ‘l-infinità ta’ l-ispazju, u lanqas l-isfera ta ‘l-ispazju
infinità ta ’sensi, lanqas sfera ta’ xejn, u lanqas sfera ta ‘
la perċezzjoni u lanqas perċezzjoni, la din id-dinja u lanqas dik li jmiss
dinja, lanqas xemx u lanqas qamar. U hemm, ngħid jien, la hemm ġej u lanqas
sejjer, u lanqas stażi: la għaddejt minn triq u lanqas li tinqala ‘, mingħajr pożizzjoni,
mingħajr formazzjoni, mingħajr appoġġ. Dan, biss dan, huwa t-tmiem ta ‘
stress, stress.

Hemm, patrijiet, tarbija fil-ġuf, mhux sewwa,
mhux magħmul, mhux imsaħħaħ. Li kieku ma kienx hemm dak li ma jitwieledx, li ma jistax jitwettaq,
mhux sfruttat, ma jkunx hemm il-każ li l-emanċipazzjoni mill-IFRS
jitwieldu, isiru, isiru, fabbrikati jiġu ndikati. Imma preċiżament
minħabba li hemm emancipazzjoni ta ‘tarbija fil-ġuf, li ma tistax tissajjar, li ma ssirx, li m’għandhiex x’aktarx
mit-twelid, sar, magħmul, fabbrikat huwa discerned.

Wieħed li
hu dipendenti jkun wavering; wieħed li huwa indipendenti m’għandu l-ebda wavering: hemm
m’hemmx wavering, hemm il-kalma. Li jkun kalm m’hemmx xewqa.
Ma hemm l-ebda xewqa li ma jkun hemm l-ebda li ġejja jew tmur. M’hemmx li ġejja
jew tmur m’hemmx li tgħaddi jew tqum. M’hemmx li tgħaddi
il-bogħod jew li jinqala ‘li jinqala’, la hemm u lanqas hemm u lanqas hemm
bejn it-tnejn Dan, biss dan, huwa t-tmiem tal-istress.

Huwa diffiċli li tara dawk mhux affettwati, għax il-verità ma tidhirx faċilment:
Ix-xenqa hija mtaqqba f’dak li jaf; għal wieħed li jara, m’hemm xejn.

Min ifittex li jippromwovi l-benesseri tiegħu, wara li nbeda l-istat
paċi perfetta, għandha tkun kapaċi, onesta u wieqfa, ġentili fid-diskors,
meek u mhux kburi. Kontent, huwa għandu jkun faċli biex jappoġġja, le
żejjed u sempliċi fl-għajxien. Ittaffi s-sensi tiegħu, ħallih ikun prudenti
u mhux brazen, u lanqas fawn fuq il-familji. Huwa wkoll irid joqgħod lura minn kwalunkwe
azzjoni li tagħti r-raġuni għaqlija biex iġġiridha.

Jistgħu jkunu kollha
sew u sigur. Il-bnedmin kollha jkunu kuntenti! mingħajr eċċezzjoni, fit-tul,
enormi, jew ta ‘daqs medju jew qasir, minuta jew goff, kemm jekk viżibbli kif ukoll jekk le
inviżibbli, u dawk li jgħixu ‘l bogħod jew viċin, dawk li jitwieldu u dawk li qed ifittxu
twelid: Mejju l-bnedmin ikunu kuntenti! Ħadd ma jqarraq jew jiddekripra lil sħabu
kullimkien; ħadd ma jixtieq lil ħaddieħor jagħmel ħsara fir-riżentiment jew fil-mibegħda. L-istess bħal ma ġara
ommha f’ħajjitha tipproteġi milli jweġġa ’lil binha, l-uniku tifel tagħha, ħalliha
Il-ħsibijiet kollha li tħaddan għall-bnedmin kollha jkunu tiegħek. Ikkultiva l-an
moħħ kollu li jħaddan l-imħabba għal kulħadd fl-univers kollu tiegħu
l-għoli, il-fond, u l-wisa ‘, l-Imħabba li mhix sfruttata u lil hinn mill-mibegħda jew
għedewwa. Sakemm tkun imqajjem, segwi din l-għarfien ma ‘tiegħek
jista ‘: huwa meqjus l-istat Divin hawn.

Dawk il-buddhas tal
etajiet li għaddew, dawk il-buddhas li għadhom waslu, dawk il-buddhas tal
ħin preżenti, għal dejjem nirriporta. Ma nfittex l-ebda kenn ieħor, il-Buddha
huwa l-veru kenn tiegħi: bit-taħdit ta ‘din il-verità jista’ jkun rebħa paċifika
Kun tiegħi! Jiena nirrispetta ma ‘rasi t-trab tas-saqajn qaddisa Tiegħu; jekk jien il-Buddha
sibt inġustizzja, jista ’l-Buddha taħferni. Sakemm il-ħajja tintemm, sa l
Buddha mmur għall-kenn.

-Video Upload mħaddem minn https://www.TunesToTube.com
Kategorija
Mużika
“Hemm, patrijiet, tarbija fil-ġuf - li ma ndumx - li m’għadhiex. Jekk
Ma kienx hemm dak li għadu ma twieledx - unbecome - unade - mhux sfruttat, hemm
ma jkunx il-każ li l-emanċipazzjoni mit-twelid - sar - magħmul -
fabbrikati jiġu ndixxuti. Imma propju għax hemm twelid -
unbecome - mhux imdejjaq - mhux iffrikat, emanċipazzjoni minn imwieled - saret -
magħmul - fabbrikat huwa nstab. “
- Ud 8.3

Dwar Dan il-Websajt
youtube.com
Richard St Clair: Dharma Chant, Parti 1 ta ‘3, Il-Path of the Sages

Fejn ilma, art, nar,
& ir-riħ m’għandhom l-ebda bażi: Hemm l-istilel ma jiddiplinawx, ix-xemx mhix
viżibbli, il-qamar ma jidhirx, id-dlam ma jinstabx. U meta a
sage, brahman permezz tas-sagacity, jaf [dan] għalih innifsu, dak iż-żmien
minn forma & bla forma, minn bliss & uġigħ, huwa meħlus.
- Ud 1.10

https://www.youtube.com/watch?v=f2dPN9q8Ufc
Nar tal-Ilma tar-Riħ tad-Dinja

Nies Ħieles - Suġġett
1 abbonat
Provduta lil YouTube minn The Orchard Enterprises

Nar tal-Ilma tar-Riħ tad-Dinja · Nies Ħieles

Kollha Mużika Meditazzjoni Paċi Dinjija

℗ 2014 Blue Nile Music

Meħlus fuq: 2014-02-01

Iġġenerat awtomatikament minn YouTube.
Kategorija
Mużika
Fejn l-ilma, l-art, in-nar, u r-riħ m’għandhom l-ebda bażi: Hemm l-istilel
ma tiddi, ix-xemx ma tidhirx, il-qamar ma jidhirx, id-dlam
ma nstabx. U meta salvja, brahman jgħaddi minn sagacity, ikun jaf
[dan] għalih innifsu, imbagħad mill-forma & bla forma, mill-għaqal &
uġigħ, huwa meħlus.
- Ud 1.10

4811/5000
Dwar Dan il-Websajt
youtube.com
Nar tal-Ilma tar-Riħ tad-Dinja
Ipprovduta lil YouTube minn The Orchard Enterprises Earth Wind Water Fire · …

L-ewwel avvanz f’Nibbana jtemm it-tbatija ta ‘tant

Imbagħad
il-Beatu, aqbad ftit trab bit-tarf tiegħu
fingernail, qal lill-patrijiet, “X’taħseb, patrijiet? Li hu
akbar: il-ftit trab li qabad bit-tarf tiegħi
fingernail, jew l-art kbira? ”

“L-art il-kbira hija ferm akbar,
Mulej. Il-ftit trab li l-Imbierek qabad mal-ponta
ta ‘l-imsiemer tiegħu ma jkun ma jmiss xejn. Mhuwiex mija, a
il-mija, il-mitt elf - din it-trab żgħira
Beatu Wieħed qabad bil-ponta ta ’subgħajh - meta mqabbel
bl-art il-kbira. ”

“Bl-istess mod, patrijiet, għal dixxiplu
ta ’dawk nobbli li hu kkunsmah fil-ħsieb, individwu li għandu
imkisser permezz ta ’[dħul fluss], it-tbatija u l-istress li hemm
kompletament mitmum u mitfi huwa ferm akbar. Dak li jibqa ‘
l-istat ta ‘wara li l-aktar seba’ ħajjiet li fadal hu li jmiss
xejn: mhuwiex mija, mija, mitt elf,
meta mqabbel mal-massa preċedenti tat-tbatija. Dik hija kbira
benefiċċju huwa li tkisser lil Dhamma, patrijiet. Dik hija kbira
il-benefiċċju huwa li jinkiseb l-għajn ta ‘Dhamma. “
- SN 13.1

https://www.youtube.com/watch?v=j55L5bn_WrU
It-Toroq Nobbli tat-Tmienja It-Triq sat-Tmiem tat-Tbatija Bhikkhu Bodhi Kapitolu VII VIII

Tai Tran
795 abbonat
It-Toroq Nobbli tat-Tmienja
It-Triq sat-Tmiem tat-Tbatija
minn Bhikkhu Bodhi
© 1999
Kapitolu VIII: L-Iżvilupp tal-Għerf

Noti
61. F’dak li ġej għandi nillimita ruħi għal ħarsa ġenerali qasira. Għal espożizzjoni sħiħa, ara Vism., Kapitoli III-XI.
62. Ara l-Ħabta. IV, 88-109.
63. Xi rendering komuni bħal “trance,” “musing”, eċċ., Huma qarrieqa għal kollox u għandhom jintremew.
64. DN 22; Kelma tal-Buddha, pp. 80-81.
65. Fil-Pali: akasanañcayatana, viññanañcayatana, akiñcaññayatana, n’eva-sañña-nasaññayatana.
66. Anicce niccavipallasa, dukkhe sukhavipallasa, anattani atta-vipallasa. 4:49 AN.
67.
Fil-Pali: rupakkhandha, vedanakkhandha, saññakkhandha, sankharakkhandha, viññanakkhandha.
68. DN 22; Kelma tal-Buddha, pp. 71-72.
69. DN 22; Kelma tal-Buddha, p. 73.
70. Fl-ewwel edizzjoni ta ‘dan il-ktieb iddikjara hawnhekk li l-erba’ mogħdijiet iridu jiġu mgħoddija sekwenzjalment,
tali li ma jkunx hemm kisba ta ‘triq ogħla mingħajr ma jkun hemm qabel
laħaq il-mogħdijiet taħtha. Din żgur tidher li hija l-pożizzjoni ta ‘
il-Kummentarji. Madankollu, is-Suttas kultant juru individwi
tipproċedi direttament mill-istadju ta ‘worldling għat-tielet jew saħansitra l
ir-raba ’triq u frott. Għalkemm il-kummentatur jispjega li għaddew
- permezz ta ‘kull passaġġ preċedenti u frott f’sekwenza mgħaġġla, -
Testi kanoniċi nfushom ma jagħtu l-ebda indikazzjoni li dan għadda
iżda tissuġġerixxi realizzazzjoni immedjata ta ‘l-istadji ogħla mingħajr il-bżonn
kisba intermedjarja ta ‘l-istadji l-aktar baxxi.
71. Ara l-Vism. XXII, 92-103.
Kategorija
Nies & Blogs
L-ewwel avvanz f’Nibbana jtemm it-tbatija ta ‘tant

Imbagħad il-Beatu, aqbad ftit trab bil-ponta ta ‘
Id-dwiefer tiegħu qal lill-patrijiet, “X’taħseb, patrijiet? Li hu
akbar: il-ftit trab li qabad bit-tarf tiegħi
fingernail, jew l-art kbira? ”

“L-art il-kbira hija ferm akbar,
Mulej. Il-ftit trab li l-Imbierek qabad mal-ponta
ta ‘l-imsiemer tiegħu ma jkun ma jmiss xejn. Mhuwiex mija, a
il-mija, il-mitt elf - din it-trab żgħira
Beatu Wieħed qabad bil-ponta ta ’subgħajh - meta mqabbel
bl-art il-kbira. ”

“Bl-istess mod, patrijiet, għal dixxiplu
ta ’dawk nobbli li hu kkunsmah fil-ħsieb, individwu li għandu
imkisser permezz ta ’[dħul fluss], it-tbatija u l-istress li hemm
kompletament mitmum u mitfi huwa ferm akbar. Dak li jibqa ‘
l-istat ta ‘wara li l-aktar seba’ ħajjiet li fadal hu li jmiss
xejn: mhuwiex mija, mija, mitt elf,
meta mqabbel mal-massa preċedenti tat-tbatija. Dik hija kbira
benefiċċju huwa li tkisser lil Dhamma, patrijiet. Dik hija kbira
il-benefiċċju huwa li jinkiseb l-għajn ta ‘Dhamma. “
- SN 13.1

Dwar Dan il-Websajt
youtube.com
It-Toroq Nobbli tat-Tmienja It-Triq sat-Tmiem tat-Tbatija Bhikkhu Bodhi Kapitolu VII VIII

X’jiġri ma ‘wieħed li rrealizza bis-sħiħ Nibbana?

[Aggivessana Vacchagotta:] “Imma, Mastru Gotama, il-monk li b’hekk moħħu jinħeles: Fejn jerġa ‘jidher?”

[Il-Buddha:] “” Jerġa ‘jidher, Vaccha, ma japplikax. “

“F’dak il-każ, Mastru Gotama, ma jerġax jidher.”

“” Ma terġax tidher, “Vaccha ma tapplikax.”

“… it-tnejn ma jerġgħux jidhru u

“… ma japplikax.”

“… la l-anqas u lanqas ma jerġa ‘jidher.”

“… ma japplikax.”
“Kif
huwa, Mastru Gotama, meta Mastru Gotama jiġi mistoqsi jekk il-patri
jerġa ‘jidher … ma jerġax jidher … it-tnejn ma jerġax jidher u …
la jissejjaħ u lanqas ma jerġa ‘jidher, qal, “… ma japplikax” f’kull wieħed
każ. F’dan il-punt, Mastru Gotama, ninsab imħeġġeġ; f’dan il-punt,
konfuż. Il-modicum taċ-ċarezza ġejja għalija minn qabel tiegħek
il-konversazzjoni issa tinsab moħbija. “

“Naturalment int imħasseb,
Vaccha. Dażgur li tinsab konfuż. Fil-fond, Vaccha, dan il-fenomenu,
diffiċli biex tara, diffiċli biex tirrealizza, kwieta, raffinata, lil hinn mill-ambitu ta ‘
konġettura, sottili, li għandha tiġi esperjenzata mill-għaref. Għal dawk b’oħrajn
opinjonijiet, prattiċi oħra, sodisfazzjonijiet oħra, għanijiet oħra, għalliema oħra,
huwa diffiċli li tkun taf. Dak il-każ, issa se nressaq uħud
mistoqsijiet lilek. Irrispondi kif tara li hu xieraq. X’taħseb, Vaccha: Jekk a
in-nar kien qed jaqbad quddiemek, taf li, ‘Dan in-nar hu
ħruq quddiemni “?”

“… iva …”

“U ejja ngħidu li xi ħadd
ġejt biex nistaqsik, Vaccha, “Dan in-nar jaqbad quddiemek, dipendenti
fuq xiex inħaraq? “Għalhekk tlabt, kif twieġeb?” “… Nixtieq
Wieġeb, “Dan in-nar li qed jaqbad quddiemni qed jaqbad jiddependi fuq il-ħaxix
& l-injam bħala s-sostenn tagħha. “”

“Jekk in-nar li qed jaqbad quddiemek kellu jinxtegħel, taf li,” Dan in-nar li ħareġ quddiemni spiċċa “?”

“… iva …”

“U
ejja ngħidu li xi ħadd kien jistaqsik, ‘Dan in-nar li spiċċa quddiemek
fostkom, f’liema direzzjoni mexa? Lvant? Punent? Tramuntana? Jew
nofsinhar? “Għalhekk tlabt, kif twieġeb?”

“Dak ma japplikax,
Mastru Gotama. Kull ħruq tan-nar jiddependi fuq is-sosteniment tal-ħaxix u
l-injam, li għadu mhux mitmugħ - milli kkonsma dak is-sosteniment u mhux
li tkun offruta kwalunkwe oħra - hija kklassifikata sempliċement bħala “barra” (mhux marbuta). “

“Anke
hekk, Vaccha, kwalunkwe forma fiżika li permezz tagħha wieħed jiddeskrivi t-Tathagata
kien jiddeskrivih: Li t-Tathagata għandha abbandunata, l-għerq tagħha
meqrud, magħmul minn stump ta ’palmyra, imċaħħad mill-kundizzjonijiet ta’
żvilupp, mhux iddestinat għal ġejjieni. Meħlus minn
Klassifikazzjoni tal-forma, Vaccha, it-Tathagata hija profonda, bla limitu, iebsa
biex fathom, bħall-baħar. “Terga ‘tidher” ma tapplikax. “Ma jerġax jidher”
ma tapplikax. “It-tnejn ma tidherx u ma terġax tidher” ma tapplikax.
“La terġa ‘tidher u ma terġax tidher” ma tapplikax.

“Kull sensazzjoni … Kwalunkwe perċezzjoni … Kwalunkwe fabbrikazzjoni mentali …

“Kull
kuxjenza li biha dak li jiddeskrivi t-Tathagata jiddeskrivih:
Li t-Tathagata abbanduna, l-għerq tagħha nqered, magħmul bħal
Stump ta ’palmyra, imċaħħad mill-kundizzjonijiet ta’ żvilupp, mhux destinat
għal futur li jinqala ‘. Meħlus mill-klassifikazzjoni tas-sensi,
Vaccha, it-Tathagata hija fonda, bla limiti, diffiċli biex tinfetaħ, bħall-baħar. “
- MN 72

https://www.youtube.com/watch?v=muIs991gikE
L-Esperjenza ta ‘Nibbana - Kif Jiġri (awdjo)

Bhante Vimalaramsi
Abbonati 7K
Hawn, Bhante Vimalaramsi jiddeskrivi, fi 12-il minuta ħlief minn taħdita
dwar sutta MN 111, l-aħħar passi biex Nibbana u tara l-proċess
Oriġini dipendenti.
Kategorija
Edukazzjoni
Liċenzja
Liċenzja ta ‘Attribuzzjoni ta’ Creative Commons (użu mill-ġdid permess)
Sorsi tal-vidjows
Ara l-attribuzzjonijiet
X’jiġri ma ‘wieħed li rrealizza bis-sħiħ Nibbana?

[Aggivessana Vacchagotta:] “Imma, Mastru Gotama, il-monk li b’hekk moħħu jinħeles: Fejn jerġa ‘jidher?”

[Il-Buddha:] “” Jerġa ‘jidher, Vaccha, ma japplikax. “

“F’dak il-każ, Mastru Gotama, ma jerġax jidher.”

“” Ma terġax tidher, “Vaccha ma tapplikax.”

“… it-tnejn ma jerġgħux jidhru u

“… ma japplikax.”

“… la l-anqas u lanqas ma jerġa ‘jidher.”

“… ma japplikax.”

“Kif huwa, Mastru Gotama, meta l-Mastru Gotama jiġi mistoqsi jekk il-patri
jerġa ‘jidher … ma jerġax jidher … it-tnejn ma jerġax jidher u …
la jissejjaħ u lanqas ma jerġa ‘jidher, qal, “… ma japplikax” f’kull wieħed
każ. F’dan il-punt, Mastru Gotama, ninsab imħeġġeġ; f’dan il-punt,
konfuż. Il-modicum taċ-ċarezza ġejja għalija minn qabel tiegħek
il-konversazzjoni issa tinsab moħbija. “

“Naturalment int imħasseb,
Vaccha. Dażgur li tinsab konfuż. Fil-fond, Vaccha, dan il-fenomenu,
diffiċli biex tara, diffiċli biex tirrealizza, kwieta, raffinata, lil hinn mill-ambitu ta ‘
konġettura, sottili, li għandha tiġi esperjenzata mill-għaref. Għal dawk b’oħrajn
opinjonijiet, prattiċi oħra, sodisfazzjonijiet oħra, għanijiet oħra, għalliema oħra,
huwa diffiċli li tkun taf. Dak il-każ, issa se nressaq uħud
mistoqsijiet lilek. Irrispondi kif tara li hu xieraq. X’taħseb, Vaccha: Jekk a
in-nar kien qed jaqbad quddiemek, taf li, ‘Dan in-nar hu
ħruq quddiemni “?”

“… iva …”

“U ejja ngħidu li xi ħadd
ġejt biex nistaqsik, Vaccha, “Dan in-nar jaqbad quddiemek, dipendenti
fuq xiex inħaraq? “Għalhekk tlabt, kif twieġeb?” “… Nixtieq
Wieġeb, “Dan in-nar li qed jaqbad quddiemni qed jaqbad jiddependi fuq il-ħaxix
& l-injam bħala s-sostenn tagħha. “”

“Jekk in-nar li qed jaqbad quddiemek kellu jinxtegħel, taf li,” Dan in-nar li ħareġ quddiemni spiċċa “?”

“… iva …”
Send feedback
History
Saved
“U ejja ngħidu li xi ħadd kien jistaqsik,” Dan in-nar għadu ġie
quddiemek, f’liema direzzjoni mexa? Lvant? Punent?
Tramuntana? Jew fin-nofsinhar? “Għalhekk tlabt, kif twieġeb?”

“Ma
applika, Mastru Gotama. Kull ħruq tan-nar jiddependi minn sosteniment ta ‘
ħaxix u injam, li ma ġewx mitmugħa - minn dak li jkunu kkunsmaw dak
is-sosteniment u l-ebda offerta oħra - huwa klassifikat sempliċement bħala
“Barra” (mingħajr obbligi). “

“Anke hekk, Vaccha, kwalunkwe forma fiżika li biha
wieħed li jiddeskrivi t-Tathagata jiddeskrivih: Dik it-Tathagata għandha
abbandunata, l-għeruq tagħha meqruda, magħmula bħal stump ta ‘palmyra, imċaħħad minnha
il-kondizzjonijiet ta ‘l-iżvilupp, mhux iddestinati għal ġejjieni. Meħlus
mill-klassifikazzjoni tal-forma, Vaccha, it-Tathagata hija fonda,
bla limitu, iebes biex fathom, bħall-baħar. “Terga ‘tidher” ma tapplikax.
“Ma terġax tidher” ma tapplikax. “It-tnejn ma jerġax jidher u”
ma tapplikax. “La terġa ‘tidher u ma terġax tidher” ma tapplikax.

“Kull sensazzjoni … Kwalunkwe perċezzjoni … Kwalunkwe fabbrikazzjoni mentali …

“Kull kuxjenza li biha wieħed jiddeskrivi t-Tathagata jiddeskrivi
lilu: Li t-Tathagata abbanduna, l-għerq tagħha nqered, magħmul bħal
Stump ta ’palmyra, imċaħħad mill-kundizzjonijiet ta’ żvilupp, mhux destinat
għal futur li jinqala ‘. Meħlus mill-klassifikazzjoni tas-sensi,
Vaccha, it-Tathagata hija fonda, bla limiti, diffiċli biex tinfetaħ, bħall-baħar. “
- MN 72

Dwar Dan il-Websajt
youtube.com
L-Esperjenza ta ‘Nibbana - Kif Jiġri (awdjo)
Hawn, Bhante Vimalaramsi jiddeskrivi, fi 12-il minuta ħlief mit-taħdita …

L-għajta ta ’rebħa tal-arahants

“It-twelid huwa mitmum, il-ħajja mqaddsa twettqet, il-kompitu li sar. M’hemm xejn aktar għal din id-dinja. ”
- SN 22.59

https://www.youtube.com/watch?v=oz217dD-FBg
Jaya Paritta - Il-Protezzjoni tal-Vitorja

Starlight
167 abbonati
Jaya Paritta - Il-Protezzjoni tal-Vitorja
Il-kliem tal-Pali u l-Ingliż għall-kanti jistgħu jinstabu fil-Ktieb Chanting - fuq il-websajt http://www.dhammatalks.org. (disponibbli mingħajr ħlas)
Gwida għall-Kant: Passaggi ta ‘Pali bit-Traduzzjonijiet bl-Ingliż, minn Il
Ordni ta ‘Dhammayut fl-Istati Uniti tal-Amerika. Din il-gwida wkoll
tinkludi gwida għall-pronunzja.
http://www.dhammatalks.org/ebook_inde

http://www.dhammatalks.org/Archive/Wr
Kategorija
Edukazzjoni
L-għajta ta ’rebħa tal-arahants

“It-twelid huwa mitmum, il-ħajja mqaddsa twettqet, il-kompitu li sar. M’hemm xejn aktar għal din id-dinja. ”
- SN 22.59

Dwar Dan il-Websajt
youtube.com
Jaya Paritta - Il-Protezzjoni tal-Vitorja
Jaya Paritta - Il-Protezzjoni tal-Vitorja Il-Pali u kliem Ingliż li …

It-tmiem tas-samsara
Uħud
jitwieldu fil-ġuf tal-bniedem, l-evuljaturi fl-infern, dawk li sejrin it-tajba
mur fis-sema, waqt li dawk mingħajr effluwent: totalment marbuta.
- Dhp 126
126. Gabbhameke’papajjanti nirayaṃ pāpakammino
Saggaṃ sugatino yanti parinibbanti anāsavā.

126. Gabbhameke uppajjanti, nirayaṃ pāpakammino;
Saggaṃ sugatino yanti, parinibbanti anāsavā.

TWELID JIDDEPENDI DWAR AZZJONIJIET


Uħud jitwieldu [NāradaFn09-08] f’ġuf; dawk li jagħmlu l-ħażen
(jitwieldu) fi stati niket; [NāradaFn09-09] il-kondotta sewwa tmur
għall-istati ta ‘l-għotja; [NāradaFn09-10] l-Unufiled Ones
[NāradaFn09-11] jmur in-Nibbana.

Vers 126. Dawk li Għaddew

Uħud isibu twelid ġewwa ġuf,
min jagħmel il-ħażen iħaffef fl-infern,
tpattijiet tajbin lejn is-smewwiet imorru,
il-Mhux Imniġġes kompletament frisk.

Spjegazzjoni: Xi wħud, wara l-mewt, jirċievu t-tnissil fin-nisa;
Dawk li kkommettew dnubiethom matul ħajjithom jerġgħu jinbdew fl-infern.
Dawk li l-modi tagħhom kienu virtużi meta kienu ħajjin imorru s-sema
meta jmutu. Dawn huma bla difetti li huma totalment ħielsa mit-tbajja ‘
u l-korruzzjonijiet, jiksbu Nibbana totali, meta jċedu l-imwiet tagħhom
ħajjet.

Nibbana
huwa l-għan spiritwali etern fil-Buddiżmu u jimmarka s-soterijoloġiċi
jeħles mir-rebirths fis-saṃsāra. Nibbana hija parti mit-Tielet Verità
“Waqfien tad-dukkha” fl-Erba ‘Veritajiet Nobbli, u s-summum bonum
destinazzjoni tan-Nobbli Tmienja.

Fil-Buddisti
tradizzjoni, Nibbana komunement ġiet interpretata bħala l-estinzjoni tal-Mindu
il- “tliet nirien”, jew “tliet veleni”, passjoni (raga), stmerrija (dvesha)
u l-injoranza (moha jew avidyā). Meta dawn in-nirien jintemmu,
ir-rilaxx miċ-ċiklu tar-rebirth (saṃsāra) intlaħaq.

https://www.youtube.com/watch?v=vg6CBzkYoJc
Dharamshala Dalai Lama Temple, Mcleodganj It-talb miżmum fit-tempju Tsuglagkhang HH Dalai Lama

MrAshii9119
Nirvana (Sanskrit, nirvāṇa wkoll; Pali: nibbana, nibbāna) hija l-
Terminu bikri u l-aktar komuni użat biex jiddeskrivi l-għan tal-Buddisti
path.The tifsira litterali hija “blowing out” jew “quenching.” Hija
L-għan spiritwali aħħari fil-Buddiżmu u jimmarka r-rilaxx soterijoloġiku
mir-rebirths fis-saṃsāra.
Nirvana
huwa parti mit-Tielet Verità dwar “il-waqfien tad-dukkha” fl-Erba ‘Nobbli
Veritajiet, u d-destinazzjoni tas-somma tal-Bonum tal-Pjaċir Nobbli fuq Tmienja.

4882/5000
Fi ħdan it-tradizzjoni Buddista, dan it-terminu ġie komunement interpretat
bħala l-estinzjoni tat- “tliet nirien”, [4] jew “tliet veleni”, [passjoni,
(raga), avversjoni (dvesha) u injoranza (moha jew avidyā). [6] Meta dawn
in-nirien jintemmu, jinħelsu miċ-ċiklu tar-rebirth (saṃsāra)
milħuq
Kategorija
Nies & Blogs
Fil-Buddisti
tradizzjoni, Nibbana komunement ġiet interpretata bħala l-estinzjoni tal-Mindu
il- “tliet nirien”, jew “tliet veleni”, passjoni (raga), stmerrija (dvesha)
u l-injoranza (moha jew avidyā). Meta dawn in-nirien jintemmu,
ir-rilaxx miċ-ċiklu tar-rebirth (saṃsāra) intlaħaq.

Dwar Dan il-Websajt
youtube.com
Dharamshala Dalai Lama Temple, Mcleodganj It-talb miżmum fit-tempju Tsuglagkhang HH Dalai Lama

Nibbana
ġie meqjus ukoll fil-Buddiżmu bħala identiku ma ‘anatta (mhux awto)
u sunyata (vojt) fil-ħin. Bl-iżvilupp tal-Buddisti
duttrina, interpretazzjonijiet oħra ngħataw, bħal ma hija n - nuqqas ta ‘
l-insiġ (vana) ta ‘l-attività tal-moħħ, l-eliminazzjoni tax-xewqa, u
jaħarbu mill-imsaġar, cq. il-ħames skandhas jew aggregati.

https://www.youtube.com/watch?v=X2dKaqXeCsI
L-ebda Self, Selflessness (Anatta / Anatman) & il-Ħames Aggregati

Mindah-Lee Kumar (Il-Buddista Entużjastiku)
Abbonati 32.1K
Il-kunċett ta ‘l-ebda awto jew selflessness (magħruf ukoll bħala anatta jew anatman
fil-Buddiżmu) xi kultant jista ‘jkun konfuż. Jekk m’hemmx awto, allura min
jew dak li qed nesperjenzaw ir-realtà preżenti tagħna? Il-Buddha għallem dan
hemm ħames aggregati li jikkostitwixxu persuna ħajja; madankollu
L-uniku li nidentifikaw ma ‘dawn huwa li nisirqu lilna nfusna li nkunu nafu l-veru tagħna
natura li mhix definita minn dawn il-ħames fenomeni.

F’dan il-video, nispjega fid-dettall x’inhuma dawn il-ħames aggregati (khandhas
jew skandhas) huma u kif it-tagħlim tal-Buddha ta ‘ħadd ma jservi bħala
Tifkira li tillibera li l-ħsibijiet, sentimenti u perċezzjonijiet tagħna mhumiex
li għandhom jittieħdu daqshekk serjament; li minflok hemm mod kif ngħixu f’dan
dinja b’daqs ta ‘ħeffa.

Ara t-2 Parti hawnhekk: https://www.youtube.com/watch?v=YDVIA

IKUN IL-KONNETT MISTI HAWN:
Sit tal-Isħubija għal aktar tagħlim u appoġġ:
https: //members.enthusiasticbuddhist.…
Artikoli: https://www.enthusiasticbuddhist.com/
Facebook: https://www.facebook.com/TheEnthusias

Suttas użati f’dan il-video:

“Gaddula Sutta: Il-Leash (2)” (SN 22.100), tradotta mill-Pali minn
Thanissaro Bhikkhu. Aċċess għal Insight (Edizzjoni Legat), 30 ta ‘Novembru
2013, http: //www.accesstoinsight.org/tipita….

“Bahuna Sutta: Sa Bahuna” (AN 10.81), tradotta mill-Pali minn
Thanissaro Bhikkhu. Aċċess għal Insight (Edizzjoni Legat), 30 ta ‘Novembru
2013, http: //www.accesstoinsight.org/tipita….

“” Meta taf għalik innifsek … “: L-Awtentiċità tal-Pali
Suttas ”, minn Thanissaro Bhikkhu. Aċċess għal Insight (Edizzjoni Legat), 23
April 2012, http: //www.accesstoinsight.org/lib/au….
Kategorija
Edukazzjoni
Nibbana ġiet meqjusa wkoll fil-Buddiżmu bħala identika ma ‘anatta
(mhux awto) u sunyata (vojt) jiddikjara Biż-żmien, bl-iżvilupp
tad-duttrina Buddista, ingħataw interpretazzjonijiet oħra, bħal
nuqqas ta ‘l-insiġ (vana) ta’ l-attività tal-moħħ, l-eliminazzjoni
ta ‘xewqa, u jaħrab mill-imsaġar, cq. il-hames skandhas jew
aggregati.

Dwar Dan il-Websajt
youtube.com
L-ebda Self, Selflessness (Anatta / Anatman) & il-Ħames Aggregati
Il-kunċett ta ‘ħadd jew selflessness (magħruf ukoll bħala anatta jew anatman …

Buddisti
Tradizzjoni skolastika tidentifika żewġ tipi ta ‘nibbana:
sopadhishesa-nibbana (nibbana bil-bqija), u parinibbana jew
anupadhishesa-nibbana (nibbana mingħajr kumplament, jew nibbana finali) .L
fundatur tal-Buddiżmu, il-Buddha, huwa maħsub li laħaq iż-żewġ
jiddikjara

https://www.youtube.com/watch?v=UemxAIiLT-k
Silta Q&A: Ġenna, Infern, Nibbana, u Kamma

StudentofthePath
814 abbonati
Inwieġeb mistoqsija dwar diversi aspetti tal-Buddiżmu li l-Punenti ta ’spiss ikollhom hang ups.
Kategorija
Edukazzjoni
Tradizzjoni skolastika Buddista tidentifika żewġ tipi ta ‘nibbana:
sopadhishesa-nibbana (nibbana bil-bqija), u parinibbana jew
anupadhishesa-nibbana (nibbana mingħajr kumplament, jew nibbana finali) .L
fundatur tal-Buddiżmu, il-Buddha, huwa maħsub li laħaq iż-żewġ
jiddikjara

Dwar Dan il-Websajt
youtube.com
Silta Q&A: Ġenna, Infern, Nibbana, u Kamma
Inwieġeb mistoqsija dwar diversi aspetti tal-Buddiżmu li …

Nibbana, jew il-liberazzjoni miċ-ċikli ta ‘twelid mill-ġdid, hija l
l-ogħla għan tat-tradizzjoni ta ’Theravada. Fit-tradizzjoni ta ‘Mahayana, il
L-ogħla għan huwa l-Buddhahood, li fih m’hemmx fejn wieħed joqgħod f’Nibbana.
Il-Buddha jgħin biex jeħles lill-bnedmin minn saṃsāra billi jgħallem it-triq Buddista.
M’hemm l-ebda rebirth għal Buddha jew nies li jilħqu Nibbana. Imma tiegħu
it-tagħlim jibqa ‘fid-dinja għal ċertu żmien bħala gwida biex tinkiseb
Nibbana.

https://www.youtube.com/watch?v=ShE2q0eqaH8
Liberazzjoni mill-ħajja u l-mewt: il-mogħdijiet faċli u diffiċli fil-Buddiżmu Mahayana (GDD-1152) DVD

2176/5000
Kaptan Sheng Yen
Abbonati 17.3K
L-approċċ Mahayana biex it-twelid u l-mewt jintemmu jeħtieġ li wieħed jaċċetta u
niffaċċjaw il-verità tat-twelid u l-mewt, filwaqt li nħallu r-rabta tagħna.
Aktar korsijiet online: https://www.youtube.com/user/DDMTV05
Kategorija
Edukazzjoni
Nibbana, jew il-ħelsien miċ-ċikli ta ‘twelid mill-ġdid, huwa l-ogħla għan
tat-tradizzjoni ta ’Theravada. Fit-tradizzjoni ta ‘Mahayana, l-ogħla għan
hija l-Buddhahood, li fiha m’hemmx fejn toqgħod f’Nibbana. Il-Buddha jgħin
jilliberaw bnedmin mis-saṃsāra billi jgħallmu t-triq Buddista. M’hemmx
rebirth għall-Buddha jew nies li jilħqu Nibbana. Imma t-tagħlim tiegħu
tibqa ‘fid-dinja għal ċertu żmien bħala gwida biex tilħaq Nibbana.

Dwar Dan il-Websajt
youtube.com
Liberazzjoni mill-ħajja u l-mewt: il-mogħdijiet faċli u diffiċli fil-Buddiżmu Mahayana (GDD-1152) DVD

Traduzzjonijiet ta ‘Nibbana
Ingliż blowing out,
tifi,
liberazzjoni
Pali nibbāna (निब्बान)
Sanskrit nirvāṇa (निर्वाण)
Bengali Bengali
Burmiż နိဗ္ဗာန်
(IPA: [neɪʔbàɴ])
Ċiniż 涅槃
(Pinyin: nièpán)
Japanese Ġappuniż
(rōmaji: nehan)
Kmer
(UNGEGN: nippean)
Koreani
(RR: yeolban)
Mon ဗာန်
([nìppàn])
Mongoljan γasalang-aca nögcigsen
Shan ၼိၵ်ႈ ပၢၼ်ႇ
([nik3paan2])
Sinhala නිවන
(Nivana)
Tibetan མྱ་ངན་ ལས་ འདས་ པ །
(mya ngan las ‘das pa)
Thai Tajlandiż
(RTGS: nipphan)
Niết bàn Vjetnamiż
Glossarju tal-Buddiżmu

Fi
il-kosmoloġija ta ‘Ġainiżmu, tradizzjoni oħra sramana bħall-Buddiżmu,
ħlejjaq liberati joqogħdu f’post attwali (loka) marbut magħhom
nirvana. Xi studjużi argumentaw li oriġinarjament, il-Buddisti kellhom
Veduta simili L-Erba ‘pjani ta’ liberazzjoni

(skond is-Sutta Piṭaka)

istadju
“Frott”

abbandunata
fetters

twelid (i)
sakemm it-tbatija tintemm

animatur tan-nixxiegħa

1. veduta tal-identità (Anatman)
2. Id-dubju fil-Buddha
3. regoli ascetiċi jew ritwali

inqas
fetters

sa seba ‘twelid mill-ġdid
irmi umani jew tas-sema

jerġa ‘lura

għal darb’oħra bħala
bniedem

mhux ritornat

4. Xewqa senswali
5. Ir-rieda ħażina

għal darb’oħra f ‘
isfera tas-sema
(Abodes Puri)

arahant

6. Xewqa ta ‘materjal ta’ rebirth
7. Xewqa immaterjali tar-rebirth
8. conceit
9. Inkwiet
10. injoranza

ogħla
fetters

l-ebda rebirth


About This Website
youtube.com
For best viewing experience select Quality 2160s 4K! Driving down the…
70) Classical Maori-Maori Maori,

https://www.youtube.com/watch…
Happiness Frequency: 💚
Serotonin, Dopamine, Endorphin Release Music, Binaural Beats Relaxing Music

Greenred Productions - Relaxing Music
462K subscribers
Happiness Frequency - Serotonin, Dopamine and Endorphin Release Music, Binaural Beats Relaxing Music.
We moved to Patreon! https://www.patreon.com/greenredprodu
15 Minute Manifestation: https://bit.ly/2VIQ7J3

———————————————————————————————-
|| Recommended playlists from Greenred Productions ||
► Happiness meditation music ► https://goo.gl/qQtN7c
► Intelligence & focus music ► https://goo.gl/wE645d
► Deep sleep music ► https://goo.gl/Pk4NKM
► DNA repair music ► https://goo.gl/rzX8QB
► Healing 417 Hz music ► https://goo.gl/3k7xLK
► Deep trance music ► https://goo.gl/9JoqFP
► Productivity music ► https://goo.gl/CnZvpp

———————————————————————————————-
~ My other channels:
Sub Bass Meditation Music ► https://goo.gl/Q3dSdU
Meditation Cloud ► https://goo.gl/oGVo9F

———————————————————————————————-
Greenred Productions meditation music with binaural beats (brainwave
music) can work as sleep music, studying music, relaxing music and many
more. Relaxation music can also be used as Spa music and Massage music.
Here you can find powerful self-help hypnosis including healing music,
Zen music and yoga music. Some sessions are produced for your inner
transformation: to overcome fear, elevate your mood and energy levels,
and lose weight faster. Meditation music recordings also include reiki
music, Zen meditation music and deep trance hypnosis sessions.
We
compose instrumental and electronic music that is specially designed to
enhance brain function and concentration, spa and massage therapy, and
healing music therapy. For this reason, we use binaural beats. There are
many types of beats for different daily meditation purposes: Delta
Waves – Sleep Music / NREM sleep, Alpha Waves are neural oscillations,
Theta Waves (Cortical theta rhythm and Hippocampal theta rhythm). Beta
waves associated with muscle contractions in isotonic movements, Gamma
waves can help to release serotonin, endorphin and dopamine, so it works
as happiness music for depression treatment.
* Sleep Music – Insomnia Music:
Greenred Productions deep sleep music sessions have been specifically
created to relax mind and body physically and mentally. Brainwave
sessions are suitable for everyone including babies, children, and
adults. Sleep hypnosis is based on beautifully slow, soft, soothing
music to help you to fall asleep within minutes, naturally and without
the aid of medication. These sleep meditation sessions will put you into
relaxing healing sleep and will train your mind to fall asleep
effortlessly.
Relaxing sounds of nature combined with soothing
music offers you a peaceful sleep. Would you like to learn to control
your dreams, overcome nightmares? Lucid dream meditation sessions will
help you to get into a deep state of relaxation and have a more pleasant
sleep. Say no to sleep insomnia! Lucid Dreaming and Astral Travel music
episodes are the most popular.
* Study Music and Focus Music:

Study Music & Concentration Music is brainwave background music to
help you to study, focus, and concentrate on learning process and work
more effectively. Alpha Waves help your mind to get to the state of
focus, which is perfect for studying or preparing for exam or test you
have at school or university. It also maintains your alertness while
studying. Beta waves will help to concentrate for tasks, enhance
intelligence.
- Google+
https://goo.gl/xTqwhX
- FACEBOOK
https://goo.gl/FfNFoa
- Twitter
https://goo.gl/BmEf8o
- Our website
https://goo.gl/SWuQNw
Category
Music

4811/5000
70) Tauiwi Maori-Matihiko

NIBBANA

TRAINING NIBBANA Aipurangi
mai
KUSHINARA NIBBANA BHUMI PAGODA -PATH KI TE WHAKAMAHI KI TE BLISS ANEI KI TE KAI MATUA

Tauhou
Taonga Matauranga - Tauhokohoko Ture Tipiṭaka Ture KOREUTU
Te Whare Wānanga o 111 KORANGA NUI ki BUDDHA kei a ia ano nga Kupu

na roto

http://sarvajan.ambedkar.org

i 668, 5A te huarahi matua, 8th Cross, HAL 3 Wenerei, Bangalore- Karnataka State -India
“Kaore he mea e taea te hari mai i a Nibbana.” Ka ki atu a Buddha

Mahia Ma te Haumaru Maamaa Haere ki Nibbana


‘Ko te mea nui o te Dhamma ka nui ake i etahi atu taonga katoa - sabba
danam dhamma danam kia tae ki te NIBBANA hei Tuhinga whakamutunga

I uihia a Buddha, “He aha te mea i riro ia koe i te Whakaaroaro?”
Ka mea atu ia “Kahore!”
“Heoi, ka ki atu a Buddha, me karanga atu ahau ki a koe kua ngaro ahau:
Riri
Manukanuka,
Nga Maatua,
Te peekore,
Ko te wehi ki te koroheke me te mate “

Whakapaipai TIPITAKA - BUDDHA AND HIS DHAMMA

Āhea
he pēpi tino whanau ka tohatohahia kia kore e whakawhitiwhiti korero me
te peepi, i muri i etahi ra, ka korero me te taiao tangata (Prakrit)
reo e mohiotia ana ko te Classical Magahi Magadhi / Chandaso Classical
reo / Magadhi Prakrit / Classical Hela Basa (Hela Reo) / Pali Classical
are the same. I korero a Buddha i Magadhi. Katoa nga reo 7111 me nga
reo rangatira kei te pupuhi i te Classical Magahi Magadhi. No reira he
Katoa katoa te ahua (Prakrit) o ​​nga Tangata Tangata, he rite ano ki
nga mea ora katoa kei a raatau ake momo reo hei whakawhitiwhiti korero.
111 nga reo i whakamaoritia e https://translate.google.com


Whakaotinga Ake i runga i to maatau Dhamma me te Tino Motu mo te
oranga, te koa me te rangimarie o nga Hapori Whakapai Ake katoa me o
raatau Whakapututanga Mure hei Whaainga Whakamutunga.

Whakaarohia puta noa i te koiora mo te Ora, Te hari me te Hau
i nga pou katoa o te tinana tae atu, e noho ana, e tu ana, e takoto ana,
hīkoi, pahikara, kauhoe, te mahi toi, Tai Chi, Kung Fu,
Karate, Kalari me era atu.

Me mahi tatou, ka tohatoha i ta Buddha
Kei a koe ano nga Kupu a BUDDHA AND HIS DHAMMA na Dr. B.R. Ko Ambedkar
mo te mahi pai me te mo te Whakatinotanga o te hinengaro mo te Ora, Te
Harikoa me te Hau o nga Tangata Tangata Katoa kia tae atu ki te
Whakapiki Mure ore hei Whaainga Pai

Ana he aha, ko nga kaiurungi, ko te huānga Nibbana me era atu e toe ana?


Ko te tangata kua eke ki roto i te motuka o Bodhisattva me whakatau e
“Me arahi ahau i nga mea ora katoa ki Nibbana, ki tera ao o Nibbana
kaore e waiho tetahi mea.” He aha tenei rangatiratanga o Nibbana kaore
nei e waiho ki muri?

“Kaore he mea e taea te hari mai i a Nibbana.” Ka ki atu a Buddha

Ko nga keehi he rite ki te ahi mura ko te tuhinga o te whaikorero i tukuna e te Buddha ki te Bhikkus

i a ia e noho ana i Gaya. Na tenei tana i mea ai:
“Ko nga mea katoa, e Bhikkus, kei te ahi. Ae, e nga tohunga, ko enei mea katoa ka pau i te ahi?

“Ko te kanohi, e Bhikkus, kei te ahi; kei runga ahi;
ko te kanohi-kanohi kei te ahi; Kei runga te aro o te kanohi
ahi; me te aha nga raru, ahuareka, kino, kaua e aro atu ranei
I ahu mai te ti’aturi ki runga i te manaakitanga i tae mai ia, he ahi ano hoki. “

“Hei aha enei ma te ahi?”

“Ki te. ahi o te weriweri, e ai ki ahau, me te ahi o te mauahara, kei
ahi o te mate; he whanau, he tawhito, he mate, he pouri, he uhinga,
he pouri, he pouri, he ngakau pouri.


“Kei te ahi te taringa; nga tangi kei te ahi; te ihu kei te ahi; kei te
mura te ahi; te arero kei te ahi; ka pa te ahi ki runga; kei runga te
tinana ki te ahi;
kei runga nga whakaaro; me te aha he tino rawe, he ahuareka, he ahuareka, he aha ranei
kare, i ahu mai i te whakawhirinaki ki runga i nga whakaaro i whakawhiwhia mai e te
mahara, kei te mura hoki i te ahi.

“Hei aha enei ma te ahi?”

“Na te ahi o te ngakau,” ki te ahi o te mauahara; ki te ahi
o te purotu; he whanau, he tawhito, he mate, he pouri, he uhinga,
te pouri, te pouri, me te ngakau pouri kei runga i te ahi. “

“Ma te kite i tenei, e Bhikkus, ko te tangata mohio me te tino rangatira he whakatoi.


Na roto i te whakaaro mo tenei whakararurarutanga, ka raru ia i te
riri, a na te kore o te tino hiahia ka riro ia i a ia, a, i te mea ka
herea ka mohio kei te ora ia. “

Ko te Buddha tenei kua tino marama i roto i tetahi korero i tukuna ki te Bhikkus i kii ai ia:
“He mea koa ki nga taarua, e oku teina, e riri ana i te riri,
E matapo ana e te pohehe (moha), ma te ngakau e whakatoia ana, ma te
ngakau e mauherea, e whakaaro ana nga taangata ki o ratau ake aitua, e
whakaaro ana nga taangata ki nga aitua o etahi atu, ka pa te tangata ki
nga mamae o te hinengaro me te mamae.

“Mena, ka memeha atu te
riri, te riri me te pohehe, ka kore nga kanohi e whakaaro ki o ratau ake
mamae, ki nga mamae o te hinengaro me te pouri.

”No reira, e nga teina, ko Nibbana e kitea ana i roto i tenei ao, ehara i te mea noa
i te wa kei te heke mai - he maia, he harikoa, he whakauru ki te akonga mohio. “

https://giphy.com/gifs/dream-buddha-amida-2yCVnZ6dgIXNS

moemoea Zen moemoea

- Dr B.R.Ambedkar kei tana BUDDHA AND HIS DHAMMA

4875/5000
https://giphy.com/gifs/flying-cliff-88HMaqBTiNUBO

rere tino hākinakina GIF

http://www.columbia.edu/…/00ambe…/ambedkar_buddha/03_03.html

Hei Noho i Nibbana ko Dhamma

1. “Kaore he mea e taea te hari mai i a Nibbana.”
Na ko te ki te Buddha.

2. Mo nga whakaakoranga katoa i whakaakona e te Buddha, nga
te parau haapiiraa o Nibbana te mea nui rawa atu.

3. He aha te Nibbana? Nibbana i whakaakohia e Buddha
He tino rereke nga korero me nga tuhinga nui atu i nga mea i tukuna ki a raatau
na ona matua i mua.

4. Na Nibbana te tikanga o te whakaoranga o te wairua.

5. E wha nga huarahi kei Nibbana
hapu o: (1) Laukik (kai, kai, inu, kia momo koa); (2)
Maakiko; (3) Brahmanic, a (4) Upanishadic.

6. Kotahi tonu te ahuatanga o te Brahmanic
me nga whakaaro Upanishadic o Nibbana. Ka whai wāhi atu ratau ki te whakanui i
he wairua ano he hinonga motuhake - he kaupapa i whakakahoretia e te Buddha.
Na reira kaore he uaua o te Buddha ki te paopao i te Brahmanic me te Upanishadic
Whakaakoranga a Nibbana.

7. He nui rawa atu te whakaaro o Laukik ki a Nibbana
ki te tohe atu ki a Buddha. Kaore he tikanga engari ko te makona o te taangata
hiahia kikokiko. Kahore he mea o te wairua i roto.

8. Ki te whakaae i taua ahua o Nibbana te Buddha
I he he he rawa te ahua ka taea ki te tangata.

9. Ma te makona o nga hiahia ka puta
na te hanga noa ake i nga hiahia. Ko tenei huarahi o te koiora kaore e pai te koa,
i whakaaro ia. Engari, ko tenei koa koa i tino hari ai te hari.

10. He purotu a Yogic mo Nibbana
wā poto. He harikoa te hari i puta mai ai. Kitea ana e ia te whakawarea
no te ao. He aukati i te mamae engari kaore i hari. He aha te hari
penei pea ka kiia kia roa ake te roa o te yoga. Ehara i te noho tonu.
He poto noa.

11. Ko te whakaaro a te Buddha ki a Nibbana, he tino nui
he rereke ki era i mua o ona tupuna.

12. E toru nga whakaaro e mau ana i ona whakaaro
Tuhinga o mua.

13. Na enei, ko te harikoa o te tangata whai mana
he rereke mai i te whakaoranga o te wairua he kotahi.

14. Ko te rua o nga whakaaro ko te harikoa o nga kaituku
i Samsara i te wa e ora ana ia. Engari ko te whakaaro mo te wairua me te
te whakaoranga o te wairua i muri i te mate he tino ke ki te Buddha
Tuhinga o mua.

15. Ko te whakaaro tuatoru e whakakoi ana i tana whakapae
o Nibbana te mana whakahaere i nga mura o nga hiahia o mua
kei te ahi tonu koe.

16. Ko nga hiahia kia rite ki te ahi mura ki te ahi
ko te tuhinga o te whaikorero i tukuna e te Buddha ki te Bhikkus i a ia
i noho ki Gaya. Na tenei tana i mea ai:

17. “Ko nga mea katoa, e Bhikkus, kei te ahi. Ana ko,
E nga tohunga, ko enei katoa kei te kapura?

18. “Te kanohi, e Bhikkus, kei te ahi; kei runga
ahi; ko te kanohi-kanohi kei te ahi; nga whakaaro kua riro mai e te kanohi
i runga i te ahi; me te aha nga raru, ahuareka, kino, kaua e aro atu ranei
ko ia mai i te ti’aturi i runga i te manaakitanga a nga rangatira, na tena ano hoki
i runga i te ahi. ”

19. “Hei aha enei ma te ahi?

20. “Ki te. Tuhinga o mua
te ahi o te mauahara, me te ahi o te mokemoke; me te whanau, te koroheke, mate,
te pouri, te tangi, te pouri, te pouri, me te ngakau pouri kei runga i te ahi. “

21. “Kei te ahi te taringa; nga tangi kei te ahi;
te ihu kei te ahi; kei te mura te ahi; te arero kei te ahi; reka
kei te ahi; kei runga te tinana ki te ahi; kei runga nga whakaaro; me te aha te peera,
ahuareka, karekau, aruaru ranei, ahu mai i te tiimata ki te ongo
riro e te hinengaro, ko ano hoki i te ahi.

22. “Hei aha enei ma te ahi?

23. Ki te ahi o te weriweri, ka ki atu ahau; ki te ahi
o te mauahara; ki te ahi o te mate uruta; me te whanau, te koroheke, te mate, te pouri,
ko te tangi, ko te pouri, ko te pouri, ko te ngakau, ko te ahi.

24. “Ma te kite i tenei, e Bhikkus, nga mea mohio me
ka hapai i te tangata rangatira ki te turaki. Ki te huna e tenei he,
ka pirau ia ki te aroha, a na te kore o te mauahara ka riro ia
he kore utu, ka oti ia ka mohio kua ora ia.

25. Me pehea e hoatu ai e Nibbana te hari? Koinei te
panui ka whai ake mo te whakamaarama.

26. Ko te korero noa ko te tangata kaore e koa ki te mea na te mea
he matekore ia. Engari ehara i te mea pono tonu tenei. Kei te pouri te tangata ahakoa
kei waenganui ia i te nui.

27. Ko te ngakau pouri he hua o te apo, o te taraka
Ko te Pauna o te koiora o te hunga, whai, o te hunga kaore ano.

28. Ko te Buddha tenei kua whakakaha i roto i tetahi korero i tukuna
ki te Bhikkus i korero ai ia:

29. “Maere i te apo (lobha), teina, riri
me te riri (hara), e whitihia ana e te pohehe (moha), me te ngakau e
raru ana, me te ngakau hei pononga, ka whakaaro nga tangata ki a ratau
ake aitua, e whakaaro ana nga taangata ki nga aitua o etahi atu, ka mau
te tangata ki nga mamae o te hinengaro me te mamae.

4976/5000
30. “Engari, ki te memeha, riri me te pohehe, ka kore e whakaaro te
tangata ki o ratau ake mamae, ki nga mamae o te hinengaro, o te ngakau.

31. “Na, e oku teina, ko Nibbana te kitea ki tenei
te ao, kaua ko te mea kei te heke mai anake — he tohe, he harikoa, he urunga atu
te akonga mohio. “


32. Kei konei te whakamaarama mo te aha e pau ai te tangata me te
kore e koa. Na roto i tenei whakamahinga o te ahi o te ahi ki te mahi o
nga hiahia tangata, kua whakawhiwhia e Buddha
mo te pouri tangata a te tangata.


33. Ko te mea e koa ana ki te tangata kaore e pouri, ko te mea kua
kapohia e ia ana hiahia. E kiia ana koinei nga raupatu e aukati ana i te
tangata kia tae ki te tuunga o Nibbana. Ko te waa e kore ana ia e puta
mai i ona hiahia-i.e., Ka ako ia ki te whakatutuki i te ara
Nibbana-tangata ki te hari
he tuwhera ki a ia.

34. Ko enei hiahia, i runga i te tātaritanga a Buddha.
hinga i raro i nga roopu e toru.

35. Tuatahi: ko nga mea e pa ana ki nga tohu katoa o te hiahia
te taapiri ranei — penei i te minamina, te purotu, me te kaima (lobha).

36. Tuarua: ko te mea e pa ana ki nga reanga katoa o
antipathy-kino, riri, riri, whakarihariha (hara).

37. Tuatoru: ko nga mea katoa e pa ana ki te kore mohio.
hangararatanga, me te taikaha (moha or avidya).


38. Ko te ahi tuatahi me te tuarua e pa ana ki nga kare o roto me
te awhi mo te ahuatanga o te waiaro me o waiaro ki etahi atu mea, engari
ko te ahi tuatoru e pa ana ki nga whakaaro katoa e kore e nekehia atu i
te pono.

39. E kore etahi o nga pohehe e pa ana ki te maatauranga a Buddha o Nibbana.

40. Ko te kupu Nibbana etymologically te tikanga e toro atu ana,
Tuhinga o mua.

41. Ka mau ki nga tikanga pakiaka o te kupu,
Kua whakaekehia e nga kaiarahi he kore noa iho i te maatauranga o Nibbana.

42. E ki ana ratou ko te tikanga ko Nibbana te mutunga o te katoa
Nga hiahia tangata, he rite ki te mate.

43. Na ratou tenei i ngana ki te maka tawai
Mo te ako a Nibbana.

44. Kare tena tera te tikanga o Nibbana
marama mēnā ka tirotirohia e te tangata te reo o te korero ahi.

45. E kore te korero a te ahi e mura te ora
ka mate te mate. E kii ana kei te ahi nga hiahia.

46. ​​Kaore te korero a te ahi e kii i nga wawata
me whakamutua. Te ki atu, kaua e whakauru i te wahie ki te mura.

47. Tuarua, ko nga kaiarahi kaore i te wehewehe
i waenga i a Nibbana me Parinibbana.


48. E ai ki te Udana: “Ka puta a Parinibbana ka hemo te tinana, ka
mutu nga tirohanga katoa, ka mutu katoa nga ahuatanga, ka mutu nga mahi,
kua mutu te maarama. No reira ko Parinibbana te tikanga kua pau. “

49. Kaore e taea e Nibbana te tikanga o tenei. Nibbana
te tikanga kia nui te mana o te riri kia taea ai e te tangata te haere i
runga i te ara o te tika. Kaore i te whakaarohia kia kii. atu mea
katoa.

50. Ko Nibbana tetahi ingoa ingoa mo te ora tika
e whakamaramatia ana e te Buddha ia ia ano ki Radha.

51. Ka tae atu a Radha ki te Kotahitanga. Ka oti tana mahi, ka oha atu ki te Mea Nui, noho ana i tetahi taha.
Na ka noho, ka korero a Radha ki te Mea Nui: “Inoi, e te Ariki, he aha te [= mo te aha] Nibbana?”

52. “Ko te tikanga o Nibbana ko te tuku mai i te riri,” ka whakahoki
te Ariki.

53. “Engari ko Nibbana, e te Ariki, he aha te kaupapa?”

54. “Ka mau ki Nibbana, Radha, te ora tika
Kei te ora. Ko Nibbana tana whaainga. Ko Nibbana tona mutunga. ”

55. Ko te tikanga ko te Nibbana kaore ano kia ngaro
i whakamarama na Sariputta i tenei whaarangi e whai ake nei:

56. “I te wa i whakapaingia ai te Ariki e whakapaingia ana i Shravasti
i Anampindika’s Ashrama kei reira ano a Sariputta e noho ana.

57. “Ka korero te Ariki ki nga tuakana, ka mea, ‘Amine,
kaua e uru ki nga taonga o te ao engari ki taku whakaako; i roto i toku
aroha ki a koutou katoa kei te manukanuka ahau ki te whakarite i tenei.

58. “Ko te kupu tenei a te Ariki, nana nei i maranga,
ka whiti ki tana ake puoro.

59. “I noho tonu a Sariputta, me nga tuakana
ka tono ia ki te whakamarama he aha te Nibbana.

60. “Na Ka whakahoki a Sariputta ki nga tuakana, ka mea,
‘E oku teina, kia mohio koutou he kino te apo, he kino te riri.


61. “‘Ki te whakaheke i tenei kaima me tenei riri, kei reira te
huarahi Middle e tuku ana i nga kanohi kia kite, kia mohio ai tatou, ma
te arahi i te rangimarie, te matauranga, te maarama, me te Nibbana.


62. “‘He aha tenei huarahi o te Ao? He kore noa engari ko te
Maangai Eightfold Ara o te tirohanga tika, ko te whaainga tika, ko te
korero tika, ko te mahi tika, ko te tikanga ko te koiora, ko te maatau,
ko te ngakau tika, ko te tino tika; Ko tenei, ko nga kaihauturu, ko te
Ara Toto.

63. “‘Ae, e te rangatira, he kino te riri, he kino
te whanoke, he hae, he hae, he hae, he whanoke, he tinihanga, he
whakahihi, he tinihanga, he tinihanga, he whakapehapeha, he
whakahirahira, he whakahirahira, he whakahirahira, he whakahirahira, he
whakahirahira, he whakahirahira, he whakahirahira, he whakahirahira, he
whakaharahara
He nanakia te mahi nanakia.

64. “‘Mo te
whakaheke o te pikinga me te nanakia kei reira te huarahi o waenga-e
tuku ana i nga kanohi kia kite, kia mohio ai tatou, e arahi ana ia tatou
ki te rangimarie, te matauranga, te maarama.

65. “‘Nibbana-kaore he noa, engari ko te Huarahi Tuarua Tuawaru.”

4807/5000
66. Na i penei te korero a Sariputta i whakanuia. Ka koa koe,
i koa te kaiwaiata i tana kupu:

67. Ko taua whakaaro i raro i te Nibbana
o te e’a no te parau-ti’a ra. Kaore tetahi e hē ki a Nibbana mo tetahi mea
ke atu.

68. Ko te whakangaromanga oti tetahi atu tino tuuturu, me Parinibbana
tetahi atu tino kino. Nibbana Ko te Ara Middle.

69. Ma te maarama ra, ko nga whakama katoa e pa ana ki a Nibbana
ngaro.

https://www.accesstoinsight.org/…/dhamma/sacca/sacca3/nibba…

Nibbana

Ka tapaina e Nibbana te haere noa o te herekore e kore e taea te tu, hei whaainga whakamutunga o nga whakaakoranga a Buddha.

https://giphy.com/…/profile-notoverthehill-tomdds-7yojoQtev…

e te katoa kōtaha tiro GIF

“Tenei
He rangimarie, he ataahua tenei - te whakatau o nga mahi katoa,
te aukati i nga taangata katoa, te mutunga o te hiahia; tangohanga;
tukurua; Nibbana. “
- AN 3.32

https://giphy.com/gifs/qz-3o6Ztj160BEqLidM7S
mamae mate GIF na Quartz

https://www.youtube.com/watch
Te Waea i te Pouri: Ko te Whakamutua o te Raru ko Nibbana - ko te whakaoranga.

Ora Buddhism
6 nga kaiohauru
Te Waea i te Pouri: Ko te Whakamutua o te Raru ko Nibbana - ko te whakaoranga.

Hei whakakore i te ‘Dukka’, i te mamae ranei, me whakakore te paki o te Dukkha.

Ko te hiahia matewai ranei he matewai, na ko te tuatoru o te pono Tohu Paahi
e mohiotia ana ko te ‘Tango Kaha Nirodha’ te aukati i te hiahia, te matewai
hiahia. Ko te tikanga o te aukati i te ‘thanha’ te hiahia ranei.

Ko te Nibbana ko Nirodha he tikanga herekore ki te hiahia, te herekore i te kino, te herekore i te mauahara me te kuware.

I nga ra katoa ko tenei ‘matewai’ ‘kia’ me ‘ki te riro’ te huringa o
haere tonu te mahi. Ka taea te aukati noa i tana kaha taraiwa i tenei
Ma te whakaaro nui ka hatepea atu te hiahia.

Kei te maarama te whakaaro nui
Tuhinga o mua. Kaore e taea e tatou te kite i te mea pono mai i te wa e kapi ana
huna e to maatau ake whakaaro. Ki te maatau te hinengaro ki nga poke
penei i te hiahia me te mauahara, he mea huna te mea pono.

Na kia kite i nga mea e rite ana ki te maamaa ma te hinengaro pono e kitea.

Ko te ngaro o te hiahia, te ngaro o te mauahara, te ngaro o
ko te whakaaro me te mohio ki te whakaatu i nga mea katoa na te mea
na ka kore te hinengaro e kore e poke i nga poke.

Ko ‘Nirodha’ ko ‘Nibbana’ ranei te tuatoru o te pono pono tuatoru ko te aukati i a Dhukka
te mamae ranei, a ka taea tenei ma te horoi i te hinengaro ngakau mai
poke, hiahia me te mauahara.

Koinei te whakaaro nui ka tuuhia e te hinengaro parakore.

Matakitaki ki etahi atu o nga ataata kei Te Uru Buddhism ora.

Wahanga 1: https://youtu.be/ShzNueVOnkA
Wahanga 11: https://youtu.be/PIPz-4GWP1E
Wahanga 111: https://youtu.be/t-xjimv-SKg
Wahanga IV: https://youtu.be/aNT54fjsw08

ite noa ki te tiki i taku Whakaakoranga Buddhist hou i raro nei. Tēnā koutou katoa
Ko te hiahia kia haina me nga kaiwhakamahara. Haere ra me te hononga
whakarongo ki raro, whakarongo ki aku pukapuka oro, he tino koreutu.

Hono Mo Te Whakauru Tiki Ake i nga Ra 30

https://amzn.to/2xphT1P
Kāwai
Te Mātauranga

“He rangimarie tenei, he ataahua tenei - te whakatau o nga arai katoa,
te murunga o nga hoko mai katoa, te mutunga o te hiahia;
tangohanga; tukurua; Nibbana. “
- AN 3.32

Mo tenei Paetukutuku
youtube.com
Te Waea i te Pouri: Ko te Whakamutua o te Raru ko Nibbana - ko te whakaoranga.

https://giphy.com/gifs/ysl-love-passion-9GJ1mqBbUEkVhl8cVu

Kaore he ahi penei i te aroha,

Aroha aroha GIF na YSL Ataahua USA

https://giphy.com/gifs/tmobile-Yjvg6BHVXJVOxwrG43

kaore he ngaro pera i te riri

rainn wilson wilson GIF e T-Mobile

https://giphy.com/gifs/someone-bj-braces-F0dSz5pqsyU3S

kaore he mamae penei i nga whakahiatotanga

i roto i te mamae GIF

https://giphy.com/g…/wiriwiri-of-oz- te-wiz-live-hZTauiFiq2q4g
kahore he humarie ke atu i te rangimarie

rorirori diana rino i runga GIF

https://giphy.com/gifs/the-hunger-games-thg-EsMsYvk3o9TjO
Te Matara: Ko te mate nui rawa.

nga kai matekai GIF

https://giphy.com/…/SkyTV-ow-painful-kick-in-the-nuts-RN96C…
Nga papanga: te mamae nui

Ma te Hara Moni e KATOA e Sky

https://giphy.com/gifs/car-leather-ease-2YHAi391Qff1u
Ko te wetekore ko te waatea tino

hiako motuka GIF

https://giphy.com/gifs/tangled-slide-freedom-r9ab37HE8b4LC
Te ti’amâraa o te ma’i: te maitai rahi roa.

herekore GIF

https://giphy.com/…/snl-saturday-night-live-season-44-5bgIO…
Whakanuitanga: te taonga nui rawa atu

AIF B influant influencer GIF na Hatarei Ora Live

https://giphy.com/gifs/rule-e05GB2c86qgOk
Whakawhirinaki: te whanaungatanga tuatahi

te ture whakawhirinaki GIF

Kaore he ahi penei i te aroha,
kahore he ngaronga penei i te riri, kaore ano he mamae penei i nga whakahiatotanga, kaore he pai ke atu i tua atu
rangimarie. Te Matara: Ko te mate nui rawa. Nga papanga: te mamae nui.
Mo tetahi e mohio ana ki tenei pono ko te mea tonu, Ko te Wahanga te mea tuatahi
waatea. Te ti’amâraa o te ma’i: te maitai rahi roa. Ihirangi: te
taonga nui rawa atu. Whakawhirinaki: te whanaungatanga tuatahi. Kaore i unuhia: ko te tuatahi
waatea.
- Dhp 202-205

4785/5000
Upoko 202. Ka koa te Pou

Kaore he ahi penei i te hiahia,
kahore he kino e rite ki te peka ke,
kahore he dukkha penei i nga tangihanga,
kaore he koa nui atu i te rangimarie.

He Whakamarama: Kaore he ahi penei i te kaingakau. Kaore he hara kino
rite te riri. Kaore he mamae penei i te whakahiatotanga o nga tohu.
Kaore he ngakau nui atu i tenei o te rangimarie nui.

Irava ​​203. Nga mate kino rawa atu me te koa nui

Ko te matekai te mate nui rawa atu,
te rangatira nui - te mate,
te mohio ki tenei mo tenei:
Nibbana ngingila rangatira.

He Whakamarama: Ko te mate nui rawa ko te hiakai. Te kino
te mamae kei roto i nga mea. Mena ka tino manakohia tenei,
Ko Nibbana te huringa teitei rawa atu.

Irava ​​204. E wha nga Ringa Rawa

Ko te painga nui o te hauora
makona, te pai o te taonga,
te tiimata o te whanaunga pai,
Nibbana ngingila rangatira.

Whakamarama: Mo nga utu, ko te hauora pai te mea tuatahi.
Ko te taonga, ko te mea nui ko te rangimarie o te hinengaro. Na nga whanaunga, he pono
ko nga mea pai rawa. Ko te huringa teitei ko Nibbana.

Upoko 205. Nga Rangatira Ko Te Mea Pai

Ko te haurangi i te mokemoke
a ka tiro ki te Panui Panui,
kahore he pouri, he kore-kino,
ko tetahi e inu ana i te koa a Dhamma.

Whakamarama: Kua rikarika ia i te reka o te mokemoke. Kei a ia
i kite ano hoki i te ahua o te marino na roto i te kore
Tuhinga o mua. Ko te ahuareka ki te reka o te tino mohio kei a ia
e kore e mate i te mate, ka riro i te kino.

Ko te tiimata me te mohiotanga, me tonu
ka mau i roto i te jhana, ka mau tonu, ka u ki tana mahi: ka pa atu ratau
Te wewete, te haumaru kore noa mai i te pononga.
- Dhp 23

Irava ​​23. He Tino Te Waito

Ka whakaaroaro ratau,
whakapau kaha ratou
kia u ki Nibbana,
te Haumaru Kore i herea mai i nga here.

Whakamarama: Ko aua hunga whakaaro nui
e kaha ana ki te whai whakaaroaro, tae atu ki te maarama o tera
taea ai e ratou te wheako i Nibbana. Te hunga whakaaro nui nei e kore e mutu
haere tonu i runga i o raatau whakaaroaro, kia u me te pono, wheako Nibbana,
ko te mea tino ekore rawa mai i nga here katoa.

“I reira
ko tera te wahi kaore nei i te whenua, ehara i te wai, i te ahi ranei,
e kore te hau; Tuhinga o mua
te ngaro o te maarama, te rahi o te kore, kaore ranei
te rahinga o te tirohanga kaore he tirohanga noa; ehara hoki tenei ao,
kaua te ao e whai ake nei, o te ra ranei, o te marama. Na reira, ko taku kupu, kei kona
kaua hoki e haere, kaua e haere, kaua hoki e haere; e kore e haere ke, e kore e ara;
kaore he tuuturu, he turanga kore, kahore he tautoko [ahanoa hinengaro].
Koinei tonu te mutunga o te pouri. “
- Ud 8.1

https://www.youtube.com/watch
Kaupapa Raro o Te Papa (Super Mario Bros.) - Super Smash Bros. Brawl

Tuhinga o mua
356K kaiohauru
Waiata: Kaupapa Papaaro (Super Mario Bros.)
Whakariterite: Kentaro Ishizaka
Game Taketake: Super Mario Bros.
Game: Super Smash Bros. Brawl

Rārangi Taakaro Tino:
Wāhanga 1: http://www.youtube.com/view_play_list ……
Wahanga 2: http://www.youtube.com/view_play_list ……
Kāwai
Waiata
«Te vaira te wahi kaore nei i te whenua, kaore he wai, kaore ano hoki
ahi, kaore he hau; kaua te rahi o te kikorangi o te waahi, kaore ranei
te rahinga o te mauahara o te maarama, o te rahinga ranei o
kahore he aha, kahore te ahua o te tirohanga kaore i te tirohanga noa;
kaua tenei ao, kaore he ao, he ra ranei, he marama. I reira, ko au
mea atu, Kahore he haere, kahore e haere, kahore he stasis; kaua e paahitia
kaua e ara, kaua e tu, kaore he turanga, kahore he tautoko
[ahanoa hinengaro]. Koinei tonu te mutunga o te pouri. “
- Ud 8.1

Mo tenei Paetukutuku
youtube.com
Kaupapa Raro o Te Papa (Super Mario Bros.) - Super Smash Bros. Brawl

“He,
Monks, a kohungahungia - koretake - unmade - kaore i oti. Mena kaore ia
taua kohungahunga - kohakore - korekore - kaore i totika, kaore tera
take ka puta mai i te whanautanga - kua hanga - hangaia - ka hangaia
kia whai whakaaro. Engari no te mea kaore he kopu - kaore he -
unmade - kaore i ngoikore, ka puta mai i te whanautanga - ka hanga -
kitea ai te papanga. “
- Ud 8.3

https://www.youtube.com/watch
Richard St Clair: Dharma Chant, Wahanga 1 o te 3, Te Ara o nga Huinga

3
0
Whakapaa
Whakaora
Richard St Clair
52 nga kaihauturu
Wāhanga I

Nā te Commonwealth Chorale, David Carrier cond., Mei 21, 2016, West Roxbury, Massachusetts.

Wahanga 1: Te Huarahi o nga Tutai

Tuhinga ka whai mai

Ko te whakapapa ki te Ao e whakahonoretia ana, te Mea Motuhake, te Mea Huatangahia.

Ka haere ahau ki te Buddha hei piringa; Haere ahau ki te Dharma hei piringa; Haere ahau ki te Sangha hei piringa.

He pono ano tenei, ko te Mea Tapu, mana, mana, na nga mea katoa i oti
te matauranga me te pono, kua pai, e mohio ana, e mohio ana ki nga ao,
he kaihoe whakaohooho mo te whakangungu tangata, Kaiwhakaako o nga atua
me nga taangata, Ma te Maamaa me te Whakapaingia.


About This Website
Serotonin, Dopamine, Endorphin Release Music, Binaural Beats Relaxing Music

https://www.youtube.com/watch…
60-169 “20,000 Leagues Under the Sea” EXHIBIT

rickydoodlebug
2.86K subscribers
Welcome to “60 Years of ImaginEARing!” Join me on Facebook @ https://www.facebook.com/60yearsofima


60-169 “20,000 Leagues Under the Sea” EXHIBIT See the actual sets from
Walt Disney’s classic movie. Follow the circular building and discover
Captain Nemo’s Nautilus in it’s original glory. Listen to Thurl
Ravenscroft narration the exhibit in his classic style. Included here
too is the folksy pop version of “A Whale of a Tale” by The
Wellingtons….Enjoy!

The audio and visuals contained herein are
the sole property of the Walt Disney Company. These are fan-created and
no copyright infringement is intended nor are any of these tracks sold
for a profit.
Category
Entertainment
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
A Whale of a Tale
Artist
Kirk Douglas
Licensed to YouTube by
UMG (on behalf of Walt Disney Records); Walt Disney Music Company
(Publishing), BMI - Broadcast Music Inc., PEDL, UMPI, and 3 Music Rights
Societies
Song
Storm at Sea/Nemo Plays
Artist
Paul J. Smith
Licensed to YouTube by
UMG (on behalf of Walt Disney Records); Walt Disney Music Company (Publishing)
Song
A Whale of a Tale
Artist
The Wellingtons
Licensed to YouTube by
UMG (on behalf of Walt Disney Records); BMI - Broadcast Music Inc., Walt Disney Music Company (Publishing), PEDL

4896/5000
No reira kua rongo au i taua waa
I noho te Mea Kaha Rawa ki Savatthi i te Hamu o Jeta, Anathapindika’s
Maimimeta. Na i taua wa ano ka whakaakona te tangata e whakapaingia ana,
kei te whakaihiihi me te akiaki i nga kuia ki te korero a Dhamma e pa ana ki
Whakatapu. Ko nga Monks e whakaae ana, e aro ana, e arotahi ana ki to raatau katoa
i roto i te whakarongo ki te tuku i te taringa, whakarongo ki te Dhamma. Na, mo te whakatinanatanga o te
Ko te tikanga o taua mea, i whakapaingia e te Mea Tapu:

Kaore tera wahi i te whenua, i te wai ranei, i te ahi ranei
e kore te hau; kaua tetahi wahi o te kikorangi o te waahi, o te waahi ranei o te
kohakore o te mahara, kaore ano hoki he waahi noa iho, kaore he waahanga o te
kaua e matatau, kaore ano hoki i te tinihanga, kaore i tenei ao, i te ao ranei
te ao, te ra, te marama ranei. Ka ki atu ahau, Kahore he haere, kahore he aha
e haere ana, kaua e whawha: kaua e haere i tetahi ara, kaore i te ara,
kaore he hanganga, kaore he tautoko. Ko tenei, koinei tonu te mutunga
Tuhinga o mua.

Kei, karu, he kohungahunga, he huakore,
hangarua, kaore i oti noa. Ahiri kaore te mea o te whanautanga, he kohakore, he kore
Kaore i paahitia, kaore pea te keehi e puta mai i te
ka whanau, ka whanau, ka hangaia, ka waihangatia. Engari tika
na te mea kaore he kopu, kohakore, hangai, kaore i hakangahia, i whakakapiki
mai i te whanautanga, ka, hanga, pania ka mohiotia.

Kotahi
kei te tiimata te whakawhirinaki; Ko te tangata tu motuhake kaore e wahangu: kei kona
kahore nei e warea, he marino. He marino kaore he hiahia.
Kaore te hiahia kaore o te haere mai, te haere ranei. Kaore he haere mai
te haere atu, kaore he ara, he ara ranei. Kaore he haerenga
haere atu, e ara mai ana ranei, kahore he tangata i konei, i konei, kaore ranei
i waenganui i te tokorua. Ko tenei, koinei tonu te mutunga o te pouri.

He uaua ki te kite i te hunga korekore, no te mea kaore e kitea te pono.
E taikohia ana te hiahia ki te tangata e mohio ana; mo tetahi e kite ana, kaore he mea.

Ko wai e whai ana ki te whakatairanga i tana oranga, i ata titiro ki nga ahuatanga o
Te tino pai, kia tau, kia pono, kia tika, kia ngawari te korero
e te hunga mahaki, kaua e whakapehapeha. Kua whakawakia, me ngawari te tautoko, kaua
he taumaha, he ngawari hoki ki te noho. Tranquil ona mahara, kia tupato ia
kaua e whakakahangia, kaua e pokanoa ki nga whanau. Me karo ano hoki ia
mahi e puta ai te whakaaro nui hei whakatupato mona.

Kia ora katoa
he pai, he tau. Kia koa te hunga katoa! kahore he motuhake, roa,
nui, ranei te rahi-rahi ranei poto, meneti ranei te rarawe, ahakoa kitea ranei
kore e kitea, me nga mea e noho mai ana, e tata ana ranei, nga mea whanau me te hunga e rapu ana
whānautanga: Kia hari katoa nga mea! Kaua tetahi e tinihanga, e tinihanga ki tona hoa
i hea; kei whakahawea tetahi ki te kino ki te riri, ki te kino ranei. Kia rite ki
Ko tona oranga ake he whakangungu whaea hei whiu i tana tama ake, tana pepeha anake, kia
kei roto katoa nga whakaaro mo nga mea katoa. Whakatupato a
te hinengaro-here katoa mo te aroha katoa puta noa i te ao, i roto i ona kaupapa katoa
Te teitei, te hohonu, te whanui, Te aroha kaore nei i tinihangatia, kaore i kino
mauahara. I a koe e ara ana, me whai atu koe i tenei mohiotanga
kaha: ka kiia te ahua Atua i konei.

Tuhinga o mua
i nga wa o mua, ko nga buddhas a muri ake nei, ko nga hoa o te
tenei wa, he mau tonu taku e wehi ai. Kaore tetahi atu piringa e rapuhia e ahau, te Buddha
he pono toku piringa: na te korero mo tenei pono ka wikitoria te rongo
waiho koe! Ko te puehu o ona waewae tapu taku e tu ai. mena ko te Buddha I
kua hara, kia murua te hara a te Buddha. Tae noa ki te mutunga o te ora, ki te
Buddha I haere ahau mo te piringa.

-Teumotu Ataata i hangaia e https://www.TunesToTube.com
Kāwai
Waiata
“Kei kona, ko nga kararehe, he kohungahunga - kaore i hangai - kaore i whakakahoretia - kaore i oti. Mena
kaore i whanau mai - he koretake - kaore i koretake - kaore i kona - i kona
e kore e riro i te take i puta mai i te whanau - ka hanga -
papanga kia kitea. Engari he tika na te mea kaore he kopu -
koretake - unmade - kaore i koretake, ka puta mai i te whanautanga - ka
hanga - hangaia he mohio. “
- Ud 8.3

Mo tenei Paetukutuku
youtube.com
Richard St Clair: Dharma Chant, Wahanga 1 o te 3, Te Ara o nga Huinga

Te wai, te whenua, te ahi,
& huringa kaore o huringa waewae: He maarama nga whetu, kaore te ra e
kitea, kaore ano te marama e puta, kaore i kitea te pouri. A ka a
he tangata, he brahman na roto i te mahanahana, kua mohio tenei ki a ia ano
mai i te ahua me te ahua, mai i te koa me te mamae, ka tukuna e ia.
- Ud 1.10

https://www.youtube.com/watch?v=f2dPN9q8Ufc
Te Huringa Papa Hau

Tangata Tangata - Kaupapa
1 kaiohauru
I whakaratohia ki YouTube na The Orchard Enterprises

Te Papa Hau Whenua Whenua · Tangata Tangata

Katoa Waiata Whakamatau Ma Te Ao

℗ 2014 Waiata Nil Nihi

I tukuna i: 2014-02-01

Hanga-aunoa e YouTube.
Kāwai
Waiata
Kei hea te wai, te whenua, te ahi, te hau me te waewae: Kei reira nga whetu
kaua e whiti, kaore e kitea te ra, kaore e puta te atarangi, te pouri
Kāore i kitea. A, ka mohio he kaikorero, he brahman na roto i te mahorahora, kua mohio
[tenei] maana, na te ahua me te ahua, no te ngako &
mamae, kua herea ia.
- Ud 1.10

4811/5000
Mo tenei Paetukutuku
youtube.com
Te Huringa Papa Hau
I whakaratohia ki YouTube e te The Orchard Enterprises Earth Wind Water ahi · …

Ko te raru tuatahi o Nibbana ka mutu te tino mamae

Kātahi
te tangata manaakitia, kapohia he puehu puehu iti ki tana pito o ana
matimati, ka mea ki nga rangatira, “E pehea ana koe, e nga rangatira? Ana
nui atu: te mea iti o te puehu kua tangohia e ahau ki te pito o taku
to matimati, te whenua nui ranei?

“He nui te whenua nui,
ariki. Ko te iti o te puehu kua whakapaea e te Mea Tapu ki te matamata
Tuhinga o mua. Ehara i te kotahi rau, a
mano, kotahi rau-mano-mano - koinei te puehu iti o te puehu
Kua whakapaingahia e tetahi i nga matamata o tona maihao - ina whakaritea
ki te whenua nui. “

“Waihoki, ko nga rangatira, mo tetahi akonga
o nga rangatira e tino hiakai ana, ki tetahi tangata kua
pakaru ng [ki te rere-urunga], te mamae me te ahuru e
Kua tino pau & ngaro atu he nui ake. Ko nga mea e noho tonu ana ki roto
ko te ahua o te nuinga e whitu nga wa e toe ana ka whai ake
kaore he mea: ehara i te rau kotahi, he mano, kotahi rau-mano tekau,
ki te whakataurite ki te papatipu o mua o te mamae. Koina te nui o te
te painga ko te pakaru ki te Dhamma, nga kaimouo. Ko tehea te nui
ko te painga ko te whiwhi i te kanohi Dhamma. “
- SN 13.1

https://www.youtube.com/watch?v=j55L5bn_WrU
Te Huarahi Tuawha Maangai Tuuturu Te huarahi ki te Katoa o te Maatua Bhikkhu Bodhi Pene VII VIII

Tai Tran
795 kaiohauru
Te Huarahi Tekauri Tuawha
Te Huarahi ki te Whakamutunga o Te Pouri
by Bhikkhu Bodhi
© 1999
Pene VIII: Te Whanaketanga o te Paari

Pukapuka
61. Ki nga mea e whai ake nei me aukati ahau i tetahi tirohanga poto.
Mo te whakaaturanga roa, tirohia te Vism., Chapters III-XI.
62. Tirohia Vism. IV, 88-109.
63. Ko etahi o nga tuku noa penei i te “trance,” “musing,” me era atu, he mea he katoa kei te pohehe, me peia.
64. DN 22; Kupu a te Buddha, p. 80-81.
65.I Pali: akasanañcayatana, viññanañcayatana, akiñcaññayatana, nawabva-sañña-nasaññayatana.
66. Anicce niccavipallasa, dukkhe sukhavipallasa, anattani atta-vipallasa. AN 4:49.
67.
I a Pali: rupakkhandha, vedanakkhandha, saññakkhandha, sankharakkhandha, viññanakkhandha.
68. DN 22; Kupu a te Buddha, p. 71-72.
69. DN 22; Kupu a te Buddha, p. 73.
70. I te whakaputanga tuatahi o tenei pukapuka i kiihia i konei ko enei huarahi e wha e tika ana kia paahitia,
no reira kaore he painga o te ara teitei ki te kore e whai waahi
kua tae ki nga huarahi o raro. Ko te pono tenei te ahua o te
nga Kupu-kupu. Heoi, i etahi wa e whakaatu ana te Suttas i nga taangata takitahi
ka haere tonu mai i te papa o te ao tae noa ki te tuatoru, ara ranei
te ara tuawha me nga hua. Ahakoa e kii ana te kai-korero i paahitia e ratau
na roto i ia huarahi o mua me nga hua i roto i te whakakapinga tere, ko
Ko nga tuhinga kee kore ano e whakaatu he mea kua tae tenei
engari tohutohungia kia kite tonu i nga waahanga teitei kaore i te
whakatutukitanga takawaenga o nga waahanga o raro.
71. Tirohia te Vism. XXII, 92-103.
Kāwai
Iwi me Blogs
Ko te raru tuatahi o Nibbana ka mutu te tino mamae

Katahi ka Te Mania, hapai i tetahi puehu puehu ki te pito o te
tona matimati, ka mea atu ki nga taniwha, “E pehea ana koe, e nga rangatira? Ana
nui atu: te mea iti o te puehu kua tangohia e ahau ki te pito o taku
to matimati, te whenua nui ranei?

“He nui te whenua nui,
ariki. Ko te iti o te puehu kua whakapaea e te Mea Tapu ki te matamata
Tuhinga o mua. Ehara i te kotahi rau, a
mano, kotahi rau-mano-mano - koinei te puehu iti o te puehu
Kua whakapaingahia e tetahi i nga matamata o tona maihao - ina whakaritea
ki te whenua nui. “

“Waihoki, ko nga rangatira, mo tetahi akonga
o nga rangatira e tino hiakai ana, ki tetahi tangata kua
pakaru ng [ki te rere-urunga], te mamae me te ahuru e
Kua tino pau & ngaro atu he nui ake. Ko nga mea e noho tonu ana ki roto
ko te ahua o te nuinga e whitu nga wa e toe ana ka whai ake
kaore he mea: ehara i te rau kotahi, he mano, kotahi rau-mano tekau,
ki te whakataurite ki te papatipu o mua o te mamae. Koina te nui o te
te painga ko te pakaru ki te Dhamma, nga kaimouo. Ko tehea te nui
ko te painga ko te whiwhi i te kanohi Dhamma. “
- SN 13.1

Mo tenei Paetukutuku
youtube.com
Te Huarahi Tuawha Maangai Tuuturu Te huarahi ki te Katoa o te Maatua Bhikkhu Bodhi Pene VII VIII

He aha ka tupu ki tetahi kua tino mohio ki a Nibbana?

[Aggivessana Vacchagotta:] “Engari, e te Kaiwhakaako Gotama, te maara e tukuna ai tona hinengaro: Kei hea hoki ia?”

[Ko te Buddha:] “‘Takitaki ano,’ Vaccha, kaore e whai mana.”

“Ko te mea ko te Kaiwhakaako Gotama, kaore ia i te whakaatu ano.”

“‘Kaore e puta ano,’ Vaccha, kaore e whai mana.”

“… e rua kaore & kaore e puta ano.”

“… kaore e whai waahi.”

“… e kore e ara, e kore ano e whakaara ano.”

“… kaore e whai waahi.”

“Me pehea
ko ia, Master Gotama, ka pa ana ki te Kaiwhakaako Gotama mena ka patai tena
reappear … e kore e puta ano … e rua e kore e whai ano …
e kore ano hoki e ara ano, e kii ana ia, ‘… kaore e whai mana’ ki ia
take. I tenei wa, e te Kaiwhakaako Gotama, kua tino pehia au; i tenei wa,
raru. Ko te maataatanga o te marama e haere mai ana ki a au mai i to mua
kua matotoru te korerorero. ”

“Ae ra, ko koe i poauau,
Pohōkai. He pono kei te raruraru koe. Deep, Vaccha, tenei ahuatanga,
uaua ki te kite, he uaua ki te mohio, te marino, te whakamahine, kei tua atu o te whānuitanga o
whaihua, mohio, mohio -a e te hunga whakaaro nui. Mo era atu
tirohanga, ko etahi atu mahinga, ko etahi atu mea pai, ko etahi atu whaainga, ko etahi atu kaiako,
he uaua ki te mohio. Na ko te keehi, ka hoatu e au inaianei
nga patai ki a koe. Whakautu mai i a koe e tika ana. Ki to whakaaro, Vaccha: Mena
He ahi ahi e mura ana i to aroaro, e mohio ana koe na, ‘tenei ahi
kei te tahuna i toku aroaro? “

“… Ae …”

“Ka mea hoki tetahi
ko te patai ki a koe, Vaccha, ‘Ko tenei ahi ka tu i mua i a koe
i runga i te aha kei te wera? ‘Na reira i patai, me pehea koe e whakautu? “” … Koe
Ka mea mai, Kei te ahi tenei ahi i toku aroaro, kei te tarutaru te tarutaru
me te rakau hei kai maau. ‘”

“Ki te toro atu te ahi ki mua i a koe, kei mohio koe he ahi tenei kei mua i ahau?”

“… Ae …”

«E
me ki atu e tetahi ki a koe, Kua puta tenei ahi i mua
o koutou, i ahu mai nei i ahu mai i konei? Rawhiti? Hauauru? Te Tai Tokerau? Ranei
ki te tonga? Na ka patai atu, me pehea e whakahoki ai koe?

“Kaore e pa atu,
Rangatira Gotama. Ko te ahi ka pau ka whakawhirinaki ki te kai o te tarutaru
rākau, he koretake - mai i te kai i te kai kaore
kei te tohaina tetahi atu - kua whakarōpūtia noa ko te ‘waho’ (kaore i totoro).

“Ahakoa
na, Vaccha, etahi ahua tinana ma te whakaahua a Tathagata
ka whakaahua i a ia: Kua mawehe te Tathagata, tona pakiaka
I whakangaromia, i rite ki te taikaha palmyra, i tangohia i nga tikanga o
whanaketanga, kaore i te whakaritea kia heke mai. Tuhinga ka whai mai
te whakararamatanga o te ahua, Vaccha, he hohonu te Tathagata, kaore he here, he uaua
ki te whakangaro, ano he moana. ‘Reappear’ kaore e whai mana. ‘Kaore e whakaaraara’
e kore e whai. ‘E rua nga mea kaore & ka tono ano’ kaore e tono.
‘Kare e tangi, kaore hoki e whakaara ano’ kaore e whai mana.

“Tetahi mana’o … Tetahi tirohanga … Tetahi tohu hinengaro …

“Tetahi
te mahara ki te korero e tetahi mo Tathagata:
Na te Tathagata i whakarere, ko tona pakiaka whakangaromia, i rite ki tetahi
I mate te palmyra, i tangohia i nga tikanga whanaketanga, kaore i te whakatau
mo te heke mai. I whakahekehia mai i te whakariterite o te maarama,
Vaccha, he hohonu te Tathagata, kaore he here, he uaua ki te totohu, penei ki te moana. ”
- MN 72

https://www.youtube.com/watch?v=muIs991gikE
Te Wheako o Nibbana - He Aha Te Tono (Rongo)

Bhante Vimalaramsi
Nga kaiohauru 7K
Anei, ko Bhante Vimalaramsi te whakaahua, mo te meneti 12 engari kaore i te korero
e pa ana ki a sutta MN 111, nga waahanga whakamutunga ki Nibbana me te kite i te kaupapa
Tuhinga o mua.
Kāwai
Te Mātauranga
Raihana
Raihana Atawhai Tohungatanga aukati (ka whakaaetia ano)
Ataata ataata
Tirohia nga tohu
He aha ka tupu ki tetahi kua tino mohio ki a Nibbana?

[Aggivessana Vacchagotta:] “Engari, e te Kaiwhakaako Gotama, te maara e tukuna ai tona hinengaro: Kei hea hoki ia?”

[Ko te Buddha:] “‘Takitaki ano,’ Vaccha, kaore e whai mana.”

“Ko te mea ko te Kaiwhakaako Gotama, kaore ia i te whakaatu ano.”

“‘Kaore e puta ano,’ Vaccha, kaore e whai mana.”

“… e rua kaore & kaore e puta ano.”

“… kaore e whai waahi.”

“… e kore e ara, e kore ano e whakaara ano.”

“… kaore e whai waahi.”

“He pehea te, e te Kaiwhakaako Gotama, ina uihia te Kaiwhakaako Gotama mena ka patai na
reappear … e kore e puta ano … e rua e kore e whai ano …
e kore ano hoki e ara ano, e kii ana ia, ‘… kaore e whai mana’ ki ia
take. I tenei wa, e te Kaiwhakaako Gotama, kua tino pehia au; i tenei wa,
raru. Ko te maataatanga o te marama e haere mai ana ki a au mai i to mua
kua matotoru te korerorero. ”

“Ae ra, ko koe i poauau,
Pohōkai. He pono kei te raruraru koe. Deep, Vaccha, tenei ahuatanga,
uaua ki te kite, he uaua ki te mohio, te marino, te whakamahine, kei tua atu o te whānuitanga o
whaihua, mohio, mohio -a e te hunga whakaaro nui. Mo era atu
tirohanga, ko etahi atu mahinga, ko etahi atu mea pai, ko etahi atu whaainga, ko etahi atu kaiako,
he uaua ki te mohio. Na ko te keehi, ka hoatu e au inaianei
nga patai ki a koe. Whakautu mai i a koe e tika ana. Ki to whakaaro, Vaccha: Mena
He ahi ahi e mura ana i to aroaro, e mohio ana koe na, ‘tenei ahi
kei te tahuna i toku aroaro? “

“… Ae …”

“Ka mea hoki tetahi
ko te patai ki a koe, Vaccha, ‘Ko tenei ahi ka tu i mua i a koe
i runga i te aha kei te wera? ‘Na reira i patai, me pehea koe e whakautu? “” … Koe
Ka mea mai, Kei te ahi tenei ahi i toku aroaro, kei te tarutaru te tarutaru
me te rakau hei kai maau. ‘”

“Ki te toro atu te ahi ki mua i a koe, kei mohio koe he ahi tenei kei mua i ahau?”

“… Ae …”

4829/5000
“Ki te mea hoki tetahi ki te ui atu ki a koe, Ko tenei ahi kua puta i roto
i mua ia koe, kua ahu mai te angaanga mai i konei? Rawhiti? Hauauru?
Te Tai Tokerau? Kei te tonga ranei? Na reira ka patai, ka pehea koe e whakahoki atu?

“Kare tera
tono, Master Gotama. Tetahi ahi ka whakawhirinaki ki te kai o
te tarutaru me te rākau, he koretake - kua pau i tera
te kai me te kore e tukuna ki tetahi atu - kua tohua noa iho
‘I waho’ (kaore).

“Ahakoa, Vaccha, tetahi ahua tinana i reira
tetahi e whakaahua ana i a Tathagata e whakaahua ona korero: Na Tathagata te
mahue, tona pakiaka whakangaromia, i rite ki te tumuaki palmyra, tangohia o
nga tikanga o te whanaketanga, kaore i whakaritea kia heke mai. Whakateateehia
mai i te whakariterite o nga puka, Vaccha, he hohonu te Tathagata,
kahore he here, he uaua ki te ngaru, ano he moana. ‘Reappear’ kaore e whai mana.
‘Kare e tono ake’ kaore e whai mana. ‘Kāore e rua, e kore e puta anō’
e kore e whai. ‘Kare e tangi, kaore hoki e whakaara ano’ kaore e whai mana.

“Tetahi mana’o … Tetahi tirohanga … Tetahi tohu hinengaro …

“Tetahi maarama e whakamaarama ai te Tathagata
ia: Kua whakarerea e te Tathagata, kua huna tona pakiaka, rite ki te
I mate te palmyra, i tangohia i nga tikanga whanaketanga, kaore i te whakatau
mo te heke mai. I whakahekehia mai i te whakariterite o te maarama,
Vaccha, he hohonu te Tathagata, kaore he here, he uaua ki te totohu, penei ki te moana. ”
- MN 72

Mo tenei Paetukutuku
youtube.com
Te Wheako o Nibbana - He Aha Te Tono (Rongo)
Hei konei, e whakaahua ana a Bhante Vimalaramsi, i roto i te meneti 12 kaore i te korero …

Te tangi o te wikitoria

“Kua mutu te whanau whanau, kua oti te ora tapu, kua oti te mahi. Kahore ke atu mo tenei ao.
- SN 22.59

https://www.youtube.com/watch?v=oz217dD-FBg
Jaya Paritta - Te Raarangi Rangatira

Mahohe
167 kaiohauru
Jaya Paritta - Te Raarangi Rangatira
Ko nga kupu Pali me te reo Ingarihi ki nga tangi ka kitea i te Pukapuka Chanting - kei te paetukutuku http://www.dhammatalks.org (waatea kore utu mai)
He Aratohu Chanting: Kei te Pali a Pali me te whakamaori Ingarihi, na The
Ko te ota a Dhammayut i Amerika. Tenei aratohu hoki
he aratohu whakamaori.
http://www.dhammatalks.org/ebook_inde

http://www.dhammatalks.org/Archive/Wr
Kāwai
Te Mātauranga
Te tangi o te wikitoria

“Kua mutu te whanau whanau, kua oti te ora tapu, kua oti te mahi. Kahore ke atu mo tenei ao.
- SN 22.59

Mo tenei Paetukutuku
youtube.com
Jaya Paritta - Te Raarangi Rangatira
Jaya Paritta - Te Whakahauhau Manahi Ko Te Pali me nga kupu Ingarihi ki te…

Te mutunga o te samsara
Ko etahi
he whanau i te kopu tangata, he hunga kino ki te reinga, ko te hunga he pai te ara
Haere ki te rangi, ahakoa ko nga mea kaore e whai kiko: he tino koretake.
- Dhp 126
126. Gabbhameke’papajjanti nirayaṃ taupakammino
Saggaṃ sugatino yanti parinibbanti anāsavā.

126. Gabbhameke uppajjanti, nirayaṃ ngakakammino;
Saggaṃ sugatino yanti, parinibbanti anāsavā.

NGĀ WHAKAMAHI I TE WHAKAMAHI I TE WHAKAMAHI


Ko etahi i whanau [NāradaFn09-08] i roto i te kopu; te hunga kino
(i whanau) i nga wa kino; [NāradaFn09-09] te pai o te whakahaere e haere
ana ki nga whenua whakahihi; [NāradaFn09-10] ka uru atu ki te Nibbana.

Irava ​​126. Ko Te hunga e Haere Haere Atu

Ka whanau etahi i roto i te kopu,
te tangata kino e tere ana i roto i te reinga,
haere ki nga rangi,
te Unpolluted tino pai.

Te Whakamarama: Ko etahi, i muri o te mate, ka uru ki nga whakaaro i roto i nga kopu,
Ko te hunga i mahi hara i roto i o raatau ao ka whanau ano i roto i te reinga.
Ko te hunga e pai ana o ratou ara i te wa e ora ana ratou ki te rangi
ka mate ratou. Ko enei mea kohakore kaore e tino herea i nga paitini
ko nga he, ki te whakatutuki i a Nibbana, ki te tuku i to ratau tupapaku
ora.

Nibbana
Ko te whainga wairua mutunga kore i roto i te Buddhism me te tohu o te soteriological
kia tukuna mai i nga whanau i roto i te Saṃsāra. Ko Nibbana tetahi o nga Kupu Tuatoru i runga
“Te tangohanga o nga dukkha” i roto i nga Ture pono e wha, me te putumutu
te haerenga o te Tino Tuawaru Maata.

I roto i nga Buddhist
tuku iho, Nibbana i whakamaori pinepine rite te ngaro o
nga “ahi e toru”, ko te “paitini e toru”, te weriweri (raga), te aukati (dvesha)
me te kuware (moha or avidyā). Ka mutu ana ena ahi,
ka tutuki mai i te huringa o te whanau hou (saṃsāra) kua tutuki.

https://www.youtube.com/watch?v=vg6CBzkYoJc
Ko te Temepara o Dharamshala Dalai Lama, Nga Mardodganj Inoi i tu ki te temepara o Tsuglagkhang HH Dalai Lama

MrAshii9119
Ko Nirvana (Sanskrit, hoki ko nirvāṇa; Pali: nibbana, nibbāna) te
Ko te kupu tuatahi me te nuinga noa e whakamahia ana hei whakamaarama i te whainga o te Buddhist
path.Ko te tikanga noa ko te “pupuhi” me te “tinei.” Koinei te
whāinga wairua mutunga i roto i te Buddhism me te tohu i te tukunga soteriological
Tuhinga ka whai mai.
Nirvana
Ko tetahi waahanga o te Korero Tuatoru mo te “peera i te dukkha” i roto i te Tuawhakaritanga
Nga korero pono, me te waahi tuturu o te Tohu Paetahi Tuawaru.

4882/5000
I roto i nga tikanga a Buddhist, kua whakamaori tenei tikanga
kia rite ki te ngaro o nga “ahi e toru”, [4], ko “toru paihana”,
(raga), patohe (dvesha) me te kuware (moha or avidyā). [6] A, no te
Ka pau nga ahi ka tukuna, ka tukuna mai i te huringa o te whanau hou (saṃsāra)
tutuki.
Kāwai
Iwi me Blogs
I roto i nga Buddhist
tuku iho, Nibbana i whakamaori pinepine rite te ngaro o
nga “ahi e toru”, ko te “paitini e toru”, te weriweri (raga), te aukati (dvesha)
me te kuware (moha or avidyā). Ka mutu ana ena ahi,
ka tutuki mai i te huringa o te whanau hou (saṃsāra) kua tutuki.

Mo tenei Paetukutuku
youtube.com
Ko te Temepara o Dharamshala Dalai Lama, Nga Mardodganj Inoi i tu ki te temepara o Tsuglagkhang HH Dalai Lama

Nibbana
kua whakaarohia i roto i te Buddhism kia rite ki te anatta (kaore i a ia ano)
and sunyata (emptiness) says.In time, with the development of Buddhist
te parau haapiiraa, te tahi atu mau tatararaa i horo’ahia mai, mai te oreraa o te Parau Ha’apiira’a
raranga (vana) o te mahi o te hinengaro, te whakakore i te hiahia, me
mawhiti mai i te ngahere, cq. nga skandhas e rima, nga whakahiataha ranei.

https://www.youtube.com/watch?v=X2dKaqXeCsI
Kaore he Whaiaro, Te Whakapai-kore (Anatta / Anatman) me nga Whakaaetanga e rima

Mindah-Lee Kumar (Te Buddhist Whakauru
32.1K kaiohauru
Ko te ariā o te koretake o te tangata ranei (e mohiotia ana hoki ko te anatta, te tangata ranei)
i Buddhism) I etahi wa ka raru. Mena kaore he tangata, ko wai hoki
he aha ranei te wheako i to maatau tuuturu? Na te Buddha i ako tera
e rima nga wahanga hei oranga tangata; Heoi, ki
Ko te taha noa ki enei ko te pahua i a tatou e mohio ana ki ta tatou pono
taiao e kore nei e tautuhia e enei waahanga e rima.

I tenei ataata, he whakamarama au mo te aha o enei kohinga e rima (khandhas
ko skandhas ranei nga) me pehea nga whakaakoranga a Buddha kaore e waiho ko ia ano hei
He whakamaharatanga kore e kore o tatou whakaaro, aronganui me o tatou tirohanga
kia tangohia nui rawa; tera pea he ara hei noho ki tenei
Ko te ao me te maamaatanga ake o te noho.

Kia mataara te Wahanga 2 i konei: https://www.youtube.com/watch?v=YDVIA

WHAKAARO KI TE KOE:
Te pae mema mo te ako ake me te tautoko:
https: //members.enthusiasticbuddhist.…
Nga Mahi: https://www.enthusiasticbuddhist.com/
Facebook: https://www.facebook.com/TheEnthusias

I whakamahia a Suttas i tenei ataata:

“Gaddula Sutta: Te Leash (2)” (SN 22.100), mai i te Pali ma
Thanissaro Bhikkhu. Akoranga ki te Insight (Tikanga Tuku Iho), 30 Noema
2013, http: //www.accesstoinsight.org/tipita….

“Bahuna Sutta: Ki Bahuna” (AN 10.81), mai i te Pali ma
Thanissaro Bhikkhu. Akoranga ki te Insight (Tikanga Tuku Iho), 30 Noema
2013, http: //www.accesstoinsight.org/tipita….

“‘Ina mohio koe ki a koe ano …’: Te Tika o te Pali
Suttas ”, na Thanissaro Bhikkhu. Akoranga ki te Insight (Tikanga Tuku Iho), 23
Paenga-whāwhā 2012, http: //www.accesstoinsight.org/lib/au….
Kāwai
Te Mātauranga
Kua kiia hoki a Nibbana i roto i te Buddhism kia rite ki te anatta
(ehara i te-whaiaro) me te sunyata (kore) i roto i te waa, me te whanaketanga
o te whakaakoranga Buddhist, i whakamana etahi atu whakamaarama, penei i te
te kore i te raranga (vana) o te mahi o te hinengaro, te whakakore
o te hiahia, me oma mai i te ngahere, cq. nga tokowhitu skandhas ranei
whakahiatotanga.

Mo tenei Paetukutuku
youtube.com
Kaore he Whaiaro, Te Whakapai-kore (Anatta / Anatman) me nga Whakaaetanga e rima
Ko te ariā kaore i a koe e taangata ranei (e mohiotia ana ano he anatta, nana ranei te tangata …

Buddhist
e whakaatu ana te tikanga a-hinengaro i nga momo nibbana e rua:
sopadhishesa-nibbana (nibbana me te toenga), me te parinibbana or
anupadhishesa-nibbana (nibbana kaore he toenga, ko te nibbana whakamutunga ranei) .Ko
ko te kaiwhakarewa o Buddhism, ko te Buddha, e whakapono ana kua tutuki i enei mea e rua
kāwanatanga.

https://www.youtube.com/watch?v=UemxAIiLT-k
Q&A Tuhinga: Rangi, Hell, Nibbana, me Kamma

Whanaungarau
814 kaiohauru
Ko te whakautu i tetahi patai mo nga momo ahuatanga o Buddhism e whakaohooho haere ana nga iwi o Kanata.
Kāwai
Te Mātauranga
E ai ki nga tikanga tohunga a Buddhist e rua nga momo nibbana:
sopadhishesa-nibbana (nibbana me te toenga), me te parinibbana or
anupadhishesa-nibbana (nibbana kaore he toenga, ko te nibbana whakamutunga ranei) .Ko
ko te kaiwhakarewa o Buddhism, ko te Buddha, e whakapono ana kua tutuki i enei mea e rua
kāwanatanga.

Mo tenei Paetukutuku
youtube.com
Q&A Tuhinga: Rangi, Hell, Nibbana, me Kamma
Te whakautu i tetahi paatai ​​mo nga ahuatanga o Buddhism e…

Nibbana, ko te whakaoranga mai i nga huringa whanau hou, ko te
teitei te whaainga o te tikanga Theravada. Ki nga tikanga Mahayana, te
Ko te whaainga teitei ko Buddhahood, kaore he pumau ki Nibbana.
Ka awhina a Buddha ki te whakaoranga i nga tangata mai i te angṃsāra ma te ako i te ara Buddhist.
Kaore he whanau hou mo Buddha, iwi ranei kua tae ki Nibbana. Engari tana
Ka noho tonu nga whakaakoranga i roto i te ao mo tetahi waa hei aratohu kia tutuki
Nibbana.

https://www.youtube.com/watch?v=ShE2q0eqaH8
Te Whakaoranga mai i te koiora me te mate: nga huarahi ngawari me te uaua i te Mahayana Buddhism (GDD-1152) DVD
Master Sheng Yen
17.3K kaiohauru
Ko te huarahi Mahayana ki te whakamutu i te whanau me te mate me whakaae tetahi
fehangahangai mo te pono o te whanautanga me te mate, me te tuku i ta tatou taapiri.
He maha nga akoranga ipurangi: https://www.youtube.com/user/DDMTV05
Kāwai
Te Mātauranga
Ko te Nibbana, ko te whakaoranga mai i nga huringa whanau hou, ko te whainga nui
o te tikanga Theravada. I roto i te kaupapa Mahayana, te whaainga teitei
ko Buddhahood, kaore nei e mau ki Nibbana. Ka awhina a Buddha
panaia nga mea mai i te angṃsāra ma te ako i te ara Buddhist. Kāore
kiki hou mo Buddha ko te iwi ranei kua tae ki Nibbana. Engari ko ana whakaakoranga
noho ki te ao mo tetahi waa hei aratohu kia tae atu ki Nibbana.

Mo tenei Paetukutuku
youtube.com
Te Whakaoranga mai i te koiora me te mate: nga huarahi ngawari me te uaua i te Mahayana Buddhism (GDD-1152) DVD

Whakamaoritanga o Nibbana
Kei te pupuhi English
whakangaromia,
whakaoranga
Pali nibbāna (Kāniwha)
Sanskrit nirvāṇa (निणरणण)
Bengali নির্বাণ
Burmese နိဗ္ဗာန်
(IPA: [neɪʔbàɴ])
Hainamana 涅槃
(Pinyin: nièpán)
Hapanihi 涅槃
(rōmaji: nehan)
Khmer និព្វាន
(UNGEGN: nippean)
Korea 열반
(RR: yeolban)
Mon နဳ ဗာန်
([nìppàn])
Γasalang-aca nögcigsen Maori
Haki ၼိၵ်ႈ ပၢၼ်ႇ
([nik3paan2])
Sinhala නිවන
(Nivana)
Tibetan མྱ་ངན་ ལས་ འདས་ པ །
(mya anake las ‘das pa)
Thai นิพพาน
(RTGS: nipphan)
Vietnamese Niết bàn
Te Papapu o Buddhism

I roto
te koiora o te Jainism, tetahi atu tikanga tuku iho pera i te Buddhism,
Ko nga mea kua tukuna mai e noho ana ki te waahi mau tonu (loka) e pa ana ki
nirvana. Ko etahi o nga kairangahau kua kii ko te timatanga, i mau nga Buddhists a
He rite ano.Ko nga mahere e wha o te whakaoranga

(kia rite ki te Sutta Piṭaka)

atamira
“Hua”

ka whakarerea
nga piki

matererangi
tae noa ki te mutunga o te mamae

rere-urunga

1. Takitaki tuakiri (Anatman)
2. feaa i Buddha
3. tikanga piki, tikanga ranei

raro
nga piki

tae atu ki te whitu o nga whanaungatanga i roto
tangata, rangi rangi ranei

kia hoki-whakahokia

kotahi ano rite
he tangata

kore-whakahokia mai

4. hiahia ngakau
5. mate kino

kotahi ano i roto i
he ao o te rangi
(Nga Mahi Kino)

arahant

6. hiahia-rauemi hou
7. hiahia kore-mate hou
8. muna
9. he pehi
10. te kuware

teitei ake
nga piki

kaua he whanau

https://www.youtube.com/watch?v=rmv_P_wcZG4
America The Beautiful at Disneyland

TokyoMagicToo
248 subscribers
CircleVision Theater: Exterior, Pre-show and the 1967 film, “America The Beautiful” - from August 1996
Category
Entertainment


About This Website
youtube.com
CircleVision Theater: Exterior, Pre-show and the 1967 film, “America The…

https://www.youtube.com/watch?v=Jz8T2nkjxrc
Epcot 2019 Full Complete Walkthrough Tour | Walt Disney World Orlando, Florida
44,683 views
•Jun 13, 2019

CityPedia
7.66K subscribers
This is a complete walking tour video of the Epcot Park at Walt Disney
World Orlando, Florida during Flower and Garden Festival.

Epcot
is one of the four main theme parks within Walt Disney World and has an
abundance of activities for both children and adults to enjoy.

Experience real sights and sounds of Epcot Park as I did on a beautiful day of May in Orlando, FL.

CityPedia Episode: #63 | Filmed: Wednesday, May 1, 2019 - 1:00 pm | Temperature: 83 °F / 28.3 °C

This Video was Filmed Using:
- Gopro Hero 7 Black.
- Karma Grip Gimbal.
- Zoom ZH1 H1 Handy Portable Digital Recorder.

* Notice *
I personally recorded this video and reserve all copyrights to it.

Thank You For Watching CityPedia.
Category
Travel & Events

https://www.youtube.com/watch?v=0qRuzAlwFZ0
New 2019 Disneyland FANTASMIC water & fireworks show

Attraction Explorers
1.17K subscribers
FANTASMIC nighttime spectacular show with water and fireworks at Disneyland California.
- SUBSCRIBE to our channel for more videos
- COMMENT on what other attractions you’d like to see
Category
Travel & Events
Music in this video
Learn more
Listen ad-free with YouTube Premium
Song
Fantasmic!
Artist
Elton John, Bruce Healey, Peggy Lee, Ned Washington, Leigh Harline,
Frank Churchill, Larry Morey, Stephen Schwartz, Al Hoffman, Jerry
Livingston
Licensed to YouTube by
UMG (on behalf of Walt Disney
Records); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Walt Disney
Music Company (Publishing), Warner Chappell, UMPI, LatinAutor - UMPG,
LatinAutor, ASCAP, and 4 Music Rights Societies


About This Website
youtube.com
FANTASMIC nighttime spectacular show with water and fireworks at…

https://www.youtube.com/watch?v=8U5rg3rYsAM
Circle-Vision 360 Video Wall Preshow Disneyland Paris

Cow Missing
12K subscribers
ABOUT
Circle-Vision 360° is a film technique, refined by The Walt Disney
Company, that uses nine cameras for nine big screens arranged in a
circle. The cameras are usually mounted on top of an automobile for
scenes through cities and highways, while films such as The Timekeeper
(1992 Disney attraction) use a static camera and many CGI effects. The
first film was America the Beautiful (1955 version) in the Circarama
theater, which had 11 projectors using 16mm film. And would become
Circle-Vision in 1967, which has 9 projectors using 35mm film.

It
is used for a few attractions at Disney theme parks, such as Epcot’s O
Canada!, Reflections of China, and Disneyland’s defunct America the
Beautiful (1967 version), Wonders of China, and American Journeys, which
were housed in the Circle-Vision theater in Tomorrowland. At the 2011
D23 Expo, Disneyland Resort President George Kalogridis announced that
CircleVision would be making a return to Disneyland Park with a new
presentation of America the Beautiful in CircleVision 360, though it is
not currently known where the film will be presented (as the original
theater was replaced with another attraction), and whether this will be a
version of the original film or a new film with the same name and
concept.

By using an odd number of screens, and a small space
between them, a projector may be placed in each gap, projecting across
the space to a screen. The screens and projectors are arranged above
head level, and lean rails may be provided for viewers to hold or to
lean against while standing and viewing the film.

The Timekeeper
(also known as From Time to Time and Un Voyage à Travers le Temps) was a
1992 Circle-Vision 360° film that was presented at three Disney parks
around the world. It was the first Circle-Vision show that was arranged
and filmed with an actual plot and not just visions of landscapes, and
the first to utilize Audio-Animatronics. The film featured a cast of
European film actors of France, Italy, Belgium, Russia, and England. The
film was shown in highly stylized circular theaters, and featured
historic and futuristic details both on the interior and exterior.

The Timekeeper and its original European counterpart Le Visionarium
marked the first time that the Circle-Vision film process was used to
deliver a narrative story line. This required a concept to explain the
unusual visual characteristics of the Theater, hence the character
Nine-Eye. Nine-Eye was sent through Time by The Timekeeper, so that she
could send back the surrounding images as she recorded them in whichever
era she found herself in.[1]

The European attraction was also
known by its film name as Un Voyage à Travers le Temps, while the
Japanese version was simply named “Visionarium”, with the caption From
Time to Time on the poster. The American Film Theater was known as
“Transportarium” for a period of six months after it debuted, but the
name was later dropped in lieu of “Tomorrowland Metropolis Science
Center”, or formally “The Timekeeper”.

©1992 The Walt Disney Company
Posted for entertainment and educational purposes only.
No copyrights infringed. All works property of the company listed
above. Please do not reproduce without their expressed written consent.

#ThemeParkProductions


#CircleVision

#DisneylandParis
#Disneyland
#DisneylandPark
#TheWaltDisneyCompany
#Technology
#FullShow
#TimeKeeper
#Animation
#Disney
#DisneyParks
#Eurpoe
#FromTimeToTime
#CowMissing
Category
Travel & Events

About This Website
youtube.com
ABOUT Circle-Vision 360° is a film technique, refined by The Walt Disney…

https://www.youtube.com/watch?v=Z7q5wsOy4nQ
O Canada, Circle-Vision 360°

zoostation5000
457 subscribers
In celebration of Canada Day, here are a few moments I captured (on
Tuesday) of O CANADA, the Circle-Vision 360° experience at Epcot. Happy
150, Canada!
🇨🇦


*You can get the full version of Bob Moline’s “Canada (You’re a Lifetime Journey) here… https://itunes.apple.com/us/album/can
Category
Music


About This Website
youtube.com
In celebration of Canada Day, here are a few moments I captured (on…

https://www.youtube.com/watch?v=nmn6TWjZfY4
“Wonders of China” Circle Vision Film - Disneyland

TokyoMagicToo
248 subscribers
Disneyland’s (& EPCOT’s) “Wonders of China” film in Tomorrowland’s Circle Vision Theater. Mid-1990’s.
Category
Entertainment


About This Website
youtube.com
Disneyland’s (& EPCOT’s) “Wonders of China” film in Tomorrowland’s Circle…

https://www.youtube.com/watch?v=fBpGT_-5iVg
Spread of Buddhism Digital Timeline

Bbep 2013
634 subscribers
Published by Buddha’s Birthday Education Project http://www.paradeofthebuddhas.org/

Spread of Buddhism Digital Timeline

By Amy Weng from Sydney, Australia in 2014

Credits also go to:

Dr. Nancy Cowardin – Original artwork
Mario Cee – Original music

© 2014 IBPS Hsilai Temple, USA

Video length: 3’6’’
Based on Dr. Nancy Cowardin’s Timeline and Silk Road Scroll, this video
combines both chronological and spatial aspects to create a visual
image of the spread of Buddhism around the world. The video begins from
the birth of the Buddha and ends with the establishment of Humanistic
Buddhism. The lotus, a symbol of purity, is used to depict the birth of
Buddhism in each place.

More art projects can be found on our web site Buddha’s Birthday Education Project(BBEP) ’s page at http://www.paradeofthebuddhas.org/?pa
Category
Education


About This Website
youtube.com
Published by Buddha’s Birthday Education Project…


https://www.dpreview.com/news/2633012182/projector-smartphone



Make a projector with your smartphone





Your smartphone photos can see the big screen with Photojojo’s DIY projector.

If you’re missing the days of slide projectors and arts and crafts, the MacGyvers at Photojojo
have a project for you. A quick trip to the dollar store will get you
all the tools you need to turn your smartphone into a projector.



Most of the items needed for the projector can be found in a cluttered closet.

Photojojo’s recipe calls for a shoebox, paperclip, magnifying glass, X-acto knife, black tape and matte black paint.



You have to be careful not to allow any gaps around the lens so the image remains clear.

After mounting the magnifying glass’s lens on the shoebox and sealing
the gaps with tape, your smartphone images are ready for the big
screen.



Adjust your phone’s placement in the shoebox until you’ve found the perfect spot.

Lock your phone’s rotation so you can flip it, turn the brightness up
to full blast and play with your device’s placement in the shoebox and
distance from the wall for the best focus. 



After a few steps, your photos can be projected.

Now you’re ready to set your photo app to slide show mode and enjoy the show.


For Photojojo’s step-by-step instructions, check out their blog

https://www.digitalartsonline.co.uk/features/hacking-maker/360-video-projection-how-its-created-why-its-worth-your-time/

360° video projection: How it’s created and why it’s worth your time







You’re probably familiar with 360° video by now.
Forward-thinking brands are experimenting with it on Facebook all the
time, but imagine being right in the middle of a room-sized 360
° video. 

Stepping inside the 360° walls of Igloo Vision at London’s VRLO
to be surrounded by peaceful scenes of the beach at sunset, underwater,
and our solar system, I was quickly hooked with the idea of immersive
360° video panoramic projection.


Igloo Vision

Igloo Vision creates 360° projection environments, aka giant domes or cylinders (accommodating up to 1,000 people), and Blend Media are the masters of 360° video content, which is projected onto the walls of the dome/cylinder. Visualise is a virtual reality (VR) production studio, but it also specialises in 360° video content creation. It offers 360° video, VR apps, 360 post production and 360° live streaming. 

We take a look at what Blend Media, Visualise and Igloo Vision bring to the world of immersive technology. 

It’s not secret to brands that impeccable visuals are crucial to
success. But soon audiences will become numb to traditional videos –
many of us can consume hundreds in a day. 

Immersive content is what everyone is trying to get their hands on,
but no one is quite sure how to measure its success yet (no page views,
social media likes or YouTube subscribers), or how to predict its true
scope and potential. The term usually refers to virtual reality (VR), augmented reality (AR), and whole room experiences similar to what Blend Media and Igloo Vision offer.

Although there’s huge investment and research currently behind VR and
AR, it’s still largely expensive and inaccessible to most of the public
(although Visualise have created ‘the route to mass adoption’).

However, 360° video is more versatile. It’s being
used by brands and news organisations frequently on Facebook, which
helps people to become familiar with the medium.

For more on immersive content, check out AR and VR projects happening right now, including Found Studio’s immersive storytelling and how AR is teaching Londoners about endangered species

But what’s the point of 360° video projection? 


Igloo Vision

Beyond creating audience engagement for brands or cool installations at festivals and events, 360°
video projection can serve many purposes. Blend Media say dome
projection can be used for meditative purposes, and after experiencing
the relaxing lapping of waves onto a white-powder sand beach on repeat, I
can definitely see why. 

Igloo Vision says it can be used to immerse teams into any scenario (for training and familiarisation), to entertain, or to bring design concepts to life.
This could include anything from risk assessments by sectors such as
engineering and mining, to visualising architectural or interior
design. 

360° video projection, much like virtual reality,
can be an alternative education tool, used by institutions such as
museums and universities. It could be used for immersive theatre, or
even set design. There’s definitely potential for games that follow a
narrative, such as (the yet to be released) Last Day of June by 505 Games, which already has 360° elements, to be projected onto a cylinder. The possibility of AR mixed with 360° video projection can create and immersive and interactive experience.

How is 360° video content created for projection? 

Blend Media is a creator and distributor of 360°
video content. The company offers it services to brands and publishers
all over the world, such as YouTube, UniLad, Facebook, Google, Lonely
Planet and creative agencies such as Framestore. The main intention and
distribution of 360° video content is for “deeper audience engagement”. 

They claim to have the largest library of premium 360°
video and VR films, available to license for use in campaigns across
social media, VR headsets and WebVR. A global network of 360° video creators makes the content, but Blend Media can also support brands to create their own experiences within the browser. 

Igloo Vision

Blend Media creators primarily work in 8K video quality, as well as
the normal 4K (which is their minimum and most popular standard).

“However, 8K content looks beautifully sharp in the cylinder,” says executive Rachel Dennis. 

“The standard 360° 
projection rigs that Igloo vision use are made up of 5 full HD 1920 x
1080p projector, arranged and blended to create and 8k panoramic 360° screen.” 

Until recently, Blend Media used a few compact 360°
cameras that were capable of shooting genuine 8K content, meaning
creators would usually have to work with multi-camera rigs which could
make things quite complex. But things are expected to improve. 

“The range of camera options and tools available on the market is
steadily increasing allowing producers to really push the quality of new
360 content,” says Rachel.   

There are a number of challenges in shooting 360° content for domes or cylinders, according to co-founder of Visualise and 360° content creator Henry Stuart. 

“One key challenge is ‘blocking’ of the shot. This is the positioning
of objects in a scene – if you’re in a big dome, with walls 10-ft away
on each side, then it’s going to look odd showing footage of people
walking just past the camera – the perspective will be all wrong.” 

Where possible, real life distances of objects is matched to the distances of the screen. 

“We have found that motion on the screen works really well,
everything from a gentle walking pace, combined with a treadmill in the
dome (our project with Goretex) through a time-lapse on a river boat sweeping through the Thames at night and as far as 8K 360° footage from the top of a Renault F1 car (Castrol),” says Henry. 

He says the quality of video in 360° depends on the size of the sensor and the quality of the lens, particularly in dome projections. 

“We always try for very ambitious rigs and grade the footage in the dome itself, to pull the best out of the projectors.

“Plus you also need to factor in extra time for rendering and testing as you’re working with twice the volume of data,” he says.

What about the dome it’s projected onto? 

Igloo Vision

Igloo Vision is one provider of 360° projection
domes, cylinders and all of the enabling technologies, including their
own layer-based visualisation system which is compatible with almost any
360° content. It also creates its own 360° video content.

Find out more about their services here.

Note: We may earn a commission when
you buy through links on our site, at no extra cost to you. This doesn’t
affect our editorial independence. Learn more.

https://www.youtube.com/watch?v=pYiQHS-mvpk
360-degree projection mapping at an aquarium in Japan

Epson Corporate
2.62K subscribers
The Sendai Umino-Mori Aquarium produced an impressive 360-degree
panoramic world using Epson’s laser projectors. The aquarium’s mission
is to put a smile on the face of its customers, and is using Epson’s
technology to help achieve this goal.
Category
Science & Technology


About This Website
youtube.com
The Sendai Umino-Mori Aquarium produced an impressive 360-degree…

https://www.youtube.com/watch?v=pBIE8QF8oy8
Virtual Gulf Stream Aquarium: Interactive Digital Wall Projection

Formula D interactive
1.25K subscribers
As part of the redevelopment and rebranding of the Miami Science Museum
to the Patricia and Phillip Frost Museum of Science in Miami, a massive
near-2 million litre Gulf Stream Tank Aquarium was built as its new
centrepiece.

To compliment
this massive feat of construction, as well as to educate visitors on
how the Gulf Stream impacts the marine world, we were commissioned to
design and construct a large-scale audio visual interactive wall and
floor projection that pushes the boundaries of augmented reality in
museums. The 18-metre environment which represents the powerful, warm
ocean current that runs off the coast of Florida and exposes visitors to
aspects of the narratives of the stream such as its influence on the
food chain and fish schooling behaviours.

Visitors to the exhibit
can influence the ultra-high definition flow environment in real time
thanks to camera tracking sensors making the experience akin to a safari
or scuba dive. As they walk through the virtual Gulf Stream, visitors
are exposed to three-dimensional animations elusive and seldom seen
creatures of those waters, including those not typically kept in an
aquarium. We also designed the display in such a way as to encourage
museum visitors to move through a transition area in the right direction
to continue their journey.
Category
Science & Technology


About This Website
youtube.com
As part of the redevelopment and rebranding of the Miami Science Museum…

https://www.youtube.com/watch?v=hqCeFdPoQLc
Interactive wall collection

Krishnan Nambiar
347 subscribers
Statement wall designs across the globe.
Category
Science & Technology


About This Website
youtube.com
Statement wall designs across the globe.

https://www.youtube.com/watch?v=U5hJujdW8nw
08 multi projection wall & floor interactive

우정훈
208 subscribers
Category
Science & Technology


About This Website

https://www.youtube.com/watch?v=sCL7WJt5gx8
Interactive Projection Mapped Water Wall w/ Kinect and Unity3D

The Elumenati
513 subscribers
Movement drives dynamic natural imagery with a Kinect-based user
interface in the Grotto, a contemplative space for patients and their
families at the Children’s Pain and Palliative Clinic in Minneapolis.
We collaborated with U+B Architecture and Design and the hospital staff
to create the immersive environment. Visitors use the Kinect to interact
with patterns that imitate the natural flow of ripples and currents in
water. An OmniFocus 30200 projection system - now 6,000 lumens
brightness - fills the 14′-wide room with vivid color, projecting onto
curved walls with high-contrast screen paint.


About This Website
youtube.com
Movement drives dynamic natural imagery with a Kinect-based user…

https://www.youtube.com/watch?v=A-xJJv8ui00
interactive wall floor projection system interactive projection system touch interaction

Wuhan Kleader software technology co., LTD.
276 subscribers
Human-computer interaction system from the latest technology, new
display interactive experience interactive wall floor projection,system
Immersive interactive projection system,touch interaction.

I suggest to see : Your Full Guide interactive wall floor projection system Technology visit : http://www.whkleader.com/h-pd-j-92-2….

Do you search about:
beam interactive floor
beam interactive floor kids
interactive floor mats
motion capture animation
interactive floor kid games
3D interactive floor
interactive floor projector game
interactive floor software
3d interactive floor games with low price.
interactive floor/wall system
indoor playground
interactive floor projection system
3d hologram fan
interactive floor games projection system module
software depiso interactive
interactive floor
interactive floor projection system
interactive floor projection software
interactive wall projection
interactive wall
interactive wall projector
kids attraction
projector interactive wall
projection touch wall
magic wall
Category
People & Blogs

https://www.youtube.com/watch?v=m9tK4W0xevs
River of Grass: Virtual Reality Interactive Everglades Tunnel Exhibit

Formula D interactive
1.25K subscribers
The interactive River of Grass virtual reality exhibit is a large room
stuffed from floor to ceiling with technology to give young children and
their parents the experience of a fully animated interactive day in the
Everglades.

Targeted at
preschool kids, the virtual reality exhibit provides a host of playful
interactions within the virtual environment to stimulate understanding
of Florida’s precious wetland ecosystem. Using 16 projectors and 7
networked motion detectors to control procedural animations in the
custom C++ 3D application, we believe we pushed the boundaries of
interactive virtual reality for museums.

Exploring the space,
young visitors experience the differing lighting conditions as time
progresses from dawn to dusk and through the night, meeting the animals
that are active during these time periods.
Each animal has its own distinct personality and interactions, reacting to the movement and behaviour of the children.


Children and their parents can also affect the water flowing through
the tunnel by using the log props provided to dam up the river beneath
their feet. These actions visibly affect the plants and animals down
river and teaches young visitors about water dynamics in the Everglades.
Children also get the opportunity to learn about weather dynamics and
witness the pertinent changesthat happen over the seasons as they
progress through the exhibit.

Finally, at the end of the virtual
reality exhibit experience, the young visitors can make use of the
torch props provided to light up the night-time view of the Everglades
and spot animals they would not otherwise be able to see.
Category
Science & Technology

https://www.youtube.com/watch…
Barbican’s Rain Room: it’s raining, but you won’t get wet

The Guardian
1.06M subscribers
Barbican’s Rain Room: it’s raining, but you won’t get wet

SUBSCRIBE: http://bit.ly/WHumqY


Architecture and design critic Oliver Wainwright steps into the Rain
Room, a technical wonder by contemporary art studio rAndom
International. The free installation, which runs at the Curve at the
Barbican in London from 4 October until 3 March 2013, uses 2,500 litres
of water, falling at 1,000 litres per minute

Don’t forget to subscribe: http://www.youtube.com/subscription_c
Category
News & Politics


About This Website
youtube.com
Barbican’s Rain Room: it’s raining, but you won’t get wet SUBSCRIBE:…

https://www.youtube.com/watch…
ACCESS - an interactive art installation by Marie Sester

scottmahoy
62 subscribers
ACCESS is an an interactive installation that lets web users track
anonymous individuals in public places, by pursuing them with a robotic
spotlight and acoustic beam system.

Access Website: http://www.accessproject.net/

Access Credits: http://www.accessproject.net/credits….
Category
Film & Animation


youtube.com
ACCESS
is an an interactive installation that lets web users track anonymous
individuals in public places, by pursuing them with a robotic spotlight
and acou…

https://www.youtube.com/watch…
What Is Interactive Design? | Graphic Design

HowcastTechGadgets
68.6K subscribers
Watch more How to Have a Career in Graphic Design videos: http://www.howcast.com/videos/509204-

Interactive design is basically built off of the foundation of graphic
design. Obviously you need to have like the fundamental skills of
knowing how to follow the grid, how to use the color, you know, color
theory, typography. But it goes a little bit further in that it’s now
just isolated on interactive devices, such as computers, netbooks,
tablets, phones, which can be iPhones, Androids, Blackberrys, even all
the way to, like, ATM, like devices or making, like, designing the UI,
which stands for user interface. User interfaces for, like, cable
television, or the back end of a lot of different things that we
interact with.

Like not to use its own word in its definition,
but it’s basically being able to build experiences and design
experiences, rather than just design elements. So, what a lot of people
are looking for today, and you even notice it too, is being able to
design efficiently and effectively. Not only for the common user, but
the user that doesn’t necessarily know about the product, or the user,
like older people that maybe can’t access it quite well since more, you
know, of the elderly, or older adults are getting onto computers now.
You want to be able to know how to design for all those different target
audiences. So, the term interactive design really has a lot to do with
knowing the limitations that each device has, so that you design for it,
like, appropriately.
Category
Howto & Style


About This Website
youtube.com
Watch more How to Have a Career in Graphic Design videos:…

https://www.youtube.com/watch…
Chase No Face / BELL

zach lieberman
369 subscribers
A music video for BELL

bellinspace.com/​

Visuals by Zach Lieberman, Francisco Zamorano, Andy Wallace, and Michelle Calabro.

(note: no post-production effects were used in this video. everything
on the face is happening in real-time, via hacked Kinect, laptop and LED
projector)
Category
Music


About This Website
youtube.com
A music video for BELL bellinspace.com/​ Visuals by Zach Lieberman,…

https://www.youtube.com/watch…
ILLUSION at Science Gallery

Science Gallery Dublin
5.19K subscribers
Should you always believe what you see right in front of you? Can you
really trust your senses? Has technology made things clearer or has it
muddied the waters between reality and fiction? And is anything really
as it seems?

Highlights of ILLUSION: NOTHING IS AS IT SEEMS at Science Gallery, Trinity College Dublin, July 2013.

Curated by psychologist and author Richard Wiseman and researched by
magician and escapologist Paul Gleeson, ILLUSION: NOTHING IS AS IT SEEMS
offers an insight into the human mind by exploring the motivations and
mechanisms of sensory deception. This exhibition combines magic with
psychology, optical illusions with scientific reasoning, and confusion
with clarity.

It investigates how perception underpins the way
we see, feel, think and understand our world. This exhibition reveals
that what our brain perceives is often radically different from what our
eyes actually observe.

Magicians are experts at using cognitive
biases to their advantage and recently scientists have started
borrowing their techniques and combining them with advances in
technology to gain a greater understanding of how the brain works. Magic
may seem an unlikely tool, but it has yielded several widely-cited
research papers on a broad range of topics.

So what does all
this mean and how does it affect our day-to-day lives? Can we control
our susceptibility to illusion? Is our tendency to be deceived an
advantage in some circumstances and can we use that very human ability
– to see and feel things that aren’t there — to benefit our lives in
some way?

For more, visit http://www.sciencegallery.com/illusion
Category
Science & Technology


About This Website
youtube.com
Should you always believe what you see right in front of you? Can you really…
VOICE of ALL AWAKENED ABORIGINAL SOCIETIES (VoAAAS)

https://indianexpress.com/…/which-trust-will-build-the-te…/…
As status quo as per the Marvellous Modern Constitution was not
observed the Judiciary, executive, parliament and the media remotely
controlled by just 0.1% intolerant, violent, militant, number one
terrorists of the world, cunning, crooked, ever shooting, mob lynching,
lunatic, mentally retarded, foreigners from Bene Israel chitpavan
brahmins of RSS (Rowdy/Rakshasa Swayam Sevaks) gobbled the Master Key by
tampering the fraud EVMs through Murderers of democratic institutions
and Masters of diluting institutions (Modi) the verdict went in favour
of manusmriti. 99.9% All Aboriginal Awakened Societies are well aware of
the consequences that the law of Kamma that will prevail. As a place of
worship of Muslims was demolished, the law of cause and condition will
follow. When the Buddha in Afganistan was destroyed. Worlds biggest
statue of Buddha was constructed in China and large number of statues of
Buddha were distributed all over the world. So a largest Masque may
come up in the five acres of land in Ayodhya. Rama and Ramayana is in an
epic was created by a Scheduled Caste Valmiki, He never called Ram as
Rama Lallu. This is created by the foreigners from Israel chitpavan
brahmins who are in different avathars like Rowdy/Rakshasa Swayam Sevaks
(RSS) Visha Hindutva Psychopaths (VHP) and so on. There was a Buddhist
pillar also in the disputed site. Therefore the site belongs to SC/STs,
Valmiki, Muslims and all of them right to offer prayers on the entire
67.7 acres of land as per the lay of Kamma. Comments :achan kunju
457 comments327 votes
achan kunju
19h


Even for consturction of temple fight start just after few days of
judgement , if that so what will happen to our country once it is
declared as Hindu Rashtra the Gole of RSS
Parth 20h

Register a ‘distrust’ and hand over the Ram Janmabhoomi to this trust.Being Pragmatic Thinker
326 comments6 votes
Being Pragmatic Thinker
21h


Who owns the golden goose is what matters now. All the revenues from
the temple should be transferred to the govt. coffers. Otherwise, there
will be a dog fight & never ending politics for the management of
the temple, just like what Tirumala witnesses.Gaurav Mishra
25 comments46 votes
Gaurav Mishra
Being Pragmatic Thinker
21h


But will church and waqf agree to hand over their revenue to
government, a natural corollary to your proposal?Being Pragmatic Thinker
326 comments6 votes
Being Pragmatic Thinker
Gaurav Mishra
20h


All religious places that have come into existence due to govt’s
initiative, statutory body or act should have the ownership of the
revenues. There is nothing divine in the management of religious places.
History has enough instances of people killing each other to grab a
controlling stake in the management so that they can eat up the
revenues.Ayodhya Babri Masjid verdict: As a student of the Constitution
it is a little difficult for me to accept the verdict! - Former Supreme
Court Justice Ashok Kumar Ganguly!

Retired Supreme Court Justice
Ashok Kumar Ganguly said the Ayodhya verdict had created a doubt in his
mind and he was “very perplexed”.

He said:
Minorities have
been discovering a mosque there for many generations. It has been
demolished. On top of that, the Supreme Court has ruled that a temple is
to be built. This has raised a doubt in my mind…. As a student of the
Constitution, I find it a little difficult to accept.

Although
not in 1856-57, certainly there have been prayers since 1949. It is in
the papers. Therefore, even when our constitution is in effect, prayer
has been held there. If the place of worship is recognized as a mosque,
the minority community has the right to protect their religious liberty -
a fundamental right guaranteed by the Constitution.

What does a
Muslim see today? There was a mosque for years and it was demolished.
The court now allows Ram Lalla to own a building on the site claiming it
belongs to him. Will the Supreme Court decide on land ownership
centuries ago? Will the Supreme Court forget that when the Constitution
came there was a mosque? “By the Constitution and its provisions, it is
the responsibility of the Supreme Court to protect it. “
The
constitutional law does not fall under the responsibility of the Supreme
Court. Before that there was nothing called the Democratic Republic of
India
Where there is a mosque, a Buddhist stupa, a church … If we
start to make such judgments, a lot of temples and mosques and other
structures will have to be demolished. We cannot go to the mythological
facts. Who is Ram? Is there any historically proven scenario? It’s a
matter of faith.

The Supreme Court this time stated that in terms
of faith, you cannot get any priority. They say that under the mosque,
there were structures. But that structure is not a temple. No one can
say that the Masjid was built by the demolition of a temple. Now, with
the demolition of a mosque, is a temple built?

Does anyone know
who owned the land 500 years ago? We cannot recreate history. It is the
responsibility of the court to safeguard whatever existed. Whatever the
case, the rights must be protected. The court has no obligation to
recreate history. The court does not need to know what it was five
centuries ago. The court must say that the mosque was there - it was a
fact. Not just a historical fact, but a fact that everyone has seen. Its
demolition was seen by all. It must be restored. If they (Muslims) have
no right to own a mosque, how do you lead the government to give them
five acres of land to build a mosque? Why? You agree that the demolition
of the mosque is not proper.

If I were one I would have said to rebuild the mosque in the area.


Murderer of democratic institutions and Master of diluting institutions
(Modi) of Bevakoof Jhoothe Psychopaths (BJP) are remotely controlled by
just 0.1% intolerant, violent, militant, number one terrorists of the
world, ever shooting, mob lynching, cunning, crooked, lunatic, mentally
retarded foreigners from Bene Israel chitpavan brahmins of
Rowdy/Rakshasa Swayam Sevaks (RSS) who gobbled the Master Key by
tampering the fraud EVMs to win elections. 99.9% All Awakened Aboriginal
Societies including SC/STs/OBCs/Religious Minorities and the
non-chitpavan brahmins would never over react and never take extreme
decisions. The sarvajan samaj have sent a big message to the whole world
as they are peace loving people. They focus towards society and nation
development is very much clear. They remain as Humans and carry
Humanity. Unlike the chitpavan brahmins they are not haters, no angry,
jealousy, delusion and stupidity which are defilement of the mind
requiring mental treatment in mental asylums.On Ayodhya Babri Masjid
verdict: As a student of the Constitution it is a little difficult for
me to accept the verdict! - Former Supreme Court Justice Ashok Kumar
Ganguly!

Retired Supreme Court Justice Ashok Kumar Ganguly said
the Ayodhya verdict had created a doubt in his mind and he was “very
perplexed”.

He said:
Minorities have been discovering a
mosque there for many generations. It has been demolished. On top of
that, the Supreme Court has ruled that a temple is to be built. This has
raised a doubt in my mind…. As a student of the Constitution, I find it
a little difficult to accept.

Although not in 1856-57, certainly
there have been prayers since 1949. It is in the papers. Therefore,
even when our constitution is in effect, prayer has been held there. If
the place of worship is recognized as a mosque, the minority community
has the right to protect their religious liberty - a fundamental right
guaranteed by the Constitution.

What does a Muslim see today?
There was a mosque for years and it was demolished. The court now allows
Ram Lalla to own a building on the site claiming it belongs to him.
Will the Supreme Court decide on land ownership centuries ago? Will the
Supreme Court forget that when the Constitution came there was a mosque?
“By the Constitution and its provisions, it is the responsibility of
the Supreme Court to protect it. “
The constitutional law does not
fall under the responsibility of the Supreme Court. Before that there
was nothing called the Democratic Republic of India
Where there is a
mosque, a Buddhist stupa, a church … If we start to make such
judgments, a lot of temples and mosques and other structures will have
to be demolished. We cannot go to the mythological facts. Who is Ram? Is
there any historically proven scenario? It’s a matter of faith.


The Supreme Court this time stated that in terms of faith, you cannot
get any priority. They say that under the mosque, there were structures.
But that structure is not a temple. No one can say that the Masjid was
built by the demolition of a temple. Now, with the demolition of a
mosque, is a temple built?

Does anyone know who owned the land
500 years ago? We cannot recreate history. It is the responsibility of
the court to safeguard whatever existed. Whatever the case, the rights
must be protected. The court has no obligation to recreate history. The
court does not need to know what it was five centuries ago. The court
must say that the mosque was there - it was a fact. Not just a
historical fact, but a fact that everyone has seen. Its demolition was
seen by all. It must be restored. If they (Muslims) have no right to own
a mosque, how do you lead the government to give them five acres of
land to build a mosque? Why? You agree that the demolition of the mosque
is not proper.

If I were one I would have said to rebuild the
mosque in the area. Commenting on the above the solution will be to
force the chitpavan brahmins to quit Prabuddha Bharat and start a
non-cooperation movement till the fraud EVMs were replaced with Ballot
papers.

https://buddhism.redzambala.com/…/philoso…/law-of-kamma.html
1. The Five Universal Laws
In Buddhism, there are 5 universal orders or laws (Niyamas) that operate in the physical and mental realms.
They are:
a) Utu Niyama: the caloric or physical inorganic order, e.g., seasonal
changes of weather, nature of heat, energy, chemical reactions, etc.
b) Bīja Niyama: germinal or physical organic order, e.g., rice from
rice seeds, sweet taste of sugar, different ways of plant propagation,
etc.
c) Kamma Niyama: moral or cause and effect order. Moral and immoral acts produce desirable and undesirable results.
d) Citta Niyama: order of mind or psychic law, e.g., processes of
consciousness, power of mind, telepathy, mind reading, recollection of
past lives, divine eye, psychic power, etc.
e) Dhamma Niyama: order
of the norm, e.g., the natural phenomena occurring at the advent of a
Bodhisatta in his last birth, gravitation and other similar laws of
nature.
Every mental and physical phenomenon can be explained by
these all-embracing 5 orders that are laws in themselves. Kamma as such
is only one of these 5 orders that demand no giver, nor enforcer, as is
the case with all natural laws.
2. The Importance of Understanding the Law of Kamma
The Law of Kamma is a fundamental doctrine in Buddhism:
Although this belief was prevalent in India before the advent of the
Buddha, it was the Buddha who explained and formulated this doctrine in
its complete form, which we have today.
Puzzled by the seemingly
inexplicable, apparent disparity that existed among humanity, the young
Brahmin Subha approached the Buddha and asked him to explain the reason
for the cause of inequality:
“What is the cause and condition why
human beings are seen to be inferior and superior? For people are seen
to be short- lived and long-lived, sickly and healthy, ugly and
beautiful, un- influential and influential, poor and wealthy, lowborn
and highborn, stupid and wise.”
The Buddha’s reply was:
“All
living beings are owners of their actions (kammasaka), heirs of their
actions (kammadayada); they originate from their actions (kammayoni),
are related to their actions (kammabandhu), have their actions as their
refuge (kammapatisarana).
It is action (kamma) that distinguishes beings as inferior and superior.”
(Majjhima Nikāya Sutta No. 135, Culakammavibhanga Sutta)
The Expositor, a commentary of the Abhidhamma elaborates:
“Depending on the difference in kamma appear the differences in the
destiny of being without legs, with two legs, four legs, many legs, with
perception, without perception, with neither perception nor
non-perception.
Depending on the difference in kamma appear the
differences in the birth of beings, high and low, base and exalted,
happy and miserable.
Depending on the difference in kamma appears
the difference in the individual features of beings as beautiful and
ugly, highborn or lowborn, well built or deformed.
Depending on the
difference in kamma appears the difference in worldly conditions of
beings, such as gain and loss, fame and disgrace, blame and praise,
happiness and misery.”
Thus, from the Buddhist standpoint, our
present mental, moral intellectual and temperamental differences are,
for the most part, due to our own actions and tendencies, both past and
present.
Although Buddhism attributes this variation to kamma, as
being the chief cause among a variety, it does not, however, assert that
everything is due to kamma:
The Law of Kamma, important as it is,
is only one of the twenty-four conditions described in the Paṭṭhāna or
Conditional Relations, one of the treatises in the Abhidhamma.
3. What is Kamma?
The Pali term kamma (Sanskrit: karma) literally means action or doing:
Any kind of volitional or intentional action whether mental, verbal or
physical is regarded as kamma. It covers all that is included in the
phrase: ‘thought, word or deed’.
Generally speaking, all good and
bad actions constitute kamma. In its ultimate sense, kamma means all
moral and immoral volition (kuśalā- akušala cetana).
In Aṅguttara
iii, 415, the Buddha says: “I declare, O Bhikkhus, that cetana
(volition) is kamma. Having willed one acts by body, speech, and
thought.”
Involuntary, unintentional or unconscious actions, though
technically deeds, do not constitute kamma, because volition, the most
important factor in determining kamma, is absent.
Without volition, a deed is sterile; it produces no reaction of moral significance.
Kamma is not fate nor is it predestination, imposed on us by some mysterious unknown power controlling our lives:
It is one’s own doing that reacts on one’s own self, and so it is
possible to divert the course of our kamma to some extent. How far one
diverts it will depend on oneself.
So we have a certain amount of
free will. The past influences the present but does not dominate it for
kamma is both past and present deeds.
4. How does the Law of Kamma Operate?
Kamma is action and vipāka, fruit or result is its reaction.
Kamma is the cause and vipāka is the effect. According to the Law of
Kamma, every volitional activity is accompanied by its due effect.
The Samyutta Nikāya I, 227 states:
According to the seed that’s sown, so is the fruit ye reap therefrom.
Doer of good will gather good, Doer of evil, evil reaps.
Sown is the seed, and thou shall taste the fruit thereof.
Kamma is a law in itself that operates in its own field without the intervention of an external independent ruling agency.
The Law of Kamma acts in the following manner.
a) All immoral actions give immoral resultants.
There are 10 immoral actions, namely: bodily action of killing,
stealing, sexual misconduct; verbal action of lying, slandering, harsh
speech, frivolous chatter; mental action of greed, ill-will and
delusion.
b) All moral actions give moral resultants.
Abstention of the 10 immoral actions listed above, constitute moral action.
In addition there are also 10 bases of meritorious action, namely:
charity, morality, mind culture, reverence, service, transference of
merits, rejoicing in others’ merits, teaching the Dhamma, listening to
the Dhamma and forming right views.
c) A person does moral/immoral actions and gets moral/immoral resultants.
It is not possible for one person to perform moral/immoral actions and another person to receive the moral/immoral results.
d) In judging each moral or immoral action, we consider these 4 ‘fields of kamma’, namely:
1) as one’s own act, 2) as instigating another, 3) as consenting to another’s instigation, and 4) as commending the act.
5. What is the Cause of Kamma?
Ignorance (avijjā) or ‘not knowing things as they truly are’ is the
chief cause of kamma. “Dependent on Ignorance arise Volitional
Activities (saṅkhāra)” states the Buddha in Paṭicca Samuppāda or
Dependent Origination.
Associated with ignorance is its ally craving
(tanḥā), another root cause of kamma. Unwholesome actions are
conditioned by these two causes.
All good deeds of a worldling,
though associated with the 3 wholesome roots of generosity,
loving-kindness and knowledge are nevertheless regarded as kamma because
the two unwholesome roots of ignorance and craving are dormant in them.
No kamma is accumulated by one who has eradicated craving and has understood ‘things as they truly are’.
Buddhas and Arahants do not accumulate fresh kamma as they have
eradicated ignorance and craving, the root causes of kamma. “They have
destroyed the germ, their desires no longer grow.” (− verse 14, Ratana
Sutta).
Although volition is present whenever there is bodily,
verbal or mental action, in the case of an Arahant, that volition is not
accompanied by craving at the end of each impulsive moment, and it
completely disappears without leaving any trace and without transforming
it into kamma. Hence there is no rebirth for the Arahant. However, they
will still receive the results of their past kamma.
6. Who is the Doer of Kamma? Who Reaps the Vipāka?
The answer is given in the Viśuddhi Magga (Path of Purification).
“No doer is there who does the deed.
Nor is there one who feels the fruit.”
According to Buddhism, there are 2 types of truth − conventional truth and absolute truth:
For conventional purposes, we use such terms as man, woman, animal,
being, self and so forth. In reality, there is no unchanging entity or
any being in the form of a man, woman, animal or anything permanent that
can be called a self.
The so-called fleeting form consists only of
mental and material processes that are constantly changing, not
remaining the same for two consecutive moments.
This so-called being
is a combination of five Aggregates (khāṇḍas) that are the aggregates
of Matter, Feeling, Perception, Mental Formations and Consciousness.
There is no doer apart from the action, no thinker apart from the thought. Who then is the doer of kamma? Who feels the effect?
Volition or intention (cetana) is itself the doer.
Feeling (vedanā) feels the fruit or effect.
Apart from these mental processes, there is none to sow and none to
reap. So kamma is not an accretion of the self or soul since there is no
permanent self or soul to begin with.
7. Where is all the Kamma Stored?
An action (kamma) once performed, is finished as far as its performance
is concerned. It is also irreversible. What remains of the action is
its potential, the inevitability of its result (vipāka).
Even within
a lifetime, a person has performed a lot of actions, either moral or
immoral. So he must have accumulated a lot kamma. Where is all this
kamma stored?
In answer to this question by King Milinda, the Ven. Nāgasena replied:
“Kamma is not stored somewhere in this fleeting consciousness nor in any part of the body:
But dependent on mind and body, it rests, manifesting itself at the
opportune moment, just as mangoes are not said to be stored somewhere in
the mango tree, but dependent on the mango tree they lie, springing up
in due season”.
In the same way, fire is not stored in a match but under the right conditions of friction, the match will produce fire.
Kamma is an individual potential that is transmitted from one existence to another.
8. Classification of Kamma
Kamma is classified 4-fold according to its function, priority of
effect, time of taking effect and the plane where the effects take
place.
a) Function
There are 4 classes of kamma according to function.
Every birth is conditioned by past good or bad kamma, which
predominates at the moment of death. The kamma that conditions future
birth is called Reproductive kamma.
Now another kamma may intervene
to assist and maintain or to weaken and obstruct the fruition of the
Reproductive kamma. Such actions are called Supportive or Obstructive
kamma respectively.
According to the Law of Kamma, the potential
energy of the Reproductive kamma may be totally annulled by a more
powerful opposing past kamma,
which seeking an opportunity may quite
unexpectedly operate, just as a counteractive force can obstruct the
path of a flying arrow and bring it to the ground.
Such an action is
called Destructive kamma, which is more powerful than the other two in
that it not only obstructs but also destroys the whole force.
b) Priority of Effect
First is Garuka or Weighty kamma, which produces its effect in this life or the next for certain:
Among the weighty or serious actions, the moral ones are the Jhānas or Mental Absorptions
while the immoral ones are the 5 immediately effective heinous crimes,
namely: matricide, patricide, murder of an Arahant, wounding of a Buddha
and creating a schism in the Sangha or Monastic Order.
In the
absence of a Weighty kamma to condition the next birth, a Death
Proximate kamma may operate. This is the action one does or recollects
immediately before the dying moment.
Owing to its significance in
determining the future birth, the custom of reminding the dying person
of his good deeds and making him perform wholesome actions still
prevails in Buddhist countries.
Habitual kamma is next in priority
of effect. It is the action one constantly performs and recollects and
which one has great liking.
The last is Cumulative kamma that
embraces all that cannot be included in the above three. This is, as it
were, the reserve fund of a particular being.
c) Time of Taking Effect
There are moral and immoral actions that produce their effects in this
very life or in a subsequent life or in any life in the course of one’s
wandering in Samsara:
These actions are Immediately Effective,
Subsequently Effective and Indefinitely Effective kamma. When such
actions that should produce their effects in this life or subsequent
lives do not operate, they are termed Ineffective.
d) Plane where Effects Take Place
The last classification is according to the plane in which the effects take place, namely:
1) Immoral actions that ripen in the Sensual Plane (Kāma loka) of misery, namely: hell, animal, ghost and demon realms.
2) Moral actions that ripen in the Sensual Plane (Kāma loka) of
happiness, namely the human and the six celestial realms. In Abhidhamma,
they are the eight types of wholesome consciousness (sobhana citta)
pertaining to the Sensual Sphere.
3) Moral actions that ripen in the
Form Plane (Rūpa loka) of Brahmas with form. They are the rūpa jhānas,
namely: the first, second, third and fourth jhāna.
4) Moral actions
that ripen in the Formless Plane (Arūpa loka) of Brahmas possessing mind
only but without form. They are the arūpa-jhānas, namely: Realm of
Infinite Space, Realm of Infinite Consciousness, Realm of Nothingness,
and Realm of Neither Perception nor Non-Perception.
9. Is One Bound to Reap All That One Has Sown in Just Proportion?
While the Law of Kamma states that we reap what we sow, there is
another aspect of kamma that is also very important, namely, that
kamma-results can be modified:
This means that the Law of Kamma does
not operate with mechanical rigidity but allows for modifications in
the ripening of the fruit.
It is this dynamic aspect of kamma that the Buddha declared in Aṅguttara I, 249 as follows:
“If anyone says that a man must reap everything according to his deeds,
in this case there is no religious life, nor is there an opportunity
afforded for the entire extinction of sorrow”.
“But if anyone says
that what a man reaps accords with his deeds, in that case there is a
religious life, and an opportunity is afforded for the entire extinction
of sorrow”.
These statements by the Buddha tell us that kamma is
not fate or predestination. Nor is one bound to reap all that one has
sown in just proportion.
We can explain this by the simile of the
billiard ball, whose direction can be changed or even stopped by sending
another billiard ball to hit it at an appropriate angle.
Like any
physical event, the mental process constituting a kammic action does not
exist in isolation. Thus its efficacy in producing a result depends not
only on its own potential but also upon the potential of other kammas.
We see for example, that a particular kamma either moral, or immoral,
may sometimes have its result strengthened by supportive kamma, weakened
by obstructive kamma, or even annulled by destructive kamma.
The
occurrence of the result can also be delayed if the condition for
ripening is not complete; and that delay may again give chance for
obstructive or destructive kamma to operate.
Besides external conditions, the spiritual quality of the mind from which the volition arises can affect the results:
To one rich in moral or spiritual qualities, a single offence may not
entail the weighty results the same offence will have for one who is
poor in such protective virtues.
The Buddha compares this with the
taste of water from a cup wherein a lump of salt has been added against
the taste of water from the Ganges River in which the same lump of salt
has been thrown in.
Thus although Aṅgulimāla killed many people
before he met the Buddha, and his action would have landed him in the
woeful states in future existences,
his attainment of Arahantship
effectively closed the door to future rebirth and suffering, although he
would still have to bear the dire consequences while he lived.
So
complicated is the web of kammic conditioning that the Buddha declared
kamma-result to be one of the “four unthinkables”, that are beyond the
range of thought and should not be speculated upon.
But though the working of kamma is beyond our intellect, the important practical message is clear:
the fact that kamma-results are modifiable frees man from the shackles
of predestination and fatalism and keeps the road to liberation
constantly open before him.
Everyone has a certain amount of free
will to mould one’s life or modify one’s actions. Even the most vicious
person can become a virtuous person if he wants to change his life and
makes the effort to do so.
However, everything in this world,
including man himself is subject to conditions and without the necessary
conditions, nothing can arise.
10. Lessons Learnt from Kamma
The kamma doctrine of the Buddha is a teaching of moral and spiritual responsibility for oneself and others:
The more we understand the Law of Kamma, the more we realize how
careful we must act in thought, speech and deeds if we wish to
accumulate wholesome kamma.
For when a certain thought, speech or
deed is performed regularly, there is a definite tendency to repeat the
act. Thus each act, mental or physical tends to produce its like and be
in turn produced, a condition called asevana or habitual recurrence.
Wholesome actions performed regularly tend to increase the tendencies
to goodness while unwholesome actions performed regularly tend to do the
opposite.
The advice given by the Buddha in the Dhammapada sums up the lessons to learnt from kamma:
Do not disregard evil lightly, saying: “It will not come nigh unto me”;
by the falling of drops even a water jar is filled; likewise the fool,
gathering little by little, fills himself with evil. (Verse 121)
Do
not disregard merit, saying: “It will not come nigh unto me”; by the
falling of drops even a water jar is filled; likewise the wise man,
gathering little by little, fills himself with good. (Verse 122)
According to Venerable Ledi Sayadaw, by the declaration:
“All living beings are owners of their actions, heirs of their actions;
they originate from their actions, are related to their actions, have
their actions as their refuge”,
the Buddha also meant that the
wholesome and unwholesome actions performed once by a being during his
lifetime, may ripen even after a lapse of thousands of existences or
world cycles.
The wholesome kammas that yield good results and
unwholesome kammas that yield bad results always accompany the
life-continuum of a being.
Therefore one should always love and
esteem good conduct more than one’s own life by performing meritorious
actions. On the other hand one should always shun evil conduct more than
the danger of death and refrain from evil deeds.


Buddhism: History | 2

comments (0)